Images at Librifly

Pieta, 1800–1900, Pen and bistre, washed with colors, 6-1/2 x 4-1/2 in, Drawings, Anonymous, Italian, 19th century

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 31 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects, Workshop of Charles Percier (French, Paris 1764–1838 Paris), Workshop of Pierre François Léonard Fontaine (French, Pontoise

Vue des Ouvrages de Peinture, 1801, Etching, Sheet: 9 3/4 x 14 15/16 in. (24.8 x 38 cm), Prints, Antoine Maxime Monsaldy (French, Paris, 1768–1816), G. Devisme (French, active ca. 1800–1806

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 54r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Billon. Gabriel, André, Adolphe. 20 ans, né à Boulogne /s/Seine. Typographe. Outrages. 14/8/93., 1893, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

[Young Girl Wearing Waist Apron, Resting Hand on Chair], 1840s–50s, Daguerreotype, Image: 7 x 5.7 cm (2 3/4 x 2 1/4 in.), Photographs, Unknown (American), The daguerreotype, the first photographic process, was invented by

Olguéni Gustave. 24 ans, né à Sala (Suède) le 24-5-69. Artiste-peintre. Anarchiste. 14-3-94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

The Campidoglio seen from the Staircase of the Church of the Aracoeli, Rome, at Sunset, 1846, Pen and brown ink, brown wash, watercolor and gouache; lined., 10 5/8 x 14 5/8 in. (27 x 37.1 cm), Drawings, Charles-François Houel (French,

Terracotta kylix (drinking cup), Classical, ca. 480 B.C., Greek, Attic, Terracotta; red-figure, H. 5 3/16 in. (13.2 cm), Vases, Interior, man courting woman, Exterior, obverse and reverse, couples; each figure is named. Scenes with

Terracotta lamp, 3rd century B.C., Terracotta, Overall: 2 x 3 3/4 in. (5.1 x 9.5 cm), Terracottas

Project for a Fête Decor, n.d., Pen and black ink, watercolor, over traces of black chalk, sheet: 9 1/4 x 14 1/8 in. (23.5 x 35.9 cm), Louis Pierre Baltard (French, Paris 1764–1846 Paris

Vaury. Charles, Joseph. 43 (ou 44) ans, né le 31/3/59 à Sedan. Mécanicien. Anarchiste. 16/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Textile swatch to accompany letter, late 18th century, French, No dimensions recorded., Textiles-Woven

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 15 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 25 (verso), Illustrator, Publisher, Woodcut of Lucrezia designed by, Giuseppe Salviati (Giuseppe Porta, called Il

Dish, 1830–35, Made in New England, United States, American, Lacy pressed opalescent glass, Diam. 5 3/4 in. (14.6 cm), Glass

Copenhagen, Denmark, the metropolis of all Scandinavia, 1850s–1910s, Albumen silver prints, Mount: 8.8 x 17.8 cm (3 7/16 x 7 in.), Photographs

High-Footed Bowl, Momoyama period (1573–1615), early 17th century, Japan, Negoro ware; red lacquer on black lacquer, H. 7 3/8 in. (18.7 cm ); Diam. 14 3/4 in. (37.5 cm), Lacquer, A taste for grandeur characteristic of the Momoyama period

Striding Thoth, Ptolemaic Period, 332–30 B.C., From Egypt, Faience, H. 14.1 cm (5 9/16 in.); W. 3.6 cm (1 7/16 in.); D. 5.4 cm (2 1/8 in.), Thoth, the god of writing, accounting and all things intellectual, was associated with two animals:

Cup, 1785–1805, Made in China, Chinese, Porcelain, H. 2 1/2 in. (6.4 cm); Diam. 2 1/4 in. (5.7 cm), Ceramics

Design for a Theater Interior, 1700–1773, Pen and brown ink over freehand graphite and ruled construction lines in graphite, 11-1/4 x 17-1/16 in. (28.5 x 43.3 cm), Drawings, Luigi Vanvitelli (Italian, Naples 1700–1773 Caserta

Design for a Pendant, Gouache on dark grey paper, 12 13/16 x 9 13/16 in. (32.6 x 24.9 cm), Eugène-Samuel Grasset (French, born Switzerland, Lausanne 1841–1917 Paris

