Images at Librifly

Abraham and Sarah's Journey through Canaan to Egypt, 1567, probably British, Silver, parcel gilt, Overall (confirmed): 5/8 x 7 3/4 in., 8 oz.11 dwt. (1.6 x 19.7 cm, 0.266kg), Metalwork-Silver, The fine engraving on this set of plates depicts

Drawings and Prints, Books Prints Ornament & Architecture, Studio delle virtuose Dame, page 8 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella Catanea,

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 36 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Vase, Ming dynasty (1368–1644), 16th–17th century, China, Bronze with gilding, H. 3 7/8 in. (9.8 cm), Metalwork, Attributed to Hu Wenming (Chinese, active late 16th–early 17th century), Implements commonly used for burning incense

Southern German Landscape, 1800–1865, Pen and black ink over graphite, sheet: 9 1/2 x 7 13/16 in. (24.2 x 19.8 cm), Drawings, Otto Friedrich Magnus Count Baudissin (Danish, Knoop 1792–1865 Dresden

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 31 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Two Alternate Designs for a Doorway, ca. 1730–60, Pen and brown ink, brush and brown, gray, yellow, and red wash, over lead point or graphite, Sheet: 7-11/16 x 5-11/16 in. (19.55 x 14.4 cm), Drawings, Anonymous, Italian, Piedmontese,

Cupid Seated on a Cloud and Holding a Palm (?), 16th century, Pen and brown ink, 4-7/8 x 3-11/16 in. (12.4 x 9.4 cm) maximum, drawing partly silhouetted, Drawings, Anonymous, Italian, Emilian, mid-16th century

Defosse. Claude (dit Delfosse ou Lafosse). 29 ans, né à Arbeuf (Nièvre). Cocher. Anarchiste. 2/1/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Introducing John L. Sullivan, 1916, Lithograph, image: 20 1/2 x 20 1/2 in. (52.1 x 52.1 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York

Window of Pope Julius III (del Monte), Palazzo Comunale, Bologna, 1800–1900, Ink and Wash, 12-1/2 x 6-5/8 in, Anonymous, Italian, 19th century

Rooftops, 1918, Pastel and charcoal on paper, H. 11-1/2, W. 15-1/8 inches, Drawings, Heinrich Schröder (German, 1881–1943

[Group of 42 Stereograph Views of Alaska Including the Gold Rush], 1850s–1910s, Albumen silver prints, Mounts approximately: 8.9 x 17.8 cm (3 1/2 x 7 in.), Photographs, Benneville Lloyd Singley (American, Union Township, Pennsylvania

Design for Silver Plate Decorated with Crabs, 16th century, Pen and black ink, brush and gray and yellow wash, 16 7/16 x 11 3/16 in. (41.7 x 28.4 cm), Drawings, Erasmus Hornick (Netherlandish, Antwerp ca. 1520–1583 Prague

Black-topped red ware jar, Predynastic, Late Naqada l–Naqada II, ca. 3700–3500 B.C., From Egypt, Pottery, H. 17.2 × W. 10.4 × diam. 7.3 cm (6 3/4 × 4 1/8 × 2 7/8 in

Figure, 12th–13th century, Attributed to Iran or Iraq, Earthenware; unglazed, H. 4 5/8 in. (11.7 cm), Ceramics

Carpet, Possibly made at Axminster (British, 20th century), or possibly made at Moorfields, 1770–80, British, Axminster or Moorfields, Wool, knotted, L. 199 x W. 186 1/4 inches (505.5 x 473.1 cm), Textiles-Rugs, Possibly made at

'The Man who Pretends to be Asleep While the Thief Enters his House Becomes Drowsy and Really Falls Asleep', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8

Ewer, 1755/56, British, London, Silver gilt, Overall (confirmed): 16 × 23 1/8 × 18 1/4 in., 150 oz. 15 dwt. (40.6 × 58.7 × 46.4 cm, 4688g), Metalwork-Silver, Although silver made by the Jewel Office for diplomatic officers was generally

Jepthah and His Daughter, third quarter 17th century, British, Silk on canvas, H. 10 3/4 x W. 15 1/2 inches (27.3 x 39.4 cm), Textiles-Embroidered

Terracotta lamp, Early Imperial, Augustan, ca. 20 B.C.–A.D. 25, Roman, Terracotta; mold-made, Overall: 15/16 x 3 1/8 in. (2.4 x 8 cm), Terracottas, Gryphon on discus; with concave top and scrolled nozzle

A Blacksmith, 18th–19th century, Pen and black ink, grey wash, sheet: 9 5/8 x 7 1/2 in. (24.4 x 19.1 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Glass mosaic handle fragment, Early Imperial, Early 1st century A.D., Roman, probably northern Italian, Glass; blown and tooled, H.: 15/16 x 1 in. (2.4 x 2.6 cm), Glass, Handle in translucent purple and opaque white; body in translucent pale

Thomas Jackson, 1780, Watercolor and graphite, sheet: 8 13/16 x 7 1/2 in. (22.4 x 19 cm) (circular), Drawings, John Downman (British, Ruabon, Wales 1750–1824 Wrexham, Wales), Thomas Jackson, portrayed here, was widely connected to the

Two marble portrait heads from a relief, Early Imperial, Augustan period, ca. 13 B.C.–A.D. 5, Roman, Marble, H. 7 5/8 in. (19.4 cm), Stone Sculpture, The sculptural style of these heads, characterized by smooth features and fashionable

Snuff Bottle, Qing dynasty (1644–1911), 19th century, China, Glass with coral stopper, H. 2 3/4 in. (7 cm), Snuff Bottles

Auguste Vacquerie, 1853–56, Salted paper print from paper negative, Image: 9.2 x 7.6 cm (3 5/8 x 3 in.), Photographs, Charles Victor Hugo (French, 1826–1871

Lamp, Early Imperial, 1st century B.C.–1st century A.D., Roman, Terracotta, Length 9.1 cm. H. 2.5 cm., Terracottas

五代/北宋 佚名 乞巧圖 軸, Palace banquet, Five Dynasties (907–960) or Northern Song (960–1127) dynasty, China, Hanging scroll; ink and color on silk, Image: 63 5/8 × 43 5/8 in. (161.6 × 110.8 cm), Paintings, Unidentified Artist

The Poet Koōgimi: from the Fujifusa version of the Thirty-six Immortal Poets handscroll (Fujifusabon Sanjūrokkasen emaki), Muromachi period (1392–1573), first half of the 15th century, Japan, Handscroll fragment mounted as a hanging scroll;

Le petit Russe, 1860s, Albumen silver print from glass negative, 8.3 x 11.4 cm. (3 1/4 x 4 1/2 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Ornamented Metal Doorplate, second half 19th century, Ink on tracing paper, sheet: 12 x 3 11/16 in. (30.5 x 9.3 cm), Anonymous, British, 19th century

Balloon Ascending Near the Entrance to Lord's Cricket Ground, 1839, ca. 1839, Watercolor, sheet: 5 7/8 x 7 5/8 in. (14.9 x 19.4 cm), Drawings, After Robert Bremmel Schnebbelie (British, active 1803–1849 Camden Town), Balloon ascents were

Sauce Dish, 1870–90, Made in Tarentum, Pennsylvania, United States, American, Pressed purple marble glass, Diam. 4 1/2 in. (11.4 cm), Glass, Challinor, Taylor and Company (1866–1891

'The Ascetic Finds his Son Alive in his Crib', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Carpet, probably early 19th century, Attributed to Caucasus, Wool (warp, weft and pile); symmetrically knotted pile, Rug: L. 122 1/2 in. (311.2 cm), Textiles-Rugs

Ecclesiastical Metalwork Designs, ca. 1880, Graphite on tracing paper, sheet: 4 x 2 3/8 in. (10.2 x 6 cm), Richardson Ellson & Co. (British

Martyrdom of a Saint, 19th century, Pen and dark brown ink, brush and blue wash. Heavy laid paper., Image: 6 7/8 x 4 5/16 in. (17.4 x 10.9 cm), Drawings, Anonymous, German, 19th century

Pouring Vessel (Kendi) with Flowers and Birds, Ming dynasty (1368–1644), Wanli period (1573–1620), late 16th–early 17th century, China, Porcelain with applied decoration painted with cobalt blue under transparent glaze (Jingdezhen ware),

Celery Dish, 1849–58, Made in Bennington, Vermont, United States, American, Mottled brown earthenware, H. 9 3/4 in. (24.8 cm), Ceramics, Lyman, Fenton & Co. (1849–52

鼠平絹地梅樹模様着物, Kimono with Blossoming Plum Tree, Meiji period (1868–1912), second half of the 19th century, Japan, Plain-weave silk with resist dyeing, ink, pigments, silk and metallic-thread embroidery, Overall: 62 × 49

Study of a Bird, dated A.H. 1043/A.D. 1634, Attributed to Iran, Isfahan, Ink, opaque watercolor, gold, and silver on paper, H. 4.25 in. x W. 7.25 in. (10.8 cm high 18.4 cm wide), Codices, Painting by Riza-yi `Abbasi (Persian, ca.

Indo-Persian carpet with repeat pattern of vine scrolls and palmettes., second half of the 17th century, Indo-Persian, Wool pile on cotton foundation., Length: 6.5 m., Textiles-Rugs

Funerary Statuette naming Teshnefer, Ptolemaic Period, 332–30 BC, Wood, gesso, paint, gilding, statuette: H. 29.5 × W. 7.2 × D. 6.5 cm (11 5/8 × 2 13/16 × 2 9/16 in.), This mummiform figure resembles representations of the human-headed

The Ruins of Castle Merxem, near Antwerp, 1610, Pen and brown ink with pink, blue, gray, and yellow washes, Sheet: 6 1/2 x 12 5/16in. (16.5 x 31.2cm), Drawings, Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625 Antwerp

Design for Drawing Room Chairs, Louis Quinze Style, 1835–1900, Ink, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Miniature Inrō with design of firewood-laden Boats on Waves, Meiji period (1868–1912), 19th century, Japan, Gold maki-e with mother-of-pearl inlay on black lacquer; netsuke of hardwood with cloisonne, H.1 7/8 in. (4.8 cm); W. 1 1/2 in. (3.8

Funerary Mask, Roman Period, ca, From Egypt, Plaster, paint, h. 24.8 cm (9 3/4 in

Footed beaker, second half 16th century, Hungarian, Nagyszeben, Silver, partly gilded, Overall: 7 15/16 x 3 1/4 in. (20.2 x 8.2 cm), Metalwork-Silver, The sophisticated spacing of the stylized scrollwork on this beaker testifies to the

An Abridged Specimen of Printing Types, 1869, Books

Stamp seal and modern impression: unicorn and incense burner (?), Mature Harappan, ca. 2600–1900 B.C., Indus Valley, Indus, Burnt steatite, 1 1/2 x 1 1/2 x 3/8 in. (3.8 x 3.8 x 1 cm), Stone-Stamp Seals-Inscribed, Stamp seals were used in

Teapot, ca. 1800, Made in Philadelphia, Pennsylvania, United States, American, Silver, Overall: 7 x 11 5/16 x 4 1/2 in. (17.8 x 28.7 x 11.4 cm); 21 oz. 17 dwt. (680 g), Silver, Attributed to Christian Wiltberger (American, Philadelphia,

[Two Seated Young Men Wearing Gingham Trousers, Bow Ties, and Brimmed, Soft Hats], 1850s, Daguerreotype, Image: 6.8 x 9.2 cm (2 11/16 x 3 5/8 in.), Photographs, Unknown (American

Standing Male Nude Figure, 17th century, Black chalk. On light beige paper, 9-7/8 x 5-7/8 in. (25.1 x 15.0 cm), Drawings, Anonymous, Spanish, School of Seville, 17th century

Apothecary Jar, ca. 1860, Made in Mexico, Mexican, Tin-glazed earthenware, H. 11 3/4 in. (29.8 cm), Ceramics

Flask, 1825–60, Possibly made in Zanesville, Ohio, United States; Possibly made in Louisville, Kentucky, United States, American, Free-blown molded amber glass, H. 6 1/2 in. (16.5 cm), Glass, Attributed to Kentucky Glass Works (ca.

唐花蒔絵鞍, Saddle with Stylized Flowers, Muromachi (1392–1573)–Edo period (1615–1868), inscribed 1491; relacquered, 17th century, Japan, Saddle: Gold maki-e with black lacquer decoration:, H. 13 in. (33 cm); L. 15 3/8 in. (39.1

Orus Apollo de Aegypte, 1543, Woodcut, Overall: 6 1/8 in. (15.5 cm), Books

Woven Silk with Paired Parrots in Roundels, 13th century, Sicilian (?), Silk and gilt metal thread on silk, warp-faced plain-weave foundation, weft-faced plain-weave pattern, Overall: 18 x 8 1/4in. (45.7 x 21cm), Textiles-Woven-Brocade

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 42 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Drawings and Prints, Books Prints Ornament & Architecture, Esemplario di lavori, page 13 (recto), Publisher, Nicolò Zoppino, Italian, Ferrara 1478/80–1544 Venice, Zoppino, Nicolò, Italian, 1478, 1544, August 1529

Drawings and Prints, Books Prints Ornament & Archiecture, Fiori di Ricami Nuovamente Posti in Luce, page 8 (recto), Designer, Publisher, Matteo Florimi, Francesco de' Franceschi, Italian, active Siena, ca. 1581–died 1613, Italian,

The Adoration of the Shepherds, ca. 1560 (?), Etching, Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice), In Mariette Album, folio 14, bottom

A Seated King in Armor (King David?), 16th century, Pen and brown ink, brush and brown wash, over possible traces of black chalk, squared in red chalk; glued onto secondary paper support., 15 x 9-1/8 in. (38.1 x 23.2 cm), Drawings, Orazio

Curtain Knob, 1840–60, Probably made in New England, United States, American, Lacy pressed glass, Diam. 3 in. (7.6 cm), Glass

Ornamento delle belle & virtuose donne, page 6 (recto), 1554, Woodcut, Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821.

“Morgan Vase” and stand, 1886–91, Made in Wheeling, West Virginia, United States, American, Peachblow glass, blown; amber glass, pressed, Height: 10 in. (25.4 cm), Glass, The second half of the nineteenth century witnessed a

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 14r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Christ on the Cross, ca. 1510, Pen and brown ink and brush and wash with white heightening, 11-1/8 x 4-1/2 in. (28.2 x 11.4 cm), Drawings, Anonymous, German, 16th century

Karnak (Thèbes), Vue Générale des Ruines Prise du Sud-Est, en T, 1851–52, printed 1853–54, Salted paper print from paper negative, 23.6 x 30.5 cm. (9 5/16 x 12 in.), Photographs, Félix Teynard (French, 1817–1892

God Save Us from Such a Bitter Fate; Black Border Album (E), 41, ca. 1815–20, Brush with indian ink and gray wash and scraping on Netherlandish laid paper, 10-9/16 x 7-3/8 in. (26.8 x 18.7 cm), Drawings, Goya (Francisco de Goya y Lucientes)

Friedrich III (1463–1525), the Wise, Elector of Saxony, 1533, Oil on beech, with letterpress-printed paper labels, 8 x 5 5/8 in. (20.3 x 14.3 cm), Paintings, Lucas Cranach the Elder and Workshop (German, Kronach 1472–1553 Weimar), These

Autumn: The Woodland Pond, 1867, Oil on canvas, 19 3/4 x 26 in. (50.2 x 66 cm), Paintings, Narcisse-Virgile Diaz de la Peña (French, Bordeaux 1808–1876 Menton), This picture's rigorous symmetry and perspective are common features of

Saint Martin and the Beggar, 17th century, Pen and brown ink, brush with brown wash and gray and white gouache, over black chalk on blue-brown paper. Squared in red chalk. Brown ink framing outlines, 8-7/8 x 6 in. (22.5 x 15.2 cm), Drawings,

Frederick David Langenheim, ca. 1851–52, Daguerreotype, Image: 12.4 x 9.2 cm (4 7/8 x 3 5/8 in.), Photographs, William Langenheim (American, born Germany, Schöningen 1807–1874

Design drawing, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

Piece from a Luxury Dagger, ca. 600, Langobardic, Gold, Overall: 5 1/4 x 2 7/16 x 5/8in. (13.3 x 6.2 x 1.6cm), Metalwork-Gold, These pieces—grip terminal, mounts, scabbard chape, all in gold—are all that remain of a luxury dagger. The

Snuff Bottle, Qing dynasty (1644–1911), 19th century, China, Aventurine glass with tourmaline stopper, H. 2 5/8 in. (6.7 cm); H. incl. stand 3 1/4 in. (8.3 cm); W. 2 7/8 in. (7.3 cm); D. 1 in. (2.5 cm), Snuff Bottles, Aventurine glass,

Seated Dipankara Buddha with Flaming Shoulders, Khotan Kingdom, 6th–7th century, China (Xinjiang Autonomous Region), Stucco, H. 4 3/4 in. (12.1 cm); W. 3 1/2 in. (8.9 cm); D. 1 1/2 in. (3.8 cm), Sculpture, In a past birth Shakyamuni met the

Funnel, 1785–1820, Made in United States, American, Blown pattern-molded non-lead glass, H. 5 in. (12.7 cm); Diam. 3 1/4 in. (8.3 cm), Glass

Standing Beggar, 17th century, Black and white chalk on blue paper, 9-7/8 x 6-5/8 in. (25.1 x 16.8 cm), Drawings, Attributed to Jan Both (Dutch, Utrecht ca. 1618–1652 Utrecht

Jean-Pierre de Bougainville, 1760, Watercolor over graphite and black and red chalk, sheet: 11 13/16 x 7 1/2 in. (30 x 19 cm), Drawings, Louis de Carmontelle (French, Paris 1717–1806 Paris), Born Louis Carrogis, the son of a cobbler,

Trionfo Di Virtu. Libro Novo..., page 10 (verso), 1563

A Herdswoman Seated Amongst Her Animals, with a Lamb in Her Arms, 1690, Pen and black ink, point of the brush and gray ink and wash over black chalk, with broad gray framing lines and broad margins, on vellum, sheet: 13 1/16 x 16 5/8 in. (33.1

Relief fragment from tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), Court, Radim, 1920, Limestone, paint

Caspar of the Three Kings from an Adoration Group, before 1489, Made in Swabia, Germany, German, Maple, paint and gilt, 61 1/2 × 17 × 13 1/4 in., 65 lb. (156.2 × 43.2 × 33.7 cm, 29.5 kg), Sculpture-Wood, These three kings along with a

Emperor Antoninus Pius, 1519–22, Italian, Mantua, Bronze, partially gilt and silvered, on marble socle, Overall without base (confirmed): H. 25 1/4 x W. 19 3/4 x D. 14 1/4 in. (64.1 x 50.2 x 36.2 cm); Height with base (confirmed): 29 7/8 in.

Terracotta woman, Cypro-Archaic II, ca. 600–480 B.C., Cypriot, Terracotta; mold-made, H. 7 9/16 in. (19.2 cm), Terracottas, This figure is associated with the cult of Astarte, the Near Eastern fertility goddess, on Cyprus. A priestess or

The Iron Age (L'Age de fer), n.d., Pen and black and gray ink, with watercolor, 10-5/8 x 7-1/2 in. (27.0 x 19.1 cm), Drawings, Nicolas Arnoult (French, ca. 1650–ca. 1722

Albert de Ligne, Count of Arenberg, Prince of Brabançon, (1600-1674), 17th century, Watercolor and oil on paper, 15 13/16 x 12 1/8 in. (40.1 x 30.8 cm), Drawings, After Anthony van Dyck (Flemish, Antwerp 1599–1641 London

Stamford Road, Singapore, 1860s–70s, Albumen silver print from glass negative, 20.2 x 27.4 cm (7 15/16 x 10 13/16 in.), Photographs, Unknown

Nude Figure (Saint Sebastian?), 17th century, Pen and brown ink on cream paper. Ruled vertical lines in black chalk, 12-7/16 x 5-3/4 in. (31.6 x 14.6 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

[A Union Station on the James River Established for Extracting Gunpowder from Confederate Torpedoes], 1864, Albumen silver print from glass negative, Image: 13.3 x 20.6 cm (5 1/4 x 8 1/8 in.), Photographs, Attributed to Egbert Guy Fowx

Marble portrait head of Antinoos, Late Hadrianic, ca. A.D. 130–138, Roman, Marble, Overall: 9 1/2 x 8 1/4 in. (24.1 x 21 cm), Stone Sculpture, Antinoos, the young beloved of the Roman emperor Hadrian, drowned in the River Nile during an

Panel of Shutter Decoration of Two Putti with Garlands, 17th century (?), Pen and black ink with grey wash, sheet: 5 3/8 x 3 3/4 in. (13.7 x 9.5 cm), Anonymous, German, 17th century

Studies of a Standing Man Holding a Hat and Profile of a Girl Looking Left, 1746–99, Pen and brown ink on off-white paper, 5-7/16 x 7-1/2 in. (13.8 x 19.1 cm), Drawings, Luis Paret y Alcazar (Spanish, Madrid 1746–1799 Madrid

Glass ribbed bowl, Early Imperial, mid-1st century A.D., Roman, Glass; blown and tooled, H.: 2 5/8 in. (6.7 cm), Glass, Translucent pale yellow. Knocked-off, vertical rim; short concave neck; bulging side curving in to slightly rounded and

Half-Length Portrait Study of a Woman Wearing a Cap and Pearl Earrings, ca. 1740–60, Black and white chalks, brown ink and graphite on blue laid paper, squared in graphite, sheet: 12 3/4 x 10 1/4 in. (32.4 x 26.1 cm), Drawings, Circle of

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 x 3 3/8 in. (2.5 x 8.6 cm), Terracottas

Linen marks from the wrappings of Henhenet's mummy, Middle Kingdom, Dynasty 11, ca. 2051–2030 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Temple of Mentuhotep II, Pit 11 (Henhenet), Egypt Exploration Fund excavations,