Images at Librifly

Frederick Langenheim, ca. 1851–53, Daguerreotype, Image: 8.9 x 7 cm (3 1/2 x 2 3/4 in.), Photographs, William Langenheim (American, born Germany, Schöningen 1807–1874

Madonna and Child Seated on Clouds (recto); Madonna and Child in Reverse (verso), 1637–1700, Pen and brown ink, squared in black chalk for transfer (recto). Composition outlined in pen and brown ink. On off-white paper. Black chalk (verso),

[Roman Ruins], 1860s, Albumen silver print, Photographs, Attributed to Giacomo Caneva (Italian, 1812–1865

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), Court, Radim, 1920, Limestone, paint, H 3.9 cm ( 1 9/16 in.); W

Pendant, 7th–8th century, Mexico or Guatemala, Mesoamerica, Maya, Jadeite, pigment, H. 3 × W. 1 1/2 × D. 1 1/2 in. (7.6 × 3.8 × 3.8 cm), This bright green jade pendant depicts a Maya ruler wearing the headdress of a supernatural being.

Terracotta lamp, Mid Imperial, 2nd century A.D., Roman, Terracotta, Overall: 1 3/8 x 3 1/2 in. (3.5 x 8.9 cm), Terracottas

Man squatting with head resting on his hands on his knees, Ptolemaic Period, 332–30 B.C., From Egypt, Leaded bronze, H. 5.2 × W. 2.7 × D. 3.1 cm (2 1/16 × 1 1/16 × 1 1/4 in.), This statuette belongs to a late type from Egypt seen in

Design for a chandelier: detail of a swan holding a candlestick, early 19th century, Counterproof of a drawing in black chalk, Sheet: 15 3/4 x 20 3/16 in. (40 x 51.2 cm), Anonymous, German, 19th century, Recto: design for a chandelier, Verso:

Hunting Scene, 16th century, Pen and brown ink, brush and gray wash. Incised, Diameter: 9 in. (22.9 cm), Drawings, Anonymous, Netherlandish, 16th century

Jar, 1896–1900, Made in Milwaukee, Wisconsin, United States, American, Stoneware, 5 in. (12.7 cm), Ceramics, Susan S. G. Frackelton (1848–1932

Design for a Chimney Piece, 1800–1900, Brown ink and pencil, 8-27/32 x 10-1/32 in, Drawings, Anonymous, Italian, 19th century

Architectural Drawings, 1800–1900, Pen, 3-3/8 x 4-7/8 in, Drawings, Anonymous, Italian, 19th century

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 6v), Printer, Designer, Henning Gross the younger, Andreas Bretschneider, German, Dresden ca. 1578–ca. 1640 Leipzig, Gross, Henning the younger,

Sketch for Ceiling Decoration, 16th century, Pen and brown ink, washed, 12 x 10-1/8 in. (30.5 x 25.7 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

A View of the Column of Trajan (above) with Details (below), before 1704, Brush and grey ink on grey wash, pen and black ink, over red chalk., 13 1/16 x 8 13/32 in. (33.2 x 21.4 cm), Drawings, Jan Goeree (Dutch, Middelburg 1670–1731

King of Horns, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 76 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Architectural Fantasy, mid-18th–early 19th century, Pen and black ink, black and gray wash, heightened with white over black chalk, sheet: 10 x 13 13/16 in. (25.4 x 35.1 cm), Drawings, Johann Ferdinand von Hohenberg (Austrian, Vienna

Gold Goblet with Personifications of Cyprus, Rome, Constantinople, and Alexandria, 700s, Avar or Byzantine, Gold, 6 5/8 × 4 13/16 × 5 1/16 in., 13 Troy Ounces (16.8 × 12.2 × 12.9 cm, 421g), Metalwork-Gold, This goblet is decorated with

[Interior of Taj Mahal, Agra], 1860s–70s, Albumen silver print from glass negative, 21.1 x 27.2 cm (8 5/16 x 10 11/16 in.), Photographs, Unknown

Self-Portrait, ca. 1815–20, Black chalk with touches of white chalk on beige (formerly blue) laid paper, sheet: 14 3/4 x 17 11/16 in. (37.4 x 44.9 cm), Drawings, Andre-Jacques-Victor Orsel (French, Oullins 1795–1850 Paris

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Publisher, Artist, Artist, Martin Engelbrecht, Carl Pier, Jeremias Wachsmuth, Franz Xavier Habermann, German,

