Images at Librifly

Lamp, Roman, Cypriot, Terracotta, Overall: 1 x 3 in. (2.5 x 7.6 cm), Terracottas

Dish with angel, ca. 1510–30, Italian, Deruta, Maiolica (tin-glazed earthenware), lustered, Overall (confirmed): 3 1/4 × 15 1/2 in. (8.3 × 39.4 cm), Ceramics-Pottery, Small religious pictures were considered an essential component of the

Saint Catherine of Alexandria, Oil on canvas, 50 1/4 x 40 1/4 in. (127.6 x 102.2 cm), Paintings, Workshop of Bernardo Cavallino (Italian, Naples 1616–1656 Naples), Saint Catherine, a fourth-century Christian martyr, is shown with the spiked

The Great British Advance in the West: A Raiding Party Waiting for the Word to Go., 1914–18, Gelatin silver print, Image: 14 x 19.1 cm (5 1/2 x 7 1/2 in.), Photographs, John Warwick Brooke (British, London 1886–1929 London

[Two Men by Monumental Elephant Statues, China], 1860s–70s, Albumen silver print, Photographs, Unknown

[Pillars in the Monolithic Temple at Elephanta, Near Bombay], 1860s–70s, Albumen silver print from glass negative, 18.4 x 23.6 cm (7 1/4 x 9 5/16 in.), Photographs, Unknown

Design for a Door, 19th century, Ink on tracing paper, Anonymous, British, 19th century

Genoveva, 1820–84, Watercolor on paper, 12 1/4 x 7 1/4 in. (31.1 x 18.4 cm), Drawings, Adrian Ludwig Richter (German, Dresden 1803–1884 Dresden

Atalanta and Meleager, ca. 1616, Oil on wood, 52 1/2 x 42 in. (133.4 x 106.7 cm), Paintings, Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), This magnificent picture illustrates a story from the Metamorphoses of Ovid (1st century

The Birth of Venus, 16th–17th century, Etching, Prints, Etched by Anonymous, Italian, 16th to 17th century, In Mariette Album, folio 43, top center

Serpentine axehead, Probably Middle Bronze Age, ca. 2000–1600 B.C., Anatolian, Serpentine, H. 8 5/8 in. (21.9 cm), Miscellaneous-Stone, A few stone implements of this time period bring to mind the time before the people of the Mediterranean

Design for an Altar With Six Large Candelabra, 1700–1780, Pen and brown ink, brush and light brown-gray wash over graphite. Framing lines in pen and dark brown ink and brush and dark brown ink, 9 x 9 7/16 in. (22.8 x 23.9 cm), Drawings,

Disk Brooch, late 6th–early 7th century, Frankish, Gold, copper alloy, iron pin, glass paste, glass paste cabochons, Overall: 1 5/8 x 9/16 in. (4.2 x 1.5 cm), Metalwork-Gold

Russian female costume, n.d., Graphite on tracing paper, squared, Drawings, Léon Bakst (Russian, Grodno 1866–1924 Paris

Corona delle Nobili et Virtuose Donne: Libro I-IV, page 22 (recto), 1601

Drawings and Prints, Books Prints Ornament & Architecture, Pretiosa Gemma delle virtuose donne, page 9 (recto), Author, Publisher, Binder, Isabella Catanea Parasole, Gargano, Hardy-Mennil, Italian, ca. 1565/70–ca. 1625, Venetia,

Herbarium, 1483–84, Woodcut, some hand colored, Overall: 8 1/2 x 5 7/8 x 1 1/4 in. (21.6 x 15 x 3.2 cm), Books

Adam; Eve, Oil on canvas, Each 26 3/8 x 61 3/4 in. (67 x 156.8 cm), Paintings, Giuliano di Piero di Simone Bugiardini (Italian, Florence 1475–1554 Florence), These two paintings depicting the biblical story of the temptation of Eve were

Queen Mother of the West, 西王母図, Edo period (1615–1868), first half of the 19th century, Japan, Hanging scroll; ink and color on silk, 39 3/4 x 14 7/8 in. (101 x 37.8 cm), Paintings, Kano Osanobu (1796–1846), The Queen Mother of

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Pen and blue and black ink with black chalk underdrawing and slight traces of brown chalk, 2 7/8 x 3 15/16 in. (7.3 x 10 cm.), Drawings, Hubert François Gravelot (French, Paris

Hiranyakashipu, The Demon-King, ca. 1700–1750, Southern India, Tamil Nadu, probably Thanjavur district, Wood with cloth and polychrome, H. 20 in. (50.8 cm); W. 8 1/2 in. (21.6 cm); D. 6 1/4 in. (15.9 cm), Sculpture, This version of the

Drawings and Prints, Books Prints Ornament & Architecture, Page from Eyn Newe kunstlich moetdelboech alle kunst (Page 9r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1532

Design for a Stage Set, 1770–80, Pen and brown ink, brush with brown, red and blue wash, 16-1/8 x 21-3/4 in. (41.0 x 55.2 cm), Drawings, Giuseppe Barberi (Italian, Rome 1746–1809 Rome), A prodigious draughtsman, Barberi designed many

Linen Mark, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Wah, 1920, Linen

Man Seated on the Ground, Writing, 17th century, Pen and brown ink, brush and brown wash, over black chalk, highlighted with white gouache, on light tan paper, 3-11/16 x 5-1/2 in. (9.4 x 13.9 cm), Drawings, Anonymous, Italian,

Green Glazed Pitcher, 13th century, French, Earthenware, partially covered with a green lead glaze, Overall: 11 5/16 x 5 3/8 x 6 15/16 in. (28.8 x 13.7 x 17.7 cm), Ceramics

Champion strong man, first half 20th century, brush and black ink, gouache, watercolor, traces of graphite framing lines, sheet: 14 13/16 x 11 9/16 in. (37.6 x 29.4 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Portrait of Charles Dikran Kelekian, Age Eight, 1908, pastel, 26 x 20 3/4 in. (66 x 52.7 cm), Drawings, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise

Landscape, 17th century, Pen and brown ink on cream paper, 5-3/16 x 3-3/4 in. (13.1 x 9.5 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Sugar Bowl, ca. 1838, Made in Philadelphia, Pennsylvania, United States, American, Porcelain, H. 3 1/2 in. (8.9 cm); Diam. 4 7/8 in. (12.4 cm), Ceramics, Tucker Factory (1826–1838

Head of a Bearded Old Man, 1849, Pen and brown ink and wash, Sheet: 8 11/16 x 5 1/4 in. (22 x 13.3 cm), Drawings, Sir George Hayter (British, London 1792–1871 London

Earring, 6th–7th century, Made in Italy, Byzantine, Gold and blue glass., Overall: 1 3/4 x 1 x 3/16 in. (4.4 x 2.6 x 0.5 cm), Metalwork-Gold

'A Tight Fit', 1872, Pen, brush, and brown ink with touches of white gouache, Sheet: 10 1/8 × 7 3/4 in. (25.7 × 19.7 cm), Drawings, Charles Samuel Keene (British, Hornsey, Middlesex 1823–1891 London

Figure, probably 11th–12th century, Attributed to Central Asia, Bronze; cast, chased, H. 2 3/4 in. (7 cm), Metal, This small bronze figure, whose original use is unknown, represents a standing man wearing garments which are traditionally

Pontoon Bridge, James River, 1864, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Adoration of the Shepherds, 1699–1783, Red chalk on off-white paper. Composition outlined in ruled red chalk lines., 6-7/8 x 4-3/4 in. (17.5 x 12.1 cm), Drawings, Francisco Vieira de Mattos (Il Lusitano) (Portuguese, Lisbon 1699–1783

Spanning Lever (Gaffle or 'Goat's-Foot' Lever), probably third quarter of the 16th century, Madrid, Spanish, Madrid, Steel, gold, silver, L., extended 20 1/4 in. (51.4 cm); W. 2 3/8 (6 cm); Wt. 1 lb. 6 oz. (618 g), Archery Equipment

Landscape with Distant Buildings (Smaller Italian Sketchbook, leaf 28 recto), 1774–75 (?), Graphite, brown and yellow wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby 1734–1797

Design for a Ceiling Decoration, 1850–70, Watercolor, 7-5/8 x 7-5/8 in, Drawings, Anonymous, Italian, 19th century

Design for Sideboard for Lord Falklane at Skutterskelfe, Yorkshire, 1835, Pen and ink, sheet: 9 1/2 x 10 1/4 in. (24.1 x 26 cm), Anthony Salvin (British, Worthing, West Sussex 1799–1881 Hawksfold, West Sussex

The Dreamer, late 1770s, Pencil and sepia wash, 12 1/8 x 8 1/2 in. (30.8 x 21.6 cm), Drawings, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), Fragonard was trained as a history painter and received ample recognition from the Royal

The Holy Kinship (Madonna and Child and St. John) with Prophets and Symbols of the Four Evangelists, 17th century, Red chalk, sheet: 12 9/16 x 7 15/16 in. (31.9 x 20.2 cm), Drawings, Joachim von Sandrart (German, Frankfurt 1606–1688

Karnak (Thèbes), Grande Porte du Nord Vue du Point X, 1851–52, printed 1853–54, Salted paper print from paper negative, 23.7 x 30.6 cm. (9 5/16 x 12 1/16 in.), Photographs, Félix Teynard (French, 1817–1892

Tarascon, ca. 1852, Albumen silver print from paper negative, 23.6 x 29.5 cm (9 5/16 x 11 5/8 in.), Photographs, Charles Nègre (French, 1820–1880

Autograph notes, 1835–1904, Pen and brown ink over graphite (?), 6 13/16 x 5 3/16 in (17.3 x13.2 cm), Miscellaneous, Lorenz Frølich (Danish, Copenhagen 1820–1908 Hellerup

Wellhead, 11th–12th century (?), Italian (Veneto or Venetian), Istrian Stone, Overall: 26 3/8 x 28 1/4 in. (67 x 71.8 cm), Sculpture-Stone

Terracotta lamp: on discus, eagle seizing a hare, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 1/4 x 3 1/2 in. (3.2 x 8.9 cm), Terracottas

'Seven Devotional Scenes', Folio from the Bellini Album, ca. 1600, Attributed to Italy or the Netherlands, Ink, opaque watercolor, and gold on paper, H. 8 3/8 in. (21.2 cm), Codices

Battle Scene with Soldiers Mounted on an Elephant., 1550–1650, Pen and brown ink, brush and gray wash, over black chalk, 9-5/8 x 8 in. (24.5 x 20.3 cm), Drawings, After Giulio Romano (Italian, Rome 1499?–1546 Mantua

Terracotta lamp, Early Byzantine, late 5th–6th century A.D., Roman, Terracotta, Overall: 3/4 x 3 5/8 in. (1.9 x 9.2 cm), Terracottas

Book flask, ca. 1849–58, Made in Bennington, Vermont, United States, American, Mottled brown earthenware, H. 10 3/4 in. (27.3 cm), Ceramics, United States Pottery Company (1852–58

Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects, Workshop of Charles Percier (French, Paris 1764–1838 Paris), Workshop of Pierre François Léonard Fontaine (French, Pontoise

The Virgin of Guadalupe with the Four Apparitions, 1773, Oil on copper, 22 1/4 × 16 1/2 in. (56.5 × 41.9 cm), Paintings, Nicolás Enríquez (Mexican, 1704–1790), In 1773, when Nicolás Enríquez painted this copy of the Virgin of

Plaque, ca. 1876–87, Made in Trenton, New Jersey, United States, American, Parian porcelain, 14 1/2 x 10 3/4 in. (36.8 x 27.3 cm), Ceramics, Isaac Broome (1835–1922

Design for a Painted Ceiling, 1800–1900, Watercolor, Drawings, Anonymous, Italian, 19th century

Livre de Moresques, page 5 (recto), 1546, Woodcut, Overall: 12 x 8 5/16 x 1/4 in. (30.5 x 21.1 x 0.7 cm), Francesco di Pellegrino (Italian, born Florence, died 1552), This book of moresques reproduces designs by the Italian artist Francesco

Tile from marsh scene, New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C., From Egypt, Middle Egypt, Amarna (Akhetaten), Royal Palace of Akhenaten, Petrie excavations, 1891–92, Polychrome faience, h. 4.3 cm (1 11/16 in.); w. 4

Madonna and Child, 17th century, Pen and brown ink over traces of black chalk, on cream laid paper. Squared for transfer in black chalk. Framing outline in pen and brown ink, 8-3/8 x 6-7/8 in. (21.2 x 17.4 cm), Drawings, Anonymous, Italian,

Shield Mount in the Shape of Bird, second half 6th century, Made in Northern France, Frankish, Copper alloy, 'tinned' surface, Overall: 1 5/8 x 1 7/16 x 1/16 in. (4.1 x 3.6 x 0.1 cm), Metalwork-Copper

Woman with a dog by a mountain lake, early to mid-19th century, Graphite, heightened with white bodycolor on tan paper; corners cut., 11 3/8 x 14 15/16 in. (28.9 x 38 cm), Drawings, Alexandre Calame (Swiss, Vevey 1810–1864 Menton

Tile, ca. 1882–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 4 1/4 x 4 1/4 in. (10.8 x 10.8 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

兎月秋草蒔絵鞘印籠, Inrō with Rabbit in the Moon and Autumn Grasses, Edo period (1615–1868), first half of the 19th century, Japan, Two-part (sheath type); lacquered wood with gold, silver, and pewter hiramaki-e, togidashimaki-e,

Bronze double-ax head, Middle Minoan III–Late Minoan I, ca. 1700–1450 B.C., Minoan, Bronze, H.: 2 1/8 in. (5.4 cm), Bronzes, Votive axe-head

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Publisher, Artist, Artist, Martin Engelbrecht, Carl Pier, Franz Xavier Habermann, Jeremias Wachsmuth, German,

Terracotta roundels in the form of theatrical masks, Hellenistic, 1st century B.C., Greek, Terracotta, diameter 5 13/16 in. (14.7 cm), Terracottas, Roundels with theatrical masks attached

'Dancing Dervishes', Folio from a Divan of Hafiz, ca. 1480, Attributed to present-day Afghanistan, Herat, Opaque watercolor and gold on paper, Painting: H. 6 5/16 in. (16 cm), Codices, Painting attributed to Bihzad (ca. 1450–1535/36), This

Storage Jar, 7th century, Made in Egypt, Earthenware; painted, unglazed, H. 19 7/16 in. (49.4 cm), Ceramics, The painted patterns on this large storage jar are arranged to emphasize the swelling shape of the vessel. The animal, bird, and

Neptune Calming the Tempest Raised Against the Fleet of Aeneas, Engraving, Prints, Attributed to Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576) (in Bartsch, but questioned), Attributed to Girolamo Fagiuoli (Italian,

[Rock of Gibraltar], 1880s–90s, Albumen silver print from glass negative, Photographs, Unknown

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 58 (verso), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Silk Fragment with a Rosebush, Bird, and Deer Pattern, late 17th–early 18th century, Attributed to Iran, Silk, silver- and gilded metal wrapped thread; compound twill weave, brocaded, Textile: H. 44 5/8 in. (113.3 cm), Textiles-Woven,

Disk Brooch, 7th century, Frankish, Gold, glass, mother-of-pearl, silver-headed rivets; copper alloy, Overall: 2 1/8 x 7/8 in. (5.4 x 2.2 cm), Metalwork-Gold

White cross-lined ware bowl with geometric patterns, Predynastic, Naqada I, ca. 3700–3650 B.C., From Egypt, Pottery, paint, No measurement

Limestone votive relief of eyes and a mouth, Late Classical–Hellenistic, 4th or 3rd century B.C., Cypriot, Limestone, Overall: 4 1/4 x 3 1/4 x 3/4 in. (10.8 x 8.3 x 1.9 cm), Miscellaneous-Stone, The plaque is rounded at the top, imitating

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Jeremias Wachsmuth, Carl Pier, Martin Engelbrecht, Franz Xavier Habermann, German,

The Nativity, 1860, Red chalk on tracing paper; lined, 8 3/4 x 15 1/2 in. (22.2 x 39.3cm), Drawings

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 8r), Printer, Designer, Henning Gross the younger, Andreas Bretschneider, German, Dresden ca. 1578–ca. 1640 Leipzig, Gross, Henning the younger,

Félicien Rops, 1860s–70s, Albumen silver print from glass negative, Photographs, Frères Ghemar

Cannon, 1861–65, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

View of the Interior of One of the Tanks on Board the Great Eastern, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 10 1/2 × 14 3/4 in. (26.6 × 37.5 cm), Drawings, Robert Charles Dudley (British, 1826–1909), One of the

Design for a Frontispiece Surmounted by the Sacred Monogram IHS, Pen and black ink, grey wash, 6 3/4 x 9 in. (17.1 x 22.9 cm), Drawings, Attributed to François Boucher (French, Paris 1703–1770 Paris

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 5 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

'Man's Fate or the Man Taking Refuge in a Well Inhabited by a Dragon', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide),

Dish, ca. 1830, Made in Mexico, Mexican, Tin-glazed earthenware, H. 18 in. (45.7 cm), Ceramics

Tailpiece [Firebird as Tsarevna], ca. 1925, Gouache, metallic inks, and black ink, heightened with white, over graphite., 13 11/16 x 10 1/2 in. (34.8 x 26.7 cm), Drawings, Boris Zvorykin (Russian, Moscow 1872–1942 Paris

Standing Figure of a Man (Fisherman?), 17th century, Pen and dark brown ink with brush and wash over black chalk underdrawing. On off-white paper, 6-7/8 x 4 in. (17.5 x 10.2 cm), Drawings, Anonymous, Spanish, School of Seville, 17th century

Madonna and Child, about 1450, Tempera on wood, gold ground, Overall, with engaged frame, 16 3/8 x 12 1/8 in. (41.6 x 30.8 cm); painted surface 13 1/8 x 9 in. (33.3 x 22.9 cm), Paintings, Sano di Pietro (Ansano di Pietro di Mencio) (Italian,

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 4 (verso), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Virgin and Child Appearing in a Glory of Angels to Saint Peter and Saint Paul, 1551–1640, Pen and dark brown ink, over black chalk. Squared in red chalk, 16 x 11-5/16 in. (40.7 x 28.8 cm), Drawings, Jacopo da Empoli (Jacopo Chimenti)

Marble portrait head of a woman, Imperial, Severan, early 3rd century A.D., Roman, Marble, Overall: 8 5/8 × 5 3/4 × 6 7/8 in. (21.9 × 14.6 × 17.5 cm), Stone Sculpture, The portrait is one of great character, reflecting the personality

A Metal Street Lamp, Boulevard St. Martin, ca. 1880, Pen and ink on blue paper, sheet: 4 1/8 x 5 3/16 in. (10.4 x 13.2 cm), Richardson Ellson & Co. (British

Two terracotta roundels with theatrical masks, Hellenistic, 1st century B.C., Greek, Terracotta, Overall: 3 x 5 3/4in. (7.6 x 14.6cm), Terracottas, A pair of terracotta roundels with theater masks (hetaira and slave

酒井抱一筆　桜図屏風, Blossoming Cherry Trees, Edo period (1615–1868), ca. 1805, Japan, Pair of six-panel folding screens; ink, color, and gold leaf on paper, Image: 38 x 82 3/16 in. (96.5 x 208.8 cm), Screens, Sakai Hōitsu

Plate, 1776–1883, Made in France, French, Faience, Diam. 8 3/4 in. (22.2 cm), Ceramics, After Benjamin Wilson (1721–1788

Hardanger Fiddle, 1756, Western Norway, Hardanger Region, Norway, Norwegian, Pine, birch, and other woods, bone, lignum vitae and mother-of-pearl inlay., 22 3/16 × 7 1/4 in. (56.4 × 18.4 cm), Chordophone-Lute-bowed-unfretted, Isak

Snuff Bottle, Qing dynasty (1644–1911), 19th century, China, Painted enamel, H. 2 1/4 in. (5.7 cm), Snuff Bottles

Tumbler, 18th century, Made in Bohemia, Czech Republic, Non-lead glass with enamel decoration, H. 4 in. (10.2 cm), Glass

Shaffron (Horse's Head Defense), 16th–17th century, Tibetan or Mongolian, Iron, leather, copper alloy, shellac, H. 17 1/2 in. (44.5 cm); W. 22 3/4 in. (57.8 cm); Wt. 5 lb. 8.9 oz. (2520.3 g), Equestrian Equipment-Shaffrons, Tibetan

Drawings and Prints, Books Prints Ornament & Architecture, Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 17 (verso), Binder, Publisher, Lloyd, Wallis & Lloyd, Matteo Pagano, British,

Group of Gentlemen Conversing over a Glass of Wine, February 7, 1846, Salted paper print from paper negative, Mount: 12 3/16 × 9 11/16 in. (31 × 24.6 cm), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock