Images at Librifly

[Commodore Matthew Calbraith Perry], 1856–58, Salted paper print from glass negative, Image : 33.1 x 28.4cm (13 1/16 x 11 3/16in.), Photographs, Mathew B. Brady (American, born Ireland, 1823?–1896 New York), Mathew Brady was a skilled

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 37v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Drawings and Prints, Books Prints Ornament & Architecture, Page from Eyn Newe kunstlich moetdelboech alle kunst (Page 8r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1532

Elevation of a Columbarium, 1710–27, Pen and brown ink, brush and gray wash, over ruling in graphite, 13-1/4 x 17-3/16 in. (33.7 x 43.6 cm), Drawings, Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome, 1710–1727

Textile, 14th–15th century, Spanish, Satin and plain weave, silk, gilt parchment and gilt membrane on linen, W: 9 1/2' H: 13 1/4' (24.1 x 33.7cm, Textiles-Woven

Punchinello as a Dressmaker, ca. 1800, Pen and brown ink, brown wash, over black chalk, 14 x 18 1/2 in. (35.5 x 47.0 cm), Drawings, Giovanni Domenico Tiepolo (Italian, Venice 1727–1804 Venice

Oba with Animals, 18th–19th century, Nigeria, Court of Benin, Edo peoples, Brass, H. x D.:13 x 13 in. (33 x 33 cm), Metal-Sculpture, In the kingdom of Benin, ikegobo, or 'altars to the hand, ' celebrate the accomplishments of exceptional

Pilgrim Flask with the Corpus Christi, 1490–1510, Made in Lower or Middle Rhine, Germany, German, Free-blown glass with applied decoration, 7 1/2 × 4 5/16 × 3 7/16 in. (19.1 × 10.9 × 8.7 cm), Glass-Vessels, The form of this vessel

Design for a Cabinet with Two Central Shelves and Arched Doors, 19th century, Ink and watercolor, sheet: 5 3/16 x 7 9/16 in. (13.1 x 19.2 cm), Anonymous, British, 19th century

The Croatian Potentate Narguile, 1817–92, Pen and brown ink with brush and gray and brown washes, sheet: 6 9/16 x 8 in. (16.7 x 20.3 cm), Drawings, Constantin Guys (French, Flushing 1802–1892 Paris

Covered Bowl, 1815–30, Made in Paris, France, French, Porcelain, 6 5/8 x 9 1/2 x 6 in. (16.8 x 24.1 x 15.2 cm), Ceramics

Plaque with bust of a divine child with earring (Ihy?), Late Period–Ptolemaic Period, 400–30 B.C., From Egypt, Limestone, H 5.7 x W 4.2 cm (2 1/4 x 1 5/8 in), Small Late Period and Ptolemaic reliefs or sculptures that depict a subject in a

[Older Man Wearing Top Hat], 1850–55, Daguerreotype, Image: 9.4 x 7.2 cm (3 11/16 x 2 13/16 in.), Photographs, Unknown (French

Landscape with Ruins, 18th century, Pen and brown ink on cream laid paper, 6-11/16 x 9-7/8 in. (17 x 25.1 cm), Drawings, Anonymous, Italian, Venetian, 18th century

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Artist, Publisher, Jeremias Wachsmuth, Carl Pier, Franz Xavier Habermann, Martin Engelbrecht, German,

Design for three windows, late 19th–early 20th century, Made in New York, United States, American, Watercolor, black ink, and graphite on paper mounted on board, Overall: 14 15/16 x 13 1/2 in. (37.9 x 34.3 cm), Drawings, Possibly Tiffany

The Cabinet Dictionary, containing An Explanation of all the Terms used in the Cabinet, Chair and Upholstery Branches, 1803, Illustrations: engraving, 8 11/16 x 5 1/2 x 1 11/16 in. (22 x 14 x 4.3 cm

Shoe Buckle, 7th century, Byzantine, Silver, Overall: 7/8 x 1 1/8 x 5/16 in. (2.3 x 2.9 x 0.8 cm), Metalwork-Silver