Box-form ornament with granulation, Ptolemaic Period, 6th–4th century BC, From Egypt, Lower Egypt, Gold, Diam. 1.7 × H. 0.7 cm (11/16 × 1/4 in.), This box-form ornament has an opening in the form of an eight-pointed star on its upper

David Showing Saul the Tip of His Coat, 1636–41, Pen and brown ink, brush and brown wash, 7 7/8 x 12 3/16 in. (20 x 31 cm), Drawings, Ferdinand Bol (Dutch, Dordrecht 1616–1680 Amsterdam

Kohl Jar and Stick, Second Intermediate Period–Early New Kingdom, Dynasty 17–Early Dynasty 18, ca. 1635–1458 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Courtyard CC 41, Pit 1, Burial A 1, In toilet box, 1915–16, Wood, L. 4.5

Panthea, Wife of Abradates, Stabs herself, 18th–19th century, Pen and brown ink, brush and grey wash, Sheet: 3 3/8 × 4 11/16 in. (8.6 × 11.9 cm), Drawings, Edward Francis Burney (British, Worcester 1760–1848 London

Fragment with the Head of a Figure, 4th–6th century, Attributed to Egypt, Wool, linen; plain weave, tapestry weave, 11 5/8 in. high 6 in. wide (29.5 cm high 15.2 cm wide), Textiles, A wonderfully expressive face is all that remains of the

Herr Joachim, 1868, Albumen silver print from glass negative, 29.5 x 24.3 cm (11 5/8 x 9 9/16 in. ), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon), One of the nineteenth-century’s greatest

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 14 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

'The Captive Peasant with his Two Wives', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Delivery Entrance of Palais des Beaux Arts at the Exposition Universelle of 1855, 1855, Pen and black ink, brush and gray wash over graphite, sheet: 8 3/4 x 12 5/8 in. (22.2 x 32 cm), Drawings, Eyre Crowe (British, London 1824–1910 London

Terracotta oinochoe (jug) in the form of a woman's head, Late Classical, late 4th century B.C., Etruscan, Terracotta, H. 5 1/8 in. (13 cm), Vases, Figural vessels of this sort were popular products of the Clusium Group, but this may be an

Study for an engraving: 'Almanac pour l'an de Bissexte M.DC.XCII: La Lotterie Chimerique d'Augsbourg où chacun met du sien sans proffit'[sic], Late 17th century, Pen, brown ink, brown wash over black chalk; the contours traced and indented for

Man and Woman in a Landscape, possibly Faust and Marguerite, ca. 1826–27, Pen and brown ink, brush and brown wash, over traces of graphite, sheet: 4 1/2 x 6 in. (11.4 x 15.2 cm), Drawings, Richard Parkes Bonington (British, Arnold,

Mestre, 1697–1768, Etching, plate: 11 13/16 x 16 15/16 in. (30 x 43 cm), Prints, Canaletto (Giovanni Antonio Canal) (Italian, Venice 1697–1768 Venice

Vishnu, Thakuri period, dated August 12, 1105, Nepal (Kathmandu Valley), Copper alloy with gilding, H. 16 7/8 in. (42.9 cm); W. 7 1/8 in. (18.1 cm); D. 3 1/2 in. (8.9 cm), Sculpture, This heroic representation of Vishnu wearing an elaborate

Fort Brady, Virginia, near Dutch Gap, 1865, Albumen silver print from glass negative, Photographs, William Frank Browne (American

Snuff Bottle, Qing dynasty (1644–1911), late 18th–early 19th century, China, Turquoise, H. 2 7/8 in. (7.3 cm); W. 1 3/8 in. (3.5 cm); D. 1 in. (2.5 cm), Snuff Bottles

Richmond, Virginia, 1865, Albumen silver print from glass negative, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Portrait of a Man with a Rosary, ca. 1508, Oil on oak, 18 3/4 x 13 7/8 in. (47.6 x 35.2cm), Paintings, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar), This painting and a Portrait of a Woman in Prayer originally formed the wings

Terracotta trefoil oinochoe (jug), Archaic, ca. 550 B.C., Etruscan, Terracotta; bucchero pesante, H. 14 3/16 in. (36 cm), Vases, Horse and lion protomai (foreparts) are often used to decorate bucchero jugs made at Chiusi. The horse motif is

Covered Dish, 1800–1830, Made in Pennsylvania, United States, American, Earthenware, H. 3 1/4 in. (8.3 cm); Diam. 4 1/4 in. (10.8 cm), Ceramics

Woman sitting near a pond, 17th century, British, Framed: 10 × 7 1/2 × 1 1/4 in. (25.4 × 19.1 × 3.2 cm), Textiles-Embroidered

