Images at Librifly

Belt, mid-18th century, Hungarian, Brassó, Silver, partly gilded, pearls, garnets, Overall: 31 1/2 in. (80 cm), Metalwork-Silver, Garnets and pearls provide lovely accents for the movable joints of this spectacular girdle. Although its

Design for a Table, second half 18th century, Watercolor over pen and black ink and graphite, sheet: 7 5/16 x 7 11/16 in. (18.5 x 19.6 cm), Style of Robert Adam (British, Kirkcaldy, Scotland 1728–1792 London

Pair of Flintlock Pistols, ca. 1775, Dublin, Irish, Steel, silver, wood (walnut), L. of each 18 11/16 in. (47.5 cm); L. of each barrel 11 15/16 in. (30.3 cm); Cal. of each .69 in. (17.5 mm); Wt. of each 2 lb. 5 oz. (1048.9 g),

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 18 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Illustration for 'L'oiseau de Fue' [Tsarevich Ivan with Tsarevna Elena the Fair on the Grey Wolf], ca. 1925, Gouache, metallic inks, and black ink, heightened with white, over graphite., Image:10 13/16 x 8 1/16 in. (27.5 x 20.5 cm), Drawings,

[Bull from Glane, Canton of Fribourg], 1856, Salted paper print from glass negative, Image: 7 1/2 × 10 9/16 in. (19.1 × 26.8 cm), Photographs, Adrien Tournachon (French, 1825–1903

Drawings and Prints, Books Prints Ornament & Archiecture, Fiori di Ricami Nuovamente Posti in Luce, page 15 (recto), Designer, Publisher, Matteo Florimi, Francesco de' Franceschi, Italian, active Siena, ca. 1581–died 1613, Italian,

The Green Interior (Figure Seated by a Curtained Window), 1891, Oil on cardboard, mounted on cradled wood, 12 1/4 x 8 1/4 in. (31.1 x 21 cm), Paintings, Édouard Vuillard (French, Cuiseaux 1868–1940 La Baule

Madame Loubens, ca. 1869, Charcoal and pastel with red, black, and white chalk over graphite on beige wove paper, Sheet: 9 3/8 x 8 1/16 in. (23.8 x 20.5cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris

Drawings and Prints, Books Prints Ornament & Architecture, Ein new Modelbuch..., page 7 (recto), Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550, October 22,

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 91 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Plate, ca. 1820, Made in Mexico, Mexican, Earthenware, Diam. 14 3/8 in. (36.5 cm), Ceramics

Limestone stele (shaft) with the head of Hathor, Archaic, 2nd quarter of the 6th century B.C., Cypriot, Limestone, Overall: 34 1/2 x 20 1/4in. (87.6 x 51.4cm), Stone Sculpture, The lower part of the shaft has been cut off; two dowel holes on

Lamp, saucer-shaped, 4th century B.C., Cypriot, Terracotta, Overall: 1 7/8 x 4 1/4 in. (4.8 x 10.8 cm), Terracottas

Bottle, 11th–13th century, Attributed to Iran, Glass; mold blown, H. 10 in. (25.4 cm), Glass

漢 彩繪陶樂舞俑（一組）, Dancer and Musicians, Han dynasty (206 B.C.–A.D. 220), 1st century B.C.–1st century A.D., China, Earthenware with pigment, (a) dancer: H. 5 1/4 in. (13.3 cm); W. 5 1/4 in. (13.3 cm); D. 2 1/4 in. (5.7

'Kalila Visits the Imprisoned Dimna', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Dish with Birds and Flowers on Fan, Qing dynasty (1644–1911), ca. 1730–50, China, Porcelain painted in overglaze famille rose enamels and gold (and possibly silver), Diam. of rim: 7 7/8 in. (20 cm), Ceramics, The layering of designs on

Bowl, 1736–95, Made in China, Chinese, Porcelain, H. 4 1/8 in. (10.5 cm); Diam. 9 1/4 in. (23.5 cm), Ceramics

[Two Young Men Seated with Their Arms Around Each Other], 1860s, Tintype, Image: 6.6 x 5.5 cm (2 5/8 x 2 3/16 in.), Photographs, Unknown (American

Design for the Garden of a Hotel on Rue des Amandiers, Paris, late 18th century, Pen and black and brown ink, watercolor, over graphite, 27 5/16 x 18 3/16 in. (69.4 x 46.2 cm), Drawings, Anonymous, French, 18th century