Design for an Altar with the Virgin of the Immaculate Conception in the Center, 17th century, Pen and brown ink with brush and brown wash over traces of black chalk. Laid down on secondary paper mount, 9-13/16 x 6-3/4 in. (24.9 x 17.1 cm),

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 6 (verso), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Water Battery, Yorktown, 1861–65, Albumen silver print from glass negative, Photographs, James F. Gibson (American, born 1828

Le Caracul (L'Astrakhan), 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

'Portrait of Jahangir Beg, Jansipar Khan', Folio from the Shah Jahan Album, verso: ca. 1627; recto: ca. 1530–50, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 3/8 in. (39 cm), Codices, Painting by Balchand (Indian,

Chimney Piece, 1743–96, Pen and brown ink, brush and gray wash, graphite, sheet: 9 1/4 x 11 in. (23.5 x 27.9 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Tara, 7th century, Pakistan (Swat Valley region), Brass inlaid with silver and copper, H. 4 5/8 in. (11.8 cm), Sculpture, This goddess sits with crossed legs on a double lotus throne and holds her hands a gesture of adoration anjali mudra) but

Tooth pendant set in gold, Late Classical, 4th century B.C., Etruscan, Gold, tooth, Other: 1 1/2 in. (3.8 cm), Gold and Silver, Shark's tooth mounted in gold, ornamented with filigree

St. Anthony Healing the Leg of a Boy, 17th century, Pen and brown ink, brush and brown wash over black chalk on light tan paper. Arched framing outlines in pen and brown ink over black chalk, Lunette 5-3/8 x 10-13/16 in. (13.7 x 27.45 cm),

Iron fire-dog, Archaic, ca. 550 B.C., Etruscan, Iron, length 37 7/8 in. (96.2 cm), Miscellaneous-Iron, Each consists of rod of square section inserted at each end in a stand of double horseshoe shape

The Education of a Dog, n.d., Black chalk, brush and brown wash, 9 7/16 x 13 3/4 in. (24 x 35 cm.), Drawings, After Jean Honoré Fragonard (French, Grasse 1732–1806 Paris

The Rest on the Flight into Egypt, mid-17th century, Pen and brown ink, brush and brown wash, sheet: 8 5/16 x 10 15/16 in. (21.1 x 27.8 cm), Drawings, Herman van Swanevelt (Dutch, Woerden (?) ca. 1603–1655 Paris

Terracotta lekythos (oil flask), Archaic, ca. 500 B.C., Greek, Attic, Terracotta; black-figure, white-ground, H. 16 13/16 in. (42.7 cm); diameter 2 13/16 in. (7.2 cm), Vases, Thetis in chariot with winged horses flying over the sea

Designs for Two Chairs, 1841–84, Watercolor over graphite, sheet: 10 x 14 1/4 in. (25.4 x 36.2 cm), Charles Hindley and Sons (British, London 1841–1917 London

Female Holding a Plant, 17th century, Pen and brown ink, brush and gray wash, sheet: 4 3/4 x 1 11/16 in. (12 x 4.3 cm), Drawings, Anonymous, Italian, 17th century

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 26v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Figure 19: Suffering, 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.2 × 20.4 cm (11 1/8 × 8 1/16 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne (French, 1806–1875), Adrien Tournachon

Disk Brooch, first half of the 7th century, Made in Hermes, France, Frankish, Gold sheet, beaded wire; granulation, clear glass inlaid with red glazing on the underside; gold sheet attached to a copper alloy back with silver rivets; no

They are Polishing Him Up ('Y se las pulen'), 1807–45, Pen and dark brown ink with brush and gray-brown wash on off-white paper. Composition outlined with pen and dark brown ink on all sides. Traces of black chalk underscript under inscription,

Cabinet Design, 19th century, Ink and watercolor, sheet: 4 15/16 x 6 5/16 in. (12.6 x 16.1 cm), Anonymous, British, 19th century

Karnak (Thèbes), Palais - Salle Hypostyle - Fenêtre et Chapiteaux des Galleries Latérales, 1851–52, printed 1853–54, Salted paper print from paper negative, 30.2 x 25.0 cm (11 7/8 x 9 13/16 in.), Photographs, Félix Teynard (French,