Design for a Church Facade, 17th century, Pen and brown ink, brush and gray wash, sheet: 9 3/8 x 6 1/2 in. (23.8 x 16.5 cm), Anonymous, Italian, 17th century

Landscape, 1609–67, Brush and gray wash over black chalk, sheet: 9 3/16 x 12 7/16 in. (23.3 x 31.6 cm), Drawings, Cornelis van Poelenburch (Dutch, Utrecht (?) 1594/95–1667 Utrecht

IIIe Station. Jésus tombe pour la première fois. Une colonne brisée et entendue a terre indique la place de cette station au lieu où la voie douloureuse tourne brusquement a gauche, 1860 or later, Albumen silver print from paper negative,

Colt Model 1851 Navy Percussion Revolver, Serial Number 29705, with Case and Accessories, ca. 1853–54, Hartford, Connecticut, American, Hartford, Connecticut, Steel, brass, silver, wood, copper, tin, lead, paper, L. of pistol 13

Water dropper in the shape of a crane, 清 瑪瑙俏色仙鶴水滴, Qing dynasty (1644–1911), 18th century, China, Carnelian and white agate, H. 2 3/8 in. (6 cm); W. 3 1/8 in. (7.9 cm), Hardstone, A crane holding a branch of peaches

An Italianate Villa, 1820–85, Pen and black ink, watercolor, sheet: 12 3/8 x 16 3/8 in. (31.4 x 41.6 cm), Henry Edward Kendall Jr. (British, ca. 1805–1885

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 15r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Metal Bracket Design, second half 19th century, Graphite, sheet: 5 1/4 x 4 in. (13.4 x 10.1 cm), Anonymous, British, 19th century

Ax head, Middle Kingdom–Early New Kingdom, Dynasty 12–18, ca. 1981–1550 B.C., From Egypt, Bronze or copper alloy, H. 5.1 cm (2 in.); W. 10.9 cm (4 5/16 in.); D. 2 cm (13/16 in.), Duckbill-shaped' axes like this one were produced

Riding Coat, first half 13th century, Attributed to probably Iran, Silk; weft-faced compound twill (samite), Textile: H. 68 7/8 in. (175 cm), Textiles-Costumes, In addition to gold jewelry, affluent people during the Seljuq period and slightly

Cassiopeia, 1866, Albumen silver print from glass negative, 34.9 x 27.4 cm (13 3/4 x 10 13/16 in. ), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon), The model for 'Cassiopeia' and 'The

Drawings and Prints, Books Prints Ornament & Architecture, Schön Neues Modelbuch (Page 21 recto), Designer, Publisher, Johann Sibmacher, Balthasar Caymox, German, active 1590–1611, German, Bersse (?) 1561–1635 Nuremberg, Sibmacher,

Drawings and Prints, Books Prints Ornament & Architecture, Esemplario di lavori, page 10 (recto), Publisher, Nicolò Zoppino, Italian, Ferrara 1478/80–1544 Venice, Zoppino, Nicolò, Italian, 1478, 1544, August 1529

White House Landing, Pamunkey River, 1861–65, Albumen silver print from glass negative, 12.9 x 19.2 cm (5 1/16 x 7 9/16 in. ), Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

清中期 玉帶鈎, Garment hook, Qing dynasty (1644–1911), 18th century, China, Jade (jadeite), H. 3 11/16 in. (9.4 cm); W. 11/16 in. (1.7 cm); D. 1 in. (2.5 cm), Jade

Study of the Head of St. Augustine, for the painting of the Madonna and Child with Saint Augustine and Bonifacius (1846), 1846, Graphite, pink wash, and white bodycolor, 12 5/8 x 11 1/8 in. (32 x 28.2 cm), Drawings, Eduard Jakob von Steinle

Drawings and Prints, Books Prints Ornament & Architecture, Ein new getruckt model Büchli...Page 12, verso, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550,

Hiawatha, 1868, Made in Rome, Italy, Marble, 13 3/4 × 7 3/4 × 5 1/2 in. (34.9 × 19.7 × 14 cm), Sculpture, Edmonia Lewis (American, 1844–1907), Like many American sculptors of the nineteenth century, Lewis, an artist of

Tumbler, after 1886, Made in Wheeling, West Virginia, United States, American, Pressed colorless and opalescent glass, H. 3 3/4 in. (9.5 cm), Glass, Probably Hobbs, Brockunier and Company (1863–1891

Platter, 1815–30, Made in Paris, France, French, Porcelain, 2 7/8 x 19 3/8 x 13 1/16 in. (7.3 x 49.2 x 33.2 cm), Ceramics

Drawings and Prints, Books Prints Ornament & Architecture, Lucidario di Recami, page 5 (recto), Publisher, Designer, Jeronimo Calepino, Iseppo Foresto, Italian, active Venice, 1557, 1564, Calepino, Foresto, Iseppo, Italian, 1500,

Nutmeg Grater, 1780–1850, Possibly made in Philadelphia, Pennsylvania, United States, American, Silver, steel, Overall: 1 3/8 x 1 in. (3.5 x 2.5 cm); 10 dwt. (15.3 g), Silver, Marked by D. F

Terracotta neck-amphora (jar), Archaic, ca. 540–530 B.C., Greek, Attic, Terracotta; black-figure, H. 14 3/4 in. (37.5 cm), Vases, Obverse, Poseidon fighting giant Reverse, Judgement of Paris The gods of Mount Olympos had to overcome

Figure of a Court Lady, Tang dynasty (618–907), 8th century, China, Painted pottery, H. 14 5/8 (37.1 cm); W. 4 1/2 in. (11.4 cm); D. 3 1/4 in. (8.3 cm), Tomb Pottery

Camp of Construction Corps, U.S. Military Rail Road, near Manchester, Virginia, ca. 1865, Albumen silver print from glass negative, Photographs

Lake Albano and Castel Gandolfo, 1826–27, Oil on paper, laid down on wood, 9 x 15 1/2 in. (22.9 x 39.4 cm), Drawings, Camille Corot (French, Paris 1796–1875 Paris), Castel Gandolfo, named after the family that fortified the town in the

Spherical and Biconical Gold Beads, 11th century, Made in Egypt or Syria, Gold; filigree and granulation, Jewelry, These beads feature superb patterns of scrolling vines whose bifurcations elegantly extend the design to fit the required space.

The Burial of Punchinello, ca. 1800, Pen and brown ink, brown and yellow wash, over black chalk., 13 7/8 x 18 5/8 in. (35.3 x 47.3 cm), Drawings, Giovanni Domenico Tiepolo (Italian, Venice 1727–1804 Venice), Domenico Tiepolo's 104 drawings

Potted Pansies, 1883, Oil on canvas, 11 × 13 1/2 in. (27.9 × 34.3 cm), Paintings, Henri Fantin-Latour (French, Grenoble 1836–1904 Buré), The simple motif of two pots of pansies, one behind and slightly to the right or left of the other,

Jérusalem. Entrée de l'Église du St. Sépulcre, 1860 or later, Albumen silver print from paper negative, Image: 10 13/16 × 8 5/16 in. (27.5 × 21.1 cm), Photographs, Louis de Clercq (French, 1837–1901

Menat counterpoise with figures of Hathor as a woman and a cow, New Kingdom, Dynasty 18, ca. 1390–1352 B.C., From Egypt, cupreous alloy, H. 16.3 cm (6 7/16 in.); W. 5 cm (1 15/16 in.), The menat is a ritual necklace, which consists of

Study for 'The Horse Fair', 19th century, Black chalk, gray wash, heightened with white, Sheet: 5 3/8 x 13 1/4 in. (13.7 x 33.7cm), Drawings, Marie-Rosalie Bonheur (French, Bordeaux 1822–1899 Melun

Salor Main Carpet, late 18th–early 19th century, Attributed to Sothern Turkmenistan, Central Asia, Wool, silk, Rug: H. 127 1/4 in. (323.2 cm), Textiles-Rugs, The largest carpets created by Turkmen nomadic weavers, known as 'main' carpets,

Candlestick, ca. 1815–30, Probably made in Pittsburgh, Pennsylvania, United States, American, Glass, blown, 9 1/8 × 4 1/2 in. (23.2 × 11.4 cm), Glass

[Civil War View], 1860s, Albumen silver print from glass negative, Photographs, Thomas C. Roche (American, 1826–1895) , et al

Turkish Lancer and Onlookers Approaching a Town, 1760–70, Pen and brown ink, brush and pale brown wash, over black chalk; framing outlines by the artist in pen and brown ink, Frame: 18 x 24 in. (45.7 x 61 cm), Drawings, Giovanni Domenico

Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 9 (verso), 1554, Woodcut, 7-5/8 x 6-3/8 x 1/4 in. (19.4 x 16.2 x 0.6 cm), Published by Matteo Pagano, Italian, 1515-1588, bound by Lloyd,

