Images at Librifly

Relief head of a child god, Late Period–Ptolemaic Period, 400–200 B.C., Possibly from Fayum; From Egypt, Limestone, H. 15.3 × W. 17.2 × D. 2 cm (6 × 6 3/4 × 13/16 in.), Small Late Period and Ptolemaic reliefs or sculptures that depict a

Cowrie Shell Girdle, Lion Bracelets, Bracelets with the Name of Amenemhat III, and Anklets of Princess Sithathoryunet, Middle Kingdom, Dynasty 12, ca. 1887–1813 B.C., From Egypt, Fayum Entrance Area, Lahun, Tomb of Sithathoryunet (BSA

Bowl with flowering vine, ca. 1904–9, Made in New York, New York, United States, American, Porcelaneous earthenware, 5 5/8 × 10 × 7 5/8 in. (14.3 × 25.4 × 19.4 cm), Ceramics

St. Thomas the Apostle, for the Church of St. Vaast in Arras, 1832, Graphite on beige paper, 5-3/8 x 9-13/16 in. (13.7 x 24.9 cm), Drawings, Alexandre Denis Abel de Pujol (French, Valenciennes 1785–1861 Paris

Pietà with Mary Magdalen and Saint John, 16th century, Pen and brown ink, brown wash, 9-7/8 x 14-3/16 in. (25.1 x 36 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Bourguoin. Hubert, Jules. 51 ans, né le 17/8/42 à Jelles (Seine & Marne). Maçon. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

The Barber's Shop, ca. 1803, Pen and ink, with watercolor, sheet: 9 3/8 x 13 1/4 in. (23.8 x 33.7 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London), After Sir Henry William Bunbury (British, Mildenhall, Suffolk

Design for an Overdoor Decoration with Variant (recto); Sketch of a Marbled Wall (verso), 1740–60, Pen and brown ink, brush and wash, over traces of black chalk (recto). Pen and brown ink (verso), 5 x 6-1/8 in. (12.7 x 15.6 cm), Anonymous,

Stucco relief panel, Early Imperial, 2nd half of 1st century A.D., Roman, Stucco, Overall: 12 x 13 7/16 in. (30.5 x 34.1 cm), Miscellaneous-Stucco, The panther, an animal often associated with Dionysos, leaps in the air with a garland

Étude d'arbre, 1850–53, Salted paper print (Blanquart-Évrard process) from paper negative, Photographs, Edward King Tenison (Irish, 1805–1878

Battery Rodgers, Potomac River near Washington, 1861–65, Albumen silver print from glass negative, 16.6 x 20.6 cm (6 9/16 x 8 1/8 in. ), Photographs

Manet's Studio in the Batignolles, 1870, Lithographic crayon, oil paint, and black ink, 11 1/2 x 15 1/2 in. (29.2 x 39.4cm), Drawings, Henri Fantin-Latour (French, Grenoble 1836–1904 Buré), This drawing depicts Fantin-Latour’s circle of

Illustrated Legends of the Kitano Tenjin Shrine (Kitano Tenjin engi emaki), 北野天神縁起絵巻, Kamakura period (1185–1333), late 13th century, Japan, Set of five handscrolls; ink, color, and cut gold on paper, a: 11 5/16 in. × 22

Ein new Modelbuch..., page 2 (verso), October 22, 1524, Woodcut, 7 5/16 x 5 3/8 in. (18.5 x 13.6 cm), Published by Johann Schӧnsperger the Younger, Zwickau. From top to bottom, and left to right: Design composed of 3 vertical columns. Left

Plate, 1815–30, Made in Paris, France, French, Porcelain, H. 1 1/16 in. (2.7 cm); Diam. 9 7/16 in. (24 cm), Ceramics

The Vision of St. Jerome, Engraving, Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), In Mariette Album, folio

Tabula (Square) with Vine Scrolls Containing Aquatic Birds, 5th–7th century, Attributed to Egypt, Wool, linen; plain weave, tapestry weave, 4 3/4 in. high 4 3/4 in. wide (12 cm high 12 cm wide), Textiles, Tunics and domestic furnishings

Saint Stephen Being Crowned by an Angel, 17th century, Pen and brown ink, over traces of black chalk on cream paper, 5-13/16 x 4-1/4 in. (14.7 x 10.8 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Two Ladies and a Gentleman, 1760–1800, Pen and black ink, brush and gray wash, over graphite, sheet: 11 11/16 x 8 7/16 in. (29.7 x 21.5 cm), Drawings, Attributed to Louis Binet (French, Paris 1744–1800 Paris

Lock from Elaborate Dresson de Sacristy, now in the Hotel de Clugny, ca. 1880, Graphite, ink and watercolor on tracing paper, sheet: 6 9/16 x 6 15/16 in. (16.7 x 17.6 cm), Richardson Ellson & Co. (British

Rnga (Lag-Rnga), 18th century, Tibet, Tibetan, Wood, paint, lacquer, hide, Height: 55 1/8 in. (140 cm), Membranophone-double-headed / frame drum, This double-headed frame drum, played with a crooked beater and supported by a handle, is

Whip Handle in the Shape of a Horse, New Kingdom, Dynasty 18, ca. 1390–1353 B.C., From Egypt, Ivory, garnet, paint, L.. 14.6 (5 3/4 in); H. 5.5 (2 3/16 in); Th. 1.8 cm (11/16 in), The horse was a relative latecomer to Egypt. It was

Interior with a Woman Writing and Sewing, 19th century, Watercolor, sheet: 8 5/8 x 15 in. (21.9 x 38.1 cm), Drawings, Daughters of Bishop Parr (British, 19th century

The Morning After 'He Greatly Daring Dined', 1843–47, Salted paper print from paper negative, Image: 19.7 x 14.6 cm (7 3/4 x 5 3/4 in.), Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert

[Study for Mary Magdalene], 1870s, Albumen silver print from glass negative, Photographs, Unknown

Outer Confederate Line at Petersburg. Captured by 18th Corps, June 15, 1864, 1864, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Mustard Pot, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 3 3/4 x 3 3/8 x 2 3/4 in. (9.5 x 8.6 x 7 cm), Ceramics

French 15th century Lockplate, ca. 1880, Graphite on tracing paper, sheet: 3 13/16 x 2 3/8 in. (9.7 x 6 cm), Richardson Ellson & Co. (British

Salt Caster, ca. 1888, Made in Tarentum, Pennsylvania, United States, American, Pressed yellow glass, H. 3 3/16 in. (8.1 cm), Glass, Richards and Hartley Flint Glass Co. (ca. 1870–1890

Portrait of Francesco Albani, 1680–1758, Red chalk, stumped in the portrait medallion, over traces of black chalk, 16-7/16 x 10-1/16 in. (41.8 x 25.5 cm), Drawings, Attributed to Sempronio Subissati (Italian, Urbino 1680–1758 Madrid 1758

Cup Plate, before 1830, Made in Philadelphia, Pennsylvania, United States, American, Lacy pressed glass, Glass

Design for a Chimneypiece, 1740–1800, Pen, ink, wash, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Fragment with Sempervivum tectorum motif, 1475–1525, Italian (Milan, probably), Silk, Overall: 23 5/8 x 8 3/4 in. (60 x 22.2 cm), Textiles-Velvets

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 28 (verso), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

Comb decorated with a wildebeest, Predynastic, Late Naqada l–Naqada II, ca. 3900–3500 B.C., From Egypt, Ivory (elephant), h. 16.2 x w. 6.4 x th. 0.7 cm (6 3/8 x 2 1/2 x 1/4 in

Designs for a Niche, 17th century, Pen and brown ink, brush with brown, green and pink wash, over black chalk on cream paper, 10-1/2 x 7-13/16 in. (26.6 x 19.9 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Ornament with Deer, 遼 玉雕雙鹿, Liao dynasty (907–1125), 10th–12th century, China, Jade (nephrite), H. 2 5/8 in. (6.7 cm); W. 3 1/4 in. (8.3 cm), Jade

Bronze statuette of a lion, Archaic, 6th century B.C., Etruscan, Bronze, H. 3 3/4 in. (9.6 cm), Bronzes, The pose and attenuated form of this solid-cast bronze are reminiscent of the monumental stone lions that guard a street at the Greek

Dish, 1750–75, Made in West Yorkshire, Leeds, England, British, Earthenware, 3 3/8 x 1 3/8 x 8 1/8 in. (8.6 x 3.5 x 20.6 cm), Ceramics, Creamware, so-called for its cream-colored body, is a refined earthenware with a lead-based glaze

Ordnance, Private, 1866, Albumen silver print from glass negative, Image: 20.2 x 15 cm (7 15/16 x 5 7/8 in.), Photographs, Attributed to Oliver H. Willard (American, active 1850s–70s, died 1875), This hand-colored portrait provides a good

元 唐棣 松溪歸漁圖 軸, Returning Fishermen, Yuan dynasty (1271–1368), dated 1342, China, Hanging scroll; ink and color on silk, Image: 52 7/8 x 33 7/8 in. (134.3 x 86 cm), Paintings, Tang Di (Chinese, ca. 1287–1355), The

Les dernieres, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Bellemans. Eugène (ou Michel). 23 ans, né à Gand (Belgique). Tailleur d'habits. Anarchiste. 9/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Indo-Persian carpet with vine scroll and palmette pattern, second half of the 17th century, Indo-Persian, Wool pile on cotton foundation., Length: 5.5 m., Textiles-Rugs

Reliquary Bust of Saint Barbara, ca. 1465, Made in Strasbourg, Upper Rhineland, Germany, German, Walnut with paint and gilding, Overall: 19 7/8 x 17 1/2 x 10 7/8 in. (50.5 x 44.5 x 27.6 cm), Sculpture-Wood, Workshop of Niclaus Gerhaert von

Self-Portrait, 1635–40, Pen and brown ink, brush and brown and gray ink, brown and gray washes., 5 3/8 x 4 1/2 in. (13.6 x 11.4 cm), Drawings, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam) (reworked by another hand

Serpent Forveille in B-flat, ca. 1825, Paris, France, French, Wood, leather, L. 101 cm., Diameter. of bell +/-17.1 cm., Aerophone-Lip Vibrated-horn, Forveille (French, Paris active 1824–39), The serpent, a wide bass brass horn with

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Artist, Publisher, Carl Pier, Franz Xavier Habermann, Jeremias Wachsmuth, Martin Engelbrecht, German,

Amorini Celebrate the Rape of Proserpine, 1805–12, Engraving and etching, incomplete proof impression, oval image: 22 1/8 x 27 in. (56.2 x 68.6 cm), Prints, Francesco Rosaspina (Italian, Montescudo 1762–1841 Bologna), After Francesco

U.S. Gunboat 'Mendota', James River, 1861–65, Albumen silver print from glass negative, 15.1 x 21.1 cm (5 15/16 x 8 5/16 in.), Photographs

Frog, Early Dynastic Period, ca. 3100–2650 B.C., From Egypt, Memphite Region, Saqqara, Blue green glazed faience, W. 3.7 × H. 5 cm (1 7/16 × 1 15/16 in

Bottle, 1700–1800, Possibly made in Ireland; Possibly made in England, Glass, Overall: 7 1/2 in., 223.7 Grams (19.1 cm, 7 Troy Ounces), Glass

Les étoiles de jois, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Drawings and Prints, Books Prints Ornament & Architecture, Teatro delle Nobili et Virtuose Donne..., page 23 (recto), Author, Publisher, Isabella Catanea Parasole, Mauritio Bona, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Fragment of a marble neo-Attic relief with Peitho, Late Republican, 1st century B.C., Roman, Marble, Pentelic, H. 14 7/8 in. (37.8 cm.), Stone Sculpture, This fragment shows Peitho, the personification of persuasion, seated on a high pillar

Column Base and Capital, ca. 1810–30, Possibly made in France; Possibly made in England, Cast brass, mercury, gold, a: H. 1 3/4 in. (4.4 cm); Diam. 2 in. (5.1 cm), Metal

Upper sectoin of a blue-painted Hathor Jar from Malqata, New Kingdom, Dynasty 18, ca. 1390–1353 B.C., From Egypt, Upper Egypt, Thebes, Malqata, Palace of Amenhotep III, 1910–11, pottery, slip, paint, H. 24.5 (9 5/8 in.); diam. 25 cm

Terracotta head and shoulders of a man, Cypro-Classical II, ca. 400–310 B.C., Cypriot, Terracotta; mold-made, H. 14 3/8 in. (36.5 cm), Terracottas, This fragment was originally part of a full-length figure, possibly a votary

Peasant Couple in an Extensive Landscape, 17th century, Pen and ink in gray and black, gray wash, sheet: 7 3/16 x 9 15/16 in. (18.3 x 25.2 cm), Drawings, Johannes Goedaert (Dutch, Middelburg 1617–1668 Middelburg

Steatite intaglio: Lion-headed serpent, Imperial, ca. 2nd–3rd century A.D., Roman, Steatite, Other: 9/16 x 7/16 x 3/16 in. (1.5 x 1.2 x 0.6 cm), Gems

Letter with textile samples, late 18th–early 19th century, French, No dimensions recorded., Textiles-Archives

La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 4 (verso), 1556, Woodcut, Overall: 8 1/4 x 6 1/8 in. (21 x 15.5 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice. From top to bottom, and left to right: Design

'The King of the Hares in Counsel with his Subjects', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Kno-Shr, Kansas Chief, 1853, Daguerreotype, Image: 17.9 x 14.8 cm (7 1/16 x 5 13/16 in.), Photographs, John H. Fitzgibbon (American, born Britain, 1816–1882), From 1846 to 1860, John Fitzgibbon operated one of America's most prominent

Study for 'Mourning', 1910, Ink on paper, 6 1/8 x 7 3/8 in. (15.6 x 18.7 cm), Drawings, Umberto Boccioni (Italian, Reggio 1882–1916 Sorte

A Woman, Followed by Her Servant, 1840–50, brush and ink and watercolor on wove paper, sheet: 9 1/8 x 9 1/4 in. (23.2 x 23.5 cm), Drawings, Anonymous, Peruvian, 19th century

Relief plaque with a swallow, Late Period–Ptolemaic Period, 400–30 B.C., From Egypt, Limestone, 9.6 x 11.8 x 2.1 cm (3 3/4 x 4 5/8 x 13/16 in.), Small Late Period and Ptolemaic reliefs or sculptures that depict a subject in a partial or

Head of a Horse, after the Parthenon, ca. 1825, Pen and brown ink, over a little black chalk on laid paper, 3-1/4 x 4-7/16 in. (8.3 x 11.3 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Sinumbra lamp, ca. 1835, Made in Boston, Massachusetts, United States, American, Patinated brass, steel, and glass, 18 1/8 × 6 5/8 in. (46 × 16.8 cm), Metal, William Carleton (1797–1876

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Franz Xavier Habermann, Martin Engelbrecht, Carl Pier, Jeremias Wachsmuth, German,

Design for an Altar with a Variant, 18th century, Graphite, pen and black ink, watercolor, sheet: 11 3/4 x 6 7/16 in. (29.9 x 16.3 cm), Attributed to Anonymous, German, 18th century

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 93 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Close-Helmet, ca. 1615–20, Possibly Dutch or Italian, Steel, gold, copper alloy, leather, H. 10 1/4 in. (26 cm); W. 8 3/4 in. (22.2 cm); D. 9 5/8 in. (24.5 cm); Wt. 8 lb. 8 oz. (3860 g), Helmets, The form and construction of this helmet

Boy Riding a Hobby Horse, Qing dynasty (1644–1911), 18th century, China, Jade (nephrite), H. 2 5/8 in. (6.7 cm), Jade

Pair of Belt Hooks, Qing dynasty (1644–1911), 18th century, China, Jade (nephrite), A: H. 3/4 × W. 1 × L. 4 1/2 in. (1.9 × 2.5 × 11.4 cm), Jade

[Pennsylvania Zouave Soldiers in Field], 1861–65, Tintype, Photographs, Unknown (American

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 49r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Schindler (court jester and hussar), ca. 1735, German, Meissen, Hard-paste porcelain, Height: 6 7/8 in. (17.5 cm), Ceramics-Porcelain

Ruins of the Château of Becoiseau, near Mortcerf (seine-et-Marne), 1784, Brown chalk and brush and-brown wash. Framing lines in pen and brown ink., 9 15/16 x 13 7/16 in. (25.3 x 34.1 cm), Drawings, Johann Georg Wille (German (active France),

