Images at Librifly

Bannerstone, ca. 2000 B.C., United States, Ohio or Illinois, Archaic, Slate, banded, H. 2 5/16 x W. 3 1/2 x D. 1 1/8 in. (5.9 x 8.9 x 2.8 cm), Stone-Implements, Bannerstones are weights for spear-throwers, the long shafts that propelled the

Glass beaker signed by Jason, Early Imperial, mid–1st century A.D., Roman, Syro-Palestinian, Glass; blown in a three-part mold, Height: 3 9/16 in. (9.1 cm), Glass, Translucent blue green., Outsplayed knocked-off rim with indent below; body

Thilda H. - The Veiled Lady, 1900s, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

刻み煙草入れ, Portable Smoking Set, Edo period (1615–1868), early 19th century, Japan, Pipe: iron, gold, silver on wood; Pipe case: gold, silver hiramaki-e on black; Tobacco case: dyed cotton with metal fitting of a snail; Netsuke:

The Cable Fleet Leaving Ireland, July 1858, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 10 7/8 x 15 7/8 in. (27.6 x 40.3 cm), Drawings, Robert Charles Dudley (British, 1826–1909), One of the 19th century's great

Design for a Chimneypiece, possibly for Melbourne House (now Albany), Piccadilly, London, 1771–75 (?), Pen and brown ink, brush and watercolor, graphite, sheet: 6 3/4 x 3 7/8 in. (17.1 x 9.9 cm), Sir William Chambers (British (born

Le chemise Russe, 1860s, Albumen silver print from glass negative, 8.6 x 12.1 cm. (3 3/8 x 4 3/4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

The Vision of Saint Anthony of Padua, n.d., Pen and brown ink over traces of leadpoint (?), sheet: 7 x 5 1/16 in. (17.8 x 12.8 cm), Drawings, Vicente Salvador Gómez (Spanish, Valencia 1637–ca. 1700 Valencia

L'Accouchée, 1860s, Salted paper print from glass negative, 18.1 x 22.5 cm. (7 1/8 x 8 7/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Self-Portrait, 1776, Oil on canvas, 35 1/2 x 25 7/8 in. (90 x 65.5 cm), Paintings, Anton Raphael Mengs (German, Ústi nad Labem (Aussig) 1728–1779 Rome), Born in Bohemia, Mengs became the most important painter in Dresden, Rome, and

He Leaves Them in Good Shape ('Buenos los deja'), 1807–45, Pen and dark brown ink on off-white paper. Composition outlined with pen and dark brown ink on all sides, 7-1/4 x 5-1/4 in. (18.4 x 13.3 cm), Drawings, Leonardo Alenza y Nieto

Tuba, ca. 1850, Berlin, Germany, German, Brass, 31 1/2 × 8 × 16 in. (80 × 20.3 × 40.6 cm), Aerophone-Lip Vibrated, attr. C.W. Moritz

Broadway Landing, Appomattox River, 1864, Albumen silver print from glass negative, Photographs, William Frank Browne (American

Combe Bottom, 1860, Etching and drypoint; first state of three (Harrington); tenth state of sixteen (Schneiderman), Sheet: 6 3/16 x 8 3/8 in. (15.7 x 21.3 cm), Prints, Sir Francis Seymour Haden (British, London 1818–1910 Bramdean,

Violinist: study from life, second half 19th century, Graphite, Overall: 8 15/16 x 6 3/4 in. (22.7 x 17.1 cm), Drawings, George Du Maurier (British, Paris 1834–1896 London

[Horse and Rider Galloping], 1883–86, printed 1887, Collotype, Photographs, Eadweard Muybridge (American, born Britain, 1830–1904

Design drawing, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

Studies of a Seated Woman from Behind, 1811–89, Graphite, 9 5/8 × 6 15/16 in. (24.5 × 17.6 cm), Drawings, Eduard Julius Friedrich Bendemann (German, Berlin 1811–1889 Düsseldorf

Sentenac. Phillipe. 36 ans, né à Soulan (Ariège). Menuisier. Anarchiste. 7/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Purse Mount, late 5th–early 6th century, Made in Northern France, Frankish, Silver with garnets, glass, cuttlefish bone, Overall: 4 x 1 5/16 x 3/8 in. (10.2 x 3.3 x 1 cm), Metalwork

Mallet, Middle Kingdom, Dynasty 12, ca. 1961–1917 B.C., From Egypt, Memphite Region, Lisht South, Pyramid Temple of Senwosret I, Wood, H. 28 cm (11 in.); W. 15 cm (5 7/8 in.), Most of the stone and wood objects displayed in this

Terracotta model of a shrine, Cypro-Archaic II, ca. 600–480 B.C., Cypriot, Terracotta; hand-made, H. 3 15/16 in. (10 cm), Terracottas, The model originally had pilasters on either side of the opening. The vertical form inside is an aniconic

Curved Ear Ornament (Kapeu), 18th–early 19th century, New Zealand, Maori people, Greenstone (nephrite), H. 5 x W. 1/2 in. (12.7 x 1.27 cm), Stone-Ornaments, Highly prized ornaments such as this pendant carved from greenstone were markers of

Ponchia. Charles, Albino. 32 ans, né le 1/3/62 à Montanaro (Italie). Menuisier. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Designs for One Half of a Cartouche in the Rococo style, 1700–1780, Pen and brown ink, brush with green and gray wash, over lead point or graphite. Framing outlines in pen and brown ink., Sheet: 7 5/16 x 8 15/16 in. (18.6 x 22.7 cm),

Krater, Cypro-Archaic I, 750–600 B.C., Cypriot, Terracotta, 8 7/8in. (22.6cm), Vases, Two-handled vase of angular form: A and B: three birds separated by trees

Drawings and Prints, Books Prints Ornament & Architecture, Eyn new kunstlichboich, page 19v, Publisher, Designer, Woodcut border designed by, Peter Quentel, Anton Woensam von Worms, German, active Cologne, 1518–46, German, active first

Le Caracul (L'Astrakhan), 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Partial Design for Bay Window with Monogrammed Curtains, 1841–1900, Graphite, sheet: 9 1/16 x 15 5/16 in. (23 x 38.9 cm), Charles Hindley and Sons (British, London 1841–1917 London

Bissonier. Sébastien. 19 ans, né à St Bonnet (Allier). Journalier. Outrage à la Gendarmerie. 5/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Hilly Landscape with Three Figures, 1675–1749, Red chalk, 11-1/4 x 16-15/16 in. (28.6 x 43 cm), Drawings, Aureliano Milani (Italian, Bologna 1675–1749 Bologna), Like his compatriot and exact contemporary Donato Creti the painter,

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 3 in. × 3 5/16 in. (7.6 × 8.4 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Offering table with statuette of Sehetepib, Middle Kingdom, Dynasty 12, late–early 13, ca. 1850–1775 B.C., From Egypt, Memphite Region, Lisht North, cemetery south of pyramid below House A1:3, Pit 883, 1920–21, Limestone table;

[Postmortem Baby, Partially Covered by a Flowered Shawl with a Fringe Hem], 1840s, Daguerreotype, Image: 6.6 x 5.4 cm (2 5/8 x 2 1/8 in.), Photographs, Unknown (American

Earring, 6th–7th century, Made in Italy, Langobardic or Byzantine (?), Gold, Overall: 1 5/8 x 9/16 x 7/8 x 11/16 in. (4.2 x 1.5 x 2.2 x 1.8 cm), Metalwork-Gold, Fashionable in Italy for at least a century before the arrival of the

Landscape with Cows in a Brook, 1698, Gouache with gum arabic, sheet: 4 1/8 x 6 in. (10.5 x 15.2 cm), Drawings, Felix Meyer (Swiss, Winterthur 1653–1713 Wyden

[Group of 11 Early Stereograph Views of British Landscapes], 1850s–1920s, Albumen silver prints, Mounts approximately: 8.4 x 17 cm (3 5/16 x 6 11/16 in.) to 8.5 x 17.5 cm (3 3/8 x 6 7/8 in.), Photographs, Unknown (British), C. K. Williams

Foussard. Eugène. 26 ans, né le 7/12/67 à Dangeul (Sarthe). Peintre en bâtiment. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

La Frayeur, 1861–67, Salted paper print from glass negative with applied color, 12.7 x 15.1 cm (5 x 5 15/16 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913), A study for a large painted version, this photograph was summarily

The House of Bijapur, ca. 1680, Made in India, Deccan, Bijapur, Ink, opaque watercolor, gold, and silver on paper, Page: H. 16 1/4 in. (41.3 cm), Codices, Painting by Kamal Muhammad (active 1680s), Painting by Chand Muhammad (active

Drawings for Two Masquerade or Ballet Costumes ('Sospiri' and 'Baci'), 1554–1627, Pen and ink, brush and grey wash, sheet: 8 3/4 x 11 1/4 in. (22.2 x 28.6 cm), Drawings, Giovanni Battista Paggi (Italian, Genoa 1554–1627 Genoa), Drawings

'Three Trees of India', Folio from a Baburnama (Autobiography of Babur), late 16th century, Country of Origin India, Ink, opaque watercolor, and gold on paper, H. 9 13/16 in.(25 cm), Codices, The Baburnama, one of the most important texts

Two Caricature Heads of Men, after 1794, Pen and brown ink, sheet: 5 x 4 1/16 in. (12.7 x 10.3 cm), Drawings, Johann Heinrich Wilhelm Tischbein (German, Haina 1751–1829 Eutin

Hexagonal dish, 1696, Hungarian, Transylvania, Silver, partly gilded, Diameter: 9 9/16 in. (24.3 cm), Metalwork-Silver, The center of each dish in this set bears an engraved laurel wreath encircling a coat of arms. Small differences in these

Tweezers, Third Intermediate Period, Dynasty 21, ca. 1070–945 B.C., From Egypt, Upper Egypt, Thebes, Bronze or copper alloy, L. 14.6 cm (5 3/4 in

Green Glass Jar, 10th century, Excavated in Iran, Nishapur, Glass, green; blown, H. 3 7/16 in. (8.7 cm), Glass, No direct evidence for the production of glass was revealed during the Nishapur excavations, although we assume that glass

Les Singuliers et Nouveaux Portraicts... page 34 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Torah crown (keter), ca. 1740–50, Italian, Venice, Silver, parcel gilt, Overall (confirmed, irregular diameter): 10 13/16 × 12 3/8 × 12 3/8 in. (27.5 × 31.4 × 31.4 cm), Metalwork-Silver, Exceptional for its size and precious material,

Cup, ca. 1850, Probably made in Bennington, Vermont, United States, American, Mottled brown earthenware, H. 2 in. (5.1 cm); Diam. 3 1/2 in. (8.9 cm), Ceramics

Tumbler, 1850–70, Pressed glass, H. 3 3/8 in. (8.6 cm); Diam. 3 1/8 in. (7.9 cm), Glass

Zoller Album Amicorum, 18th century, 75 sheets of laid paper inside a cardboard binding covered in marbled paper., Overall: 1 3/16 x 8 3/16 x 5 3/16 in. (3 x 20.8 x 13.2 cm), Books

Tobias and the Angel, 17th century, Pen and brown ink, brush and brown wash, over black chalk on cream paper. Framing outlines (arched at top) in black chalk and brown ink, 9-1/16 x 5-1/16 in. (23 x 12.8 cm), Drawings, Anonymous, Italian,

Figure 26: Expression of painful attention and attention, attentive gaze., 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.5 × 20.3 cm (11 1/4 × 8 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 24r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Juno, ca. 1806, Graphite, sheet: 12 5/8 x 9 3/8 in. (32.1 x 23.8 cm), Drawings, Richard Cosway (British, Oakford, Devon 1742–1821 London), Cosway here compliments his subject by awarding her the attributes of Juno, including a tiara and

Monkey and Man Playing Instruments, Third Intermediate Period–Late Period, Dynasty 22–26, ca. 945–525 B.C., From Egypt, Faience, H. 9.8 cm (3 7/8 in.); W. 2.9 cm (1 1/8in.); D. 2.7 cm (1 1/16in.), This figure is part of a repertoire of

明中期 剔犀劍環紋漆盒, Box with pommel scroll design, Ming dynasty (1368–1644), 16th century, China, Carved black and red lacquer, H. 2 3/4 in. (6.9cm); W. 4 5/8 in. (11.7cm); L. 9 1/8 in. (23.2 cm), Lacquer, A close examination

[Group of 66 Stereograph Views of the 1893 Chicago World's Fair and Columbian Exposition], 1850s–1910s, Albumen silver prints, Mounts approximately: 8.7 x 17.5 cm (3 7/16 x 6 7/8 in.) to 10.6 x 17.8 cm (4 3/16 x 7 in.), Photographs, Strohmeyer

Broad collar of Senebtisi, Middle Kingdom, Dynasty 12, late–early 13, ca. 1850–1775 B.C., From Egypt, Memphite Region, Lisht North, Tomb of Senwosret (758), Pit 763, burial of Senebtisi, 1906–07, Faience, gold, carnelian,

