Images at Librifly

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Franz Xavier Habermann, Martin Engelbrecht, Jeremias Wachsmuth, Carl Pier, German,

Design for the Catafalque of a Prince, ca. 1610–25 , Pen and brown ink, brush and brown wash, over black chalk incised by the engraver, Arched at the top: 17-13/16 x 11-3/4 in. (45.2 x 29.8 cm), Pier Francesco Battistelli (Italian,

Crowned eagle (one of a pair), 1671, Italian, probably Urbania or Rome, Maiolica (tin-glazed earthenware), Overall (confirmed): 13 1/8 × 5 3/4 × 5 5/8 in. (33.3 × 14.6 × 14.3 cm), Ceramics-Pottery, Perhaps Workshop of Ippolito Rombaldoni

Seated Prophet, 1779, Black chalk (stumped), brush and gray wash, highlighted with white, on beige paper, 16-5/8 x 12-5/16 in. (42.2 x 31.2 cm), Drawings, Gaetano Gandolfi (Italian, San Matteo della Decima 1734–1802 Bologna

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 60 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Esemplario di Lauori..., page 8 (verso), August 1, 1532, Woodcut, Overall: 8 7/16 x 6 5/16 in. (21.5 x 16 cm), Originally published by Giovanni Andrea Vavassore, Italian, active 16th century, Venice, designed by Florio Vavassore (Giovanni's

Signal Corps, Rappidan River/Signal Corps Reconnoitering at Fredericksburg, Virginia, 1863, Albumen silver print from glass negative, 13.4 x 20.2 cm (5 1/4 x 7 15/16 in. ), Photographs, Timothy H. O'Sullivan (American, born Ireland,

Wrought Metal Foliate Ornament with Grotesque Masks, 1870–90, Graphite, sheet: 3 15/16 x 9 1/4 in. (10 x 23.5 cm), Anonymous, British, 19th century

New Modelbüch allen Nägerin u. Sydenstickern (Page 21r), 1556

Drawings and Prints, Books Prints Ornament & Architecture, La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 15 (verso), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588

Pot, Six Dynasties (220–589), China, Gray stoneware (Yue ware), H. 3 1/16 in. (7.8 cm); Diam. 3 15/16 in. (10 cm); Diam of rim 1 1/4 in. (3.2 cm), Ceramics

Saint Francis Xavier with an Angel Holding a Crucifix, ca. 1720–25, Italian, Venice, Bronze, Overall (confirmed): H. 25 x W. 14 x D. 6 1/16 in., 29lb. (63.5 x 35.6 x 15.4 cm, 133kg), Sculpture-Bronze, Cofounders of the Society of Jesus,

Design for a Double Cartouche flanked by Satyrs (Frontispiece?), 18th century, Pen and gray wash, 7-3/4 x 5-9/16 in, Anonymous, Italian, Venetian, 18th century

Ruined Castle and Trees, 1735–86, Mottled bluish wash, black ink, Sheet: 10 1/2 x 16 3/4 in. (26.7 x 42.5 cm), Drawings, Alexander Cozens (British, Russia 1717–1786 London

明晚期 雲兔紋錦, Panel with Rabbits amid Clouds, Ming dynasty (1368–1644), late 16th–early 17th century, China, Silk gauze with plain-weave patterning, brocaded with silk and metallic thread, 40 1/2 x 33 1/2 in. (102.9 x 85.1 cm),

George Washington, 1840–83, Made in France, French, Faience, Diam. 8 3/4 in. (22.2 cm), Ceramics, After Gilbert Stuart (American, North Kingston, Rhode Island 1755–1828 Boston, Massachusetts

Candlestick, 1800–1815, Made in Albany, New York, United States, American, Silver, Overall: H. 8 1/8 in. (20.6 cm); 11 oz. 1 dwt. (344.2 g), Silver, Isaac Hutton (American, New York 1766–1855 Albany, New York

Glass Beaker, late 6th–early 7th century, Frankish, Glass, Overall: 4 3/16 x 2 5/16 in. (10.6 x 5.9 cm), Glass-Vessels

Stele with Scenes from the Life of the Buddha, Pagan period, 11th–12th century, Burma, Stone, H. 5 in. (12.7 cm), Sculpture

Apothecary Jar, 1700–1750, Made in Mexico, Mexican, Tin-glazed earthenware, H. 11 1/4 in. (28.6 cm), Ceramics

Ruins in Carey Street, Richmond, 1865, Albumen silver print from glass negative, Image: 18.6 x 23.8 cm (7 5/16 x 9 3/8 in.), Photographs, Thomas C. Roche (American, 1826–1895), Alexander Gardner (American, Glasgow, Scotland 1821–1882

Carved lozenge box, Qing dynasty (1644–1911), 18th century, China, Red lacquer, W. 13 1/8 in. (33.3 cm), Lacquer

Drawings and Prints, Books Prints Ornament & Architecture, Splendore delle virtuose giovani, page 15 (verso), Publisher, Designer, Jeronimo Calepino, Iseppo Foresto, Italian, active Venice, 1557, Venice, Calepino, Foresto, Iseppo,

Bottle, ca. 1760, Probably made in Bristol, Bristol, England, British, Opaque glass with enamel decoration, H. 4 in. (10.2 cm), Glass

Drawings and Prints, Books Prints Ornament & Architecture, Esemplario di lavori, page 12 (recto), Publisher, Nicolò Zoppino, Italian, Ferrara 1478/80–1544 Venice, Zoppino, Nicolò, Italian, 1478, 1544, August 1529

Drapery Study, 1816–59, Graphite, heightened with white. Framing line in graphite., sheet: 16 1/8 x 10 9/16 in. (41 x 26.9 cm), Drawings, Alfred Rethel (German, Diepenbend 1816–1859 Duesseldorf

Monstrance, 18th century, Pen and brown ink, brush with gray and yellow wash on light tan laid paper and on secondary paper support, 17-1/4 x 10-1/16 in. (43.8 x 25.6 cm), Drawings, Anonymous, Italian, first half of the 18th century

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 7/8 × 2 15/16 in. (7.3 × 7.5 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

酒井抱一 画 『鶯邨画譜』, Ōson (Hōitsu) Picture Album (Ōson gafu), Edo period (1615–1868), 1817, Japan, Woodblock printed book; ink and color on paper, Image: 10 7/8 x 7 3/8 x 1/2 in. (27.7 x 18.8 x 1.2 cm), Illustrated Books,

Interior of Strasbourg Cathedral, ca. 1625–30, Gouache and shell gold on vellum, 5 1/4 x 4 1/8 in. (13.3 x 10.5 cm), Drawings, Attributed to Jacob van der Heyden (Flemish, Strasbourg 1573–1645 Brussels

Esemplario di Lauori..., page 9 (verso), August 1, 1532, Woodcut, Overall: 8 7/16 x 6 5/16 in. (21.5 x 16 cm), Originally published by Giovanni Andrea Vavassore, Italian, active 16th century, Venice, designed by Florio Vavassore (Giovanni's

Little Maritime Village, Pen and black ink, 1 7/8 x 2 15/16 in. (4.7 x 7.5 cm), Drawings, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

Spes (copy), late 17th century, Engraving, sheet: 9 1/8 x 6 7/16 in. (23.2 x 16.3 cm), Prints, Anonymous, Dutch, 17th century, After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

[Self-Portrait at Glacier Bay, Alaska], 1889–91, Albumen silver print from glass negative, Image: 8 1/8 × 5 1/16 in. (20.7 × 12.8 cm), Photographs, Frank Jay Haynes (American, 1853–1921

Metal Cover (to a Downspout?), Hopital St. Louis, ca. 1880, Graphite, sheet: 3 9/16 x 1 7/8 in. (9.1 x 4.7 cm), Richardson Ellson & Co. (British

The King Drinks, 17th century, Graphite, sheet: 9 7/16 x 14 15/16 in. (24 x 38 cm), Drawings, David Teniers the Younger (Flemish, Antwerp 1610–1690 Brussels

Triumfa España en las Americas (The Triumph of Spain in the Americas), 18th century, Spanish, Cotton, block printed, H. 16 x W. 30 inches, Textiles-Printed, In this Spanish printed cotton, 'America' is a Native American female supported on a

Basalt statue of Aphrodite, Imperial, late 1st–early 2nd century A.D., Roman, Basalt, 16 5/8in. (42.2cm), Stone Sculpture, Adaptation of a Greek statue of the 3rd century B.C. known as the Medici Aphrodite. The Romans used colored stones for

'Jonah and the Whale', Folio from a Jami al-Tavarikh (Compendium of Chronicles), ca. 1400, Attributed to Iran, Ink, opaque watercolor, gold, and silver on paper, H. 13 1/4 in. (33.7 cm), Codices, The story of Jonah and the Whale, mentioned

Beads and Amulets, 4th century, Made in Kharga Oasis, Byzantine Egypt, Coptic, Glass, faience, stone, bone, metal, and rock crystal, Storage (petri dish diam.): 5 9/16 in. (14.2 cm), Miscellaneous

Ewer with Lamp-Shaped Spout, 12th century, Attributed to Iran, Brass; cast, engraved, inlaid with silver, copper and black compound, H. 6 in. (15.24 cm), Metal

Ten Oxherding Songs, 烏丸光広筆　十牛図歌賛図巻, Edo period (1615–1868), ca. 1634, Japan, Handscroll; ink on dyed paper with stenciled decoration in gold and silver, 11 3/4 x 107 in. (29.9 x 271.8 cm), Paintings, Karasumaru

Blanket Chest, 1835–75, American, Shaker, Pine, 29 1/8 x 38 3/4 x 19 in. (74 x 98.4 x 48.3 cm), Furniture, This 'heavenly blue' Shaker blanket chest has one deep drawer. The blanket chest was a familiar furniture form in colonial New England

Design for a Doorway, 1700–1780, Pen and brown ink, brush and gray wash, over lead point or graphite. Framing outlines in pen and brown ink, Sheet: 6 3/4 x 3 11/16 in. (17.1 x 9.3 cm), Drawings, Anonymous, Italian, Piedmontese, 18th

Ewer, 1800–1810, Made in China, Chinese, Porcelain, H. 10 1/2 in. (26.7 cm), Ceramics

Valentia, Ireland, from the Harbor, Opposite Knight's-town, at the Period of Laying the Cable of 1857, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 9 7/16 × 14 3/4 in. (23.9 × 37.4 cm), Drawings, Robert Charles

Ewer, 1800–1900, Pen and wash, 14 x 7-3/4 in, Drawings, Anonymous, Italian, 19th century

Hobnail Finger Bowl, after 1886, Made in Wheeling, West Virginia, United States, American, Pressed cranberry and opalescent glass, H. 2 3/4 in. (7 cm); Diam. 5 in. (12.7 cm), Glass, Probably Hobbs, Brockunier and Company (1863–1891

The procession and Ceremonies...Installation of the Knights Companions of ...Order of the Bath . with Arms, Names, Titles..., 1730, Illustrations: etching and engraving, 19 11/16 x 14 9/16 x 1 in. (50 x 37 x 2.5 cm), Books

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), Court, Radim, 1920, Limestone, paint, H 7.1 cm ( 2 13/16 in.); W

Writing Box (Suzuribako) with Books, Edo period (1615–1868), 18th century, Japan, Gold, silver togidashimaki-e, hiramaki-e, takamaki-e, cut-out gold foil application, H. 2 in. (5.1 cm); W. 9 in. (22.9 cm); D. 8 1/2 in. (21.6 cm), Lacquer,

Design for a Ceiling Decoration, 1800–1900, Watercolor, 8-1/2 x 9 in, Drawings, Anonymous, Italian, 19th century

Rocky Landscape, mid-17th century, Pen and brown ink, gray wash, over traces of black chalk, heightened with white. Framing line in pen and brown ink., 10 5/16 x 7 15/16 in. (26.2 x 20.1 cm), Drawings, Attributed to Jan Both (Dutch, Utrecht

Design for a Painted Ceiling: Perspective Architectural with a Figure at the Center, 1700–1780, Pen and brown ink and red chalk (recto). Pricked for transfer in right part of sheet and at all corners. Pen and brown ink sketches (verso), sheet: 8

Landscape of the Four Seasons, Momoyama period (1573–1615), late 16th–early 17th century, Japan, Pair of six-panel folding screens; ink, color, and gold dust on paper, Image (each): 61 15/16 in. × 11 ft. 8 1/4 in. (157.3 × 356.2 cm),

Scroll 9 of Collected Iconography (Zuzōshō): Ten (Devas), 天部諸尊図像抄, Kamakura period (1185–1333), 13th century, Japan, Handscroll; ink and color on paper, 12 in. x 53 ft. 3 1/8 in. (30.5 x 1623.3 cm), Paintings, Sketchlike

Hercules and Achelous, probably mid-17th century, probably Austrian, Ivory, Overall (confirmed): H. 11 x W. 6 1/4 x D. 4 3/8 in. (27.9 x 15.9 x 11.1 cm), Sculpture-Miniature, Attributed to the Master of the Martyrdom of St. Sebastian

Eyn new kunstlichboich, page 22v, 1529

A Woman Murdering a Sleeping Man, from Images of Spain Album (F), 87, 1812–20, Brush and brown wash on laid paper, Sheet: 8-1/16 x 5-5/8 in. (20.5 x 14.3cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828

Boulder in the form of a mountain, Qing dynasty (1644–1911), 18th–19th century, China, Soapstone, H. 4 1/2 in. (11.4 cm); H. incl. base 5 1/2 in. (14 cm), Sculpture

Pontoon Bridge, 1861–65, Albumen silver print from glass negative, Photographs, Egbert Guy Fowx (American, born 1821

Boy with leaves and box, Qing dynasty (1644–1911), 19th century, China, Horn, H. inc. base 3 1/2 in. (8.9 cm); W. 2 1/2 in. (6.4 cm); D. 1 1/2 in. (3.8 cm), Horn, Two boys holding a lotus or leaf and a box are popular New Year’s images

Case (Inrō) with Design of Poppies, Edo period (1615–1868), Japan, Case: powdered gold (maki-e) and gold and colored lacquer on black lacquer with pewter and ceramic inlays; floral decoration on risers in incised gold; Fastener (ojime): stained

Snuff Bottle, Qing dynasty (1644–1911), late 18th–early 19th century, China, Rock crystal with jadeite stopper, H. 2 5/8 in. (6.7 cm), Snuff Bottles

Canopic jar of Tetinakht: Duamutef, New Kingdom, Dynasty 18, early, ca. 1550–1525 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Birabi, Tomb CC 9, Carnarvon/Carter excavations, 1907–11, Pottery, Marl A4, H. 31.5 cm (12 3/8 in);

Drawings and Prints, Books Prints Ornament & Architecture, Esemplario di lavori, page 7 (recto), Publisher, Nicolò Zoppino, Italian, Ferrara 1478/80–1544 Venice, Zoppino, Nicolò, Italian, 1478, 1544, August 1529

Scroll flask, 1840–50, Made in Pittsburgh, Pennsylvania, United States, American, Free-blown molded blue glass, H. 6 7/8 in. (17.5 cm), Glass

Laurel Wreath Drawer Pull, ca. 1810–30, Possibly made in France; Possibly made in England, Cast brass, mercury, gold, Diam. 2 3/4 in. (7 cm), Metal

Ritual Staff (Khatvanga), Ming dynasty (1368–1644), Yongle period (1403–24), 1403–1424, China, Iron inlaid with gold and silver, L. 11 1/8 in. (28.3 cm), Metalwork, Linear scrolls decorate the handle of this ritual staff (khatvanga),

Fragment of a Bowl, 9th–10th century, Excavated in Iran, Nishapur, Earthenware; polychrome decoration under transparent glaze (buff ware), Diam. 3 3/8 in. (8.5 cm), Ceramics

William Langenheim, ca. 1853–55, Daguerreotype, Image: 7.1 x 5.9 cm (2 13/16 x 2 5/16 in.), Photographs, William Langenheim (American, born Germany, Schöningen 1807–1874

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 10r), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Marie Stuart, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Drawings and Prints, Book Ornament & Architecture, Livre de Moresques, page 14 (recto), Publisher, Artist, Published by, Previously published by, Hiérosme de Gormont, Cornelis Bos, Francesco di Pellegrino, Netherlandish, Hertogenbosch

Gold necklace, Hellenistic, 4th–early 3rd century B.C., Greek, Gold, 11 5/8 in. (29.5 cm), Gold and Silver, Necklace with pendants and rosettes

'The Reader and the Book': Fables, ca. 1914, Pen and brush and black ink, sheet: 10 1/2 x 8 7/8 in. (26.7 x 22.5 cm), Drawings, E. R. Herman (British, active 1914

St. Michael, late 15th century, Spanish, Alabaster, 31 7/8 x 12 1/2 x 9 1/2 in., 130lb. (81 x 31.8 x 24.1 cm, 59kg), Sculpture-Stone

Opera Nova Universali intitulata Corona di racammi, page 31 (verso), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Les Singuliers et Nouveaux Portraicts... page 31 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Corona delle Nobile et Virtuose Donne, Libro Terzo, page 15 (recto), 1620, Woodcut, Overall: 5 1/2 x 7 11/16 in. (14 x 19.5 cm), Designed by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice, published by Alessandro de'

Bowl, Early Dynastic IIIa, ca. 2600–2500 B.C., Mesopotamia, Nippur, Sumerian, Calcite, H. 10.5 cm (4 1/8 in.), Stone-Vessels

Landscape with old trees and figures, 17th century, Pen and brown and black ink, brown wash, sheet: 8 1/16 x 12 3/8 in. (20.4 x 31.5 cm), Drawings, Gillis Neyts (Flemish, Overijse 1623–1687 Antwerp

Saint Jerome in the Wilderness, 1627–1703, Brush and brown wash, highlighted with white, over traces of charcoal, on brown paper, 15-11/16 x 10-9/16 in. (39.8 x 26.8 cm), Drawings, Domenico Piola (Italian, Genoa 1627–1703 Genoa

Carpet, early 17th century, Made in Iran, probably Kirman, Cotton (warp and weft), wool (weft and pile); asymmetrically knotted pile, Rug: L. 241 in. (612.1 cm), Textiles-Rugs, From the sixteenth century on, court and travelers’ accounts

Relief block with the names of Amenemhat I and Senwosret I, Middle Kingdom, Dynasty 12, ca. 1962–1952 B.C., From Egypt, Memphite Region, Lisht North, Pyramid Temple of Amenemhat I, 1908–09, Limestone, H. 37.5 cm (14 3/4 in.); W. 88 cm

Marble portrait bust of a man, Late Trajanic or Early Hadrianic, ca. A.D. 110–138, Roman, Marble, H. 22 in. (55.9 cm), Stone Sculpture, Bearded man looking to his left; a sword belt and military cloak worn over a bare chest.. Hadrian, the

Plate, ca. 1832, Made in New England, United States, American, Lacy pressed glass, Glass

Drawings and Prints, Books Prints Ornament & Architecture, Teatro delle Nobili et Virtuose Donne..., page 12 (recto), Author, Publisher, Isabella Catanea Parasole, Mauritio Bona, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 63r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Model of a temple door bolt with recumbent lion, Late Period–Ptolemaic Period, 400–30 B.C., From Egypt, Limestone, L. 16.4 cm (6 7/16 in.); W. 5.3 cm (2 1/16 in.); H. 7 cm (2 3/4 in.), Small Late Period and Ptolemaic reliefs or sculptures

[Seated Man Demonstrating Vertical Sliding Window Model], late 1850s–60s, Tintype, Image: 4.8 x 3.6 cm (1 7/8 x 1 7/16 in.), Photographs, Unknown (American

Spider Vessel, 16th–17th century, United States, Arroyo Sequit Canyon, Malibu region, California, Chumash, Steatite, red cinnabar, shell, H. 1 3/8 x W. 2 3/4 x D. 2 3/4 in. (3.5 x 7 x 7 cm), Stone-Containers

Drawings and Prints, Book Ornament & Architecture, Livre de Moresques, page 15 (recto), Publisher, Artist, Published by, Previously published by, Hiérosme de Gormont, Cornelis Bos, Francesco di Pellegrino, Netherlandish, Hertogenbosch

Design for a Wall Decoration, ca. 1800, Watercolor, sheet: 9 1/8 x 12 1/2 in. (23.2 x 31.8 cm), Anonymous, British, 19th century

Design for Cabinet Pianoforte, François Premier Style, 1835–1900, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Portrait of a Boy, 1720–75, Red chalk, sheet: 13 3/4 x 10 15/16 in. (35 x 27.8 cm), Drawings, Georg Friedrich Schmidt (German, Schonerlinde 1712–1775 Berlin

Ein new getruckt model Büchli...Page 25, verso, 1529

Roundel with Netting Quail, 16th century, German, Colorless glass, vitreous paint, silver stain and cold enamel, Overall: 9 1/2 in. (24.1 cm), Glass-Stained, After a design by Augustin Hirschvogel (German, Nuremberg 1503–1553 Vienna),

Chalcedony intaglio: Lion-headed serpent, Imperial, ca. 2nd–3rd century A.D., Roman, Chalcedony, Other: 5/8 x 1/2 x 1/4 in. (1.7 x 1.3 x 0.6 cm), Gems

[The Photographer before his Tent on the Site of the Pyramid of Khafre (Chephren)], 1851, Salted paper print from paper negative, Mount: 10 3/8 in. × 13 9/16 in. (26.4 × 34.5 cm), Photographs, George Wilson Bridges (British, 1788–1864