Images at Librifly

The Holy Family with Saints, ca. 1550–55 (?) , Etching, Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice), In Mariette Album, folio 28, bottom right

Mug, 1700–1800, Made in Bohemia, Czech Republic, Non-lead glass with enamel decoration, H. 7 in. (17.8 cm), Glass

Finger Bowl, 1880–88, Made in Sandwich, Massachusetts, United States, American, Blown amber glass with applied threaded decoration, H. 2 1/2 in. (6.4 cm); Diam. 5 1/8 in. (13 cm), Glass, Possibly Boston & Sandwich Glass Company (American,

Fragment of wall painting from the Tomb of Sebekhotep, New Kingdom, Dynasty 18, ca. 1550–1295 B.C., From Egypt, Upper Egypt, Thebes, Sheikh Abd el-Qurna, Tomb of Sebekhotep (TT 63), Tempera paint on mud plaster, H. 53.5 cm (21 1/16 in.);

Pitcher, ca. 1850, Made in England, Mottled brown earthenware, H. 8 1/2 in. (21.6 cm), Ceramics

Drawings and Prints, Books Prints Ornament & Architecture, Pretiosa Gemma delle virtuose donne, page 18 (recto), Author, Publisher, Binder, Isabella Catanea Parasole, Gargano, Hardy-Mennil, Italian, ca. 1565/70–ca. 1625, Venetia,

Pendant, bulla (lentoid), Hellenistic, 3rd century B.C., Etruscan, Gold, Other: 3 3/16 x 2 11/16 x 1 in. (8.1 x 6.9 x 2.6 cm), Gold and Silver

Nude Study, 1768, Red chalk, 10-1/2 x 12 in, Drawings, Anonymous, Italian, 18th century

Kneeling Virgin (Virgin Annunciate) (recto); Writing (verso), 17th century, Black chalk (recto). On off-white paper. Writing in black chalk by artist (verso), 5-1/4 x 3-1/4 in. (13.3 x 8.3 cm), Drawings, Anonymous, Spanish, School of Seville,

Busts of a Young Woman and an Old Bearded Man, 17th century, Pen and dark brown ink. On off-white paper, 3-1/2 x 4-1/8 in. (8.9 x 10.5 cm), Drawings, Anonymous, Spanish, School of Seville, 17th century

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 7/8 x 3 3/8 in. (2.2 x 8.6 cm), Terracottas

R.D. Sears, Champion American Lawn Tennis Player, from World's Champions, Series 2 (N29) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Champions, ' Series 2

Folio from a Qur'an Manuscript, dated A.H. 531/A.D. 1137, Attributed to Iran, Ink, gold, and opaque watercolor on paper, 8 1/2 x 4 13/16in. (21.6 x 12.2cm), Codices

[Two Men with Mustaches, Arms Around Each Other], 1850s, Daguerreotype, Image: 6.7 x 9.2 cm (2 5/8 x 3 5/8 in.), Photographs, Unknown (American

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 36 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

Opera Nova Universali intitulata Corona di racammi, page 20 (verso), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Square with Warrior, 5th–6th century, Attributed to Egypt, Wool, linen; plain weave, tapestry weave, 7.5 in. high 6.75 in. wide (19 cm high 17 cm wide), Textiles, The heads without necks and the large 'jewels' and small pearls surrounding

[Roman Arch at Orange], 1851, Salted paper print from paper negative, 35.3 x 26.2 cm (13 7/8 x 10 5/16 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889), For the Missions Héliographiques, Baldus made two views of the

6 of Horns, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

Colombo. Joseph (on Jean, Octave). 19 ans, né à Paris Xlle. Monteur en bronze. Anarchiste. 10/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Whiskey Mug, 1850–60, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, diamond thumbprint, H. 2 7/8 in. (7.3 cm), Glass, With the development of new formulas and techniques, glass-pressing technology had

Candlestick, 1820–70, Made in Bennington, Vermont, United States, American, Probably mottled brown earthenware, H. 8 1/8 in. (20.6 cm), Ceramics

Drawings and Prints, Books Prints Ornament & Architecture, Page from Eyn Newe kunstlich moetdelboech alle kunst (Page 4v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1532

