Images at Librifly

Design for music cover: A Runaway Girl Waltz, 1898, Watercolor over graphite, sheet: 14 x 10 1/16 in. (35.5 x 25.5 cm), Drawings, W. George (British, active late 19th century

Adoration of the Magi, 18th century, Pen and brown ink, brush with pale and dark brown wash, over black chalk, 16-7/16 x 11-7/16 in. (41.8 x 29 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 11r), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Tunic Fragments with Scattered Design, 6th–8th century, Attributed to Egypt, Linen, wool; tapestry weave, H. 13 3/4 in. (34.9 cm), Textiles

Mercury Turning Aglauros to Stone (Aglauros a Mercurio in lapidem transformatur), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 20, Published after 1606, Etching, sheet: 6 7/8 x 7 7/8 in. (17.5 x 20 cm), Prints,

Two silver clasps with lions, Classical, 5th century B.C., Etruscan, Silver, Other: 1 1/8 in. (2.9 cm), Gold and Silver, A pair of silver clasps depicting recumbent lions

Egg Cup, 1830–70, Made in United States, American, Pressed glass, H. 3 9/16 in. (9 cm), Glass, With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late 1840s. By this time, pressed

Pitcher, 1849–58, Probably made in Bennington, Vermont, United States, American, Mottled brown earthenware, H. 6 1/8 in. (15.6 cm), Ceramics, Probably United States Pottery Company (1852–58

Folio from a Qur'an Manuscript, ca. 1180, Attributed to Eastern Iran or present-day Afghanistan, Ink, opaque watercolor, and gold on paper, H. 11 3/4 in. (29.8 cm) , Codices, These folios from a dispersed Qur'an exemplify the transition

Miniature mountains representing the mythical realm Penglai, Qing dynasty (1644–1911), 18th century, China, Emerald, a, incl. base: 3 5/8 × 1 7/8 × 1 3/8 in. , Hardstone, Thought to be somewhere in the Eastern Sea, Penglai is the realm

St. Catherine of Siena with The Infant Jesus (recto); Warrior with Dead Lion? (verso), 17th century, Pen and brown ink over black chalk on cream paper (recto). Two ruled framing outlines in brown ink (partially cut off at bottom edges); Pen and

Weight in shape of frog, Old Babylonian, ca. 2000–1600 B.C., Mesopotamia, Babylonian, Diorite or andesite, 12.3 x 21.8 cm (4 7/8 x 8 5/8 in.), Stone-Implements-Inscribed, Zoomorphic weights were widespread in the ancient world. Weights in

Operating Tent, Camp Letterman, Gettysburg, Pennsylvania, 1863, Albumen silver print from glass negative, Image: 6 1/4 × 8 3/8 in. (15.9 × 21.3 cm), Photographs, Possibly by Weaver Bothers

Madame Réjane, 1894, Pen and carbon black ink, and brush and wash, sheet: 14 x 9 1/16 in. (35.6 x 23 cm), Drawings, Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton

Candlestick, ca. 1825, Made in New York, New York, United States, American, Silver, Overall: H. 11 1/16 in. (28.1 cm); 27 oz. 12 dwt. (859.1 g), Silver, William Thomson (1777–1833

Frank Eugene and His Brother Frederick L. Smith, 1890, Platinum print, Photographs, Unknown

An Osteria in the Campagna, mid-17th–late 17th century, Graphite, pen and brown ink, brush and brown wash, sheet: 7 5/16 x 11 5/8 in. (18.5 x 29.6 cm), Drawings, Jacob van der Ulft (Dutch, Gorkum 1627–1689 Noordwijk

Two Buff Ware Fragments with Animal Decoration, 9th century, Excavated in Iran, Nishapur, Earthenware; polychrome decoration under transparent glaze (buff ware), W. 6 1/4 in. (15.9 cm), Ceramics, The buff clay fabric used to make this vessel

View of Nemi, 1843 or 1826, Graphite on cream wove paper, Sheet: 5 11/16 x 8 15/16 in. (14.5 x 22.7cm), Drawings, Camille Corot (French, Paris 1796–1875 Paris

Madonna and Child with Six Saints, late 1440s, Tempera on wood, gold ground, 8 7/8 x 8 in. (22.5 x 20.3 cm), Paintings, Pesellino (Francesco di Stefano) (Italian, Florence ca. 1422–1457 Florence), Pesellino specialized in delicately

Plaque, Sasanian, ca. 3rd–7th century A.D., Mesopotamia, Ctesiphon, Sasanian, Marble, 6.25 x 3.12 in. (15.88 x 7.92 cm), Stone-Reliefs

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 23r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

[Dew on a Spider Web], ca. 1910, Gelatin silver print, Image: 3 in. × 3 5/8 in. (7.6 × 9.2 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

'And in it She Floated Home Safely': Skinnemelink, Topsy-Turvy Tales, ca. 1923, Pen and ink and wash, Image diameter: 8 3/4 in. (22.2 cm), Drawings, William Heath Robinson (British, London 1872–1944 Highgate, London

Beaker, ca. 1805, Made in New York, United States, American, Silver, H. 4 in. (10.2 cm) 6 oz. 2 dwt (190.1g), Silver, Benjamin Halsted (1734–1817

Gothic Style Chair, 19th century, Graphite and watercolor, sheet: 14 3/4 x 10 3/4 in. (37.5 x 27.3 cm), Anonymous, British, 19th century

Neuw Zugerichte Schreibkunst (New [book of] Calligraphy), 1604, Plates: engraving, Overall: 7 5/8 x 10 5/16 x 13/16 in. (19.3 x 26.2 x 2 cm

A Common Indian Nightjar (Caprimulgus asiaticus), ca. 1780, Made in India, probably Lucknow, Opaque watercolor on paper, Painting: H. 18 5/8 in. (47.3 cm), Codices, The Latin name for the nightjar, Caprimulgus asiaticus, translates as

Co. B, 170th New York Volunteers, ca. 1861, Albumen silver print from glass negative, Photographs

The law of the leper in the day of his cleansing', ca. 1730, Pen and brown ink, grey wash, construction lines in black chalk, sheet: 11 1/2 x 7 7/8 in. (29.2 x 20 cm), Drawings, Johann Melchior Füssli (Swiss, Zurich 1677–1736 Zurich),

Ewer with Lid, 15th century, Attributed to present-day Afghanistan or Central Asia, Herat, Brass; cast and turned, engraved, incised, inlaid with silver and black compound, 65.55a+b: Ewer + Lid, Metal

Fan, 19th century, Paper, paint, Sheet: 17 1/4 × 6 1/2 in. (43.8 × 16.5 cm), Drawings, Anonymous, Italian, 19th century

宋/明 铜犀牛形水注, Water dropper in the form of a rhinoceros, Ming dynasty (1368–1644), 15th century, China, Bronze, H. 2 1/8 in (5.4 cm); W. 5 in. (12.7 cm); D. 1 7/8 in. (4.8 cm), Metalwork

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 18 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Design for a Frontispiece of a Title Page, n.d., Brush and grey wash over black chalk. Framing lines in brown ink., 14 9/10 x 9 1/2 in. (37.8 x 24.1 cm), Drawings, Attributed to Gerard de Lairesse (Dutch, Liège 1641–1711 Amsterdam) ,

Portrait of a German Officer, 1914, Oil on canvas, 68 1/4 x 41 3/8 in. (173.4 x 105.1 cm), Paintings, Marsden Hartley (American, Lewiston, Maine 1877–1943 Ellsworth, Maine), This monumental painting is the centerpiece of a series that

Suit, 1770–80, probably British, wool, silk, cotton, This elegant suit reflects the relative simplicity and informality of eighteenth-century British menswear, which came to influence fashionable dress throughout Europe in the latter half of

Study of Eleven Heads, late 16th–early 17th century, Pen and three shades of brown ink with black chalk on laid paper; framing lines in brown ink and graphite, sheet: 12 1/2 x 9 3/16 in. (31.8 x 23.3 cm), Drawings, Jacques de Gheyn II

Head of the Virgin, ca. 1397, Tempera on wood (paint around head scraped away and vacant area gessoed), 7 3/4 x 5 3/8 in. (19.7 x 13.7 cm), Paintings, Taddeo di Bartolo (Italian, Siena ca. 1362–1422 Siena