Study for Two Book Illustrations, early to mid-19th century, Pen and brown ink over black chalk. Incised for transfer., 5 1/2 x 8 1/4 in. (14 x 20.9 cm), Drawings, Carl Alexander von Heideloff (German, Stuttgart 1789–1865 Haßfurt

A Reconstruction of a Castle on the Viminal Hill at the Esqualine Gate, before 1704, Pen and black and brown ink, brush and grey wash, over red and traces of black chalk., 5 1/4 x 7 11/16 in. (13.3 x 19.5 cm), Drawings, Jan Goeree (Dutch,

Terracotta lamp: on discus, gladiator's weapons, Early Imperial, 1st century B.C.–1st century A.D., Roman, Terracotta; mold-made, Overall: 1 1/8 x 4 1/2 in. (2.9 x 11.4 cm), Terracottas

Thatched Cottage by a Brook, 18th century, Pen, brush, and black, gray and brown ink on paper., 5 1/4 x 4 in. (13.4 x 10.2 cm), Drawings, Anonymous, Dutch, 18th century

Corona delle Nobili et Virtuose Donne: Libro I-IV, page 21 (recto), 1601

Business Card, 1825–89, Printed engraved lettering, sheet: 1 7/8 x 3 1/4 in. (4.8 x 8.3 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and Son

Animal Locomotion. An Electro-Photographic Investigation of Consecutive Phases of Animal Movements. Commenced 1872 - Completed 1885. Volume XI, Wild Animals and Birds, 1880s, Photogravures, Books, Eadweard Muybridge (American, born Britain,

Landscape in a Storm, ca. 1860, Black chalk on wove paper, Overall: 3 3/16 x 5 1/2in. (8.1 x 14cm), Drawings, Charles-François Daubigny (French, Paris 1817–1878 Paris

Design for Wall Panel, mid-18th century, Pen and ink, grey wash, sheet: 9 9/16 x 4 1/2 in. (24.3 x 11.5 cm), Anonymous, British, 18th century

Group of Sea Nymphs, 1805–40, Graphite and red chalk, sheet: 4 1/4 x 8 3/4 in. (10.8 x 22.2 cm), Drawings, William Pitts (British, London 1790–1840 London

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 5 (verso), Publisher, Domenico da Sera, French, active Italy, 16th century, Sera,

Trionfo Di Virtu. Libro Novo., 1563, Woodcut, Overall: 9 13/16 x 7 7/8 in. (25 x 20 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice. Incomplete copy. Illustrated title page belongs to Trionfo. 29 pages of the designs taken from

Egg Cup, ca. 1760, Probably made in Bristol, Bristol, England, British, Opaque glass with enamel decoration, H. 2 5/8 in. (6.7 cm), Glass

Following the Stag's Trail (From Incidents in a Stag Hunt), ca. 1495–1515, South Netherlandish, Wool warp, wool wefts, 94 1/2 in. × 57 in. (240 × 144.8 cm), Textiles-Tapestries

Landscape with Buildings and a Town in the Distance (recto); Study of a Building (verso), Brush and brown wash over black chalk (recto); pen and brown ink (verso), 4 3/4 x 10 1/8 in. (12.1 x 25.7 cm), Drawings, Jacques Callot (French, Nancy

Lorelei Vase, 1902, Made in Colorado Springs, Colorado, United States, American, Glazed ceramic, 9 3/4 in. (24.8 cm), Ceramics, The Van Briggle Pottery Company was one of America’s most important and longest lasting art potteries,

Drawings and Prints, Books Prints Ornament & Architecture, Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 4 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome,

Plan of a Tomb, Rome, 1710–27, Pen and brown ink, brush and light brown wash, traces of ruling in graphite, 14-1/2 x 9-1/2 in. (36.8 x 24.1 cm), Drawings, Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome, 1710–1727

Skull in Profile, ca. 1538, Pen and brown ink, 3 7/8 x 2 11/16 in. (9.9 x 6.9 cm), Drawings, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Cylindrical Coil Basket and Lid, Middle Kingdom, Dynasty 11, ca. 2124–2000 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Tomb, to right of tomb door, 1929–30, Grasses, Basket: H. 10.6 cm (4 6/16 in.); Diam. 11 cm (4 5/16 in.), This

Design for a Mirror, 1800–1900, Sheet: 12 5/8 × 9 5/8 in. (32.1 × 24.4 cm), Drawings, Anonymous, Italian, 19th century