Decoration for a Spandrel in a Cove, 16th century, Pen and brown ink, over black chalk, Irregular shape: 4-7/8 x 4-1/2 in. (12.4 x 11.4 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Grotesque Design with an Octagonal Panel in the Center and Two Griffins Drinking from PLates held up by a Hybrid Creature (recto); Two Turtles above a Scene with Four Figures (verso), ca. 1545–60, Pen and dark brown ink (recto); pen and black ink

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 31r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Whole cloth quilt, ca. 1885, Made in United States, American, Cotton, 81 1/4 × 70 in. (206.4 × 177.8 cm), Textiles, Unknown

Opera Nova Universali intitulata Corona di racammi, page 19 (recto), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 14 (recto), Publisher, Designer, Woodcut border on title signed by, Nicolò Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

[Two Gypsy Women], 1850s–60s, Albumen silver print, Photographs, Unknown

Rock and Autumn Flowers, Edo period (1615–1868), 1854, Japan, Hanging scroll; ink and color on paper, 51 x 11 5/16 in. (129.5 x 28.8 cm), Paintings, Tsubaki Chinzan (Japanese, 1801–1854

Bamboo Shoots, Edo period (1615–1868), 1820, Japan, Hanging scroll; ink on silk, 38 1/8 x 13 5/16 in. (96.8 x 33.8 cm), Paintings, Shokusanjin (Ōta Nanpo) (Japanese, 1749–1823

Neptune calming the tempest which Aeolus raised against Aeneas' fleet from Book I of the Aeneid, ca. 1515–16, Engraving, Sheet: 16 5/8 x 12 3/4 in. (42.3 x 32.4 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534

Fragment of Ornamental Drawing after the Antique; Half-harpy with Acanthus Rinceaux, 16th century, Pen and brown ink, brush with gray wash, over traces of metalpoint; design has been selectively pricked., 6 x 3 11/16 in. (15.3 x 9.3 cm),

Drawings and Prints, Books Prints Ornament & Architecture, Lucidario di Recami, page 14 (recto), Designer, Publisher, Iseppo Foresto, Jeronimo Calepino, Italian, active Venice, 1557, 1564, Foresto, Iseppo, Calepino, Italian, 1520,

Green Leaves, ca. 1930, Tempera on paper, 5 x 6 7/8 in. (12.7 x 17.5 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York

Marton, ou la jeune bouquetière, 1787, Graphite, pen and black ink, 8 3/4 x 7 3/4 in. (22.2 x 19.7 cm), Drawings, Montbrian De Chateauvieux, After Pierre Antoine Baudouin (French, Paris 1723–1769 Paris

Soup Bowl, 1885, Made in Brooklyn, New York, United States, American, Porcelain, H. 1 7/16 in. (3.7 cm); Diam. 8 13/16 in. (22.4 cm), Ceramics, Union Porcelain Works (1863–ca. 1922), Union Porcelain Works was one of the most important and

Terracotta jug with lid, Archaic, ca. 575–550 B.C., Etruscan, Terracotta; bucchero pesante, H. with cover 11 7/16 in. (29.1 cm); H. without cover 9 13/16 in. (24.9 cm), Vases, A moulded human face below lip; a frieze of monsters about body

Crucifixion with the Virgin and St. John the Evangelist, 16th century, Pen and brown ink, black and red chalk, 12 11/16 x 9 5/8 in. (32.2 x 24.4 cm), Drawings, Anonymous, German, 16th century

Brooch, ca. 1900, Made in New York, New York, United States, American, Gold, opal, and enamel, 3 1/8 × 2 3/4 in. (7.9 × 7 cm), Jewelry, Marcus and Co. (American, New York, 1892–1942

Limestone footstool, Classical, 1st half of the 5th century B.C., Cypriot, Limestone, Overall: 7 7/8 × 28 7/16 in. (20 × 72.2 cm), Cesnola Inscriptions, The relief shows a chimera, a mythical creature composed of a lion, a she-goat, and a

Male Ancestor Figure, 100 B.C.–A.D. 200, Mexico, Mesoamerica, Nayarit, Nayarit, Ceramic, H. 21 7/8 x W. 8 1/2 in. (55.6 x 21.6 cm), Ceramics-Sculpture

