Images at Librifly

The Forge on Deck, Night of August 9th: Preparing the Iron Plating for Capstan, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 7 in. × 10 3/8 in. (17.8 × 26.3 cm), Drawings, Robert Charles Dudley (British, 1826–1909),

Portrait of Charlotte Corday, n.d., Brush and brown washes over graphite underdrawing., 17.0 x 11.4 cm, Drawings, Jean-Baptiste-François Bosio (French, Monaco 1764–1827 Paris

The Greatness of Mordecai, 16th–mid 16th century ?, Pen and brown ink, brush and black ink, highlighted with white, sheet: 8 1/2in. (irregular shape, circular with top and bottom cut off)., Drawings, ? Circle of Pseudo-Aert Ortkens

Design for a Gothic Mirror, 1841–84, Pen and black ink, sheet: 14 x 10 5/16 in. (35.6 x 26.2 cm), Charles Hindley and Sons (British, London 1841–1917 London

Curtain panel, ca. 1880–1910, American, Cotton, 101 x 60 in. (256.5 x 152.4 cm), Textiles

Buckle, 7th century, Frankish, Bronze, traces of silver, copper alloy, Overall: 2 3/16 x 1 3/16 x 1/2 in. (5.5 x 3 x 1.2 cm), Metalwork-Bronze, Belts were important features of early medieval dress. Not only did they serve the practical

平家物語図屏風, 'Kogō' and 'The Imperial Procession to Ōhara', from The Tale of the Heike (Heike monogatari), Edo period (1615–1868), early 17th century, Japan, Pair of six-panel folding screens; ink, color, gold and gold leaf on

Bowl, late 11th–early 12th century, Attributed to Iran, Stonepaste; glazed, H. 3 3/4 in. (9.5 cm), Ceramics

鶏香炉, Incense Burner in the Shape of a Rooster, Edo period (1615–1868), 18th century, Japan, Copper alloy with enamels, gilding, and silvering, H. 8 3/8 in. (21.3 cm), Cloisonné, This incense burner in the shape of a rooster

The Adoration of the Shepherds, 17th century, Black chalk counterproof on cream paper, 15-1/16 x 10-1/16 in. (38.2 x 25.5 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Sheet of Jewelry Designs, 17th century, Pen and brown ink, brush with blue watercolor, over faint traces of ruled graphite construction, sheet: 7 5/8 x 5 in. (19.3 x 12.7 cm), Anonymous, Italian, 17th century

橅夫蒔絵硯箱, Writing Box (Suzuribako) with Woodcutter, Edo period (1615–1868), 19th century, Japan, Black and gold lacquer on wood with gold maki-e and mother-of-pearl inlay, (a): H. 8 1/4 in. (21 cm); W. 7 3/8 in. (18.7 cm); D. 1 3/8

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 17 (verso), Publisher, Domenico da Sera, French, active Italy, 16th century, Sera,

Old woman carrying a red and white checkered card, first half 20th century, brush and black ink, gouache, watercolor, traces of graphite framing lines, sheet: 16 5/8 x 8 1/16 in. (42.2 x 20.5 cm), Drawings, Sergey Sudeykin (Russian, Smolensk

染付竹文水指, Water Jar with Bamboo, Edo period (1615–1868), first half of the 18th century, Japan, Porcelain with underglaze blue decoration (Hirado ware), H. 7 in. (17.8 cm); Diam. 6 1/8 in. (15.6 cm), Ceramics

Ulysses Entering Troy, 1780s, Recto: Pen and brown ink, brush and brown wash; Verso: faint black chalk sketch of same subject, 8-3/4 x 11-1/2 in. (22.2 x 29.2 cm), Drawings, Antoine François Callet (French, Paris 1741–1823 Paris

Molded Vessel in the Form of a Mother and Child, 12th–13th century, Attributed to Iran, Stonepaste; molded, painted under transparent turquoise glaze, H. 8 1/16 in. (20.5 cm), Ceramics, This object in the shape of a woman cradling a baby

[View of a small town with wooden sheds in distance]. Brady album, p. 123, 1861–65, Albumen silver print from glass negative, Photographs

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 11 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Lamp, convex top, Greek or Roman, Terracotta, Overall: 1 1/8 x 3 3/4 in. (2.9 x 9.5 cm), Terracottas