Seal Box with Hunters on Horseback, Edo period (1615–1868), 17th–18th century, Japan (Ryūkyū Islands), Black lacquer with mother-of-pearl inlay and gold painting, H. 4 3/8 in. (11.1 cm); W. 6 1/8 in. (15.6 cm); L. 6 1/8 in. (15.6 cm),

L'Escadre Anglaise, 1853, Graphite and charcoal, sheet: 11 5/8 x 15 3/16 in. (29.5 x 38.5 cm), Drawings, Anton Melbye (Danish, Copenhagen 1818–1875 Paris

Opera Nova Universali intitulata Corona di racammi, page 12 (recto), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Semi-Circular Design of Battle of Sea Gods with Border of Sea Creatures, 1570–1620, Pen and brown ink, brush and brown wash, over black chalk, 10 x 18 1/8 in. (25.4 x 46 cm), Anonymous, Italian, late 16th century, Related to Giovanni

Kitty Stieglitz, Central Park, New York, 1901, Photogravure, Mount: 10 3/8 in. × 6 15/16 in. (26.4 × 17.6 cm), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

Plate, 1430–1470, Made in probably Manises, Valencia, Spain, Spanish, Tin-glazed earthenware, Overall: 2 5/8 x 17 1/2 in. (6.7 x 44.5 cm), Ceramics, This plate is emblazoned with the coat of arms of the Morelli family of Florence, and

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Carl Pier, Martin Engelbrecht, Jeremias Wachsmuth, Franz Xavier Habermann, German,

Drawings and Prints, Books Prints Ornament & Architecture, Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 31 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome,

Hexagonal dish, 1696, Hungarian, Transylvania, Silver, partly gilded, Diameter: 9 9/16 in. (24.3 cm), Metalwork-Silver, The center of each dish in this set bears an engraved laurel wreath encircling a coat of arms. Small differences in these

Newes Modelbuch in Kupffer(Page 33r), Johann Sibmacher (German, active 1590–1611), 1604

Adam at Work after the Fall from The Story of the First Men, 1583, Engraving; second state of two, Sheet: 8 1/16 × 10 5/8 in. (20.5 × 27 cm), Prints, Johann Sadeler I (Netherlandish, Brussels 1550–1600/1601 Venice), After Maerten de Vos

Drawings and Prints, Books Prints Ornament & Architecture, Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 25 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome,

Bernaix. Louis. 29 ans, né à Clichy. Couvreur. Anarchiste. Fiché le 27/2/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born

Design for a Bracket and Rod for Drapery, 19th century, Ink, wash and watercolor, sheet: 7 x 8 3/4 in. (17.8 x 22.2 cm), Anonymous, British, 19th century

Design for Curtains, 1841–84, Graphite, sheet: 13 9/16 x 9 15/16 in. (34.4 x 25.2 cm), Charles Hindley and Sons (British, London 1841–1917 London

Design for a Frieze with a Grotesque Vase and Festoon with a Ram and Putto., 1550–1610, Pen and brown ink, sheet: 2 3/16 x 4 1/4 in. (5.6 x 10.8 cm), Drawings, Anonymous, Italian, 16th to early 17th century

One of a Pair of Gold Earrings with Garnets, second half 8th century, Made in Northern France, Frankish, Gold, garnets with patterned foil backings, silver rivets, Overall: 1 13/16 x 11/16 x 1 3/4 in. (4.6 x 1.8 x 4.4 cm), Metalwork-Gold,

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 49 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 15 (verso), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

[Reine d'Etrurie], 1860s, Albumen silver print from glass negative with applied color, 12.3 x 8.9 cm (4 13/16 x 3 1/2 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

'Americana Print: Gentlemen Prefer Blondes' Textile, 1925, Printed silk, 37 3/4 x 29 in. (95.9 x 73.7 cm), Textiles-Printed

Napoleon Bonaparte at the Champ de Mai, June 1, 1815, ca. 1815, Graphite on light blue paper, 11 15/16 x 8 11/16 in. (30.3 x 22.1 cm), Drawings, Jean Démosthène Dugourc (French, Versailles 1749–1825 Paris

Limestone funerary monument of a woman, Early Imperial, 1st century A.D., Roman, Cypriot, Limestone, H. 43 in. (109.2 cm), Stone Sculpture, The deceased woman is accompanied by a servant girl who holds a jewelry chest in her right hand; a

Saint Thomas, 1527, Pen and black ink, brush and gray wash, heightened with white gouache, 8 1/16 x 4 1/8 in. (20.4 x 10.5 cm), Drawings, Hans Holbein the Younger (German, Augsburg 1497/98–1543 London

Bowl, Qing dynasty (1644–1911), Yongzheng mark and period (1723–35), early 18th century, China, Porcelain with peacock feather glaze (Jingdezhen ware), H. 4 3/8 in. (11.1 cm), Ceramics

The Pentecost, n.d., Pen and grayish brown ink, tip of the brush and gray ink, gray wash, red chalk and white heightening, sheet: 7 11/16 x 5 1/16 in. (19.6 x 12.8 cm), Drawings, Gerard de Lairesse (Dutch, Liège 1641–1711 Amsterdam

Design for a Ceiling for Thomas Wells, 19th century, Graphite, Attributed to Anonymous, British, 19th century

Table Design with Bacchus and Boar's Head, and Alternate Design, 19th century, Graphite, sheet: 10 3/4 x 15 in. (27.3 x 38.1 cm), Anonymous, British, 19th century

Bass Ophicleide in C, ca. 1825, Belgium, Belgian, Brass, ivory, Overall: 26.4 x 98.7cm (10 3/8 x 38 7/8in.), Aerophone-Lip Vibrated-horn

Design for a Cabinet with Portrait Rondel, 19th century, Ink and watercolor over graphite, sheet: 4 15/16 x 7 11/16 in. (12.5 x 19.5 cm), Anonymous, British, 19th century

Bronze mirror, Late Classical, late 4th century B.C., Praenestine, Bronze, Other: 6 3/8 x 12 1/2 in. (16.2 x 31.8 cm), Bronzes, Apollo playing the kithara and holding a laurel wreath with an unidentified nude female

Inlay in the form of the Horus falcon, Late Period–Ptolemaic Period, 4th century B.C., From Egypt; Possibly from Middle Egypt, Hermopolis (el-Ashmunein; Khemenu), Faience, H. 15.8 cm (6 1/4 in.); W. 1 cm (3/8 in.); L. 16.5 cm (6 1/2 in.),

Architectural Drawing, 1450–1500, French, Pen and brown ink over black chalk on vellum, Overall: 17 9/16 x 11 3/4 in. (44.6 x 29.8 cm), Drawings, Perfectly proportioned, finely detailed, and executed with ease, everything about this

Louis-Jacques-Mandé Daguerre, ca. 1844, Gelatin silver print, Image: 7.2 x 5.3 cm (2 13/16 x 2 1/16 in.), Photographs, Unknown (French

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 97 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Relief plaque with ram, and on opposite side two feet, Late Period–Ptolemaic Period, 400–30 B.C., From Egypt, Limestone, H. 11.3 cm (4 7/16 in.); W. 16.5 cm (6 1/2 in.); D. 2 cm (13/16 in.), Small Late Period and Ptolemaic reliefs or

Tea Spoon, 1770–1800, Made in Philadelphia, Pennsylvania, United States, American, Silver, L. 5 1/2 in. (14 cm), Silver, Christian Wiltberger (American, Philadelphia, Pennsylvania 1766–1851 Philadelphia, Pennsylvania

Gold Appliqué in the Form of a Cross, ca. 600, Langobardic, Gold, Overall: 1 1/4 x 1 1/4in. (3.2 x 3.2cm), Metalwork-Gold, Once they were in Italy, the Langobards adopted the custom of sewing one or more crosses on the shrouds of the

[Two Roofers Working Atop a Building], 1860s–80s, Tintype, Image: 4.8 x 3.6 cm (1 7/8 x 1 7/16 in.), Photographs, Unknown (American

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 35), Publisher, Artist, After, Carlo Losi, Jacob

Illustration for 'Little Peter: A Christmas Morality for Children of Any Age', 1908, Watercolor over graphite with touches of gouache, sheet: 11 5/8 x 7 1/4 in. (29.5 x 18.4 cm), Drawings, Charles Edmund Brock (British, London 1870–1938

Lamp, Late Imperial, 5th century A.D., Roman, Terracotta, Overall: 1 3/8 x 2 7/8 in. (3.5 x 7.3 cm), Terracottas