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 30 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Tumbler, 1770–1820, Probably made in Bohemia, Czech Republic, Non-lead glass with engraved decoration, H. 7 in. (17.8 cm), Glass

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 2 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Terracotta statuette of a seated woman, Archaic, late 6th–early 5th century B.C., Greek, probably Boeotian, Terracotta, H. 6 1/8 in. (15.5 cm), Terracottas, Small figurines were made to be presented as votive gifts to a deity. It is not

Four different Figure Studies (recto); Grotesque Designs (verso), ca. 1545–60, Pen and gray-brown ink (recto). On off-white paper. Pen and gray-brown ink; Woman and child in pen and brown ink (verso), 13-3/16 x 9-1/16 in. (33.5 x 23.0 cm),

Ein new getruckt model Büchli...Page 20, recto, 1529

Designs for a Wardrobe, Dressing Chest, Wash Stand, Pedestal, Towel Rail and Cane Chairs, 1830–80, Graphite, Anonymous, British, 19th century

Brush tray, Ming dynasty (1368–1644), 16th century or earlier, China, Black and red lacquer (Guri), H. 1 1/2 in. (3.8 cm); W. 5 1/4 in. (13.3 cm); L. 14 1/4 in. (36.2 cm), Lacquer

Disk Brooch, 6th century, Frankish, Copper alloy, gilded, mother-of-pear; garnets and green glass inlaid with silver foil backings; copper alloy back, no spring/pin extant, Overall: 1 x 11/16 in. (2.6 x 1.7 cm), Metalwork-Copper alloy

Ornamento delle belle & virtuose donne, page 5 (recto), 1554, Woodcut, Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821.

Prima parte de' fiori, 1591, Woodcut, Overall: 6 11/16 x 9 1/16 in. (17 x 23 cm), Written by Giovanni Battista Ciotti, printed by Nicolo Moretti, Venice, published by Francesco de' Franceschi, Italian, active 16th century. Title page

Design for a Cartouche or Wall Panel with Scrollwork, Masks and Female Figures, 17th century, Pen and brown ink, brush and brown wash, on light brown washed paper, sheet: 6 5/16 x 8 3/8 in. (16 x 21.2 cm), Anonymous, Italian, 17th century

Glass alabastron (perfume bottle), Classical, 5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H. 3 13/16 in. (9.7 cm), Glass, Semi-translucent olive green, with handles in same color; trails in opaque yellow and

Study for the Age of Bronze, 1637, Pen and brown ink, brush and brown wash, over black chalk, 15-15/16 x 10-5/8 in. (40.5 x 27.0 cm), Drawings, Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome), A masterpiece of

An Engraver, n.d., Graphite, 7 1/8 x 5 5/8 in. (18.1 x 14.3 cm), Drawings, attributed to Edouard Jeanmaire (French, La Chaux-de-Fonds 1847–1916 La Chaux-de-Fonds

Limestone head of a beardless male votary, Late Hellenistic, early 1st century B.C., Cypriot, Limestone, Overall: 12 x 7 3/4 x 10 1/2 in. (30.5 x 19.7 x 26.7 cm), Stone Sculpture, Figure with short wavy hair, a type of young Augustus

Stone Oil Lamp, 9th century, Excavated in Iran, Nishapur, Steatite; carved, H. 1 3/8 in. (3.5 cm), Stone, This stone lamp’s design accommodated several wicks, and its curved handle made it easier to carry

Jar, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 2 7/8 x 1 3/4 x 1 15/16 in. (7.3 x 4.4 x 4.9 cm), Ceramics

Textile Fragment, mid-16th century, Attributed to Iran, Silk and metal-wrapped yarns; compound weave, Textile: H. 9 1/4 in. (23.5 cm), Textiles-Woven, This textile fragment depicts a dramatic image of a dragon moving among jagged rocks. In its

[Ludwig Johann Passini], after 1867, Albumen silver print, Approx. 10.2 x 6.3 cm (4 x 2 1/2 in.), Photographs

Fountain at the Villa Panfili, Italy, 1752, Stephen Riou (British, London 1720–1780 London