Sentimental Music, ca. 1913, Pastel on paperboard, 21 5/8 x 18 in. (54.9 x 45.7 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York), Dove frequently listened to music while he painted, and he

Marble arm, Roman, Marble, L., 12', Stone Sculpture

Designs for Embroidery, 19th century, Watercolor over traces of black chalk., 7 3/4 x 9 5/8 in. (19.7 x 24.5 cm), Drawings, Anonymous, German, 19th century

Linen mark, Wah, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Wah, 1920, Linen

Ichnographia (or groundplan) of the Arch of Septimius Severus (above) and the Curia Hostilia (below), before 1704, Black ink, brush and grey wash and brown ink, over red chalk, traces of black chalk. Incised., 13 1/16 x 8 -1/8 in. (33.2 x 20.6

Pitcher, ca. 1850, Made in South Amboy, New Jersey, United States, American, Mottled brown earthenware, H. 7 3/4 in. (19.7 cm), Ceramics

Corona delle Nobile et Virtuose Donne, Libro Terzo, page 17 (recto), 1620, Woodcut, Overall: 5 1/2 x 7 11/16 in. (14 x 19.5 cm), Designed by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice, published by Alessandro de'

Clown in cubist costume, n.d., graphite, watercolor, gouache., sheet: 5 13/16 x 3 in. (14.7 x 7.6 cm), Drawings, Sergey Chekhonin (Russian, 1878–1936

Design for an Oblong Panel Carved with Foliage, 1822, Ink and brown wash, sheet: 10 x 13 in. (25.4 x 33 cm), Anonymous, British, 19th century

Tomb Guardian Beast, Western Jin dynasty (265–316), China, Earthenware with pigment, H. 10 in. (25.4 cm); W. 4 1/2 in. (11.4 cm); L. 17 1/4 in. (43.8 cm), Tomb Pottery

Africa: study for sculpture, 1840–75, Pen and black ink over gray and brown wash., Sheet: 9 5/8 x 7 15/16 in. (24.5 x 20.2cm), Drawings, Jean-Baptiste Carpeaux (French, Valenciennes 1827–1875 Courbevoie

Hexagonal dish (part of a set), second half 17th century, Hungarian, Brassó, Gilded silver, Overall: 10 1/2 x 9 5/16 in. (26.6 x 23.6 cm), Metalwork-Silver, These five dishes would appear most spectacular when seen in flickering candlelight

Jug, ca. 1880, British, Glazed earthenware, Overall (confirmed): 14 1/8 × 11 3/16 × 12 3/16 in. (35.9 × 28.4 × 31 cm), Ceramics-Pottery, This jug shares a similar streaked blue-green glaze with another Christopher Dresser-designed vase in

Belt Buckle, last quarter 7th century, Frankish, Iron, silver inlay, copper alloy inlay, Overall: 3 11/16 x 1 7/8 x 5/8 in. (9.4 x 4.7 x 1.6 cm), Metalwork-Iron

Drawings and Prints, Books Prints Ornament & Architecture, Spechio di pensieri delle belle et Virtudiose donne, page 4 (recto), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1546

Drawings and Prints, Book Prints Ornament & Architecture, New Modelbüch allen Nägerin u. Sydenstickern (Page 13r), Designer, Publisher, Hans Hoffman, Jacob Frölich, German, active Strasbourg, 1556, Strassburg, Hoffman, Hans, Frölich,

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 30 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Publisher, Artist, Artist, Martin Engelbrecht, Jeremias Wachsmuth, Carl Pier, Franz Xavier Habermann, German,

Bird-Shaped Brooch, first half 7th century, Made in Northern France, Frankish, Silver-gilt, green glass, Overall: 1 3/8 x 9/16 x 3/8 in. (3.5 x 1.4 x 0.9 cm), Metalwork-Silver

Maebyeong with lotus decoration, 청자 음각 연꽃 무늬 매병 고려, Goryeo dynasty (918–1392), late 11th–early 12th century, Korea, Stoneware with carved and incised design under celadon glaze, H. 13 3/4 in. (34.9 cm); Diam. 8 7/8

Ornament, 4th century (?), United States, Alaska, Old Bering Sea, Ivory (walrus), H. 2 1/2 x W. 1 3/16 in. (6.4 x 3 cm), Bone/Ivory-Ornaments, In the last two millennia before the Common Era, the peoples who established themselves along the

Cup Plate, 1825–60, Lacy pressed glass, Glass

Pectoral, Archaic, 6th century B.C., Etruscan, Gold, Overall: 13 1/4 x 10 3/4 in. (33.7 x 27.3 cm), Gold and Silver

Glass Beaker, late 6th–early 7th century, Frankish, Glass, Overall: 3 5/8 x 2 1/16 in. (9.2 x 5.2 cm), Glass-Vessels

Madonna and Child, ca. 1483–84, Tempera, oil, and gold on wood, 32 x 23 1/2 in. (81.3 x 59.7 cm), Paintings, Filippino Lippi (Italian, Prato ca. 1457–1504 Florence), This exquisite Madonna and Child was painted about 1483–84 for the

Reliquary Bust of a Female Saint, early 16th century, Made in Brabant, South Netherlands, South Netherlandish, Oak, paint, gilt, 20 1/8 x 14 1/4 x 6 5/8 in. (51.1 x 36.2 x 16.8 cm), Sculpture-Wood

The Twelve Months, 1772, Black chalk, brown, black or gray ink and watercolor, sheet: 5 3/16 x 7 7/16 in. (13.1 x 18.9 cm), Drawings, Hendrik Meijer (Dutch, Amsterdam 1744–1793 London

Franz Heyerheim, 1860s, Albumen silver print, Approx. 10.2 x 6.3 cm (4 x 2 1/2 in.), Photographs, Ernst Milster (German, born 1835

Antique-Style Ornament Frieze Design: Rinceaux with Grotesque Figures and Animals, early 16th century, Pen and brown ink, over traces of leadpoint underdrawing, on buff laid paper, 13 7/16 x 6 15/16 in. (34.2 x 17.7 cm), Drawings, Anonymous,

Le Pompe: Opera Nova, page 6 (recto), 1557, Woodcut, Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm), Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right: Design composed of 3 vertical columns. Left column

Printing-House Square, New York, 1866, Colored lithograph, Image: 17 9/16 x 25 13/16 in. (44.6 x 65.5 cm), Prints

Elevation for a Multi-story Brick, Half-timbered House with Stained Glass Windows and a Small Cupola, late 19th–early 20th century, Watercolor, pen and black ink over graphite, sheet: 9 x 12 1/4 in. (22.9 x 31.1 cm), Ernest Geldart (British,

Two panels, ca. 1820–30, French, Cotton, L. 33 x W. 32 inches (joined), Textiles-Printed

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), Court, Radim, 1920, Limestone, paint

Terracotta box of a pyxis (small box), Early Cycladic I, ca. 3000–2800 B.C., Cycladic, Terracotta, 2 5/8 × 3 7/8 in. (6.7 × 9.8 cm), Vases, With verical pierced lugs on either side and a profiled lip to hold a lid in place

Man Fishing and Man Reclining Against a Rock, 17th century, Pen and brown ink, brush and brown wash on cream paper, 3-7/8 x 6-7/16 in. (9.9 x 16.3 cm), Drawings, Anonymous, Italian, Neopolitan, 17th century

9 of Tethers, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

Belt Buckle, mid-500s, Frankish, Copper alloy, tinned surface, Overall: 3 9/16 x 1 7/8 x 11/16 in. (9.1 x 4.7 x 1.8 cm), Metalwork-Copper, Belts were important features of early medieval dress. Not only did they serve the practical function of

Shipyard, Greenwich, before 1791, Reed pen and ink, sheet: 10 13/16 x 16 3/4 in. (27.5 x 42.5 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Caricature of a Grandee, 17th century, Pen and brown ink, brush and brown wash over black chalk on light tan paper, 6-3/16 x 2-7/8 in. (15.7 x 7.3 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Dante Chair back, 17th century, Italian or Spanish, leather, tooled and painted; linen; silk; metal, Including fringe: 73 x 33 cm ( 28 3/4 x 13 in), Leather