Images at Librifly

Vajra, Tang dynasty (618–907), China, Gilt bronze, H. 1 1/4 in. (3.2 cm); W. 1 3/4 in. (4.4 cm); L. 8 1/2 in. (21.6 cm), Metalwork

Decafoil salver, David Willaume I (British, 1658–1741), 1722, British, London, Silver, Overall (confirmed): 2 x 21 15/16 in., 117 oz. 13 dwt. (5.1 x 55.7 cm, 3.659kg), Metalwork-Silver, David Willaume I (British, 1658–1741

Sacrifice of Isaac, 17th century, Red chalk on light brown paper, 7-7/16 x 5-1/4 in. (18.9 x 13.4 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Design for hanging fixture, ca. 1905–20, Made in New York, United States, American, Graphite, colored pencil, and gouache, Storage (mat size): 22 x 16 in. (55.9 x 40.6 cm), Drawings, Possibly Tiffany Glass Company (1885–92), Possibly

Face from Half of Double Saddle Bag (Khorjin), ca. 1850, Country of Origin Northwestern Iran, Wool; sumak brocaded, H. 23 in. (58.4 cm), Textiles-Woven-Brocade

Suggestion for Window; All Saints Church, Atlanta, Georgia, late 19th–early 20th century, Made in New York, United States, American, Watercolor, ink, and graphite on artist board in original shaped matt, Overall: 17 1/2 x 10 7/8 in. (44.5

Classical Border Elements with Vines and Leaves, 1776–79, Graphite, sheet: 14 1/2 x 12 in. (36.9 x 30.5 cm), Attributed to Thomas Hardwick (British, London 1752–1829 London

Cream Pitcher, ca. 1780, Made in France, French, possibly, Porcelain, H. 4 3/8 in. (11.1 cm), Ceramics

Figure: Female (Dege Dal Nda), 18th–19th century, Mali, Dogon peoples, Wood, H. 25 x W. 3 3/4 x D. 4 7/8 in. (63.5 x 9.5 x 12.4 cm), Wood-Sculpture, Master of Ogol, This female figure is one of about a dozen works that have been attributed

A costume and a sketch of a man in profile, ca. 1500, sheet: 9 5/8 x 5 15/16 in. (24.4 x 15.1 cm), Drawings, Anonymous, German, 16th century

Tiger in Landscape, 1810–75, Watercolor on lined paper, Sheet: 9 3/4 x 12 15/16 in. (24.7 x 32.8cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Bucranium, Second Intermediate Period, Dynasty 14–17, ca. 1640–1550 B.C., From Egypt, Antler, bone, paint, w. of antlers 32 cm (12 5/8 in

'Tulip' lamp, 1907–12, Made in New York, New York, United States, American, Leaded Favrile glass and patinated bronze with a reticulated blown glass base, 23 1/8 in. (58.7 cm), Glass, Tiffany Studios (1902–32), Floral motifs dominate

Design for Ceiling in Four Parts, One Decorated with a Compass Motif, in Rust and Olive Green, Moorish Motifs, 19th century, Graphite, watercolor in reds yellows and blues, and gilt, sheet: 16 7/8 x 11 5/8 in. (42.9 x 29.5 cm), John Gregory

Round Dagger Pommel with Scalloped Edges, 12th–13th century, French, Copper alloy, enamel, Diam. 1 5/8 in. (4.1 cm), Swords-Parts

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 4 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 52 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Vase, Yuan dynasty (1271–1368), China, Bronze, H. 15 1/2 in. (39.4 cm); Diam. 8 in. (20.3 cm); Diam. of rim 4 3/8 in. (11.1 cm); Diam. of foot 5 5/8 in. (14.3 cm), Metalwork

Goat, 1935, Oil on canvas with selective varnish, 23 x 31 in. (58.4 x 78.7 cm), Paintings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York), Living on his family farm in Geneva, New York, from 1933 to 1938,

A. Sardou, 1867, Albumen silver print from glass negative, Image: 7 1/2 × 9 7/16 in. (19 × 24 cm) , Photographs, André-Adolphe-Eugène Disdéri (French, Paris 1819–1889 Paris

The Family of Cain, ca. 1638–47, Pen and black and brown ink, brush and gray wash over red Chalk, highlighted with white gouache, sheet: 7 1/16 x 10 11/16 in. (18 x 27.1 cm), Drawings, Peter Oliver (British, London, 1589/1594–1647

The Wagonner (after Peter Paul Rubens), 1620 (?), Watercolor, graphite and black ink, sheet: 8 11/16 x 11 9/16 in. (22 x 29.3 cm).This does not include the mat., Drawings, Lodewijk de Vadder (Flemish, Brussels 1605–1655 Brussels), After

The Rape of the Sabines, 1606–81, Pen and brown ink, brush and blue-gray wash, highlighted with white, over black chalk on beige paper. Framing lines in pen and black ink, 5-15/16 x 19-3/4 in. (15.1 x 50.2 cm), Drawings, Giacinto Gimignani

Figure 75: Nun saying her prayers, 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.8 × 22 cm (11 5/16 × 8 11/16 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne (French, 1806–1875),

No. 6. From South Approach of Franklin Ave Bridge, Minneapolis, Minnesota Looking Up Stream (Low Water), 1890, Cyanotype, Sheet: 14 1/2 × 17 3/16 in. (36.8 × 43.7 cm), Photographs, Henry P. Bosse (American, born Germany, 1844–1893

Two Views of a Horse's Head; the Head of a Bearded Man in Profile., 1550–1600, Pen and brown ink, brush and brown wash, with some unrelated strokes of red chalk, sheet: 2 5/8 x 5 13/16 in. (6.7 x 14.7 cm), Drawings, Anonymous, Italian,

Royal bust, Late Period–Ptolemaic Period, 400–200 B.C., From Egypt, Limestone, H. 12.3 cm (4 13/16 in.); W. 8.5 cm (3 3/8 in.); D. 4.5 cm (1 3/4 in.), Small Late Period and Ptolemaic reliefs or sculptures that depict a subject in a partial

Jacot. Charles, Émile. 36 ans, né à Allenjoie (Doubs). Colporteur Anarchiste. 8/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Mystical Shore, 1897, Woodcut printed in green, plate: 14 5/8 x 22 1/2 inches (37.2 x 57.2 cm), Prints, Edvard Munch (Norwegian, Løten 1863–1944 Ekely

Frieze with Rinceaux and Putti, 16th century, Pen and brown ink, brush and brown wash, over traces of black chalk underdrawing, sheet: 3 3/8 x 11 1/8 in. (8.5 x 28.2 cm), Drawings, Anonymous, Italian, 16th century

No. 88. Wingdams below Winona, Minnesota, 1889, Cyanotype, Sheet: 14 1/2 × 17 3/16 in. (36.8 × 43.7 cm), Photographs, Henry P. Bosse (American, born Germany, 1844–1893

[La Comtesse in robe de piqué or as Judith (?)], 1860s, Albumen silver print from glass negative with applied color, 12.4 x 8.8 cm (4 7/8 x 3 7/16 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

François dit Francis. 38 ans, né le 3/12/55 à Reims (Marne). Ébéniste. Anarchiste. 5/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

[Ruins of Cecilia Metella, Rome], 1850s, Salted paper print from paper negative, Photographs, Unknown

The Little Communicant (La petite communiante), 1848–84, Pen and black ink, black chalk and charcoal, stumped, Sheet: 10 5/16 x 7 3/8 in. (26.2 x 18.8cm), Drawings, Jules Bastien-Lepage (French, Damvillers 1848–1884 Paris

Chambon. Raoul. 20 ans, né le 3/7/73 à Valréas (Vaucluse). Graveur. Anarchiste. 26/5/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

'Vegetarian Odd Fellows: or, Carrott and Pa-Snip', 1837–64, Watercolor, pen and brown ink over graphite, Sheet: 5 x 6 1/4 in. (12.7 x 15.9 cm), Drawings, John Leech (British, London 1817–1864 London

Mug, 1800–1830, American, Probably earthenware, 4 3/4 x 5 3/8 x 4 1/4 in. (12.1 x 13.7 x 10.8 cm), Ceramics

[Two Plasterers in Overalls Leaning on a Rustic Fence], 1870s–80s, Tintype, Image: 9 x 6 cm (3 9/16 x 2 3/8 in.), Photographs, Unknown (American

Lamp, Mid Imperial, 2nd century A.D., Roman, Terracotta, Length 10 cm. H. 2.7 cm., Terracottas

[Mason in Top Hat with Mallet, Chisel, and Piece of Stone], 1870s–80s, Tintype, Image: 7.6 x 4.5 cm (3 x 1 3/4 in.), Photographs, J. R. Martin (American, active 1860s