Cuneiform tablet: administrative account with entries concerning malt and barley groats, Jemdet Nasr, ca. 3100–2900 B.C., Mesopotamia, probably from Uruk (modern Warka), Sumerian, Clay, 2.68 x 1.77 x .63 in. (6.8 x 4.5 x 1.6 cm),

Compote, 1876–85, Made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, 8 7/8 × 10 3/4 × 7 1/2 in. (22.5 × 27.3 × 19.1 cm), Glass, Bryce Brothers

Design for a Doorway with a Portico in the Classical Style, 18th century, Pen and black ink, brush and black and green wash, sheet: 7 1/2 x 7 3/8 in. (19.1 x 18.7 cm), Anonymous, British, 18th century

[Pair of Portraits of Man and Woman (Husband and Wife?)], 1852–60, Daguerreotype, Image: 9 x 6.4 cm (3 9/16 x 2 1/2 in.), each, Photographs, Jeremiah Gurney (American, 1812–1895 Coxsackie, New York

Glass Tile Fragments, 9th century, Excavated in Iraq, Samarra, Millefiori glass, 23.75.15a: , Glass, Glassmakers at Samarra used ingenious techniques to decorate the interiors of the caliph’s palaces. These multicolored fused millefiori

Drawings and Prints, Albums Prints Ornament & Architecture, Schon newes Modelbuch...Page 16(r), Designer, Sigismundus Latomus, German, active 1599–ca. 1627, Latomus, Sigismundus, German, 1599, 1632, 1617, 1617

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 1/4 x 4 1/2 in. (3.2 x 11.4 cm), Terracottas

Livre de Moresques, page 3 (recto), 1546, Woodcut, Overall: 12 x 8 5/16 x 1/4 in. (30.5 x 21.1 x 0.7 cm), Francesco di Pellegrino (Italian, born Florence, died 1552), This book of moresques reproduces designs by the Italian artist Francesco

Saint Apollonia of Alexandria, 17th century, Pen and brown ink, brush and brown wash, on light brown paper, 7-5/8 x 3-11/16 in. (19.4 x 9.3 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Adoration of the Magi, ca. 1553–60 (?), Etching, sheet: 12 1/4 x 9 15/16 in. (31.1 x 25.2 cm), Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice), In Mariette Album, folio 17

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 4 (verso), Publisher, Designer, Woodcut border on title signed by, Nicolò Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

Letzter Wunsh, early 20th century, Brush and black ink, blue and white gouache over graphite., (Image) 12 5/16 x 10 5/16 in. (31.3 x 26.2 cm), Drawings, Franz Wacik (Austrian, Vienna 1883–1938 Vienna

Fragment of a Frieze, 11th century, Excavated in Iran, Nishapur, Terracotta; carved, painted, H. 23 1/2 in. (59.7 cm), Sculpture, This panel is believed to have formed a large frieze along the entrance to a prayer hall that served a densely

Barracks at Alexandria, Virginia, 1861–65, Albumen silver print from glass negative, 13.1 x 20.1 cm (5 3/16 x 7 15/16 in. ), Photographs

Les Singuliers et Nouveaux Portraicts... page 50 (verso), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Cymon and Iphigenia, 1796, Watercolor, pen and black ink over graphite, sheet: 8 7/16 x 9 5/8 in. (21.5 x 24.5 cm), Drawings, James Gillray (British, Chelsea 1756–1815 London), Gillray here parodies a tale found in Boccaccio's Decameron and

Model of a Slaughter House, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280), 1920, Wood, paint, plaster, L. 76.8 cm (30 1/4 in.); W. 58.5 cm (23 1/16 in.);

明萬曆 剔紅龍紋漆盤, Dish with dragon, Ming dynasty (1368–1644), Wanli period (1573–1620), 1573–1620, China, Carved red lacquer, H. 1 1/4 in. (3.2 cm); Diam. 6 1/4 in. (15.9 cm), Lacquer, Depictions of dragons facing front

Punch Glass, ca. 1883–88, Made in East Cambridge, Massachusetts, United States, American, Blown glass, H. 3 3/8 in. (8.6 cm); Diam. 2 15/16 in. (7.5 cm), Glass, Probably New England Glass Company (American, East Cambridge, Massachusetts,

Design for chandelier, ca. 1905–20, Made in New York, United States, American, Graphite and colored pencil on tissue paper mounted on heavy paper, Overall: 21 15/16 x 13 7/8 in. (55.7 x 35.2 cm), Drawings, Tiffany Studios (1902–32

[Itmad-Ud-Daulah's Tomb, Agra], 1860s–70s, Albumen silver print from glass negative, 20.8 x 27.6 cm (8 3/16 x 10 7/8 in.), Photographs, Unknown

Drawings and Prints, Books Prints Ornament & Architecture, Studio delle virtuose Dame, page 24 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella Catanea,

Djîzeh (Nécropole de Memphis), Pyramide de Chéops (Grande Pyramide), 1851–52, printed 1853–54, Salted paper print from paper negative, 24.4 x 30.1 cm. (9 5/8 x 11 7/8 in.), Photographs, Félix Teynard (French, 1817–1892

Apotheosis of Four Martyred Saints (Four Crowned Martyrs?), 17th century, Pen and brown ink, washed with brown ink and white. Ceiling design with semi-circular ends, 14-3/4 x 6-1/8 in. (37.5 x 15.6 cm), Drawings, Antonio Cavallucci (Italian,

明 戴進 雪歸圖 軸, Returning home through the snow, Ming dynasty (1368–1644), ca. 1455, China, Hanging scroll; ink and color on silk, Image: 66 x 32 1/2 in. (167.6 x 82.6 cm), Paintings, Dai Jin (Chinese, 1388–1462), A solitary

[Three Plumbers with Pipes and Tools], 1870s–80s, Tintype, Image: 7.4 x 9.3 cm (2 15/16 x 3 11/16 in.), Photographs, Unknown (American

Bow Brooch, 500–550, Frankish, Silver, gilt and cast; garnet with unpatterned foil backing; bone; iron spring/pin, Overall: 2 1/16 x 3 3/8 x 3/8 in. (5.2 x 8.5 x 1 cm), Metalwork-Silver, The bow brooch was a component of many Germanic

Alfred, Lord Tennyson, 1865, Albumen silver print from glass negative, Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 2 (recto), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Ornamento delle belle & virtuose donne, page 20 (recto), 1554, Woodcut, Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821.

Reconstruction of the Theatre of Marcellus (above) and a View of the Ruins (below), before 1704, Red chalk, pen and black ink, brush and grey wash, over traces of black chalk. Incised (?)., Overall: 13 x 8 1/8in. (33 x 20.6cm), Drawings, Jan

Dead Christ Mourned Over by Angels, 17th century, Red chalk on light tan paper, 7-13/16 x 10-5/8 in. (19.9 x 27 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 7/8 x 3 3/4 in. (2.2 x 9.5 cm), Terracottas

Licenza, near Rome: Horace's Villa, ca. 1828–29, Watercolor and gouache over graphite, sheet: 10 11/16 x 14 13/16 in. (27.2 x 37.6 cm), Drawings, William Havell (British, Reading 1782–1857 London), After a decade in China and India,

A Woman Kneeling before an Old Man, Images of Spain Album, 55, ca. 1812–20, Brush and brown wash on laid paper, Sheet: 8-1/16 x 5-5/8 in. (20.5 x 14.3cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 11 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Crown Prince Rupprecht of Bavaria, 1900–1908, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Spoon, 1740–50, Made in Boston, Massachusetts, United States, American, Silver, L. 7 3/4 in. (19.7 cm), Silver, Probably William Cowell Jr. (1713–1761

Lacock Abbey, Cloisters, September 12, 1855 [?], September 12, 1855 [?], Salted paper print from paper negative, Photographs, Unknown (British), Possibly by Charles Henry Talbot (British, 1842–1916

Le Kaire, Tombeaux de Sultans Mamelouks, 1851–52, printed 1853–54, Salted paper print from paper negative, 24.3 x 30.7 cm. (9 9/16 x 12 1/16 in.), Photographs, Félix Teynard (French, 1817–1892

The Annunciation, 1808–62, Pen and black ink on tracing paper, laid down on vellum, sheet: 7 3/16 x 6 1/8 in. (18.3 x 15.5 cm), Drawings, Wilhelm Schadow (German, Berlin 1788–1862 Düsseldorf

Household Stories from the Collection of the Brothers Grimm, 1882, Illustrations: wood engraving, 7 11/16 x 5 3/8 x 7/8in. (19.6 x 13.7 x 2.3cm), Books

Schön newes Modelbuch (Page 95r), 1608, Woodcut, Overall: 4 1/2 x 6 11/16 in. (11.5 x 17 cm), Published by Sigismundus Latomus, Frankfurt a.M. Illustrated and hand-colored title page, 94 pages of designs for lace and embroidery