Les Singuliers et Nouveaux Portraicts... page 72 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Boy with 'Camera Work', 1903, Platinum print, 20.0 x 15.3 cm (7 7/8 x 6 in.), Photographs, Clarence H. White (American, 1871–1925), Although he was still working as a bookkeeper for a wholesale grocery in his native Newark, Ohio, when he

Seated Lad, 1845–50, Salted paper print from paper negative, Image: 4 3/16 × 3 7/16 in. (10.6 × 8.7 cm), Photographs, Calvert Richard Jones (British, Swansea, Wales 1802–1877 Bath, England

Standing Hippopotamus, Middle Kingdom, Dynasty 12, ca. 1961–1878 B.C., From Egypt, Middle Egypt, Meir, Tomb B no. 3 of the nomarch Senbi II, pit 1 (steward Senbi), Khashaba excavations, 1910, Faience, L. 20 cm (7 7/8 in.); W. 7.5 cm (2

Arches in Ruins, Oil on canvas, 23 1/8 x 61 1/4 in. (58.7 x 155.6 cm), Paintings, Hubert Robert (French, Paris 1733–1808 Paris), This narrow painting and its pendant, designed by Robert as overdoors, were intended to be seen from a distance

Design for an Altar, 1700–1780, Pen and dark brown ink over lead point or graphite, with ruled and compass construction, 14 1/4 x 9 7/8 in. (36.2 x 25.1 cm), Drawings, Anonymous, Italian, Piedmontese, 18th century

Design for Ceiling Decoration in Neoclassical Style, 1790, Pen and black ink, brush and colored wash, blue gouache, highlighted with white, 8-5/16 x 6-11/16 in. (21.1 x 17.0 cm), Anonymous, Italian, Roman, 18th century

Spring, 1888–90, Watercolor with touches of gouache over graphite, Sheet: 11 3/4 in. × 17 in. (29.9 × 43.2 cm), Drawings, John William North (British, London 1842–1924 Stamborough, Somerset), Like his fellow 'Idyllists' Frederick Walker

Mosque Lamp, 14th century, Attributed to Egypt or Syria, Glass, colorless with yellow tinge; blown, applied blown foot, enameled and gilded, H. 12 1/2 in. (31.8 cm), Glass, One of the conventions of Mamluk mosque lamp decoration was to

Plate, late 15th–early 16th century, Made in probably Manises, Valencia, Spain, Spanish, Tin-glazed earthenware, Overall: 4 1/2 x 19 in. (11.4 x 48.2 cm), Ceramics

Gettysburg, Pennsylvania, 1863, Albumen silver print from glass negative, Photographs

Bracelet (one of a pair), ca. 400, Made in probably Rome, Byzantine, Gold, Overall: 2 11/16 x 2 5/16 x 1 13/16 in. (6.8 x 5.9 x 4.6 cm), Metalwork-Gold, The medallions and hoops of these handsome bracelets were worked by tracing the design

Christ on the Cross with Six Scenes from the Life of Christ, ca. 1850, Graphite and watercolor, 8 11/16 x 10 15/16 in. (22 x 27.8 cm), Drawings, Eduard Jakob von Steinle (Austrian, Vienna 1810–1886 Frankfurt am Main

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 86r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Pivat. Georges, Léopold. 34 ans, né à Vauxcié (Aisne). Tailleur d'habits. Anarchiste. 9/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Knife with Ornamental Handle, from the Way to Chirurgerie, second half 19th century, Graphite on tracing paper, irreg. sheet: 7 1/2 x 3 13/16 in. (19 x 9.7 cm), Anonymous, British, 19th century

Demitasse Cup and Saucer, ca. 1860–66, Made in China, Chinese, for American market, Porcelain, Cup: H. 2 in. (5.1 cm), Ceramics

Tiger Rolling on Its Back, 1810–75, Watercolor on heavy wove paper, Sheet: 9 3/16 x 11 5/8 in. (23.3 x 29.5cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Ritual wash basin, Muromachi period (1392–1573), 16th century, Japan, Negoro ware, red lacquer and exposed keyaki wood, H. 5 3/4 in. (14.6 cm); D.13 in. (33 cm), Lacquer, This round, three-legged basin is lacquered red inside and out

Capital, ca. 1130–40, Made in present-day France, Catalan, Marble, Overall: 18 x 18 x 18 in. (45.7 x 45.7 x 45.7 cm), Sculpture-Architectural

