Images at Librifly

清 碧玉象寶, Elephant carrying a vase, Qing dynasty (1644–1911), 18th–19th century, China, Jade (nephrite) inlaid with garnet , H. 4 9/16 in. (11.6 cm); W. 3 1/4 in. (8.3 cm); D. 2 in. (5.1 cm), Jade, An elephant carrying a vase was

The Goddess Durga Slaying the Buffalo Demon(Mahishasura Mardini), Pala period, ca. 11th century, India (Bihar), Black schist, H. 11 1/2 in. (29.2 cm); W. 6 1/2 in. (16.5 cm); D. 3 1/2 in. (8.9 cm), Sculpture, Durga slays Mahisha, who emerges

Metal Doorpull for Church, second half 19th century, Gouache, sheet: 6 3/8 x 2 1/16 in. (16.2 x 5.2 cm), Anonymous, British, 19th century

Venus and Cupid, 1571–1650, Engraving, H. 7-3/8 x W. 5-3/16 in. (18.7 x 13.3 cm.), Prints, Sadeler, after Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague

Mountain Path with a Tree, 1820–78, Graphite, bodycolour, sheet: 18 7/16 x 13 1/8 in. (46.8 x 33.4 cm), Drawings, Friedrich Nerly (German, Erfurt 1807–1878 Venice

The Rest on the Flight into Egypt, 1666, Pen, brown ink, gray-brown wash, heightened with white over traces of black chalk, faintly squared in black chalk, 16 7/16 x 10 7/16 in. (41.7 x 26.5 cm), Drawings, Adrien Dassier (French, Lyon

Allegory of Life, late 16th–early 17th century, Pen and grey ink, sheet: 2 1/4 x 2 15/16 in. (5.7 x 7.5 cm), Drawings, Anonymous, Swiss, late 16th to early 17th century

Design for the Decoration of the Grip of a Pocket Pistol, ca. 1797–1805, Versailles, French, Versailles, Pencil, ink, gray wash on paper, 5 5/8 x 4 in. (14.3 x 10.2 cm), Works on Paper-Drawings

Easing the Curb, 1869, Graphite, Sheet: 7 1/2 x 10 1/2 in. (19.1 x 26.7 cm), Drawings, Sir John Tenniel (British, London 1820–1914 London

Combat of Oriental Horsemen, 1822–23, Graphite and brown wash, 7 5/8 x 10 13/16 in. (19.4 x 27.5 cm), Drawings, Théodore Gericault (French, Rouen 1791–1824 Paris

Sample of Cloth, Old Kingdom, Dynasty 6, ca. 2353–2323 B.C., From Egypt, Memphite Region, Saqqara, Pyramid of King Pepi I, Mummy chamber, Linen, 10 cm. square

Marble sarcophagus fragment: marriage scene, Mid-Imperial, Severan, early 3rd century A.D., Roman, Marble, Overall: 19 x 15 3/4 x 2 1/2in. (48.3 x 40 x 6.4cm), Stone Sculpture, Man and woman clasping hands, a figure between them and Eros

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 98 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Page of Calligraphy from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

View of Interior for Paris Exhibition 1925, with Rugs, 1824, Pen and black ink, brush and gray and blue wash, gouache, laid down on board., Image: 3 3/4 x 5 13/16 in. (9.6 x 14.7 cm), Drawings, Erik Gunnar Asplund (Swedish, Stockholm

Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects, Workshop of Charles Percier (French, Paris 1764–1838 Paris), Workshop of Pierre François Léonard Fontaine (French, Pontoise

The Philadelphia Photographer, Vol. I & II, Nos. 1-24, 1864–65, Albumen silver prints, Periodicals, Wenderoth, Taylor & Brown (American, active Philadelphia, 1860s), Henry P. Moore (American, 1833–1911), John Coates Browne (American,

Vase, 1904–5, Made in Corning, New York, United States, American, Blown, cut, and engraved glass, 18 1/2 in. (46.4 cm) high, Glass

Edge of a Wood near Frascati, 1824, Graphite, brown wash, on light brown paper, sheet: 10 15/16 x 15 1/8 in. (27.8 x 38.4 cm), Drawings, Ernst Fries (German, Heidelberg 1801–1833 Karlsruhe

Mediaeval Court from the Great Exhibition of 1851, 1851, Lithograph; proof impression, image: 13 3/4 x 19 9/16 in. (34.9 x 49.7 cm), Prints, Joseph Nash (British, Buckinghamshire 1809–1878 Kensington

Light Crossbow (Schnepper) from the Armory of Sedlitz Palace, dated 1733, Dresden, German, Dresden, Steel, wood (walnut), staghorn, hemp, wool, gold, L. 27 11/16 in. (70.3 cm); W. 22 1/2 in. (57.1 cm); Wt. 4 lb. 5 oz. (1, 949 g), Archery

The Adoration of the Shepherds (Cartoon), 16th century, Tempera on paper, lined with rough canvas, sheet: 77 15/16 x 67 11/16 in. (198 x 172 cm), Drawings, Anonymous, Netherlandish, 16th century

Classical Landscape with a Building and a River, 17th–early 18th century, Pen and two tints of brown ink, sheet: 11 1/4 x 8 3/8 in. (28.6 x 21.2 cm), Drawings, Abraham Genoels II (Flemish, Antwerp 1640–1723 Antwerp

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 14v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Drawings and Prints, Books Prints Ornament & Architecture, Splendore delle virtuose giovani, page 5 (recto), Designer, Publisher, Iseppo Foresto, Jeronimo Calepino, Italian, active Venice, 1557, Venice, Foresto, Iseppo, Calepino,

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 45 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

'Solanki Raga', Folio from a Ragamala, ca. 1590, Attributed to India, Deccan, probably Ahmadnagar, Ink and opaque watercolor on paper, H. 8 3/4 in. (22.3 cm), Codices, Some of the earliest depictions of musical modes in Indian painting

Disk from a Reel, ca. 800 B.C., Irish, Gold, Overall: 4 13/16 x 9/16 in. (12.2 x 1.5 cm), Metalwork-Gold, Ireland experienced a period of resurgence in the production of goldwork during the late Bronze Age. Numerous objects noteworthy for their

Stucco relief panel, Early Imperial, 2nd half of 1st century A.D., Roman, Stucco, Other: 15 3/4 x 13 x 3 in. (40 x 33 x 7.6 cm), Miscellaneous-Stucco, The powerfully-built nude youth stepping to the right may be a follower of Dionysos, for he

O-daiko, ca. 1873, Tohshima, Aichi Prefecture, Japan, Japanese, Wood, metal, cloisonné, hide, silk, padding, Height (Total): 62 3/16 in. (158 cm), Membranophone-double-headed / barrel drum, Attributed to Kodenji Hayashi (Japanese,

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, H 11.2 cm ( 4 7/16 in.); W 16.8 cm ( 6 5/8 in.); D

Woman Applying Henna, late 16th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, 14 7/16 x 9in. (36.7 x 22.9cm), Codices, This painting is a rare depiction of a young woman applying henna to her feet, a ritual

Design for a Ceiling, 18th century, Pen and wash, 12 x 8-3/4 in, Anonymous, Italian, 18th century

元/明 吳伯理 龍松圖軸, Dragon Pine, Ming dynasty (1368–1644), , ca. 1400, , China, , Hanging scroll; ink on paper, , Image: 48 x 13 1/4 in. (121.9 x 33.7 cm), Paintings, Wu Boli (Chinese, active late 14th–early 15th century

Saint Catherine of Alexandria, 1490–1528, Pen and brown ink, 6 1/2 x 2 15/16 in. (16.5 x 7.5 cm), Drawings, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Bronze disc-type fibula (safety pin), Iron Age, 10th century B.C., Italic, Bronze, Other: 4 13/16 in. (12.2 cm), Bronzes, Serpentine fibulae have distinctive coiled bows. Disk-type have an enlarged clasp in the shape of an ovoid disk. This

Case (Inrō) with Design of Clamshells and Fireflies, Edo period (1615–1868), late 18th century, Japan, Case: powdered gold and silver (maki-e) and gold foil on red lacquer with mother-of-pearl inlay; Fastener (ojime): silver with design of

[Woman with Four Children], 1850s, Daguerreotype, Image: 14.6 × 11 cm (5 3/4 × 4 5/16 in.), Photographs, Alexandre Bertrand (French, born 1822

Two male figures seated at a table, drinking, graphite, 7-3/4 x 5-7/8 in. (19.7 x 14.9 cm), Drawings, Félicien Rops (Belgian, Namur 1833–1898 Essonnes

Rock Crystal Belt Buckle, ca. 500 (buckle), 500–600 (tongue), East German (buckle), Byzantine (tongue), Rock crystal, gold foil, Overall: 1 3/4 x 1 9/16 x 11/16 in. (4.5 x 4 x 1.8 cm), Lapidary Work-Crystal, It is impossible to know

Zwei Goldfische und ein Seefisch (Christiceps argentatus), 1896, Photogravure, Image: 4 15/16 × 6 9/16 in. (12.5 × 16.6 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian,

Virgin and Child with a Cleric, ca. 1503–5, Pen and brown ink, sheet: approx. 6 x 6 3/16 in. (15.2 x 15.7 cm), Drawings, Hans Burgkmair (German, Augsburg 1473–1531 Augsburg

Drawings and Prints, Album Print Ornament & Architecture, Copies after the 'Livre contenant passement de moresques' (plate 18), Artist, After, Jacques Androuet Du Cerceau, French, Paris 1510/12–1585 Annecy, Du Cerceau, Jacques Androuet,

Mug, 1820–40, Probably made in New England, United States, American, Blown molded lead glass, H. 3 3/8 in. (8.6 cm); Diam. 2 3/4 in. (7 cm), Glass

Folio from a Mu'nis al-ahrar fi daqa'iq al-ash'ar (The Free Man's Companion to the Subtleties of Poems) of Jajarmi, A.H. 741/A.D. 1340–41, Attributed to Iran, Isfahan, Ink, opaque watercolor, and gold on paper, Page: 7 1/2 x 5 in. (19.1 x

Coverlet, 1842, Made in Montgomery County, Norriton Township, Pennsylvania, United States, American, Wool and cotton, 8 ft. 5 in. × 94 in. (256.5 × 238.8 cm), Textiles, Leonard Metz (1810–ca. 1885

Bronze bull, Late Minoan III, ca. 1400–1200 B.C. or later, Minoan, Bronze, Overall: 2 3/16 x 2 5/16 in. (5.5 x 5.9 cm), Bronzes, Statuette of a bull

Child's Dress, 660–880 (radiocarbon date, 95% probability), From Egypt, probably Akhmim (former Panopolis), Plain weave in red wool (dyed with madder); applied borders with pattern weft in blue and red wool and undyed linen, Overall including

Coin of Ptolemy IV from a Ptolemaic hoard, Ptolemaic Period, 222–205 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Birabi, 1915–16, Bronze, Diam. 3.45 cm, A hoard of 162 Ptolemaic coins that contained issue of Ptolemy II, III, and

Quartermaster and Ambulance Camp, Brandy Station, Virginia, 1861–65, Albumen silver print from glass negative, 13.2 x 20.6 cm (5 3/16 x 8 1/8 in. ), Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Laborers at Quartermaster's Wharf, Alexandria, Virginia, 1863–65, Albumen silver print from glass negative, Image: 13.2 × 20.2 cm (5 3/16 × 7 15/16 in.), Photographs, Attributed to Andrew Joseph Russell (American, 1830–1902), The

Counter Plate of a Belt Buckle, 4th–7th century, Made in Burgundy, Frankish or Burgundian, Iron, silver inlay and copper alloy rivets with incised borders, Overall: 2 7/8 x 2 1/16 x 3/8 in. (7.3 x 5.2 x 1 cm), Metalwork-Iron

Head of a Horse, mid-16th century, Red chalk, sheet: 5 13/16 x 6 3/4 in. (14.7 x 17.1 cm), Drawings, Anonymous, Italian, mid-16th century

Footed Dish, ca. 1888, Made in Tarentum, Pennsylvania, United States, American, Pressed colorless and opalescent glass, H. 2 5/8 in. (6.7 cm); Diam. 3 3/4 in. (9.5 cm), Glass, Richards and Hartley Flint Glass Co. (ca. 1870–1890

Creature, 1885, British, Southall, London, Stoneware, Overall (confirmed): 8 7/8 × 5 × 6 3/4 in., 4 lb. (22.5 × 12.7 × 17.1 cm, 1.8 kg), Ceramics-Pottery

Belt Mount, 4th century, Late Roman, Copper alloy, Overall: 2 13/16 x 2 7/8 x 1/8 in. (7.2 x 7.3 x 0.3 cm), Metalwork-Bronze

Fired clay jar sealing with ostrich hieroglyphs, Early Dynastic Period, Dynasty 1, ca. 3100 B.C., From Egypt, Northern Upper Egypt, Naqada, 'The Royal Tomb', Garstang excavations 1904, Clay (fired), H. 5.8 cm (2 5/16 in); W. 3.9 cm (1 9/16

Seated Figure, 400–100 B.C., Mexico, Guerrero, Stone, H. 11 5/8 × W. 8 × D. 4 3/4 in. (29.53 × 20.32 × 12.07 cm), Stone-Sculpture

Acanthus Scroll, 17th century, Brush and gray-brown wash, over graphite underdrawing, image: 12 3/16 x 8 1/4 in. (31 x 21 cm), Anonymous, Italian, 17th century

Head of a Bearded Man, 1515, Pen and black ink, sheet: 8 1/4 x 13 3/16 in. (21 x 33.5 cm), Drawings, Monogrammist SM (German, active ca. 1515

The Vision of Saint Eustace, 16th century, Pen and brown and black ink, over traces of black chalk., 13 7/8 x 10 3/8 in. (35.2 x 26.3 cm), Drawings, Anonymous, German, 16th century (?), After Albrecht Dürer (German, Nuremberg 1471–1528

Standing male figurine of an 'Assyrian' type, Cypro-Archaic, mid-7th–end of the 6th century B.C., Cypriot, Terracotta; mold-made, H. 16 5/16 in. (41.5 cm), Terracottas, Mold-made figurines like this one are usually categorized as Assyrian or

Funerary Mask of the Overseeer of Builders Amenhotep, New Kingdom, Dynasty 18, ca. 1479–1425 B.C., From Egypt, Upper Egypt, Thebes, Cartonnage, paint, h. 50 cm (19 11/16 in); w. 42 cm (16 9/16 in); d. 45.7 cm (18 in), This mask was made

東漢 彩繪陶舞俑, Rustic Dancer, Eastern Han dynasty (25–220), China, Earthenware with traces of pigments, H. 7 1/4 in. (18.4 cm) W. 6 in. (15.2 cm); D. 3 3/4 in. (9.5 cm), Tomb Pottery

Jérusalem. (Environs) Grotte de Jérémie, 1860 or later, Albumen silver print from paper negative, Image: 11 in. × 8 1/4 in. (28 × 21 cm), Photographs, Louis de Clercq (French, 1837–1901

You'll See Later, 1806–17, Brush with black and gray wash on laid paper, Overall: 10 1/2 x 7 3/8 in. (26.7 x 18.8 cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux

Axe Head, possibly 16th–17th century, possibly Tartar-Circassian, Crimean Khanate, Steel, silver (?), copper alloy, 5 3/4 x 3 x 1 3/8 in. (14.6 x 7.6 x 3.5 cm), Shafted Weapons, This steel head for a small axe or hatchet has a single

Horsemen Fighting, 17th century, Pen and iron gall ink over red chalk on light tan paper, 4-7/16 x 6-11/16 in. (11.3 x 17 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Bottle, 1800–1830, Possibly made in New Geneva, Ohio, United States; Possibly made in Mantua, Ohio, United States, American, Blown pattern-molded glass, H. 3 3/8 in. (8.6 cm), Glass

『続古今和歌集』断簡, Two Poems from the Collection of Poems Ancient and Modern, Continued (Zoku Shoku kokin wakashū), Kamakura period (1185–1333), 13th century, Japan, Page from a book; ink on paper, Image: 9 1/4 × 5 1/2 in.

Textile Sample Book, 1867, French, H. 12 3/4 x W. 9 inches, Textiles-Sample Books

Cup, 19th century, Made in East Cambridge, Massachusetts, United States, American, Blown glass, H. 2 1/2 in. (6.4 cm); Diam. 2 3/8 in. (6 cm), Glass, Probably New England Glass Company (American, East Cambridge, Massachusetts,

Design for a Fireplace, mid-18th century, Pen and brown ink, brush and pale brown and green wash, sheet: 9 5/8 x 5 1/2 in. (24.4 x 14 cm), Sir Henry Cheere (British, London 1703–1781 London), Possibly attributed to Robert Taylor (British,

Landscape with River, Arched Bridge and Distant Mountains (Smaller Italian Sketchbook, leaf 39 recto), 1774–75 (?), Graphite, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby 1734–1797

Vase, 1885–90, European, probably, Blown satin white glass, H. 4 in. (10.2 cm), Glass

[Painter, Smoking a Cigar, Holding a Brush and Scraper], 1870s–80s, Tintype, Image: 10.4 x 6.2 cm (4 1/8 x 2 7/16 in.), Photographs, Unknown (American

Les Singuliers et Nouveaux Portraicts... page 64 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

The Niagara Falls, ca. 1850, Daguerreotype, Photographs, Platt D. Babbitt (American, active 1840s–70s

Dagger (Bichuwa), 17th century, Thanjavur, Tamil Nādu, Indian, Thanjavur, Steel, gold, L. 8 1/8 in. (20.6 cm), Daggers, This intricately crafted dagger is among the best examples of ornamental steel chiseling from southeastern India, an

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 13 (verso), Publisher, Domenico da Sera, French, active Italy, 16th century, Sera,

Maria Van Rysselberghe Arranging Her Hair before a Mirror, 1890, Graphite with touches of pen and ink on laid paper, sheet: 7 3/16 x 9 11/16 in. (18.2 x 24.6 cm), Drawings, Theo Van Rysselberghe (Belgian, Ghent 1862–1926 Saint Clair

Cup, Late Period–Ptolemaic Period, 500–200 B.C., From Egypt, Faience, H. 9.3 x dia. 13 cm (3 11/16 x 5 1/8 in), Faience cups of this type are frequent in the Late Period. A recent study of faience vessels notes that examples were found in

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 57 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 75 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Design for Cabinet Pianoforte, Arabesque Style, 1835–1900, Ink and watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Drawings and Prints, Books Prints Ornament & Architecture, Pretiosa Gemma delle virtuose donne, page 7 (recto), Author, Publisher, Binder, Isabella Catanea Parasole, Gargano, Hardy-Mennil, Italian, ca. 1565/70–ca. 1625, Venetia,

Buckle, late 6th–early 7th century, Visigothic, Copper alloy, traces of iron, a) L. 5 in. (12. 7 cm); b) L. 3 3/16 in. (8 cm), Miscellaneous-Buckles & Ornament

Pair of Lions with Attendant, 3rd–5th century, Pakistan (ancient region of Gandhara), Schist, H. 20 in. (50.8 cm), Sculpture, Such lions are often seen as components of the bases of late Gandharan images

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Length 9.2 cm. H. 2.4 cm., Terracottas

Bronze mirror, Late Classical, ca. 400–350 B.C., Etruscan, Bronze, length 10 3/16in. (25.9 cm); diameter 6 1/2in. (16.5 cm), Bronzes, Inscribed: Admite (Admetus) and Alcestei (Alcestis), from Euripedes' tragedy Alcestis of 438 B.C. and nude

Adoration of the Magi, 16th century, Pen and brown ink, washed, 10-5/16 x 7 in. (26.2 x 17.8 cm), Drawings, Anonymous, Italian, Genoese, 16th century

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 27r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Mission Ridge from Orchard Knob, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Ragini, possibly Asavari: Folio from a Ragamala Series, ca. 1700–1710, India (Himachal Pradesh, Mankot), Ink and opaque watercolor on paper, Image: 7 in. × 6 5/8 in. (17.8 × 16.8 cm), Paintings, In this pictorial metaphor for a raga (a

Folio from a Mu'nis al-ahrar fi daqa'iq al-ash'ar (The Free Man's Companion to the Subtleties of Poems) of Jajarmi, dated A.H. 741/A.D. 1341, Attributed to Iran, Isfahan, Ink, opaque watercolor, and gold on paper, 6 5/8 x 9 1/8 in. (16.8 x

Opera Nova Universali intitulata Corona di racammi, page 13 (verso), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Terracotta woman, Cypro-Archaic II, ca. 600–480 B.C., Cypriot, Terracotta; mold-made, H. 9 3/16 in. (23.4 cm), Terracottas, The solid figurine is mold-made. The back is flat. She wears a clinging dress that is loose at the bottom, showing

Bedstead, 1830–60, Made in New Lebanon, New York, United States, American, Shaker, Maple, pine, 71 x 30 x 31 in. (180.3 x 76.2 x 78.7 cm), Furniture, The Shakers favored trundle bedsteads with nonpivoting wooden wheels that allowed the

Design for a Haircomb, n.d., Pen and black ink, watercolor and gouache and metallic paint over graphite, 7 11/16 x 4 15/16 in. (19.5 x 12.6 cm), Jacques Caillot (French, 1823–1905

Landscape with Cottages and a Sheepcot, 19th century, Ink and wash on card, sheet: 2 1/2 x 3 7/8 in. (6.4 x 9.8 cm), Drawings, Anonymous, British, 19th century