Design for Desk, 1841–84, Graphite and watercolor, sheet: 8 11/16 x 13 9/16 in. (22.1 x 34.4 cm), Charles Hindley and Sons (British, London 1841–1917 London

[Young Woman with Beckers Tabletop Stereoscope], 1864–66, Albumen silver print from glass negative, Image: 9.1 x 5.2 cm (3 9/16 x 2 1/16 in.), Photographs

Terracotta neck-amphora (jar) with twisted handles, Classical, ca. 470 B.C., Greek, Attic, Terracotta; red-figure, H. 14 5/16 in. (36.3 cm); diameter 7 3/8 in. (18.7 cm), Vases, Obverse, youth pursuing woman , Reverse, youth and boy

Marble statuette of a bearded man (Actor?), Hellenistic, late 4th–2nd century BC, Greek, Marble, Island, 3 5/8 × 1 15/16 × 1 1/4 in. (9.2 × 4.9 × 3.2 cm), Stone Sculpture

Sampler, 1749, British, Silk on linen or wool, No dimensions recorded., Textiles-Embroidered

Bronze statuette of a striding warrior, Early Classical, early 5th century B.C., Etruscan, Bronze, H.: 4 15/16 in. (12.5 cm), Bronzes, This striding warrior once held a separately made spear in his right hand and may have carried a shield on

Cabinet Design with Renaissance style Ornament and Red Interior, 19th century, Ink and watercolor, sheet: 5 1/8 x 7 3/16 in. (13 x 18.3 cm), Anonymous, British, 19th century

Armchair, ca. 1875–76, Made in New York, New York, United States, American, Black walnut, original and reproduction upholstery, 51 3/4 x 28 x 25 in. (131.4 x 71.1 x 63.5 cm), Furniture, Pottier and Stymus Manufacturing Company (active ca.

Christ Carrying the Cross, 16th century, Pen and brown ink, 7 3/4 x 5 15/16 in. (19.7 x 15.1 cm), Drawings, Circle of (?) Wolfgang Huber (German, Feldkirch/Vorarlberg ca. 1485/90–1553 Passau

Jourdan. Numa. 30 ans, né le 27/8/61 à Courbevoie (Seine). Teinturier. Anarchiste. 23/4/92. , 1892, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Marie. Constant. 53 ans, né le 27/8/38 à Ste-Houvrince (Calvados). Garçon rnarçon. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Bottle vase, ca. 1890, French, Choisy-le-Roi, Porcelain, confirmed: 16 15/16 × 7 1/2 × 7 1/2 in., 11 lb. (43 × 19.1 × 19.1 cm, 5 kg), Ceramics-Porcelain, This bottle vase is decorated with a flambé glaze, a mixture of deep copper red

Kitchen Scene, 1687, Black and red chalk, brown, gray, blue, yellow, red washes, sheet: 10 9/16 x 8 7/8 in. (26.8 x 22.5 cm), Drawings, Cornelis Dusart (Dutch, Haarlem 1660–1704 Haarlem

[Stone Mason in Top Hat and Apron with Mallet and Chisel], 1870s–80s, Tintype, Image: 8.7 x 6.5 cm (3 7/16 x 2 9/16 in.), Photographs, Unknown

Liturgical Incense Burner, second half 19th century, Graphite and watercolor on tracing paper, sheet: 7 1/16 x 4 1/4 in. (17.9 x 10.8 cm), Anonymous, British, 19th century

Saint John the Baptist before Herod and Herodias, 16th century, Pen and brown ink, brush and brown wash, red chalk, 24-1/2 x 18-5/8 in. (62.2 x 47.3 cm), Drawings, Circle of Morazzone (Pier Francesco Mazzucchelli) (Italian, Morazzone

A Heroine and Her Lover in a Pavilion: Page from a Dispersed Nayikabheda, ca. 1660–80, India (Madhya Pradesh, Malwa), Ink and opaque watercolor on paper, 8 1/2 x 6 3/16 in. (21.6 x 15.7 cm), Paintings, The extensive poetic Nayikabheda

A Soldier Brandishing a Shield in a Landscape, 1586, Pen and black ink, 5 9/16 x 5 1/2 in. (14.2 x 14 cm), Drawings, Monogrammist GK (German, late 16th century), Possibly by Georg Keller (German, Frankfurt am Main 1568–1634 Frankfurt am

Head of Krishna (?), 7th century, Thailand (Phetchabun Province), Stone, H. 8 7/8 in. (22.5 cm), Sculpture, The unusual faceted miter sitting high on the figure's forehead is a characteristic of sculptural production at the site of Si Thep,

Design for Two Ornamental Upright Panels, and one Ornamental Basamento (?), 1700–1780, Pen and brown ink, brush and gray wash, over lead point or graphite, with ruled construction, 12-3/8 x 8-3/4 in. (31.5 x 22.2 cm), Drawings, Anonymous,

A House near a Bridge, 17th century, charcoal, white chalk and watercolor on gray paper, sheet: 14 x 11 in. (35.5 x 28 cm), Drawings, Anthonie Waterloo (Dutch, Lille 1609–1690 Utrecht

Drawings and Prints, Poster, Musée Grévin, Pantomimes Lumineuses, Théâtre optique de E. Reynaud, musique de Gaston Paulin, Artist, Printer, Jules Chéret, Imprimerie Chaix (Ateliers Chéret), French, Paris 1836–1932 Nice, Chéret,

[Sculptures of the Medici Venus and Pomona, Venus, Esmeralda, and the Mourners], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3 1/8 x 3 3/16 in.), each, Photographs, Attributed to Philip Henry Delamotte (British,

Della Casa. 36 ans, né le 1/3/58 à Avoglion (Italie). Cordonnier. Anarchiste. 2/7/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Disk Brooch, first half of the 6th century, Frankish, Copper alloy, garnets, green glass, with patterned foil backings..., Overall: 7/8 x 1/4 in. (2.2 x 0.6 cm), Metalwork-Copper alloy

Title Page to a Group of Plans, Elevations and Scenic Interiors of Lea Castle, Worcestershire, Containing a View of New Front to the Ice House, 1816, Watercolor, sheet: 11 x 14 in. (27.9 x 35.6 cm), Attributed to John Carter (British, London

Maria Feodorovna, Dowager Empress of Russia, 1885–90, Gelatin silver print, Image: 6 1/4 × 8 5/16 in. (15.9 × 21.1 cm), Photographs, Unknown (Russian

The Wilderness Battlefield, 1864, Albumen silver print from glass negative, Image: 10.9 × 9.5 cm (4 5/16 × 3 3/4 in.), Photographs, Unknown (American), Possibly by Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Drawings and Prints, Books Prints Ornament & Architecture, Neu künstlich Modelbuch (page 24r), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Stassburg, Jobin, Bernhard, Swiss, 1535, 1597, 1598

[Young Man with Hand Tucked in Vest], 1840s, Daguerreotype, Image: 6.5 x 5.3 cm (2 9/16 x 2 1/16 in.), Photographs, Unknown (American

Incense container in shape of a bird (Kogo), Edo period (1615–1868), 1797–1860, Japan, Stoneware with polychrome enamels, H. 1 13/16 in. (4.6 cm); Diam. 2 13/16 in. (7.2 cm), Ceramics, Miyagawa Chozo (Japanese, 1797–1860

Drawings and Prints, Album Print Ornament & Architecture, Copies after the 'Livre contenant passement de moresques' (plate 13), Artist, After, Jacques Androuet Du Cerceau, French, Paris 1510/12–1585 Annecy, Du Cerceau, Jacques Androuet,

Flower Pot, ca. 1830, Made in Mexico, Mexican, Tin-glazed earthenware, Diam. 11 1/2 in. (29.2 cm), Ceramics

Kuan Yin, ca. 1711, German, Meissen, Stoneware, confirmed: 14 3/4 × 4 × 4 1/8 in. (37.5 × 10.2 × 10.5 cm), Ceramics-Pottery, Copied, and possibly cast, from a model in Chinese blanc de chine porcelain, ca. 1700

A Group a Trees, early 17th century, Pen and brown ink, brown wash, 6 7/8 x 7 1/2 in. (17.5 x 19.1 cm), Drawings, Attributed to Anthony van Dyck (Flemish, Antwerp 1599–1641 London

Fortifications, Manassas, Occupied by 13th Mass., 1862, Albumen silver print from glass negative, Image: 7 5/16 × 9 1/4 in. (18.6 × 23.5 cm), Photographs, Mathew B. Brady (American, born Ireland, 1823?–1896 New York), In summer 1861

Interior of a Chapel, 18th century, Pen and ink with gray, brown and pink wash, sheet: 14 x 9-3/4 in, Anonymous, Italian, 18th century