Tobacco Pouch, 1850–80, Japan, Lacquer, H. 8 1/2 in. (21.6 cm); W. 4 1/2 in. (11.4 cm); D. 2 in. (5.1 cm), Tobacco Pouches

Karnak (Thèbes), Palais - Salle Hypostyle - Décoration de la Paroi Intérieure au Point M, 1851–52, printed 1853–54, Salted paper print from paper negative, 23.3 x 30.5 cm. (9 3/16 x 12 in.), Photographs, Félix Teynard (French,

Suggestions for Urns, 18th century, Graphite, sheet: 19 x 16 in. (48.3 x 40.6 cm), L. V. Grave (British, 18th century

Earring with head of a bull, Ptolemaic Period, 2nd–1st century B.C., Probably from Egypt, gold, As Worn: H. 3.7 × W. 4.1 cm (1 7/16 × 1 5/8 in.), Hoops formed of wound wire with animal head terminals are the commonest type of Hellenistic

Tobacco pouch, 18th century, Japan, Gold embossed leather mounted with ivory, Pouch: H. 10 in. (25.4 cm); W. 11 in. (27.9 cm), Tobacco Pouches

Study for a Monument to a Princely Figure, Oil on paper, laid down on canvas, 15 x 12 5/8 in. (38.1 x 32.1 cm), Pastels & Oil Sketches on Paper, François Boucher (French, Paris 1703–1770 Paris

Canopic jar of Tetinakht: Imsety, New Kingdom, Dynasty 18, early, ca. 1550–1525 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Birabi, Tomb CC 9, Carnarvon/Carter excavations, 1907–11, Pottery, Marl A4, Overall H. 29 cm (11 7/16

Snuff Bottle with Children at Play, Qing dynasty, 18th century, China, Carved lacquer, H. 2 3/4 in. (7 cm), Snuff Bottles

[Civil War View], 1860s, Albumen silver print from glass negative, Photographs, Thomas C. Roche (American, 1826–1895) , et al

Félicien Rops, 1860s–70s, Albumen silver print from glass negative, Photographs, Frères Ghemar

Palampore Tree of Life Quilt, ca. 1815, Made in New England, United States, American, cotton, 8 ft. 6 in. × 8 ft. 6 in. (259.1 × 259.1 cm), Textiles, This boldly graphic quilt was constructed in America in the early nineteenth century,

Design for a Bracket or Console with Two Figures caught in Strapwork, 17th century, Pen and brown ink, brush and brown wash, over graphite underdrawing and ruled construction, sheet: 9 3/16 x 4 in. (23.4 x 10.2 cm), Anonymous, Italian, 17th

Beggar with a Staff in His Right Hand, from Images of Spain Album (F), 69, 1812–20, Brush and brown wash on laid paper, Sheet: 8-1/16 x 5-5/8 in. (20.5 x 14.3cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos

Drawings and Prints, Books Prints Ornament & Architecture, Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), title page (verso), Binder, Publisher, Lloyd, Wallis & Lloyd, Matteo Pagano,

Christ Being Crowned with Thorns, 1700–1740, Black chalk and graphite heightened with white on blue-dyed paper, sheet: 12 13/16 x 10 1/2 in. (32.5 x 26.7 cm), Drawings, Karl Dankwart (Polish, died after 1703

狩野探幽筆　月夜山水図, Landscape in Moonlight, Edo period (1615–1868), after 1662, Japan, One of a triptych of hanging scrolls; ink on silk, Image: 39 5/8 x 16 3/4 in. (100.6 x 42.5 cm), Paintings, Kano Tan'yū (Japanese,

Esemplario di Lauori..., page 10 (recto), August 1, 1532, Woodcut, Overall: 8 7/16 x 6 5/16 in. (21.5 x 16 cm), Originally published by Giovanni Andrea Vavassore, Italian, active 16th century, Venice, designed by Florio Vavassore

Candlestick, 18th century, Pen and brown ink over graphite, 12 x 8-3/8 in, Drawings, Anonymous, Italian, 18th century

Architectural Study, 17th century, Pen and dark brown ink, pen and red ink, over ruled construction in graphite, sheet: 8 3/8 x 11 3/4 in. (21.2 x 29.9 cm), Drawings, Anonymous, Italian, 17th century

