Images at Librifly

Tomb Guardian Beast (Zhenmushou), Tang dynasty (618–907), late 7th century, China, Earthenware with, pigment and three-color (sancai) glaze, H. 30 3/4 in. (78.1 cm), Tomb Pottery

Karnak (Thèbes), Avenue de Sphinx - Vue Générale Prise du Point G, 1851–52, printed 1853–54, Salted paper print from paper negative, 24.1 x 30.5 cm. (9 1/2 x 12 in.), Photographs, Félix Teynard (French, 1817–1892

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Black chalk with graphite, 2 13/16 x 3 15/16 in. (7.2 x 10 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Marble head of a philosopher, Imperial, 1st or 2nd century A.D., Roman, Marble, Pentelic, H. 12 13/16 in. (32.5 cm), Stone Sculpture, Copy of a Greek statue of the last quarter of the 3rd century B.C.. In spite of its battered condition, the

Portrait of a Woman, ca. 1510–15, Oil on linden, 15 1/8 x 10 1/2 in. (38.4 x 26.7 cm), Paintings, Bernhard Strigel (German, Memmingen 1460–1528 Memmingen), Bernhard Strigel belonged to a family of artists that flourished after the middle

Drawings and Prints, Books Prints Ornament & Architecture, Gemma pretiosa della virtuose donne, page 12 (recto), Designer, Publisher, Isabella Catanea Parasole, Gugliemo Facciotti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 23), Publisher, Artist, After, Carlo Losi, Jacob

Eyn new kunstlichboich, 1529, Woodcut, Overall: 7 7/8 x 5 1/2 in. (20 x 14 cm), Published by Peter Guentel, Cologne, woodcut border designed by Anton Woensam von Worms, German, active first half 16th century, died 1538. Italian translation

Tabula (Square) with Vine Scrolls Containing Aquatic Birds, 5th–7th century, Attributed to Egypt, Wool, linen; plain weave, tapestry weave, 4 3/4 in. high 4 3/4 in. wide (12 cm high 12 cm wide), Textiles, Tunics and domestic furnishings

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 21 (recto), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Hexagonal dish, 1696, Hungarian, Transylvania, Silver, partly gilded, Diameter: 9 9/16 in. (24.3 cm), Metalwork-Silver, The center of each dish in this set bears an engraved laurel wreath encircling a coat of arms. Small differences in these

Covered Tureen, ca. 1860–66, Made in China, Chinese, for American market, Porcelain, H. 10 3/8 in. (26.4 cm), Ceramics

State Baptism of a Child of Noble Blood., ca. 1612, Pen and brown ink, brush with brown and red wash, over red chalk and traces of black chalk; squared in black and red chalk, sheet: 9 13/16 x 7 1/16 in. (24.9 x 18 cm), Drawings, Anonymous,

Stone Vessel Supported on Legs in the Form of Fauns, with a Metal Lid, second half 19th century, Ink and watercolor on tracing paper, sheet: 7 9/16 x 5 1/8 in. (19.2 x 13 cm), Anonymous, British, 19th century

Sauce Dish, 1870–90, Made in Pittsburgh, Pennsylvania, United States, American, Pressed yellow glass, H. 2 1/2 in. (6.4 cm); Diam. 4 1/2 in. (11.4 cm), Glass, Adams and Company

Sketch of a Young Boy, 1857, Pastel and black chalk, 8 1/2 x 5 1/2 in. (21.6 x 14 cm), Drawings, Eugène-Ernest Hillemacher (French, Paris 1818–1887 Paris

Smallsword, ca. 1650–60, probably Paris, French, probably Paris, Steel, gold, wood, copper alloy, L. 41 in. (104.1 cm); L. of blade 34 1/2 in. (87.5 cm), Swords, While it was typical in Europe from at least the Middle Ages for a nobleman

Bowl with flutes from shoulder to rosette at base and with inscribed weight, Late Period–Ptolemaic Period, 4th century B.C., From Egypt, Lower Egypt, Silver, H. 10.5 x Diam. 12 cm at mouth, 13 at body (4 1/8 x 4 3/4 and 5 1/8 in), The heavy

Fragment, 10th century, Attributed to Yemen, Cotton; plain weave, resist-dyed (ikat), embroidered, H. 15 1/2 in. (39.4 cm), Textiles-Woven

Electro–Physiologie, Figure 64, 1854–56, printed 1862, Albumen silver print from glass negative, Image: 29.8 x 22.3 cm (11 3/4 x 8 3/4 in.), Photographs, Adrien Tournachon (French, 1825–1903), Guillaume-Benjamin-Amand Duchenne de

Earring, 6th–7th century, Made in probably Italy, Byzantine or Langobardic, Gold, Overall: 1 3/4 x 13/16 x 3/16 in. (4.5 x 2.1 x 0.5 cm), Metalwork-Gold, Fashionable in Italy for at least a century before the arrival of the Langobards,

Le Grand Russe, 1860s, Albumen silver print from glass negative, 9.8 x 13.3 cm. (3 7/8 x 5 1/4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Jug, ca. 1832, Made in Philadelphia, Pennsylvania, United States, American, Porcelain, 7 5/8 x 8 1/8 in. (19.4 x 20.6 cm), Ceramics, Tucker and Hemphill (1831–37

Faith, 16th century, Pen and brown ink, 5 1/2 x 3 11/16 in. (14 x 9.3 cm), Drawings, Anonymous, German, 16th century (Nuremberg

Ein nutzlich und wolgegrundt formular Manncherley schoner schriefften (A useful and well-grounded modelbook for many beautiful scripts), 1553, Woodcuts, Overall: 6 3/8 x 8 11/16 x 11/16 in. (16.2 x 22 x 1.8 cm), Wolfgang Fugger (German,

Design for an Enameled Watchcase and Châtelaine with Mythological Figures, ca. 1766 (?), Pen and ink and gouache, sheet: 8 11/16 x 6 3/8 in. (22 x 16.2 cm), George Michael Moser (Swiss (active Britain), Schaffhausen 1706–1783 London

Medea Restoring Aeson's Youth (Aesoni decerptio iuventam restituit Medea), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 64, Published after 1606, Etching, sheet: 6 7/8 x 7 7/8 in. (17.5 x 20 cm), Prints, Antonio

Double Bat-Head Figure Pendant, 12th–14th century, Panama, Parita, Gold, greenstone, H. 4 1/2 in. (11.43 cm), Metal-Ornaments

Greenwich Hospital (recto); Study of a Building (verso), ca. 1831, Watercolor over graphite (recto); graphite (verso), on off-white wove paper, Sheet: 10 9/16 x 14 3/4 in. (26.8 x 37.5 cm), Drawings, David Cox (British, Birmingham 1783–1859

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 2 1/4 x 5 5/8 in. (5.7 x 14.3 cm), Terracottas

Grotesques by Aubrey Beardsley. Facsimile Platinum Prints by Frederick H. Evans from the Twelve Original Drawings in His Collection with a Portrait Frontispiece, 1910s, Platinum prints, Sheet: 9 9/16 × 7 1/2 in. (24.3 × 19 cm), Portfolios,

Thomas Carlyle, 1867, Albumen silver print, Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

The Martyrdom of St. Peter Martyr, 1615–73, Pen and brown ink, brown wash over black chalk, highlighted with white on off-white paper. Squared in red chalk and traces of construction lines in black chalk, close to borders, 17-7/8 x 13-3/16

Lamp, saucer-shaped, 4th century B.C., Cypriot, Terracotta, Overall: 1 1/2 x 4 1/2 in. (3.8 x 11.4 cm), Terracottas

Ein ney Furmbüchlein, Page 11, verso, ca. 1525–29

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 50r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Card Stand, 1880–85, American, Brass, earthenware, 34 x 18 x 13 in. (86.4 x 45.7 x 33 cm), Furniture

Still Life (The Tobacco Pouch), Beaulieu (present-day Beaulieu-les-Loches), 1918, Graphite on off-white laid paper, 12 × 18 1/2 in. (30.5 × 47 cm), Drawings, Juan Gris (Spanish, Madrid 1887–1927 Boulogne-sur-Seine), Although these

Drawing for 'La Colonne Trajane', 18th century, Red chalk, 8 3/4 x 6 7/8in. (22.2 x 17.5cm), Drawings, After François Boucher (French, Paris 1703–1770 Paris

Christ and the Twelve Apostles, ca. 1400, Tempera on wood, gold ground, 9 5/8 x 73 1/8 in. (24.4 x 185.7 cm), Paintings, Taddeo di Bartolo (Italian, Siena ca. 1362–1422 Siena), This picture, showing Christ and his apostles beneath an

Stationery Box in Kōdaiji style, Momoyama period (1573–1615), early 17th century, Japan, Gold- and silver-foil inlay, gold maki-e, on lacquered wood, H. 8 1/4 in. (21 cm); W. 17 15/16 in. (45.6 cm), Lacquer, The bold combination of

Chatel. Charles. 25 ans, né le 8/10/68 à Paris XVIIle. Anarchiste. 14/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into

Lamp, 2nd century A.D., Roman, Terracotta, Length 8.3 cm. H. 2.5 cm., Terracottas

White House Landing, Pamunkey River, 1861–65, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Pommel Plate for a Saddle in the Style of the Late Middles Ages, late 19th–early 20th century, French, Copper alloy, gold, enamel, H. 13 3/4 in. (34.9 cm); W. 16 1/8 in. (41 cm), Equestrian Equipment-Saddles, Workshop of Louis Marcy (Luigi

Chericotti. Paul. 35 ans, né à Milan (Italie). Marchand de volailles. Anarchiste/Assoc. de malfaiteurs. 25/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 38 (recto), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

[Karl Heffeck], 1860s, Albumen silver print, Approx. 10.2 x 6.3 cm (4 x 2 1/2 in.), Photographs

Mille-fleurs tapestry with three medallions, mid-16th century, Flemish, Bruges, Wool and silk, Overall: 66 1/8 × 209 13/16 in. (168 × 533 cm) (5 ft. 6 in. x 17 ft. 6 in.), Textiles-Tapestries

Burial of the Dead, Fredericksburg, 1863, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 41 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Design for “Woman in a Pergola with Wisteria” window, ca. 1915, Made in Queens, New York, New York, United States, American, Watercolor, pen and brown ink, and graphite on translucent paper adhered to artist board in original metallic

Design for a Cup Supported by Standing Nudes with Standard of Seated Figure with Book and Bird, 16th century, Pen and brown ink, with brush and brown wash, sheet: 6 7/8 x 9 3/8 in. (17.5 x 23.8 cm), Drawings, Jacopo da Empoli (Jacopo Chimenti)

Marble head of an old woman, Early Imperial, ca. 1st century A.D., Roman, Marble, H. 7 3/4 in. (19.7 cm), Stone Sculpture, This head is broken from a statue. The type relates to the old market woman displayed in the Roman Court

Spoon, 1586, Hungarian, Locse, Silver, partly gilded, Overall: 8 3/8 in. (21.2 cm), Metalwork-Silver, The former northern Hungarian town of Locse had a vibrant cultural scene and prospering economy until the end of sixteenth century. It was a

Study of an Apostle, for the painting of the Ascension in Saint-Germain-des-Pres, Paris (1839-1863), 1822–64, Graphite, 11 1/16 x 8 9/16 in. (28.1 x 21.8cm), Drawings

God Appearing to Moses, ca. 1632, Red and white chalk on buff laid paper, sheet: 9 7/16 x 7 7/8 in. (24 x 20 cm), Drawings, Pierre Brebiette (French, Mantes-sur-Seine ca. 1598–1642 Paris

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 16 (verso), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

The Dream of Saint Joseph, 18th century, Brush with brown ink, and red and brown wash, highlighted with white gouache, 8-3/16 x 8-5/8 in. (20.8 x 21.9 cm), Drawings, Anonymous, Italian, first half of the 18th century

The Resurrection of Christ, n.d., Black chalk, brown wash, and white heightening, 15 15/16 x 10 13/16 in. (40.5 x 27.5 cm), Drawings, Attributed to Denijs Calvaert (Netherlandish, Antwerp ca. 1540–1619 Bologna