Gilt silver phiale mesomphalos, Classical period, late 5th century B.C., Greek, Silver-gilt, Diameter: 8 in. (20.3 cm), Gold and Silver, Very little Classical Greek silver plate survives today. The golden figural decoration on these examples

Standing Bearded Man Holding a Book., 1530–60, Red chalk, highlighted with white gouache, on blue-green paper, sheet: 11 7/16 x 6 3/8 in. (29 x 16.2 cm) maximum; original support, Drawings, Anonymous, Italian, second half of the 16th

[La Comtesse in robe de piqué‚ or as Judith (?)], 1860s, Albumen silver print from glass negative with applied color, 12.3 x 8.7 cm (4 13/16 x 3 7/16 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Fragment, 3rd–4th century, Country of Origin Egypt, Wool, linen; plain weave, tapestry weave, 13 11/16 in. high 6 1/8 in. wide (34.7 cm high 15.5 cm wide), Textiles

Jérusalem. Chapelle protestante et environs, 1860 or later, Albumen silver print from paper negative, Image: 8 in. × 10 1/4 in. (20.3 × 26 cm), Photographs, Louis de Clercq (French, 1837–1901

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 15/16 × 3 1/8 in. (7.5 × 8 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Design for ceiling decoration, mid-18th–early 19th century, Watercolor over graphite, sheet: 9 5/8 x 7 3/4 in. (24.4 x 19.7 cm), Joseph Bonomi (Italian, Rome 1739–1808 London (active England

[Two Seated Men with Calipers, T-Square, and Compass], 1870s–80s, Tintype, Image: 6.5 x 5.4 cm (2 9/16 x 2 1/8 in.), Photographs, Unknown (American

Altar cloth, 16th century, Italian or French, Embroidered net, L. 66 x W. 40 inches (167.6 x 101.6 cm), Textiles-Laces

Drawings and Prints, Books Prints Ornament & Architecture, Spechio di pensieri delle belle et Virtudiose donne, page 4 (verso), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1546

Caricature of Two Soldiers, 1800–1900, Pen and ink over pencil; verso blackened with pencil for transfer, 7-3/8 x 10-1/2 in, Drawings, Anonymous, Italian, 19th century

Summer dress: Costume design for Kunstgewerbeschule, Wien, 1920–50, Pen and brown ink, brush and red, grey, black watercolor over traces of graphite. Inlaid on cardboard mount., 11 1/4 x 8 7/8 in. (28.6 x 22.5 cm), Drawings, Lilly Jacker

Finger Bowl, 1830–70, Free-blown glass, H. 3 3/8 in. (8.6 cm); Diam. 5 3/8 in. (13.7 cm), Glass

Virgin of the Annunciation, ca. 1300–1310, Made in Paris, France, French, Limestone, traces of paint, Overall: 16 11/16 x 11 5/8 x 7 3/8 in. (42.4 x 29.6 x 18.8 cm), Sculpture-Stone, Interrupted in her spiritual meditations, the Virgin

Lowe Bridge , 1866–67, Tintype, Photographs, Unknown

Saint Benedict, 1320s, Tempera on wood, gold ground, Overall, with framing elements, 49 x 20 7/8 in. (124.5 x 53 cm); Saint Benedict, painted surface 27 7/8 x 16 in. (70.8 x 40.6 cm); pinnacle, painted surface 10 1/4 x 15 3/8 in. (26 x 39.1

Stone Jug, New Kingdom, Dynasty 18, early, ca. 1550–1458 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Courtyard CC 41, Pit 3, Burial B 4, Between head of coffin and wall, 1915–16, Travertine (Egyptian alabaster), H. 10.6 cm (4

Gold Back Plate of Belt, ca. 600, Langobardic, Gold and silver, Overall: 13/16 x 9/16 x 1/8 in. (2 x 1.4 x 0.3 cm), Metalwork-Gold, This group of objects was found in the grave of a Langobardic horseman, who was buried in his warrior dress,

Tile, ca. 1882–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 6 1/8 x 3 1/8 in. (15.6 x 7.9 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 17 (recto), Publisher, Domenico da Sera, French, active Italy, 16th century, Sera,