Escutcheon, ca. 1810–30, Possibly made in France; Possibly made in England, Cast brass, mercury, gold, 2 1/4 x 2 3/8 in. (5.7 x 6 cm), Metal

Figure of Fantastic Human-like Creature with Long Tail (recto); Fragment of a Letter or Document (verso), 17th century, Pen and brown ink with brush and brown wash over black chalk underdrawing (recto). On ivory paper. Script in pen and dark brown

View of Kensington Gardens, London, 1812, Watercolor over graphite, Overall: 4 x 5 1/2in. (10.2 x 14cm), Drawings, John Linnell (British, London 1792–1882 Redhill, Surrey), Compact, luminous, and intense, this unkempt view of Kensington

Trucano. Victorine (veuve Belloti). 54 ans, né à St Maurier (Italie). Chapelier. Vol anarchiste. 19/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Drawings and Prints, Books Prints Ornament & Architecture, Libro quarto. De rechami per elquale se impara in diuersi modi lordine e il modo de recamare...Opera noua, page 13 (recto), Publisher, Alessandro Paganino, Italian, active Salò,

M. Vitruvius per Iocundum solito castigatior factus cum figuris et tabula ut iam legi et intelligi possit, 1511, Printed book with woodcut illustrations, 12 3/8 x 8 3/8 x 1 3/16 in. (31.4 x 21.3 x 3 cm), Fra Giovanni Giocondo da Verona (Italian,

Rococo Design for a Frame, 18th century, Pen and brown in ink over pencil with gray wash, 8-5/16 x 11-15/16 in, Drawings, Anonymous, Italian, 18th century

Deguet. Victor, Adonis. 50 ans, né le 27/2/44 à Vuenpont (Aisne). Armurier. Anarchiste. 16/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Pharmacy bottle, ca. 1470–1500, Italian, probably Pesaro, Maiolica (tin-glazed earthenware), Overall (confirmed): 12 1/8 × 7 9/16 × 7 9/16 in. (30.8 × 19.2 × 19.2 cm), Ceramics-Pottery, Vessels of this shape, with long, narrow necks,

Wardrobe, 1880–85, Made in New York, New York, United States, American, Cherry, 78 1/2 x 49 1/2 x 26 in. (199.4 x 125.7 x 66 cm), Furniture, Herter Brothers (German, active New York, 1864–1906), Herter Brothers, the firm of Gustave

Pitcher, ca. 1845–58, Made in Norwich, Connecticut, United States, American, Mottled brown earthenware, H. 8 3/8 in. (21.3 cm), Ceramics

Design for a Ceiling, 18th–19th century, Attributed to James Wyatt (British, Weeford, Stafforshire 1746–1813 near Marlborough, Wiltshire

Landscape with Six Figures., 1750–80, Pen and brown ink and brush and dark brown ink, sheet: 11 5/8 x 16 7/16 in. (29.6 x 41.8 cm), Drawings, 18th Century Imitator of Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591–1666 Bologna

The Holy Family with the Infant Saint John the Baptist, 1609–85, Black chalk and traces of white chalk, on blue paper. Squared in black chalk., 9-15/16 x 14-1/16 in. (25.3 x 35.7 cm), Drawings, Sassoferrato (Giovanni Battista Salvi) (Italian,

Table Design, 19th century, Ink and watercolor over graphite, sheet: 4 3/4 x 5 13/16 in. (12 x 14.8 cm), Anonymous, British, 19th century

Table Spoon, 1698, Made in Albany, New York, United States, American, Silver, L. 7 1/2 in. (19.1 cm), Silver, Koenraet Ten Eyck (1678–1753

Plusievrs Pieces et Ornements Darquebuzerie (4th extended edition), ca. 1776, Paris, French, Paris, Ink, paper, 9 1/2 x 12 3/4 in. (24.1 x 32.4 cm) to 9 1/4 x 14 in. (23.5 x 35.6 cm), Works on Paper-Prints, The prints in this pattern book

Two Ladies Taking a Walk, 19th century, Brush and black wash, with touches of blue and brown wash; pen and ink. Laid down., 6 11/16 x 7 3/4 in. (17 x 19.7 cm), Drawings, Constantin Guys (French, Flushing 1802–1892 Paris

Marble herm head of a bearded deity, Classical, ca. 450 B.C., Greek, Attic, Marble, H. 6 7/16 in. (16.4 cm), Stone Sculpture, The angular transition between the sides and the back of the neck indicates that the head comes from a herm rather

Statuette of the Goddess Taweret, Ptolemaic Period, 332–30 B.C., From Egypt, Northern Upper Egypt, Qena area, Glassy faience, H. 11 cm (4 5/16 in); W. 3.3 cm (1 5/16 in); D. 4.8 cm (1 7/8 in), In all likelihood, this statuette represents

[Reine d'Etrurie], 1860s, Albumen silver print from glass negative with applied color, 12.3 x 8.9 cm (4 13/16 x 3 1/2 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

December (one of a series representing the labors of the months), 1690 or slightly earlier, Red chalk, 2 7/8 x 4 3/4 in. (7.3 x 12.1 cm), Drawings, Jonas Umbach (German, Augsburg 1624–1693 Augsburg

Man and Two Women (Henderson Ledger Artist B), ca. 1882, United States, Arapaho, Pencil, colored pencil, and ink on paper, H. 5 3/8 x W. 11 7/8 in. (13.7 x 30.2 cm), Paper-Drawings, Frank Henderson (Native American, Hinono'eiteen (Arapaho),

A Young Woman Feeding her Infant, from Premier Livre de Sujets et Pastorales (First Book of Subjects and Pastorals), plate 1, 18th century, Etching and engraving, Plate: 10 9/16 x 8 1/16 in. (26.8 x 20.5 cm), Gabriel Huquier (French, Orléans

Snuff bottle with the character of longevity (shou), Qing dynasty (1644–1911), 19th century, China, Rock crystal, H. 2 13/16 in. (7.1 cm), Snuff Bottles

Plaque of Benjamin Franklin, ca. 1797, Made in France, French, Terracotta, H. 4 1/16 in. (10.3 cm), Ceramics, Jean Martin Renaud (French, Sarreguemines 1746–1821 Paris

Broad Anklet of Sithathoryunet, Middle Kingdom, Dynasty 12, ca. 1887–1813 B.C., From Egypt, Fayum Entrance Area, Lahun, Tomb of Sithathoryunet (BSA Tomb 8), Chamber E, box 1, BSAE excavations 1914, Gold, carnelian, turquoise, L. 15.4

Design for One Quarter of a Ceiling, 1700–1780, Pen and brown ink, brush and gray wash, over lead point or graphite, with ruled and compass construction, sheet: 13 1/4 x 9 5/8 in. (33.7 x 24.4 cm), Drawings, Anonymous, Italian,

Peasants' Dance Outdoors, 1745–70, Red chalk., 5 3/4 x 8 5/16 in. (14.6 x 21.1 cm), Drawings, Karl Friedrich Wilhelm Richard (German, Hannover ca. 1725–ca. 1770 Hamburg

Left foot, Late Period–Ptolemaic Period, 400–30 B.C., From Egypt, Limestone, L. 19.7 cm (7 3/4 in.); W. 6.8 cm (2 11/16 in.); H. 9.4 cm (3 11/16 in.), Small Late Period and Ptolemaic reliefs or sculptures that depict a subject in a partial

Neoclassical vase (one of a pair), 1780–85, French, Pine, marbleized and carved, Height: 36 3/4 in. (93.3 cm), Woodwork, One of a pair, this ornamental vase on its marbleized stand can be seen in historic photographs of Georges

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 8 (verso), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

Coffeepot, ca. 1800, Made in Philadelphia, Pennsylvania, United States, American, Silver, Overall: 14 1/2 x 10 15/16 x 5 5/8 in. (36.8 x 27.8 x 14.3 cm); 41 oz. 11 dwt. (1292 g), Silver, Attributed to Christian Wiltberger (American,

Figure composition, 1820–76, Black chalk on wove paper, probably torn from letterhead printed: Maison en chine & au japon., 5 3/8 x 2 13/16 in. (13.7 x 7.2 cm), Drawings, Narcisse-Virgile Diaz de la Peña (French, Bordeaux 1808–1876

Relief panel, Neo-Assyrian, ca. 883–859 B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Gypsum alabaster, 65 3/4 x 48 1/2 x 4 in. (167 x 123.2 x 10.2 cm), Stone-Reliefs-Inscribed, This panel from the Northwest Palace at Nimrud