Interior of the Alhambra(?), 19th century, Pencil on four sheets of tracing paper mounted onto laid paper., 9 13/16 x 14 9/16 in. (25 x 37 cm), Drawings, Franz von Hauslab the Younger (Austrian, Vienna 1798–1883

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 29 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Daniel interprets Nebuchadnezzar's Dream, 1815–83, Watercolor, gouache, and traces of graphite. Black pen and ink border added when laid on blue mount., image: 16 x 12 1/16 in. (40.6 x 30.7 cm), Drawings, Franz von Hauslab the Younger

Interior with coffered ceiling and Corinthian order applied to walls, 19th century, Graphite, watercolor and gilt, image (arched shape): 11 3/8 x 14 3/16 in. (28.9 x 36.1 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and Son

Design for an Orchestra Gallery in an Assembly Room, Plan and Elevation, ca. 1800, Ink and watercolor, sheet: 8 3/4 x 12 1/4 in. (22.2 x 31.1 cm), Anonymous, British, late 18th to early 19th century

Der text des Passions oder leydens christi auß den vier evangelisten zusammen in ein Sinn bracht mit schönen figuren, 1507, Woodcuts, Overall: 11 5/16 x 8 3/8 x 3/8 in. (28.8 x 21.3 x 1 cm), Books, Urs Graf (Swiss, Solothurn ca.

Dish with Heron Design, Edo period (1615–1868), late 17th century, Japan, Porcelain with underglaze blue decoration (Hizen ware, Nabeshima type), H. 1 1/4 in. (3.2 cm); Diam. 5 5/8 in. (14.3 cm), Ceramics

Morion, late 16th century, Nuremberg, German, Nuremberg, Steel, silver, pigment, H. 12 9/16 in. (31.9 cm); W. 8 15/16 in. (22.7 cm); D. 13 1/2 in. (34.3 cm); Wt. 4 lb. 11 oz. (2126 g), Helmets, Silvered morions of this type probably were

[Séance with the Medium Eusapia Palladino], 1907–8, Gelatin silver print, 7.2 x 7.5 cm (2 13/16 x 2 15/16 in.) each, Photographs, Jules Courtier

Terracotta kylix (drinking cup), Classical, ca. 480 B.C., Greek, Attic, Terracotta; red-figure, H.: 3 13/16 in. (9.7 cm), Vases, Interior, man playing lyre, Exterior, obverse and reverse, komasts (revelers). The decoration of this cup

A Sea Nymph and a Triton on a Dolphin, 18th century, Pen and grey ink, red chalk, red and grey wash. Framing line in pen and grey ink (possible by the artist)., sheet: 7 1/2 x 10 13/16 in. (19.1 x 27.5 cm), Drawings, Peter Anton von

Design for a Bed with Canopy, 1841–84, Graphite and watercolor, sheet: 12 5/8 x 9 5/16 in. (32 x 23.7 cm), Charles Hindley and Sons (British, London 1841–1917 London

Vase, 1880, Made in New York, New York, United States, American, Red earthenware, 11 in. (27.9 cm), Ceramics, John Bennett (1840–1907

Carpet, probably late 16th–early 17th century, Attributed to Turkey, Wool (warp, weft and pile); symmetrically knotted pile, Rug: L. 170 1/2 in. (433.1 cm), Textiles-Rugs

Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects, Workshop of Charles Percier (French, Paris 1764–1838 Paris), Workshop of Pierre François Léonard Fontaine (French, Pontoise

Jar with Chrysanthemums, Edo period (1615–1868), 17th century, Japan, Porcelain painted with underglaze blue (Hizen ware), H. 5 1/2 in. (14 cm); Diam. 5 in. (12.7 cm), Ceramics

Cupid with a Bird on a String, 17th–early 18th century, Brush and gray wash, sheet: 3 9/16 x 3 1/16 in. (9 x 7.7 cm), Drawings, Joseph Werner the Younger (Swiss, Berne 1637–1710 Berne

Soldiers in a Cave Receiving Blessings from Heaven, 19th century, Black chalk on prepared paper with brown wash., sheet: 16 5/8 x 13 in. (42.2 x 33 cm), Drawings, Franz von Hauslab the Younger (Austrian, Vienna 1798–1883

Study of the Head of a Youth Gazing Upward, late 15th–early 16th century, Black chalk; Squared in black chalk; eyes, nose, ears, mouth retouched with pen and brown ink., 8 7/8 x 5 15/16 in. (22.6 x 15.1 cm), Drawings, Workshop of Perugino