Fragment, 5th century, Attributed to Egypt, Wool, linen; tapestry weave, 11 13/16 in. high 4 1/8 in. wide (30 cm high 10.5 cm wide), Textiles

Stormy Sea, 1851, Brush and brown wash on board., 5 3/8 x 7 7/16 in. (13.6 x 18.9 cm), Drawings, Eduard Hildebrandt (German, Danzig (now Gdansk, Poland) 1818–1869 Berlin

Design for a Cabinet witha Porcelain Plaque on the Center Panel, 19th century, Graphite, watercolor and scratching on grey ground, sheet: 5 7/8 x 6 13/16 in. (15 x 17.3 cm), Anonymous, British, 19th century

Detail study for the façade of Milan cathedral, 1700–1773, Pen and black ink over freehand graphite and compass and ruled construction lines in graphite, 11-3/16 x 16-3/4 in. (28.4 x 42.5 cm), Drawings, Luigi Vanvitelli (Italian, Naples

Opera Nova Universali intitulata Corona di racammi, page 5 (recto), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Nicolaas Henneman in the Cloisters at Lacock Abbey, February 23, 1841, Photogenic drawing from paper negative, Image: 4 1/8 × 4 7/16 in. (10.5 × 11.3 cm), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Design for a Machine to Raise and Lower Machinery, 19th century, Graphite., 8 1/4 x 8 3/4 in. (21.0 x 22.2 cm), Drawings, Anonymous, German, 19th century

Man of Sorrows and Two Studies of Heads, 17th century, Pen and brown ink, red chalk; offset of a drawing in brush and black ink., sheet: 7 3/4 x 7 3/8 in. (19.7 x 18.8 cm), Drawings, Anonymous, Flemish, 17th century

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 61 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

The Steerage, 1907, printed in or before 1913, Photogravure, 32.2 x 25.8 cm (12 11/16 x 10 3/16 in.), Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York), As proprietor of the Little Galleries of the Photo-Secession and

Covered vase, ca. 1770, British, Worcester, Soft-paste porcelain, H. 15 1/4 in. (38.7 cm); W. 6 1/2 in. (16.5 cm), Ceramics-Porcelain, These two vases are decorated with scenes of figures set in landscapes, and the detail with which they are

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 45r), Designer, Printer, Andreas Bretschneider, Henning Gross the younger, German, Dresden ca. 1578–ca. 1640 Leipzig, Bretschneider, Andreas, Gross, Henning

Reliefs from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H. 7.3 cm (2 7/8 in.); W. 11.3 cm (4 7/16 in.); D.

The French Marrow-bone Singer, October 1, 1771, Etching, plate: 6 x 4 1/8 in. (15.3 x 10.5 cm), Prints

Scaffolding Erected for the Restoration of the Vault in St. Peter's Basilica: Overview of the Nave, ca. 1773, Etching, Plate: 28 1/16 x 19 5/8 in. (71.2 x 49.8 cm), Giacomo Sangermano (Italian, active 1743–1773), View of the nave of Saint

Tiger Stalking Prey, Watercolor, Sheet: 5 3/8 x 10 3/16 in. (13.7 x 25.8cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Statuette of a striding man, Middle Kingdom, mid-Dynasty 12, ca. 1900–1850 B.C., From Egypt, Graywacke, H. 32.2 cm (12 11/16 in.); W. 9.2 cm (3 5/8 in.); D. 15.6 cm (6 1/8 in.), The Art of the Middle Kingdom Mid-Dynasty 12 through Dynasty 13

Snuff bottle with women and children in a garden, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Amber with coral stopper, H. 3 1/8 in. (7.9 cm), Snuff Bottles

Angel Scourging a Harpy (recto); Athletic Scene (verso), ca. 1890, Gouache and watercolor, sheet: 11 3/4 x 9 1/4 in. (29.8 x 23.5 cm), Drawings, Anonymous, British, 19th century

Drawings and Prints, Album Prints Ornament & Architecture, Cartouches Nouvellement Inventez par J.B. Toro, Designer, Etcher, Publisher, Jean Bernard Toro, Charles Nicolas Cochin I, Jacques-Nicolas Le Pas Dubuisson, French, Dijon 1672–1731

Design for Bed and Canopy, 1841–84, Pen and black ink, sheet: 12 7/8 x 10 5/16 in. (32.7 x 26.2 cm), Charles Hindley and Sons (British, London 1841–1917 London

Portrait of Ralph Dusenberry, 1924, Oil, folding wooden rulers, wood, and cut-and-pasted printed paper on canvas, 22 x 18 in. (55.9 x 45.7 cm), Paintings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York),

Dupuy. Edmond, Adolphe. 29 ans, né à Paris XIVe. Employé de commerce. Anarchiste. 1/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Drawings and Prints, Book Ornament & Architecture, Livre de Moresques, page 17 (recto), Publisher, Artist, Published by, Previously published by, Hiérosme de Gormont, Cornelis Bos, Francesco di Pellegrino, Netherlandish, Hertogenbosch

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 21), Publisher, Artist, After, Carlo Losi, Jacob

Joseph and his Brethren, ca. 1567, probably British, Silver, parcel gilt, Overall: 5/8 x 7 3/4 in., 9 oz. 8 dwt. (1.6 x 19.7 cm, 0.292kg), Metalwork-Silver, The fine engraving on this set of plates depicts scenes from the Old Testament. The

Portrait of Sam Lovill, the Porter at the Royal Academy, ca. 1817–22, Black chalk heightened with white chalk over graphite, Overall: 7 11/16 x 6 3/16in. (19.5 x 15.7cm), Drawings, Sir Edwin Henry Landseer (British, London 1802–1873

Shadows in Lake, 1916, Gelatin silver print, 11.5 x 9.1 cm (4 1/2 x 3 9/16 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York), Stieglitz regularly spent summers at Oaklawn, his family’s country home on

To Find the Vanishing of Any Building, one side being given, 18th century, Pen and ink and wash over graphite, sheet: 9 1/4 x 15 in. (23.5 x 38.1 cm), Anonymous, British, 18th century

Drawing of a Ewer in Antique Style, early 16th century, Pen and brown ink, with brush and brown wash, sheet: 11 1/4 x 7 in. (28.6 x 17.8 cm), Drawings, Giulio Romano (Italian, Rome 1499?–1546 Mantua) , Manner of

Pedestal with Relief Carving of a Bacchanal with Ornamental Borders., n.d., Pen and brown ink, brush and brown wash, over graphite on light-brown washed paper, sheet: 5 7/8 x 4 9/16 in. (15 x 11.6 cm), Anonymous, Italian, first half of the

Saint Catherine Leaning on a Sword, ca. 1503–4, Pen and brown ink, 10 13/16 x 5 1/4 in. (27.4 x 13.3 cm) (maximum dimensions), Drawings, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg

The Triumph of the Church: Ecclesia Presented with the Doctrines, Seated in a Chariot Attended by the Four Doctors of the Church, 1615–20, Oil on paper, pen and brown ink, sheet: 10 1/2 x 15 5/16 in. (26.7 x 38.9 cm), Drawings, Otto van Veen

Serpentine intaglio: Radiate lion-headed god, Imperial, ca. 2nd–3rd century A.D., Roman, Serpentine, Other: 1 x 1 1/4 in. (2.5 x 3.2 cm), Gems, Radiate lion-headed god.. [Group label], The use of spells, potions, fortune-telling, and

María Teresa (1638–1683), Infanta of Spain, ca. 1645, Oil on canvas, 58 1/4 x 40 1/2 in. (148 x 102.9 cm), Paintings, Juan Bautista Martínez del Mazo (Spanish, Cuenca ca. 1612–1667 Madrid), Mazo was Velázquez’s most gifted assistant

Design for a Box-Front, 18th century, Pen and black ink with brush and grey wash, over graphite underdrawing, 1 15/16 x 7 3/8 in. (5 x 18.7 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Design for the Decorated Panel of a Carriage, 18th century, Pen and brown ink, brush and brown wash, over traces of black chalk on cream paper, 6-7/8 x 5-7/16 in. (17.5 x 13.8 cm), Anonymous, Italian, first half of the 18th century

Madonna and Child, 16th–early 17th century, Engraving, Prints, Anonymous, Italian, 16th to early 17th century, In Mariette Album, folio 49, bottom