Landscape, 1609–67, Pen, black and brown ink, brush and gray wash, over black chalk. Framing line in pen and black ink., sheet: 10 1/4 x 15 1/16 in. (26.1 x 38.3 cm), Drawings, Cornelis van Poelenburch (Dutch, Utrecht (?) 1594/95–1667

Feathered Crown, 14th–15th century, Peru, Chimú, Feathers (Paradise Tanager, Macaw), cotton, skin, cane, copper, H. 10 1/4 in. (26 cm), Feathers-Costumes

Vase des Binelles, 1903, Stoneware, 51 1/4 × 15 3/8 × 15 5/8 in. (130.2 × 39.1 × 39.7 cm), Ceramics-Porcelain, This vase is an extraordinary feat of Art Nouveau ceramics by the French architect Hector Guimard, who designed the iconic Paris

Family Group, 17th century, Pen and brown ink, washed, 8 x 7-1/2 in. (20.3 x 19.1 cm), Drawings, Anonymous, Italian, Venetian, 17th century

Limestone statue of Artemis Bendis, Hellenistic, ca. 3rd century B.C., Cypriot, Hard limestone, 30 3/4 x 12 3/4 x 7 1/4 in. (78.1 x 32.4 x 18.4 cm), Stone Sculpture, The head and the body come from different statues. Bendis was a goddess of

Study for a Pastoral Scene, n.d., Black chalk with slight traces of graphite underdrawing, 8 3/8 x 6 7/16 in. (21.3 x 16.4 cm.), Drawings, Jean-Baptiste Huet I (French, Paris 1745–1811 Paris

Limestone bearded head with a Corinthian helmet, Cypro-Archaic II, early 5th century B.C., Cypriot, Limestone, Overall: 12 5/16 × 6 1/2 × 8 3/4 in. (31.3 × 16.5 × 22.2 cm), Stone Sculpture

Plate, first half 16th century, Attributed to Turkey, Iznik, Stonepaste; painted and glazed, Diam. 11-3/4 in. (29.8 cm), Ceramics, Dish with spiral vines, Turkey, Ottoman period (1299–1923), second quarter of the 16th century Stonepaste

Design for a Church Wall Lantern, Front and Side Elevations, ca. 1880, Pen and ink, wash and watercolor, sheet: 9 3/4 x 10 7/8 in. (24.8 x 27.7 cm), Attributed to Richardson Ellson & Co. (British

Trionfo Di Virtu. Libro Novo..., page 7 (recto), 1563

Ie Station. Jésus est condamné à mort. Une cour intérieure de la caserne turque où la tradition place l'endroit du prêtoire où Jésus fut jugé, 1860 or later, Albumen silver print from paper negative, Image: 11 5/16 × 8 1/2 in. (28.7 ×

Wall Design with a Trompe l'Oeil Balcony Overlooking a Mountainous Harbor, 19th century, Ink and watercolor, Anonymous, British, 19th century

Three Graces, 1840s, Salted paper print from paper negative, Sheet: 7 5/16 × 6 1/4 in. (18.6 × 15.8 cm), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Saltcellar, 1870–90, Made in Tarentum, Pennsylvania, United States, American, Pressed purple marble glass, 2 1/8 x 1 3/4 x 2 3/8 in. (5.4 x 4.4 x 6 cm), Glass, Challinor, Taylor and Company (1866–1891

Ma-ni-mic, Cheyenne Chief, 1869–74, Albumen silver print from glass negative, Image: 7 7/16 × 5 3/8 in. (18.9 × 13.7 cm), Photographs, William Stinson Soule (American, 1836–1908

Pipe, 1710–1735, Probably made in New York, New York, United States, American, Silver, 2 3/16 x 21 x 1 1/16 in. (5.6 x 53.3 x 2.7 cm); 3 oz. 8 dwt. (106.1 g), Silver

Splendore delle virtuose giovani, page 15 (recto), 1564

Apse of a Church Seen Through the Snowy Branches of a Tree, 17th century, Black chalk, gray wash, heightened with white, on blue paper, sheet: 12 3/16 x 7 5/8 in. (30.9 x 19.3 cm), Drawings, Anthonie Waterloo (Dutch, Lille 1609–1690

Sketchbook of Italian Landscape Subjects, 1869, Drawings in watercolor, graphite, and white gouache on blue wove paper, bound in cloth-covered boards, Cover: 4 3/4 x 9 1/4 in. (12.1 x 23.5 cm), Drawings, Jervis McEntee (American, Rondout,

The Far East: A Monthly Journal, Illustrated with Photographs, 1870s, Albumen silver prints, Periodicals, William Thomas Saunders (British, 1832–1892), L.P. Fisler (British, 1865–1886), Christopher T. Gardner (British), Kameya Tokujiro

Figure Holding a Spear and a Helmet, 16th century, Red chalk, brown wash, 12-3/4 x 6-5/8 in. (32.4 x 16.8 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 23v), Printer, Designer, Henning Gross the younger, Andreas Bretschneider, German, Dresden ca. 1578–ca. 1640 Leipzig, Gross, Henning the younger,

The Offering, 1891, Pastel, graphite, and chalk on paper, 13 3/4 x 29 1/2 in. (34.9 x 74.9 cm), Drawings, Fernand Khnopff (Belgian, Grembergen 1858–1921 Brussels), A nude woman makes an offering to a portrait bust on an altar. She looks

Coin, dated A.H. 1031/A.D. 1621–22, Made in India, Agra, Gold, Diam. 13/16 in. (2.1 cm), Coins, Bearing signs of the zodiac, the coins conceived of and issued by Emperor Jahangir were a development of earlier Mughal coinage, which included

Camp of Laborers, City Point, 1861–65, Albumen silver print from glass negative, 10.4 x 9.5 cm (4 1/8 x 3 3/4 in. ), Photographs, Andrew Joseph Russell (American, 1830–1902

Design for Curtains, 1841–1900, Graphite, sheet: 13 7/16 x 9 3/16 in. (34.1 x 23.3 cm), Charles Hindley and Sons (British, London 1841–1917 London

Model of a house, 12th–13th century, Attributed to Iran, Stonepaste; molded in relief, H. 2 1/4 in.. (5.7 cm), Ceramics

Spoon holder, ca. 1876, Made in East Cambridge, United States, American, Glass, cut and engraved, H. 3 in. (7.6 cm), Glass, Louis Friedrich Vaupel (1824–1930), Louis Vaupel was one of the most skilled glass engravers working in the United

[Picture Gallery Photographs], 1860s, Albumen silver print from glass negative, Mount: 5.5 x 9.4 cm (2 3/16 x 3 11/16 in.), Photographs, Unknown (American), Hundreds of photographers whose names may never be known made their living following

Terracotta beak-spouted jar, Early Minoan II, ca. 2600–2200 B.C., Minoan, Terracotta, H. 5 7/8 in. (14.9 cm), Vases, Mottled red and black

'The Riverside, Favourable Wind and the Trout Rising as Fast as Possible', 1830–64, Watercolor, pen and brown ink over graphite, sheet: 10 1/4 x 12 7/8 in. (26 x 32.7 cm), Drawings, John Leech (British, London 1817–1864 London

Ruaud. Jean-Baptiste. 35 ans, né à Limoges le 28/7/58. Cordonnier. Anarchiste. 4/2/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Toby Pitcher, 1830–70, Made in Bennington, Vermont, United States, American, Mottled brown earthenware, H. 6 1/4 in. (15.9 cm); Diam. 5 1/8 in. (13 cm), Ceramics, Lyman, Fenton & Co. (1849–52

Bass Ophicleide in C (?), 1837–54, France, French, Brass, Overall: 20.3 x 98cm (8 x 38 9/16in.), Aerophone-Lip Vibrated-horn, Bartsch (active 1835–1854

Le Grand Russe, 1860s, Albumen silver print from glass negative, 9.8 x 13.3 cm. (3 7/8 x 5 1/4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

釈迦三尊十六羅漢像, Shaka Triad and Sixteen Arhats, Kamakura (1185–1333)–Nanbokuchō (1336–92) period, 14th century, Japan, Hanging scroll; ink, color, and gold on silk, Image: 56 1/8 × 29 13/16 in. (142.5 × 75.7 cm),

No. 69. Wabasha, Minnesota, 1889, Cyanotype, Sheet: 14 1/2 × 17 3/16 in. (36.8 × 43.7 cm), Photographs, Henry P. Bosse (American, born Germany, 1844–1893

The Meeting of Abraham and Melchizedek, from The Story of Abraham, 1584–85, Engraving; first state of two, Sheet: 7 7/8 x 10 3/16 in. (20 x 25.9 cm), Prints, Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618 Antwerp), After Maerten