Teabowl, Edo period (1615–1868), mid- to late18th century, Japan, Pottery covered with glaze and decorated with designs in slip (Kyoto ware), H. 3 in. (7.6 cm); Diam. 4 3/4 in. (12.1 cm); Diam. of foot 2 1/2 in. (6.4 cm), Ceramics, Style of

The Great White Cloud, ca. 1910, Platinum print, Image: 11.6 × 16.1 cm (4 9/16 × 6 5/16 in.), Photographs, Frank Eugene (American, New York 1865–1936 Munich

Gold Necklace with Ornaments, 6th century, Byzantine, Gold, 34 7/8 × 2 11/16 × 9/16 in., 7oz. (88.6 × 6.8 × 1.4 cm, 225g), Metalwork-Gold, The eleven extensively detailed ornaments—a cross, a pair of leaves, and eight amphorae (vases)

Anceau. Aimé-Firmin. 20 ans, né le 18/2/74 à Paris XIIe. Sculpteur sur bois. Anarchiste. 17/7/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Newes Modelbuch in Kupffer(Page 38r), Johann Sibmacher (German, active 1590–1611), 1604

Sultan's Palace, Lahore, 1860s–70s, Albumen silver print from glass negative, 20.2 x 27.3 cm (7 15/16 x 10 3/4 in.), Photographs, Unknown

An Allegory of Wealth, 1598, Pen and black ink, gray, brownish-green and pink washes, sheet: 8 x 6 in. (20.3 x 15.2 cm), Drawings, Adam Gutmann (German, Constance 1567–1637, active Salzburg

Design for a Gothic Bed, 1841–84, Graphite with touches of white gouache, sheet: 14 7/16 x 10 1/4 in. (36.7 x 26.1 cm), Charles Hindley and Sons (British, London 1841–1917 London

Poem Card (Tanzaku) Box with Flower Bouquet, 花熨斗蒔絵短冊箱, Meiji period (1869–1912), 19th century, Japan, Lacquered wood with gold, silver, color, takamaki-e, hiramaki-e, and togidashimaki-e, H. 7/8 in. (2.2 cm); W. 2 3/8 in.

Studies of Hands, 1630–80, Red, black, and white chalk, sheet: 11 1/2 x 7 9/16 in. (29.2 x 19.2 cm), Drawings, Sir Peter Lely (Pieter van der Faes) (British, Soest 1618–1680 London

Seated Ballplayer, 1st century B.C.–A.D. 3rd century, Mexico, Mesoamerica, Jalisco, Ameca-Etzatlán, Ceramic, H. 19 5/8 x W. 13 in. (49.8 x 33 cm), Ceramics-Sculpture, Images of ballplayers were made in ancient Mexico for millennia. The

Design for a vase with a faun and a nymph, from Livre de Vases (Book of Vases), plate 10, 1742–50, Etching, Sheet: 13 3/16 x 9 7/16 in. (33.5 x 24 cm), Gabriel Huquier (French, Orléans 1695–1772 Paris), After François Boucher (French,

Design for a Box-lid, 1699–1773, Pen and brown ink over graphite underdrawing, 2 9/16 x 2 9/16in. (6.5 x 6.5cm), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Terracotta antefix (roof tile) with head of a satyr, Late Classical, 4th century B.C., Etruscan, Cerveteri, Terracotta, 17 3/8 x 17 7/16in. (44.1 x 44.3cm), Terracottas, On temple roofs, maenad antefixes often alternate with satyr-head

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 28 (recto), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

Case (Inrō) with Design of Bean Vine and Moon, Edo period (1615–1868), early 18th century, Japan, Case: gold on black lacquer with mother-of-pearl inlay; Fastener (ojime): gold with design of crabs, reed, and rock; Toggle (netsuke): ivory

明萬曆 剔彩龍紋漆盒, Box with dragons, Ming dynasty (1368–1644), Wanli period (1573–1620), late 16th century, China, Carved red, black, yellow, and green lacquer, H. 4 in. (10 cm); W. 8 in. (20.4 cm); L. 12 3/4in. (32.5 cm),

Folios from a Qur'an Manuscript, A.H. 383/A.D. 993, Made in Iran, Isfahan, Ink and gold on paper, 9 7/16 x 13 13/16in. (24 x 35.1cm), Codices, The first centuries in the copying of the Qur’an witnessed a succession of changing styles in the

The Prix de Rome Winners of 1817: Léon Cogniet, Achille Michallon and Antoine Garnaud, 1817, Graphite on wove paper, sheet: 7 5/16 x 6 13/16 in. (18.5 x 17.3 cm), Drawings, Léon Cogniet (French, Paris 1794–1880 Paris

Hanging Rock, Clear Creek Canyon, 1870s, Albumen silver print, Image: 21 1/4 × 17 7/16 in. (54 × 44.3 cm), Photographs, William Henry Jackson (American, 1843–1942

The Sacrifice of Polyxena, Oil on canvas, 77 3/4 x 88 in. (197.5 x 223.5 cm), Paintings, Giovanni Francesco Romanelli (Italian, Viterbo ca. 1610–1662 Viterbo), Polyxena was the youngest daughter of Priam, King of Troy. According to a Greek

Snuff Bottle with Dragons Chasing Pearl, Qing dynasty (1644–1911), Daoguang mark and period (1821–50), China, Porcelain with coral stopper, H. 2 11/16 in. (6.8 cm), Snuff Bottles

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 53r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Design for a Room, 1850–1919, Watercolor, pen and brown ink over graphite, sheet: 12 3/8 x 16 3/4 in. (31.5 x 42.6 cm

Design for Wall with Fireplace and Side Tables, 1841–84, Graphite with touches of white gouache, sheet: 10 9/16 x 14 in. (26.8 x 35.6 cm), Charles Hindley and Sons (British, London 1841–1917 London

The Artist's Cousin, Probably Mrs. William Bell (Mathilde Musson, 1841–1878), 1873, Pastel on green wove paper, now darkened to brown, 18 5/8 x 15 1/8 in. (47.3 x 38.4 cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris), The

Mask of a man with short curly hair and long sideburns, Roman Period, A.D. late 1st century probably, From Egypt, Plaster, largely modern paint, h. 19 cm (7 1/2 in

Flat Ornament, 7th century (?), Made in France, Frankish, Copper alloy, 'tinned' surface, Overall: 1 7/16 x 1 3/8 x 3/8 in. (3.6 x 3.5 x 0.9 cm), Metalwork-Copper alloy

Design for a House, North Elevation, ca. 1883, Graphite, W. Strong (British, 19th century

Necklace, 12th–13th century, Attributed to Iran, Gold (sheet); granulation and twisted wire, Jewelry

[Rock of Gibraltar], 1880s–90s, Albumen silver print from glass negative, Photographs, Unknown

Design for the Decoration of Firearms, ca. 1795–1805, Versailles, French, Versailles, Pencil, ink, gray wash on paper, 6 3/4 x 3 1/2 in. (17.1 x 8.9 cm), Works on Paper-Drawings

Bottle, ca. 1849–58, Made in Bennington, Vermont, United States, American, Mottled brown earthenware, H. 10 3/4 in. (27.3 cm), Ceramics

Convivio delle Belle Donne, August 1532, Woodcut, Overall: 7 7/8 x 5 1/2 in. (20 x 14 cm), Publised by Nicolo Zoppino, Italian, active 16th century, Venice, designed by Matteo da Treviso, Italian, active 16th century. Illustrated title page

Saint Sebastian, 17th century, Red chalk on cream paper, 9-11/16 x 6-5/8 in. (24.6 x 16.9 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Drawings and Prints, Books Prints Ornament & Architecture, Esemplario di lavori, page 11 (recto), Publisher, Nicolò Zoppino, Italian, Ferrara 1478/80–1544 Venice, Zoppino, Nicolò, Italian, 1478, 1544, August 1529

St. Peter's Church near White House, Where Washington was Married. General E. V. Sumner and Staff, 1861–65, Albumen silver print from glass negative, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Reliefs from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H. 3.3 (1 5/16 in.); W. 10.8 cm (4 1/4 in.); D.6.4

Lapis lazuli intaglio: Harpocrates in a papyrus boat, Imperial, 2nd century A.D., Roman, Lapis lazuli, Other: 1/2 x 11/16 x 1/8 in. (1.2 x 1.8 x 0.3 cm), Gems, Harpocrates seated on a lotus flower in papyrus boat; ibis on one end of boat, on

A View Near the Arco Scuro, Looking Towards the Villa Medici, Rome, 1785, Watercolor over graphite with pen and brown ink, on laid paper, sheet: 12 13/16 x 18 7/8 in. (32.5 x 48 cm), Drawings, Francis Towne (British, Isleworth, Middlesex