Bust of a Man, His Gaze Directed Toward the Spectator, ca. 1500 (?), Black chalk, stumped, on cream-colored paper. Traces of pen and brown ink. Paper extensively rubbed with black chalk or charcoal, 12-13/16 x 9-5/16 in. (32.6 x 23.6 cm),

Terracotta hydria (water jar), Late Classical, ca. 340–330 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, H. 29 3/4 in. (75.6 cm), Vases, The abduction of Persephone by Hades surrounded by gods. The myth of the abduction of

Bowl, 1785–90, Made in China, Chinese, for American market, Porcelain, H. 2 1/2 in. (6.4 cm); Diam. 5 1/2 in. (14 cm), Ceramics, This object belongs to a large dinner service bearing the Townley family coat-of-arms. The service, probably

Vase, 1828–36, Made in Philadelphia, Pennsylvania, United States, American, Porcelain, brass, H. 21 1/8 in. (53.7 cm), Ceramics, Tucker Factory (1826–1838), This vase is among the most ambitious ceramics made in this nation’s early

Saucepan, ca. 1795–1820, Possibly made in Philadelphia, Pennsylvania, United States, American, Silver, Overall: 3 3/16 x 10 1/4 in. (8.1 x 26 cm); 13 oz. 15 dwt. (427.7 g), Silver, Marked by I. N

The Mystic Marriage of Saint Catherine, ca. 1761, Black chalk counterproof, re-worked in black chalk, sheet: 9 x 4 5/16 in. (22.9 x 10.9 cm), Drawings, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), After Mattia Preti (Il Cavalier

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 15/16 × 2 7/8 in. (7.4 × 7.3 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Karnak (Thèbes), Palais - Salle Hypostyle - Fenêtre et Chapiteaux des Galeries Latérales, 1851–52, printed 1853–54, Salted paper print from paper negative, 30.7 x 25.5 cm. (12 1/16 x 10 1/16 in.), Photographs, Félix Teynard (French,

The Annunciation, 17th century, Pen and dark brown ink. Composition outlined in same, by the artist. On ivory paper, 4-5/8 x 3-1/2 in. (11.7 x 8.9 cm), Drawings, Anonymous, Spanish, School of Seville, 17th century

Oeuvres de Jean Racine, 1801, Printed book with engraved illustrations, Overall: 19 11/16 x 13 3/4 x 2 3/4 in. (50 x 35 x 7 cm), Books

Shield, 17th century, Indian, Steel, gold, textile, Diam. 19 1/4 in. (49 cm), Shields

Bottle, 5th–7th century, Frankish, Glass, Overall: 4 1/8 x 2 13/16 in. (10.5 x 7.1 cm), Glass-Vessels

Drawings and Prints, Books Prints Ornament & Architecture, Studio delle virtuose Dame, page 21 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella Catanea,

Esther David, 1866, Albumen silver print from glass negative, Image: 18.4 × 24.8 cm (7 1/4 × 9 3/4 in.), Photographs, André-Adolphe-Eugène Disdéri (French, Paris 1819–1889 Paris

Egg Cup, 1830–70, Made in United States, American, Pressed glass, H. 3 15/16 in. (10 cm), Glass

Metalwork Design, from Rue des Fosses St. Victor, ca. 1880, Graphite on tracing paper, sheet: 2 3/8 x 2 9/16 in. (6.1 x 6.5 cm), Richardson Ellson & Co. (British

Terracotta group of women seated around a well head, Classical, 2nd half of 4th century B.C., Greek, Tarentine, Terracotta, Max. H.: 8 1/4 in. (21 cm), Terracottas, Incense burners (Greek thymiateria) were important cult implements throughout

His Country's Hope, 1850s, Albumen silver print from glass negative, Mount: 10 7/8 in. × 13 7/8 in. (27.6 × 35.2 cm), Photographs, Oscar Gustav Rejlander (British, born Sweden, 1813–1875

Dish, 1800–1830, Made in Ohio, United States, American, Mottled brown earthenware, H. 3 3/8 in. (8.6 cm), Ceramics

The Virgin Annunciate, 1470–80, Pen and brown ink, brush and brown wash, on parchment, 8 3/16 x 3 1/8in. (20.8 x 7.9cm), Drawings, Anonymous, Italian, Ferrarese, 15th century, Facing right with her eyes closed, ready to embrace the