Peasant Carts with Funeral Wreaths, 1910, Gelatin silver print, Image: 8.9 x 13.3 cm (3 1/2 x 5 1/4 in.), Photographs, Aleksey Ivanovich Saveliev (Russian, 1883–1923), These six photo-postcards show various places and moments surrounding the

Cylindrical Pendant with Magical Writing, 9th–10th century, Excavated in Iran, Nishapur, Jet, H. 7/8 in. (2.3 cm), Jewelry, This cylindrical stone pendant (now broken) is carved with lines of magic symbols on two facets, and the image of a

[Four Cupids; Apollo and Daphne in the Background], 16th–early 17th century, Engraving, Prints, Engraved by Anonymous, Italian, 16th to early 17th century, After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540

Carpet, 17th century, Attributed to Iran, probably Isfahan or Kerman, Cotton (warp and weft), wool (pile); asymmetrically knotted pile, H. 143 3/4 in. (365.1 cm), Textiles-Rugs

March (one of a series representing the labors of the months), 1690 or slightly earlier, Red chalk, 3 5/16 x 4 3/4 in. (8.4 x 12.1 cm), Drawings, Jonas Umbach (German, Augsburg 1624–1693 Augsburg

Amulet: Triad of Isis, Horus, Nephthys, Late Period, Dynasty 26–29, 664–332 B.C., From Egypt, Faience, H. 4.5 cm (1 3/4 in.); W. 3 cm (1 3/16 in.); D. 2.2 cm (7/8 in

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 85r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Study of a Tree, 1863, Black chalk, 10 1/16 x 8 1/8 in. (25.6 x 20.7 cm), Drawings, Tina Blau (Austrian, Vienna 1845–1916 Vienna

'At the Sutler's Store', 1861–65, Albumen silver print from glass negative, Photographs

新石器時代馬家窯文化 半山類型彩陶罐, Jar (Guan), Neolithic period, Majiayao culture (ca. 3300–2050 B.C.), Banshan phase (ca. 2650–2350 B.C.), China, Earthenware with pigment, H. 15 3/4 in. (40 cm); W. incl. lugs 16 in.

8 of Nooses, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

The Assumption of the Virgin with the Five Joyful Mysteries of the Rosary, late 16th–early 17th century, Pen and black ink and gray wash, sheet: 6 13/16 x 5 in. (17.3 x 12.7 cm), Drawings, Georg Pecham (German, Munich ca. 1568–1604 Munich

The Artist's Sitting Room in Ritterstrasse, 1851, Oil on cardboard, 12 5/8 x 10 5/8 in. (32.1 x 27 cm), Paintings, Adolph Menzel (German, Breslau 1815–1905 Berlin), This intimate, evocative interior view belongs to a group of five paintings

[The Nile in front of the Theban Hills], 1853–54, Salted paper print from paper negative, Mount: 18 7/16 × 24 1/8 in. (46.9 × 61.2 cm), Photographs, John Beasley Greene (American, active France, 1832–1856), John Greene was an

Recto: Joachim and the Angel; Verso, in upper right hand corner: three figures with loose draperies, 1582, Pen and black ink, 11 15/16 x 8 3/8 in. (30.3 x 21.3 cm), Drawings, Anton Möller the Elder (German, Königsberg, 1563/65–1611,

Ewer with dancing females within arcades, Sasanian, ca. 6th–7th century A.D., Iran, Sasanian, Silver, mercury gilding, H. of (a) 34 cm, Metalwork-Vessels-Inscribed, Late Sasanian silver vessels, particularly bottles and ewers, often were

New Modelbüch allen Nägerin u. Sydenstickern (Page 20r), 1556

Punchinello as Tailor's Assistant, late 18th–early 19th century, Pen and brown ink, light brown wash, over black chalk, 13 7/8 x 18 1/2 in. (35.3 x 47.0 cm), Drawings, Giovanni Domenico Tiepolo (Italian, Venice 1727–1804 Venice

Carclew House, August 1841, Salted paper print from paper negative, Sheet: 7 3/8 × 8 7/8 in. (18.8 × 22.6 cm), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Floral Design, n.d., White, black, brown, green, and yellow chalk, 11 1/4 x 9 9/16in. (28.5 x 24.3cm), Drawings, Antoine Berjon (French, Lyon 1754–1843 Lyon

Virgin and Child on Crescent Moon with Putti, 1591–1652, Pen and brown ink with brush and brown wash over traces of black chalk underdrawing on beige paper, 9-7/16 x 6-1/2 in. (24.0 x 16.5 cm), Drawings, Jusepe de Ribera (called Lo

Female figure playing a lyre, Third Intermediate Period–Late Period, ca. 945–525 B.C., From Egypt, Pottery, green and black glaze badly worn., H. 6.8 cm (2 11/16 in); W. 4.5 cm (1 3/4 in); D. 2.5 cm (1 in), This figure is part of a

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 112 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Jar, ca. 1860, Made in Mexico, Mexican, Tin-glazed earthenware, H. 7 in. (17.8 cm), Ceramics

Platter, 1815–30, Made in Paris, France, French, Porcelain, 2 5/8 x 17 1/4 x 12 in. (6.7 x 43.8 x 30.5 cm), Ceramics

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 9v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Buckle Shank, late 6th–7th century, Visigothic, Copper alloy (bronze), gold, iron, 1 5/8 x 2 1/16 in. (4.1 x 5.2 cm), Miscellaneous-Buckles & Ornament

A Pope Recieving a Saint, 18th century, Pen and brown ink, brush and brown and gray-brown wash over traces of black chalk. Laid paper., Oval: 10 1/8 x 10 13/16 in. (25.7 x 27.5 cm), Drawings, Anonymous, German, 18th century

Design after a Fountain in the Villa Aldobrandini at Frascati., 1590–1600, Pen and brown ink, brush with brown wash and pale blue-gray watercolor accents (on the depictions of water), over leadpoint or black chalk, with ruling and compass

Imperial Presentation Vase with Maple Branches and Imperial Chrysanthemum Crest (one of a pair), 菊紋楓枝文七宝瓶　（一対）, Meiji period (1868–1912), ca. 1906, Japan, Standard and repoussé cloisonné enamel; silver wires and

Virgin of the Immaculate Conception Standing on Clouds, 17th century, Black chalk reinforced in places with pen and dark brown ink. On off-white paper, 6-5/16 x 3-3/4 in. (16.0 x 9.5 cm), Drawings, Anonymous, Spanish, School of Seville, 17th

Ornamento delle belle & virtuose donne, page 17 (recto), 1554, Woodcut, Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821.

The Young Mother, 1655–57, Pen and brown ink, brush and brown wash, with framing line in pen and brown ink, sheet: 5 5/16 x 6 15/16in. (13.5 x 17.7cm), Drawings, Nicolaes Maes (Dutch, Dordrecht 1634–1693 Amsterdam

Letter with textile samples, late 18th–early 19th century, French, No dimensions recorded., Textiles-Archives

Terracotta lekythos (oil flask), Classical, ca. 420 B.C., Greek, Attic, Terracotta; red-figure, white-ground, H. 19 1/2 in. (49.5 cm); diameter 8 1/16 in. (20.5 cm), Vases, Upper zone, uncertain scene: chariot surrounded by men and women,

Design for window, late 19th–early 20th century, Made in New York, United States, American, Graphite on tissue mounted on board, Overall: 16 1/16 x 11 1/2 in. (40.8 x 29.2 cm), Drawings, Tiffany Studios (1902–32

Khereduankh, the mother of Imhotep, Ptolemaic Period, Dynasty 27–30, 332–30 B.C., From Egypt, Leaded bronze, H. 16 × W. 3.7 × D. 5.6 cm (5 5/16 × 1 7/16 × 2 3/16 in.), Khereduankh, the mother of Imhotep in late beliefs, received

Design for a Goldsmith, 18th century, Pen and black ink over black chalk underdrawing, 6 x 2 3/8 in. (15.2 x 6 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 37 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Drawings and Prints, Books Prints Ornament & Architecture, Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 8 (recto), Binder, Publisher, Lloyd, Wallis & Lloyd, Matteo Pagano, British,

Saint Maurice, ca. 1520–25, Oil on linden, 54 x 15 1/2 in. (137.2 x 39.4 cm), Paintings, Lucas Cranach the Elder and Workshop (German, Kronach 1472–1553 Weimar), Originally the wing of an altarpiece, this panel represents Maurice, the