Pelasgus civilizes the Greeks, 18th–19th century, Pen and brown ink, brush and grey wash, Sheet: 3 3/8 × 4 9/16 in. (8.5 × 11.6 cm), Drawings, Edward Francis Burney (British, Worcester 1760–1848 London

Jar Decorated with Boats, Naqada IIc–d1, ca. 3450–3350 B.C., From Egypt, Pottery, paint (Decorated Ware), H. 12.4 cm (4 7/8 in.); Diam. 4.2 cm (1 5/8 in

Double Bottle (One of a Pair), Qing dynasty (1644–1911), Qianlong period (1736–95), China, Cloisonné enamel, H. 8 3/4 in. (22.2 cm); W. 5 3/4 in. (14.6 cm), Cloisonn

Textile with crowned double headed eagles, second half 16th century, Chinese, Macao for export to Iberian market, Lampas, silk, 20 × 22 in. (50.8 × 55.9 cm), Textiles-Woven, Crowned double-headed eagles, often symbolic of the Habsburg

Cabinet Design with Glass Front, its Doors Adorned with Porcelain Plaques, with a Green Top, 19th century, Ink and watercolor, sheet: 5 5/16 x 6 15/16 in. (13.5 x 17.7 cm), Anonymous, British, 19th century

Entry Hill, Belvedere, late 19th–mid-20th century, Watercolor squared for transfer in pen and red ink, heightened with white., sheet: 8 5/8 x 8 7/16 in. (21.9 x 21.4 cm), Drawings, Walter Richard Sickert (British, Munich 1860–1942

Design for a Book Illustration [?], 18th century, Pen and gray ink with graphite, 2 1/16 x 1 5/8 in. (5.2 x 4.2 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Illuminated Initial 'B', 1830–62, Watercolor and gold over graphite with touches of gouache, sheet: 14 9/16 x 9 1/16 in. (37 x 23 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London

Drawings and Prints, Books Prints Ornament & Architecture, Ein new getruckt model Büchli...Page 8, verso, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550,

Drawings and Prints, Book, L'Autonne, in L'Oeuvre D'Antoine Watteau Pientre du Roy en son Academie Roiale de Peinture et Sculpture Gravé d'apres ses Tableaux & Desseins originaux...par les Soins de M. de Jullienne, Volume II, page 52, Artist,

Sleeveless Tunic, 12th–15th century, Peru, Chimú, Cotton, camelid hair, H. 40 x W. 22 1/4 in. (101.6 x 56.5 cm), Textiles-Woven

Ceiling Fragment Depicting Birds from the Palace of Amenhotep III, New Kingdom, Dynasty 18, ca. 1390–1353 B.C., From Egypt, Upper Egypt, Thebes, Malqata, Palace of Amenhotep III, Women's quarters, 1911–12, Mud plaster, paint, H. 68.3

The Evacuation of Fort Sumter, April 1861, April 1861, Albumen silver print from glass negative, Image: 1 15/16 × 3 1/8 in. (5 × 7.9 cm), Photographs

Ancient Naval Battle (Recto); Park with Monuments (Verso), 16th century, Pen and brown ink (recto); Pen and brown ink, brush and gray wash (verso), sheet: 5 11/16 x 8 1/4 in. (14.5 x 21 cm), Drawings, Anonymous, Italian, 16th century

Sketches, 16th century, Pen and brown ink, 7 x 5-3/8 in. (17.8 x 13.7 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Whiskey Mug, 1850–60, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, diamond thumbprint, H. 2 7/8 in. (7.3 cm), Glass, With the development of new formulas and techniques, glass-pressing technology had

The Annunciation (Angel Approaching From the Right), 17th century, Black chalk reinforced with traces of pen and light brown ink. Drawing continues over palimpsest in lower left corner. On off-white paper, 4-1/8 x 4-7/16 in. (10.5 x 11.2 cm),

Textile Fragment, last quarter 16th century, Attributed to Egypt, Cairo, Wool (warp, weft, and pile); asymmetrically knotted pile, Rug: H. 77 1/2 in. (196.9 cm), Textiles-Rugs, Associated with the Mamluks in Egypt and Syria, Mamluk-style

East Front of Wentworth Woodhouse, Yorkshire, 1790, Pen, ink and watercolor, sheet: 15 x 21 1/2 in. (38.1 x 54.6 cm), Drawings, R. Blasson (British, active 1790

Sergeant John Lincoln Clem, The Drummer Boy of Chickamauga, ca. 1864, Albumen silver print from glass negative, Image: 8.9 x 5.4 cm (3 1/2 x 2 1/8 in.), Photographs, In addition to gallant, if classical, portraits of Civil War elite such as