Corner fragment of inscribed prism (kudurru), Neo-Babylonian, ca. 7th–6th century B.C., Mesopotamia, Babylon (?), Babylonian, Clay, 4.02 x 3.5 x .5 in. (10.21 x 8.89 x 1.4 cm), Clay-Tablets-Inscribed, The invention of writing in

Limestone male head, Archaic, last quarter of the 6th century B.C., Cypriot, Limestone, Overall: 17 1/2 x 8 1/2 x 12 1/2in. (44.5 x 21.6 x 31.8cm), Stone Sculpture, This carefully executed head is of greatest interest for the headgear. The

Belt Buckle, 7th century, Made in Burgundy, Frankish or Burgundian, Iron with silver inlay and copper-alloy, Overall: 4 15/16 x 2 9/16 x 13/16 in. (12.6 x 6.5 x 2 cm), Metalwork-Iron

Design for a Ceiling with Lion and Lioness, 19th century, Ink and watercolor, Anonymous, British, 19th century

Bronze dragon-type fibula (safety pin), Archaic, 700–650 B.C., Etruscan, Bronze, Other: 4 7/16 in. (11.3 cm), Bronzes, The bow has two loops, a spiral of one turn, and one pair of horns. The head consists of a knob

Helm for the Joust of Peace (Stechhelm), ca. 1500, probably Nuremberg, German, probably Nuremberg, Steel, copper alloy, H. 17 3/4 in. (45 cm); W. 11 1/2 in. (29.2 cm); D. 18 in. (45.7 cm); Wt. 17 lb. 14 oz. (8097 g), Helmets, The Stechhelm

Hematite intaglio: Standing deity, Imperial, Roman, Hematite, Other: 1/2 x 3/8 x 1/8 in. (1.3 x 1 x 0.2 cm), Gems

Cup Plate, 1840–50, Lacy pressed glass, Glass

粟に鶉図, Quail and Millet, Edo period (1615–1868), late 17th century, Japan, Hanging scroll; ink and color on silk, 46 5/8 x 18 3/4 in. (118.4 x 47.6 cm), Paintings, Kiyohara Yukinobu (Japanese, 1643–1682), Tranquility pervades

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 23 (verso), Illustrator, Publisher, Woodcut of Lucrezia designed by, Giuseppe Salviati (Giuseppe Porta, called Il

Vessel in the shape of a peach, Qing dynasty (1644–1911), 18th–19th century, China, Porcelain with colored glazes (Jingdezhen ware), 4 1/8 in. (10.5 cm), Ceramics, This pot was most likely used to serve tea, wine, or both. Its peachlike

Story Title Page, 'La Belle Vassilissa:, verso: text, ca. 1925, Gouache, metallic inks, and black ink, heightened with white, over graphite., 13 5/8 x 10 9/16 in. (34.6 x 26.9 cm), Drawings, Boris Zvorykin (Russian, Moscow 1872–1942

Bodhisattva Padmapani, the Lotus-Bearer, 13th century, Central Tibet, Bronze with silver and copper inlay (and later turquoise inlay), H. 21 1/4 in. (54 cm); H. (incl. base) 22 1/2 in. (57.2 cm); W. 8 in. (20.3 cm); D. 4 in. (10.2 cm),

Campbell Hospital near Washington, D.C., 1861–65, Albumen silver print from glass negative, Photographs

Head, 2nd–4th century, United States, Alaska, Old Bering Sea, Ivory (walrus), H. 2 1/2 x W. 1 3/4 in., Bone/Ivory-Sculpture, In the last two millennia before the Common Era, the peoples who established themselves along the rim of the North

Study of Classical Ornament and Detail, 1776–79, Pen and red chalk, Attributed to Thomas Hardwick (British, London 1752–1829 London

Design for a Frieze with Acanthus and Shell, 18th century, Graphite, sheet: 8 x 7 1/2 in. (20.3 x 19.1 cm), Anonymous, British, 18th century

Oval Dish, 1800–1900, Pen and wash, 8-1/4 x 13-1/4 in, Drawings, Anonymous, Italian, 19th century

Reliefs from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H. 27.1 cm (10 11/16 in.); W. 20.1 cm (7 15/16 in.);

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 20 (recto), Publisher, Designer, Woodcut border on title signed by, Nicolò Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

Drawings and Prints, Books Prints Ornament & Architecture, Neu künstlich Modelbuch (page 45r), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1598, 1598