Disk Brooch, early 600s, Made in Faversham, England, Anglo-Saxon, Gold with garnets, glass, and niello, Overall: 1 7/8 x 7/16 x 1/16 in. (4.7 x 1.1 x 0.2 cm), Metalwork-Gold, The region of Kent, in southeastern England, was an important

Wall Decoration, 16th century, Pen and brown ink, 15-1/2 x 9-3/4 in. (39.4 x 24.8 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Linen Mark found in Wrappings, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Wah, Mummy, under sheet, 1920, Linen, l. 6 cm (2 3/8 in); w. 6 cm (2 3/8 in

Earring, 7th century (?), Made in Northern France, Frankish, Silver (loop); gold, chrysoprase, glass, pearls, Overall: 2 9/16 x 11/16 in. (6.5 x 1.8 cm), Metalwork-Silver

Bronze left leg and foot, Imperial, 1st or 2nd century A.D., Roman, Bronze, H.: 15 11/16 in. (39.9 cm), Bronzes, Foot and left leg

View of Gouda Seen from the Southeast with the Janskerk in the Center, 17th century, Black chalk, pen and brown ink, brown and grey wash, sheet: 7 5/8 x 12 7/16 in. (19.3 x 31.6 cm), Drawings, Abraham Rutgers (Dutch, Amsterdam 1632–1699

Battle Ground of Resacca, Georgia No. 2, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Les dix livres d'Architecture de Vitruve, corrigez et traduits nouvellement en François, avec notes & de figures, 1684, Printed book with woodcut illustrations with engraved plates and frontispiece, Overall: 17 3/8 x 12 1/16 x 1 9/16 in. (44.2

Commissary Headquarters, Rocky Face Ridge, ca. 1864, Albumen silver print from glass negative, 12.7 x 20.1 cm (5 x 7 15/16 in. ), Photographs, George N. Barnard (American, 1819–1902

Ein new getruckt model Büchli...Page 21, recto, 1529

Colosseum, early 17th century, Pen and brown ink, brown wash., 10 1/2 x 7 5/8 in. (26.7 x 19.4 cm), Drawings, Bartholomeus Breenbergh (Dutch, Deventer 1598–1657 Amsterdam

Sickle sword, Middle Assyrian, ca. 1307–1275 B.C., Northern Mesopotamia, Assyrian, Bronze, L. 54.3 cm, Metalwork-Implements-Inscribed, This curved sword bears the cuneiform inscription 'Palace of Adad-nirari, king of the universe, son of

Cameo Medallion, ca. 1787, Made in Staffordshire, England, British, Jasperware, 4 1/4 x 3 1/4 in. (10.8 x 8.3 cm), Ceramics

Platter, 1815–30, Made in Paris, France, French, Porcelain, 1 5/8 x 12 x 8 3/8 in. (4.1 x 30.5 x 21.3 cm), Ceramics

Portrait of a Young Man, 1480s, Oil on wood, 11 x 8 1/4 in. (27.9 x 21 cm), Paintings, Jacometto (Jacometto Veneziano) (Italian, active Venice by ca. 1472–died before 1498), A brilliant miniature painter, Jacometto was also outstanding at

Juvenile Baboon, Early Dynastic Period, ca. 3100–2649 B.C., From Egypt, Northern Upper Egypt, Abydos, Osiris temple, Chamber M69, Egypt Exploration Fund excavations, 1902–03, Faience, H. 7.6 x W. 3.2 x D. 4.1 cm (3 x 1 1/4 x 1 5/8 in

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Length 10.6 cm. H. 2.9 cm., Terracottas

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 17r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

[Paul Friedrich Meyerheim], after 1867, Albumen silver print, Approx. 10.2 x 6.3 cm (4 x 2 1/2 in.), Photographs

Bamboo in Snow, 雪竹図, Edo period (1615–1868), 1774, Japan, Pair of hanging scrolls; ink on silk, Image (each): 47 1/2 in. × 20 in. (120.7 × 50.8 cm), Paintings, Taihō Shōkon (1691–1774), Calligrapher: Hakujun Shōkō

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 42 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

Linen mark, Wah, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Wah, Mummy, 1920, Linen

Alternate Designs for a Cove Decoration, 17th century, Pen and brown ink, brush and brown wash, over black chalk on light tan paper, 9-5/8 x 14-5/16 in. (24.5 x 36.4 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Terracotta dog (?) figurine with suspension hole, Middle Cypriot I, ca. 1900–1800 B.C., Cypriot, Terracotta; hand-made, H. 1 5/8 in. (4.1 cm), Vases, Red Polished Ware pottery and its derivatives were manufactured in southern Cyprus

Man in Prayer, ca. 1430–35, Oil on wood, Overall 12 1/2 x 9 1/8 in. (31.8 x 23.2 cm); painted surface 12 1/2 x 9 in. (31.8 x 23 cm), Paintings, Workshop of Robert Campin (Netherlandish, ca. 1375–1444 Tournai), This sitter joins his hands

Snuff Bottle, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Porcelain, H. 4 in. (10.2 cm), Ceramics

A Lady with a Veil, 19th century, Brush and black, gray, and brown wash, over graphite. Laid down., 12 1/16 x 8 1/4 in. (30.7 x 20.9 cm), Drawings, Constantin Guys (French, Flushing 1802–1892 Paris

Landscape, 18th century, Black chalk, framing line in pen and black ink, 12 1/2 x 16 11/16 in. (31.8 x 42.4 cm), Drawings, Anonymous, Dutch, 18th century

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Artist, Publisher, Carl Pier, Franz Xavier Habermann, Jeremias Wachsmuth, Martin Engelbrecht, German,

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 58 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Cup Plate, 1825–60, Lacy pressed glass, Glass

[Tomb of Lorenzo de Medici; Tomb of Giuliano de Medici; Court of Christian Monuments; German Medieval Vestibule], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3 1/8 x 3 3/16 in.), each, Photographs, Attributed to Philip

[Group of 5 Stereograph Views of Westminster Abbey, London, England], 1850s–1910s, Albumen silver prints, Mounts approximately: 8.3 x 17.1 cm (3 1/4 x 6 3/4 in.) to 8.8 x 18 cm (3 7/16 x 7 1/16 in.), Photographs, George W. Griffith

'A Prince out Hawking with a Group of Attendants and a Leopard', Folio from a manuscript of the Raga Darshan of Anup, Dated AH 1214/1799–1800 AD, Attributed to India, Hyderabad, Gouache on paper, H. 14 5/16 in. (36.4 cm), Codices

Landscape with Domed Church (Smaller Italian Sketchbook, leaf 38 recto), 1774–75 (?), Pen black ink, gray and brown wash, over graphite, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby

Mountain Landscape with Figures and Buildings, mid-to-late 1780s, Black and white chalk with stumping, on blue-gray paper, Sheet: 10 5/16 × 15 15/16 in. (26.2 × 40.5 cm), Drawings, Thomas Gainsborough (British, Sudbury 1727–1788 London),

The Rape of Ganymede, ca. 1694, Pen and grey ink, brush and grey wash, sheet: 3 1/4 x 2 15/16 in. (8.3 x 7.5 cm), Drawings, Attributed to Sophia Blesendorf (German, active late 17th century

Harbor Scene, ca. 1730, Pen and brown ink, brush and gray wash, graphite, over black chalk. Laid paper., Image: 11 5/16 x 19 1/16 in. (28.8 x 48.4 cm), Drawings, Nikolaus Gottfried Stuber (German, Munich 1688–1749 Munich

Design for a Coat of Arms with Putti holding Garlands, 1550–84, Pen and black ink, brush and gray and rose wash., 4 5/16 x 2 9/16 in. (11 x 6.5 cm) (Hexagonal), Tobias Stimmer (Swiss, Schaffhausen 1539–1584 Strasbourg), Coat of arms in an

Studies for the Cadaver of Acron, ca. 1810–12, Graphite on wove paper, 7 11/16 x 14 3/4 in. (19.6 x 37.4 cm), Drawings, Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris