Images at Librifly

Drawings and Prints, Books Prints Ornament & Architecture, Prima Parte de' Fiori, e Disegni di varie sorti di Ricami Moderni, page 11 (recto), Author, Publisher, Giovanni Battista Ciotti, Francesco de' Franceschi, Italian, born Siena, ca.

Baroness Haltvayne, 1900s, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Pin, 7th century (?), Made in Northern France, Frankish, Copper alloy with a later gold patina, Overall: 6 1/4 x 3/16 x 3/16 in. (15.9 x 0.5 x 0.5 cm), Metalwork-Copper, Pins were used to secure a veil or to hold a hairstyle in place. Most

Brigands: Design for an Engraving, 18th century, Black chalk, 11 1/4 x 8 3/4in. (28.6 x 22.2cm), Drawings, Anonymous, Italian, first half of the 18th century

Limestone statuette of a coursing hound seizing a hare, Classical, ca. 5th or 4th century B.C.?, Cypriot, Limestone, Overall: 2 1/4 x 6 1/2 x 1 1/8 in. (5.7 x 16.5 x 2.9 cm), Stone Sculpture, A lean hound, wearing a collar, seizes a hare by

Furniture Hardware, 1820–30, Possibly made in France; Possibly made in England, Gilt brass, 2 x 1 7/8 in. (5.1 x 4.8 cm), Metal

Design for a Frontispiece with Figures of Faith and Hope, 1704–59, Red chalk, sheet: 4 15/16 x 6 3/8 in. (12.5 x 16.2 cm; upper corners cut), Drawings, Martin Tyroff (German, Augsburg 1704–ca. 1759

Terracotta female figure, Cypro-Geometric II–III, ca. 950–750 B.C., Cypriot, Terracotta; wheel-made, Overall: 8 1/2 x 4 3/4 x 2 3/4in. (21.6 x 12.1 x 7cm), Terracottas, Whether or not they depict a divinity, figurines of the 'goddess with

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H 20.3 cm (8 in.); W 18.5 cm ( 7 5/16 in.);

Farming scene, 1780–1827, Watercolor, graphite, pen and ink, sheet: 6 x 10 3/16 in. (15.2 x 25.9 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Lepla. Henri, Florimond. 25 ans, né à Gand (Belgique). Anarchiste. 1/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into

[Presidential Campaign Medal with portraits of Abraham Lincoln and Hannibal Hamlin], 1860, Tintype, Image: 1.4 cm (9/16 in.), diameter, Photographs, After Mathew B. Brady (American, born Ireland, 1823?–1896 New York), The Lincoln tintype

Lamp, Late Imperial, 3rd century A.D., Roman, Cypriot, Terracotta, Overall: 1 1/8 x 3 in. (2.9 x 7.6 cm), Terracottas

Jérusalem. Tombeaux de St Jacques et de Zacharie, 1860 or later, Albumen silver print from paper negative, Image: 8 11/16 × 11 1/4 in. (22 × 28.5 cm), Photographs, Louis de Clercq (French, 1837–1901

Seated Gentleman Holding a Pipe (recto); Half-Length Study of the Same Man (verso), 1734–95, Black chalk, highlighted with white chalk, on blue paper (recto); black chalk highlighted with white (verso), 11-13/16 x 9-1/2 in. (30.0 x 24.1 cm),

Jug, ca. 1800, Made in Mexico, Mexican, Tin-glazed earthenware, H. 7 1/4 in. (18.4 cm), Ceramics

Plate three from Nouveavx Desseins D'Arquebvseries, ca. 1705–30, Paris, French, Paris, Engraving, 10 1/2 x 7 1/2 in. (26.7 x 19.1 cm), Works on Paper, This print is a prime example of French designs for the decoration of firearms in the

Two Design Drawings for a Writing Desk, 18th century, Pen and gray ink over black chalk on cream laid paper, 9-9/16 x 7-1/4 in. (24.3 x 18.4 cm), Drawings, Anonymous, Italian, first half of the 18th century

Tennessee River at Chattanooga (81 Lookout Mountain Spur), ca. 1864, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Overmantel Picture with Diana, 19th century, Ink and watercolor, Anonymous, British, 19th century

Old Man Facing Left, Wearing Glasses and Threading a Needle, mid-17th century, Pen and brown ink, traces of black chalk, 3 11/16 x 3 9/16 in. (9.3 x 9.1 cm), Drawings, Anton Crussens (Flemish, active Brussels, mid-17th century

[Double Plate: Two Men with Sideburns], 1850s, Daguerreotype, Image: 6.5 x 5.3 cm (2 9/16 x 2 1/16 in.), each, Photographs, Possibly by John Adams Whipple (American, 1822–1891

[Six Workmen Holding Various Trade Tools: Paint Brushes, Bucket, Glass Bottle, and Hatchet], 1860s–70s, Tintype, Image: 8.5 x 6.4 cm (3 3/8 x 2 1/2 in.), Photographs, Unknown (American

Adoration of the Shepherds, 1540–60, Pen, black ink, gray wash, heightened with white gouache on dark rose-washed paper. Pasted down., sheet: 5 5/16 x 7 13/16in. (13.5 x 19.8cm), Drawings, Master of Liechtenstein (probably Netherlandish,

Landscape with mountains and a lake, figures in the foreground, 1687, Black chalk, sheet: 6 1/8 x 9 7/8 in. (15.6 x 25.1 cm), Drawings, Jan van der Meer the Younger (Dutch, Haarlem 1656–1705 Haarlem

Bronze bow-type fibula (safety pin), Archaic, early 7th century, Etruscan, Bronze, Other: 4 3/8 in. (11.1 cm), Bronzes, The bow is hollow. On its upper surface is a punched circle. The head is formed by a spiral of two turns

Processional Cross, ca. 1450, Made in Aragon, Spain, Spanish, Silver-gilt, with traces of enamel on walnut core, Overall: 36 11/16 x 16 x 4 1/8 in. (93.2 x 40.6 x 10.5 cm), Metalwork-Silver, Intended for processional use rather than for

Design for a Painted Ceiling, 1825–75, Watercolor, 6-3/8 x 9-3/8 in, Drawings, Anonymous, Italian, 19th century

Marble statue of a seated lion, Archaic, ca. 500 B.C., East Greek or Lydian, Marble, H. 16 1/4 in. (41.3 cm), Stone Sculpture, Excavated at Sardis. This seated lion was found along with statues of another lion and an eagle in the precinct of

Entombment, 1527-1530, Etching, Prints, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), In Mariette Album, folio 6

Edfou, Aspect Générale de la Ville Vue de la Plateforme Centrale du Pylône, 1851–52, printed 1853–54, Salted paper print from paper negative, 30.5 x 25.0 cm. (12 x 9 13/16 in.), Photographs, Félix Teynard (French, 1817–1892

Cup Plate, 1825–60, Possibly made in Midwest, United States, American, Lacy pressed glass, Glass

The Muses on Parnassus, 17th century, Black chalk with touches of white heightening, sheet: 9 1/16 x 12 3/16 in. (23 x 31 cm), Drawings, Pieter Fransz. de Grebber (Dutch, Haarlem ca. 1600–1652/54 Haarlem

Drawings and Prints, Album Prints Ornament & Architecture, Desseins Arabesques a Plusieurs Usages Inventés par J.B. Toro, Designer, Etcher, Publisher, Jean Bernard Toro, Charles Nicolas Cochin I, Jacques-Nicolas Le Pas Dubuisson, French,

Sketch of a stone drill and saw, late 19th–mid-20th century, Pen and ink, sheet: 7 3/4 x 12 3/4 in. (19.7 x 32.4 cm), Sir George Wright (British, Leeds 1860–1942

Snuff Bottle with Dragon Chasing a Flaming Pearl, Qing dynasty (1644–1911), late 18th–early 19th century, China, Porcelain in imitation of glass with coral stopper, H. 2 3/8 in. (6 cm), Snuff Bottles

Terracotta volute lamp: on discus, Pegasus, Imperial, 1st century A.D., Roman, Terracotta; mold-made, L. 4 9/16 in. (11.6 cm.), Terracottas, Pegasos on top; with handle, concave top and scrolled nozzle

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 5 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

Project for a work table, graphite with brown ink, 6-5/8 x 8-1/4 in. (16.8 x 21.0 cm), Drawings, Félicien Rops (Belgian, Namur 1833–1898 Essonnes

Designs for Two Chairs, 1841–84, Watercolor over graphite, sheet: 7 15/16 x 10 11/16 in. (20.1 x 27.1 cm), Charles Hindley and Sons (British, London 1841–1917 London

Dance in a Madhouse, 1917, Lithograph, Image: 18 1/2 x 24 1/4 in. (47 x 61.6 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York

Glass goblet, Late Imperial, 4th century A.D. or later, Roman, Glass; blown, H.: 3 3/8 in. (8.5 cm), Glass, Translucent pale green., Rounded, uneven vertical rim, slightly everted and thickened; side of body straight but tapering downwards,

Frame, 1830–70, Made in Jersey City, New Jersey, United States, American, Mottled brown earthenware, H. 7 3/4 x 6 7/8 in. (19.7 x 17.5 cm), Ceramics

Book-Cover Plaque with Christ in Majesty, ca. 1210–20, Made in Limoges, France, French, Copper: engraved, chased, scraped, stippled, and gilt; champlevé enamel: dark and light blue, turquoise, green, yellow, red, and white, Overall

Opera Nova Universali intitulata Corona di racammi, page 21 (verso), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Traveling set in leather case, ca. 1745–50, German, Augsburg, Gilded silver, steel, Meissen porcelain, tooled leather, velvet, Length (Fork [a]): 8 13/16 in. (22.4 cm), Metalwork-Silver, Johann Ludwig Laminit (German, 1696–1752),

Copies after the 'Livre contenant passement de moresques', 19th century (?), Etching (?), Sheet: 4 13/16 × 3 9/16 in. (12.2 × 9 cm), After Jacques Androuet Du Cerceau (French, Paris 1510/12–1585 Annecy), Modern album containing 19 etchings

Drawings and Prints, Album Prints Ornament & Architecture, Nouveau Livre de Vases, Designer, Etcher, Jean Bernard Toro, Charles Nicolas Cochin I, French, Dijon 1672–1731 Toulon, French, Paris 1688–1754 Paris, Toro, Jean Bernard,

Brush and cover, Ming dynasty (1368–1644), Wanli period (1573–1620), 1573–1620, China, Carved cinnabar lacquer painted in black and gold, L.11 in. (27.9 cm), Lacquer

Terracotta brazier fragment, Archaic, ca. 540–530 B.C., Etruscan, Terracotta; Caeretan Red Ware, Overall: 2 11/16 x 6 1/2in. (6.8 x 16.5cm), Vases, Rim fragment with a pair of lions attacking a bull and a horned deer

Dining Room, Villa Barbaja, Naples, 1800–1870, Watercolor, sheet: 7 5/8 x 10 1/8 in. (19.4 x 25.7 cm), Drawings, Attributed to Anonymous, British, 19th century

Design for the Headpiece of the 'Gazette de France', 18th century, Black chalk, incised, 7 7/8 x 5 1/16 in. (20 x 12.9 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

The Soldier Carrying His Pike at the Slope, late 16th–early 17th century, Pen and brown ink, gray wash; incised for transfer, 10 5/8 x 7 7/16 in. (27 x 18.9 cm), Drawings, Jacques de Gheyn II (Netherlandish, Antwerp 1565–1629 The Hague

Tumbler, 1830–70, Made in United States, American, Pressed glass, H. 4 3/16 in. (10.6 cm); Diam. 2 5/8 in. (6.7 cm), Glass, With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late

Designs for borders and corners, acanthus, 1830–1904, Ink, graphite, Robert William Hume (British, London 1816–1904 Long Island City

Round Tray, Edo period (1615–1868), 1615–1868, Japan, Red and black lacquer; Negoro ware, Diam. 12 7/8 in. (32.7 cm), Lacquer, The underside and curved rim of this tray, with a low wide ring foot, are lacquered to a glossy black that

The Holy Family, Engraving, Prints, Georges Reverdy (French, active Lyon, 1529–57), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), In Mariette Album, folio 10, mid right

Gothic Window Traceries, Tewkesbury; Tomb (verso), 19th century, Graphite, ink and wash, sheet: 5 x 7 7/8 in. (12.7 x 20 cm), Anonymous, British, 19th century

The Assumption of the Virgin, n.d., Black chalk, brown wash, heightened with white on blue paper, 14 1/16 x 8 in. (35.7 x 20.3 cm), Drawings, Jean-Baptiste Jouvenet (French, Rouen 1644–1717 Paris

Candlestick, 1755–60, Made in New York, New York, United States, American, Silver, Overall: 10 3/16 x 5 1/2 in. (25.9 x 14 cm); 20 oz. 14 dwt. (643.2 g), Silver, Myer Myers (1723–1795

Miniature coffin of Saiah, Middle Kingdom, Dynasty 11, ca. 2051–1981 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Temple of Mentuhotep II, South Triangular Court, Pit 13, 1920–22, Wood, L: 26.7 cm (10 1/2 in.), W: 6 cm (2

Cup with Floral Decoration, second half 12th–13th century, Attributed to Iran, probably Rayy, Stonepaste; underglaze slip-painted, H. 5 1/2 in. (14 cm), Ceramics

Farm Buildings with Water Mill, n.d., Black chalk, 7 1/4 x 12 in. (18.4 x 30.5 cm), Drawings, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris

Danae and Perseus Exposed, 18th–19th century, Pen and brown ink, brush and grey wash, Sheet: 3 3/8 × 4 5/8 in. (8.6 × 11.7 cm), Drawings, Edward Francis Burney (British, Worcester 1760–1848 London

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 40 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Russian Bassoon, ca. 1830, Paris, France, French, Brass and wood, Length +/- 106 cm (41-3/4 in.), Diam. of bell 19.5 cm (7-11/16 in.), Aerophone-Lip Vibrated-horn, Martin (Jean François frères or fils?) Paris or La Couture

Essempio di recammi, page 7 (recto), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

U.S. Gunboat 'Saginaw' and Monitor 'Onondaga', 1861–65, Albumen silver print from glass negative, Photographs

Acanthus Scroll, 17th century, Brush and brown wash, over graphite underdrawing, image: 12 1/8 x 8 1/8 in. (30.8 x 20.6 cm), Anonymous, Italian, 17th century

Belt Plate, 7th century, Made in Burgundy, Frankish or Burgundian, Iron with silver overlay/ inlay; iron rivets with silver inlay in head, Overall: 2 3/4 x 2 5/8 x 9/16 in. (7 x 6.6 x 1.4 cm), Metalwork-Iron

Karnak (Thèbes), Premier Pylône - Ruines de la Porte et des Colosses, Vues du Point E, 1851–52, printed 1853–54, Salted paper print from paper negative, 24.3 x 30.5 cm. (9 9/16 x 12 in.), Photographs, Félix Teynard (French,

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 68 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

The Banishment of Hagar and Ishmael, from The Story of Abraham, 1584–85, Engraving; first state of two, Sheet: 8 x 10 3/16 in. (20.3 x 25.9 cm), Prints, Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618 Antwerp), After Maerten de Vos

[Sculptures of Hector, a Dancing Girl, Corinna, and Dorothea], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3 1/8 x 3 3/16 in.), each, Photographs, Attributed to Philip Henry Delamotte (British, 1821–1889

Gold Belt Mount with Loop, 700s, Avar, Gold, cast., 2 1/8 × 1 9/16 × 1/4 in., 1 Troy Ounces (5.4 × 3.9 × 0.6 cm, 55g), Metalwork-Gold, The treasure contains an array of belt fittings, some elaborately decorated, some unfinished or

Dado Panel, 10th century, Excavated in Iran, Nishapur, Stucco; carved, H. 37 1/2 in. (95.3 cm), Stucco, This carved plaster panel comes from an elaborately decorated house excavated at Nishapur, which had panels decorating the lower part of

Drawings and Prints, Album Prints Ornament & Architecture, Desseins Arabesques a Plusieurs Usages Inventés par J.B. Toro, Designer, Etcher, Publisher, Jean Bernard Toro, Charles Nicolas Cochin I, Jacques-Nicolas Le Pas Dubuisson, French,

Napoli Tarantella, ca. 1870, Albumen silver print, Image: 19.7 × 25 cm (7 3/4 × 9 13/16 in.), Photographs, Giorgio Sommer (Italian, born Germany, 1834–1914), Unknown (Italian

Meeting of Four Figures, 17th century, Pen and brown ink, sheet: 6 7/8 x 8 1/16 in. (17.5 x 20.4 cm), Drawings, Anonymous, Italian, 17th century

Terracotta lamp, 2nd century A.D. or later, Roman, Terracotta; mold-made, 1 1/8 x 3 5/8 in. (2.9 x 9.2 cm), Terracottas, On shoulder, six dolphins; on base, maker’s mark in Greek: EPHESOI

New Modelbüch (Page 19r), 1615

Covered Sauceboat, ca. 1860–66, Made in China, Chinese, for American market, Porcelain, H. 6 3/16 in. (15.7 cm), Ceramics

Cup Plate, 1829–40, Made in Sandwich, Massachusetts, United States, American, Lacy pressed glass, Glass, Boston & Sandwich Glass Company (American, 1825–1888, Sandwich, Massachusetts

Marble portrait of the emperor Antoninus Pius, Antonine, ca. A.D. 138–161, Roman, Marble, H. 15 13/16 in. (40.2 cm), Stone Sculpture, Antoninus Pius was adopted by Hadrian as his successor when he was already fifty-one years old. His

Figure 24: Extreme pain to the point of exhaustion, the head of Christ and memory of love or ecstatic gaze., 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.3 × 20.3 cm (11 1/8 × 8 in.), Photographs,

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 15/16 × 3 1/8 in. (7.5 × 7.9 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 27v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Female relief head with fillet, Ptolemaic Period, 332–30 B.C., From Egypt, Alabaster (gypsum), h. 4 cm (1 9/16 in.) × w. 4.4 cm (1 3/4 in.), This small gypsum relief depicts a with Hellenistic-style features and corkscrew locks. Over her

Studies for Two Large Fountains, 18th–19th century, Pen and brown ink, over graphite underdrawing and ruled construction; each drawing has framing outline in pen and brown ink, sheet: 15 15/16 x 9 5/8 in. (40.5 x 24.5 cm), Drawings,

Hinged Cuff Bracelet, New Kingdom, Dynasty 18, ca. 1479–1425 B.C., From Egypt, Upper Egypt, Thebes, Wadi Gabbanat el-Qurud, Wadi D, Tomb of the 3 Foreign Wives of Thutmose III, Gold, carnelian, turquoise glass, H. 7 cm (2 3/4 in);

Drawings and Prints, Print, The Knight and His Companion (Punch, March 5, 1887), Artist, Sir John Tenniel, British, London 1820–1914 London, Tenniel, John Sir, British, 1820, 1914, 1887

Classical Battle Scene; Verso: Peter and John Heal a Cripple at the Gate of the Temple, ca. 1590, Pen and brown ink, brown wash, heightened with white, over red chalk on blue paper. Partially visible framing lines in pen and brown ink on left

Elijah Fed by Ravens, late 16th–early 17th century, Pen and brown ink, brush and brown wash, heightened with white, 6 9/16 x 8 1/8 in. (16.6 x 20.6 cm), Drawings

Design for Old Testament Window, ca. 1870, Black pen and ink, colored washes, and watercolor, sheet: 16 7/16 x 12 3/4 in. (41.8 x 32.4 cm), Attributed to Dante Gabriel Rossetti (British, London 1828–1882 Birchington-on-Sea

Roman View, early 17th century, Watercolor over red chalk. Framing line in pen and black ink., Overall: 5 7/8 x 4 3/16 in. (15 x 10.6 cm), Drawings, Bartholomeus Breenbergh (Dutch, Deventer 1598–1657 Amsterdam

Design for Square Pianoforte, Grecian Style, 1835–1900, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Terracotta statuette of a standing girl, Hellenistic, early 3rd century B.C., Greek, probably Boeotian, Terracotta, H. 5 1/4 in. (13.3 cm), Terracottas, This little figure stands in a pose similar to that of the nearby Attic figure; but the

Studies for Decorative Arts Objects, 17th century, Pen and brown ink and grey watercolor, 6 11/16 x 14 in. (17 x 35.6 cm), Anonymous, German, 17th century

Maison de Nazaret, 1851–1904, Ink and wash, sheet: 7 3/8 x 4 3/8 in. (18.7 x 11.1 cm), Drawings, Daniel Vierge (Urrabieta y Vierge) (Spanish, Madrid 1851–1904 Boulogne-sur-Seine

Design for a Mausoleum, 1740–1800, Pen and brown ink, brush and gray wash, graphite, sheet: 9 1/8 x 12 in. (23.2 x 30.5 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London