Grotesque with a Female Figure (Minerva?) in a Temple-like Structure with a Cupola, 1540 after, Pen and black ink, brush and gray wash, Sheet: 8 9/16 x 5 5/8 in. (21.8 x 14.3 cm), Anonymous, Italian, 16th century ?, After Agostino Veneziano

Candlestick, ca. 1720, Made in Boston, Massachusetts, United States, American, Silver, 6 5/16 x 3 3/8 x 3 5/16 in. (16 x 8.6 x 8.4 cm); 7 oz. 17 dwt. (243.8 g), Silver, Edward Winslow (1669–1753

[Five Members of the Wild Bunch?], ca. 1892, Tintype, Image: 8.4 x 6.2 cm (3 5/16 x 2 7/16 in.), Photographs, Unknown, The Wild Bunch was the largest and most notorious band of outlaws in the American West. Led by two gunmen better known by

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 19 (verso), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Portrait of Prince Henry of Prussia, n.d., Brush and brown wash over graphite underdrawing., 6 3/4 x 4 5/8in. (17.2 x 11.7cm), Drawings, Jean-Baptiste-François Bosio (French, Monaco 1764–1827 Paris

Oriental Scene, ca. 1844, Watercolor over black chalk, sheet: 4 3/4 x 7 3/16 in. (12.1 x 18.3 cm), Drawings, Attributed to William James Müller (British, Bristol 1812–1845 Bristol), Formerly attributed to William Makepeace Thackeray

Square with a Hunting Scene, 4th–6th century, Byzantine, Linen, wool, Overall: 4 1/8 x 3 15/16in. (10.4 x 10cm), Textiles-Woven

Tieback, ca. 1860, Made in United States, American, Gilt bronze, blown glass, Glass

Model quatrefoil palmette capital, Late Period–Ptolemaic Period, 400–30 B.C., From Egypt, Limestone, H. 23.9 cm (9 7/16 in.); W. 14 cm (5 1/2 in.); D. 13.8 cm (5 7/16 in.), Small Late Period and Ptolemaic reliefs or sculptures that depict a

'Spotted Forktail', Folio from the Shah Jahan Album, recto: ca. 1610–15; verso ca. 1540, Attributed to India, Ink, opaque watercolor, and gold on silk, H. 15 3/16 in. (38.6 cm), Codices, Painting by Abu'l Hasan (Indian, born ca. 1588/89,

Young man with acne, first half 20th century, brush and black ink, gouache, watercolor, traces of graphite framing lines, sheet: 16 x 6 7/8 in. (40.7 x 17.5 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Two marble portrait heads from a relief, Early Imperial, Augustan period, ca. 13 B.C.–A.D. 5, Roman, Marble, H. 8 3/8 in. (21.3 cm), Stone Sculpture, The sculptural style of these heads, characterized by smooth features and fashionable

Bell, Tairona, Pre-Columbian, 1000–1500 A.D., Colombia, Colombian, Tumbaga (alloy of gold and copper), Height: 1 11/16 in. (4.3 cm), Idiophone-Shaken-crotal bell

Autumn in the Guise of Priapus (one of a pair), 1616–17, Italian, Rome, Marble, Overall (confirmed): 89 5/8 × 30 5/8 × 27 5/8 in., 2531 lb. (227.6 × 77.8 × 70.2 cm, 1148.1 kg), Sculpture, Pietro Bernini (Italian, 1562–1629),

Flask, ca. 1846, Made in Baltimore, Maryland, United States, American, Free-blown molded blue glass, H. 6 1/2 in. (16.5 cm), Glass, Attributed to Baltimore Glass Works (1800–ca. 1890

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 34r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Kesa (Buddhist priest's robe), late 19th to early 20th century, Japanese, Silk, gold leaf on lacquered paper strip, and gold leaf on lacquered paper-strip-wrapped cotton, warp-float-faced 4/1 satin weave with weft-float-faced 1/2 'z' twill

Reigles generales de l'architecture, sur les cincq manieres d'edifices, 1545, Printed book with woodcut illustrations, 14 3/16 x 9 13/16 x 7/8 in. (36 x 25 x 2.3 cm

Design for a Table, ealry 19th century, Brush with yellow, green and purple watercolor with graphite underdrawing., 34.5 x 29.4 cm, Attributed to Adrien Louis Marie Cavelier (French, Paris 1785–1867

Decorated Border with Nativity Scene, 1830–62, Watercolor, pen and red ink over graphite with touches of gold and gouache, sheet: 14 5/8 x 9 3/16 in. (37.1 x 23.3 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London