Images at Librifly

Sample of Linen with Pink Dye, Third Intermediate Period, Dynasty 21, ca. 1070–945 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Royal Cache, Tomb of Inhapi (TT 320), Mummy of Princess Nesitanebtasheru, Egyptian Antiquities

Tumbler, 1870–90, Made in Tarentum, Pennsylvania, United States, American, Pressed purple marble glass, H. 3 5/16 in. (8.4 cm), Glass, Challinor, Taylor and Company (1866–1891

Head of a Boy, 15th century, Metalpoint, sheet: 3 1/8 x 2 1/4 in. (8 x 5.7 cm), Drawings, Attributed to Master of the Legend of Saint Ursula (Netherlandish, active ca. 1470–90

View of the Dunes at Scheveningen, mid 17th century, Pen and brown ink, brown wash; framing line in pen and brown ink, probably by a later hand, sheet: 3 13/16 x 6 in. (9.7 x 15.3 cm), Drawings, Jan de Bisschop (Dutch, Amsterdam 1628–1671

Arnaud. Eugène. 47 ans, né à Villeveyrac (Hérault). Ferblantier. Anarchiste. 20/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Venus Bathing, 16th century, Pen and black and brown inks with graphite underdrawing, 8 7/8 x 5 5/8 in. (22.5 x 14.3 cm), Drawings, Anonymous, French, School of Fontainebleau, 16th century

Tengu Hatching from an Egg, Edo period (1615–1868), 18th century, Japan, Wood with red lacquer, H. 1 1/8 in. (2.9 cm); W. 1 1/8 in. (2.9 cm); D. 1 1/2 in. (3.8 cm), Netsuke, This type of representation of the birth of the mythical creature

Keyed Bugle, 1854, Boston, Massachusetts, United States, American, Silver, Length (Overall, without tuning slide): 13 1/8 in. (33.4 cm), Aerophone-Lip Vibrated, Elbridge G. Wright (Ashby, Massachusetts 1811–1871 Boston, Massachusetts

[Self-Portrait with Wife and Two Daughters], 1854, Daguerreotype, Overall: 6 × 4 3/4 in. (15.2 × 12 cm), Photographs, John Adams Whipple (American, 1822–1891

The King's Sons Shooting Their Father's Corpse, ca. 1500, Engraving, sheet: 7 x 9 3/4 in. (17.8 x 24.8 cm), Prints, Matthäus Zasinger (German, Munich, ca. 1477–1525

Newes Modelbuch in Kupffer(Page 39r), Johann Sibmacher (German, active 1590–1611), 1604

Design for Fancy Child's Cot, 1830–1900, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

須恵器　甕, Urn, Nara period (710–794), 8th century, Japan, Stoneware with natural ash glaze (Sue ware), H. 9 in. (22.9 cm); Diam. 10 3/4 in. (27.3 cm); Diam. of rim 6 1/8 in. (15.6 cm); Diam. of foot 5 3/4 in. (14.6 cm), Ceramics

Square-Headed Brooch, first half 6th century, Made in Kent, England, Anglo-Saxon, Silver-gilt; iron pin, Overall: 3/4 x 1 9/16 x 1/4 in. (1.9 x 3.9 x 0.7 cm), Metalwork-Silver

Tracery and Church Ornament, second half 19th century, Graphite and watercolor, sheet: 15 1/16 x 1074 in. (38.2 x 2728 cm), Anonymous, British, 19th century

Peasant holding a broom, first half 20th century, brush and black ink, gouache, watercolor, traces of graphite framing lines, sheet: 15 5/8 x 7 11/16 in. (39.7 x 19.6 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

St. Paul Dictating at Ephesus, 17th century, Pen and brown ink, brush and brown wash, over black chalk, 8 11/16 x 6 7/8in. (22 x 17.4cm), Drawings, Abraham van Diepenbeeck (Flemish, 's Hertogenbosch 1596–1675 Antwerp

Splendore delle virtuose giovani, page 10 (verso), 1564

Oriental Scene, 1838, Watercolor over traces of graphite on cardboard, sheet: 12 3/16 x 9 1/16 in. (31 x 23 cm), Drawings, David Roberts (British, Stockbridge, Scotland 1796–1864 London

Male Saint Standing on Clouds with Putti, 17th century, Pen and dark brown ink over traces of black chalk underdrawing. Ground line drawn with pen and brown ink. On off-white paper, 4-11/16 x 2-13/16 in. (11.9 x 7.1 cm), Drawings, Anonymous,

Landscape, 1770–1812, Brush and brown wash and pen and brown ink over graphite, 2-5/16 x 5-1/4 in. (5.9 x 13.4 cm), Drawings, Attributed to Heneage Finch, 4th Earl of Aylesford (British, London 1751–1812

Drawings and Prints, Books Prints Ornament & Architecture, Pretiosa Gemma delle virtuose donne, page 13 (recto), Author, Publisher, Binder, Isabella Catanea Parasole, Gargano, Hardy-Mennil, Italian, ca. 1565/70–ca. 1625, Venetia,

Dish, Qing dynasty (1644–1911), Kangxi period (1662–1722), ca. 1720, China, Porcelain painted in overglaze famille verte enamels, H. 1 5/8 in. (4.1 cm); Diam. 10 /58 in. (27 cm), Ceramics

Snuff Bottle with Hundred Beauties, Qing dynasty (1644–1911), Qianlong mark and period (1736–95), 18th century, China, Porcelain with overglaze enamel colors, coral stopper, H. 2 9/16 in. (6.5 cm), Snuff Bottles

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 35 (verso), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

Eyn new kunstlichboich, page 21r, 1529

Plan for a Menagerie, ca. 1783, Pen and black ink, watercolor, 20 5/8 x 17 15/16 in. (52.4 x 45.6 cm), Charles Percier (French, Paris 1764–1838 Paris

Camp Northumberland, 91st Pennsylvania Infantry, 1861, Albumen silver print from glass negative, Photographs

Benjamin Franklin, 1800–1883, Probably made in France, French, Faience, Diam. 9 3/4 in. (24.8 cm), Ceramics, Possibly after Joseph Siffred Duplessis (French, Carpentras 1725–1802 Versailles

Design for One Eighth of an Illusionistic Ceiling of a Dome, 1700–1780, Pen and gray ink, brush and watercolor, over graphite, with ruled construction, 9 3/4 x 9 13/16 in. (24.8 x 24.9 cm), Drawings, Anonymous, Italian, Piedmontese, 18th

Seated Allegorical Figure of Divine Wisdom, 1674–77, Red chalk, 17-5/8 x 14-7/16 in. (44.7 x 36.7 cm), Drawings, Carlo Maratti (Italian, Camerano 1625–1713 Rome), During the pontificate of Clement X Altieri (1670-1676), his family palace

[210 Stereographs], 1850s–1890s, Albumen silver prints, Each photograph approx. 3 1/2 in. × 7 in. (8.9 × 17.8 cm), Photographs, William Langenheim (American, born Germany, Schöningen 1807–1874), Frederick Langenheim (American, born

Lha Mo Riding on a Donkey, 18th century, Tibet, Distemper on cloth, Sight (Image): 27 x 19 1/2 in. (68.6 x 49.5 cm), Paintings

View of a Park, ca. 1757–59, Black chalk, gray wash, touches of black and brown wash, framing lines in pen and black ink, 10 3/4 x 15 1/2 in. (27.3 x 39.4 cm), Drawings, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris

Finch, 1745–49, British, Chelsea, Soft-paste porcelain, Overall (confirmed): 7 1/2 × 3 1/2 × 3 1/4 in. (19.1 × 8.9 × 8.3 cm), Ceramics-Porcelain, This figure of a finch is one of the earliest products of the Chelsea factory, dating to

Splendore delle virtuose giovani, page 5 (verso), 1564, Woodcut, Overall: 7 1/2 x 5 1/2 in. (19 x 14 cm), Designed by Iseppo Foresto, published by Jeronimo Calepino, Venice. From top to bottom, and left to right: Design composed of 2 vertical

Relief panel, Neo-Assyrian, ca. 883–859 B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Gypsum alabaster, 93 x 83 x 60 in. (236.2 x 210.8 x 152.4 cm), Stone-Reliefs-Inscribed, This panel from the Northwest Palace at Nimrud (ancient

Roundel with a Mounted Falconer and Hare, 12th–13th century, with early 20th-century additions, Attributed to Iran, Gypsum plaster; modeled, painted, and gilded, Diam. 7-1/2 in. (19 cm), Sculpture, This piece speaks to a

Drawing for a Cartouche, early 17th century, Pen with brown ink, brush and brown wash, 2 3/8 x 8 5/16 in. (6 x 21.1cm.), Drawings, Jacques Callot (French, Nancy 1592–1635 Nancy

明中期 剔紅荔枝紋漆盒, Box with lychees, Ming dynasty (1368–1644), 16th century, China, Carved red and black lacquer, H. 1 1/2 in. (3.7 cm); Diam. 3 1/8 in. (7.9 cm), Lacquer, The English name for this sweet summer fruit found

Designs for Four Upholstered Chairs, 1841–84, Black chalk with touches of graphite, sheet: 12 3/8 x 9 13/16 in. (31.5 x 24.9 cm), Charles Hindley and Sons (British, London 1841–1917 London

狩野探幽筆　月夜山水図, Landscape in Moonlight, Edo period (1615–1868), after 1662, Japan, One of a triptych of hanging scrolls; ink on silk, Image: 39 5/8 x 16 3/4 in. (100.6 x 42.5 cm), Paintings, Kano Tan'yū (Japanese,

Landscape with rushing stream and a couple on the bank, frightened by a snake, 1775–1827, Pen and ink, with watercolor, sheet: 13 1/4 x 18 in. (33.7 x 45.7 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Design for a Pillar, 18th century, Brown ink over graphite, 11-1/8 x 3-1/2 in, Anonymous, Italian, 18th century

Self-Portrait, ca. 1647, Oil on canvas, 39 x 31 1/4 in. (99.1 x 79.4 cm), Paintings, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome), According to the inscription, this picture was a gift by Rosa to his friend Giovanni Battista

Cartouche Surmounted by a Bust, 18th century, Pen and brown ink, brush with brown and gray wash, over black chalk or graphite, 4 7/8 x 2 13/16 in. (12.4 x 7.1 cm), Drawings, Anonymous, Italian, first half of the 18th century

Design for a Chimneypiece, 1740–1800, Pen, ink, wash, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Studio delle virtuose Dame, page 16 (recto), 1597

'The Prince Having been Proclaimed King is Paraded Through the City on a White Elephant', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high

鳥蒔絵香箪笥, Incense Cabinet with Various Birds, Edo period (1615–1868), 19th century, Japan, Gold lacquer ground with gold and silver takamaki-e and hiramaki-e, H. 3 in. (7.6 cm); W. 2 1/2 in. (6.4 cm); L. 3 9/16 in. (9 cm), Lacquer

Design for a Wall Fountain, 1550–1620, Pen and brown ink, brush and light brown wash over lead point underdrawing and ruled lines, 14 13/16 x 10 in. (37.6 x 25.4 cm), Drawings, Anonymous, Italian, Lombard, 16th century

Bookplate of Thomas Dering, 1749, Engraving, Sheet: 2 15/16 × 2 3/8 in. (7.4 × 6.1 cm), Prints, Nathaniel Hurd (American, Boston, Massachusetts 1729/30–1777 Boston, Massachusetts

Church Tower with Inscription in Spanish to Avery. Verso: 3/4 View Portrait of Man, 1833–1908, Pen and ink. Verso: graphite, sheet: 6 7/8 x 4 1/2 in. (17.5 x 11.4 cm), Drawings, Martín Rico y Ortega (Spanish, Madrid 1833–1908 Venice

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 5/8 x 4 7/8 in. (4.1 x 12.4 cm), Terracottas

Drawings and Prints, Books Prints Ornament & Architecture, Lucidario di Recami, page 8 (verso), Publisher, Designer, Jeronimo Calepino, Iseppo Foresto, Italian, active Venice, 1557, 1564, Calepino, Foresto, Iseppo, Italian, 1500,

Glass perfume bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, 5 1/16in. (12.8cm), Glass, Colorless with pale blue green tinge. Rim folded out, over, and in, and flattened on top, with inner lip forming partial

Batter jug, 1882–85, Made in Binghamton, New York, United States, American, Stoneware, H. 8 3/4 in. (22.2 cm), Ceramics

Drawings and Prints, Print, The Proscribed Royalist, Artist, Engraver, Publisher, After, Sir John Everett Millais, William Henry Simmons, E. Gambart & Co., Henry Graves & Company, British, Southampton 1829–1896 London, British, London

Armchair, designed ca. 1786, woven 1790–91; chair frame second half 19th century, French, Beauvais, Carved and gilded wood; wool, silk, Overall: 37 3/4 × 27 × 24 in. (95.9 × 68.6 × 61 cm), After a composition by Jean Jacques François

Bronze statuette of Herakles, Archaic, ca. 500–475 B.C., Etruscan, Cività Castellana, Bronze, Diam.: 3 1/16 in. (7.8 cm), Bronzes, The exquisitely modeled lion-skin knotted about this figure's waist identifies Hercle (Herakles). He

Two Scenes placed One above the Other of a Reclining Warrior and a Reclining Putto (recto); Grotesque Fountain with a Warrior (verso), ca. 1545–60, Pen and dark brown ink (recto). On off-white paper. Pen and dark brown ink (verso), 9-1/4 x 8 7/8

Dorothy True, 1919, Gelatin silver print, 24.3 x 19.3 cm (9 9/16 x 7 5/8 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York), First published in 1921 with the caption 'Watch your step!' in the single issue

Heavy Artillery, 1861–65, Albumen silver print from glass negative, Photographs

[Study in Orange], 1903, Gum bichromate print, 25.7 x 19.7 cm. (10 1/8 x 7 3/4 in.), Photographs, René Le Bègue (French, 1857–1914), In 1888 George Eastman introduced the first Kodak camera, which came with a one-hundred-exposure roll of

Le montagnard, 1860s, Albumen silver print from glass negative, 8.6 x 11.4 cm. (3 3/8 x 4 1/2 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Terracotta lamp, Early Imperial, 1st century B.C.–1st century A.D., Roman, Terracotta, Length 8.1 cm. H. 2.5 cm., Terracottas

Unglazed Jug with Writing, 8th–9th century, Attributed to Iran, Nishapur. Excavated in Iran, Nishapur, Earthenware; painted, unglazed, H. 6 3/4 in. (17.1 cm), Ceramics, This jug’s entire surface is covered with writing, and the faint

Russian female dancer costume for 'La Fée des Poupées', 1903, Graphite on tracing paper, squared, sheet: 14 3/16 x 10 11/16 in. (36.1 x 27.1 cm), Léon Bakst (Russian, Grodno 1866–1924 Paris), Drawing of a Russian female dancer costume for

Les Singuliers et Nouveaux Portraicts... page 51 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Fragment, 5th–7th century, Attributed to Egypt, Wool, linen; plain weave, tapestry weave, Textile: H. 6 3/4 in. (17.1 cm), Textiles, The blond good shepherd protectively holds a lamb while others of his flock appear to his sides together

Tennis at Newport, 1920, Lithograph, image: 14 3/4 x 18 3/8 in. (37.5 x 46.7 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York

The Church and the Port, 1869, Pen and black ink, 3 3/8 x 5 1/16 in. (8.6 x 12.9 cm), Drawings, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

A Port Scene, 17th century, Pen and brown ink, brown wash, faint traces of graphite, 10 1/4 x 10 1/8 in. (26 x 25.7 cm), Drawings, attributed to Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome

Dutheil. Louis. 29 ans, né le 28/7/64 à Maisonnais (Ht Vienne). Tailleur d'habits. Anarchiste. 3/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Pietà, 17th century, Brush and brown wash over black chalk, highlighted with white gouache, on light tan paper. Framing outlines in black chalk, 8-9/16 x 6-3/8 in. (21.8 x 16.2 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th

Scene of General McPherson's Death, 1864 or 1866, Albumen silver print from glass negative, Image: 25.4 × 36.1 cm (10 × 14 3/16 in.), Photographs, George N. Barnard (American, 1819–1902), George N. Barnard released this volume of views in

Drawings and Prints, Books Prints Ornament & Architecture, Teatro delle Nobili et Virtuose Donne..., page 21 (recto), Author, Publisher, Isabella Catanea Parasole, Mauritio Bona, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

東晉 王羲之 十七日帖 十三世紀拓本, On the Seventeenth Day, 13th century rubbing of a 4th century text, China, Album of thirty leaves; ink on paper, Each leaf: 9 5/8 x 5 in. (24.4 x 12.7 cm), Rubbing, Most personal correspondence

Drawings and Prints, Books Prints Ornament & Architecture, Ein new Modelbuch..., page 9 (verso), Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550, October 22,

Design for Two Gothic Chairs, 1841–84, Pen and black ink, sheet: 8 7/16 x 12 in. (21.5 x 30.5 cm), Charles Hindley and Sons (British, London 1841–1917 London

墨跡「糖」, Poem in Chinese about Sugar, Nanbokuchō period (1336–92), 14th century, Japan, Hanging scroll; ink on paper, Image: 12 1/4 x 18 5/8 in. (31.1 x 47.3 cm), Calligraphy, Kokan Shiren (Japanese, 1278–1346), A prominent

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 7/8 in. × 3 in. (7.3 × 7.6 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Salt Spoon, 1790–1810, Made in Boston, Massachusetts, United States, American, Silver, L. 4 3/8 in. (11.1 cm), Silver, Paul Revere Jr. (American, Boston, Massachusetts 1734–1818 Boston, Massachusetts

Icono-photographique. Mécanisme de la Physionomie Humaine. Fig. 65, 1854–56, printed 1862, Albumen silver print from glass negative, 12.0 x 9.2 cm (4 3/4 x 3 5/8 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne (French,

'Alexander and the Circle of Seven Sages', Folio from a Khamsa (Quintet) of Nizami, 15th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, Image 5 5/8 in x 8 3/4 in., Codices

Marble portrait head of the philosopher Chrysippos, Early Imperial, 1st century A.D., Roman, Marble, 5 1/2 in. (14 cm), Stone Sculpture, Copy of a Greek statue of the late 3rd century B.C., probably by Euboulides. Chrysippos was one of the

Herd of deer under an oak tree, 1775–1827, Pen and brush, red and gray watercolor, sheet: 8 5/8 x 11 1/2 in. (21.9 x 29.2 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

[La Comtesse at Table Holding Fan], 1860s, Albumen silver print from glass negative, 9.5 x 13.0 cm (3 3/4 x 5 1/8 in.), Photographs, Giovanni Morotti (Italian

Earring, 675–725, Frankish, Silver, Overall: 3 3/8 x 1/4 in. (8.5 x 0.6 cm), Metalwork-Silver, Hoop earrings with polyhedral beads, derived from late Roman jewelry, remained fashionable among Frankish women from the 400s through the 700s.

Design for an Organ Case for Saint Saviour's Church, Chelsea, London, 1890, Pen and ink, wash, watercolor, and gouache, over graphite, Ernest Geldart (British, London 1848–1929

Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 5 (verso), 1554, Woodcut, 7-5/8 x 6-3/8 x 1/4 in. (19.4 x 16.2 x 0.6 cm), Published by Matteo Pagano, Italian, 1515-1588, bound by Lloyd,

Head of a Man Wearing a Cap, ca. 1495–1505, Metalpoint, heightened with brush and white, on reddish orange prepared paper., 11 1/8 x 8 3/16 in. (28.3 x 20.8 cm), Drawings, Circle of Domenico Ghirlandaio (Domenico Bigordi) (Italian, Florence

Pitcher, 1848–56, Made in Brooklyn, New York, New York, United States, American, Porcelain, 8 1/2 in. (21.6 cm), Ceramics, Charles Cartlidge and Company (1848–1856), The mid-nineteenth century porcelain manufactory of Charles Cartlidge

Vase with peacock feathers, ca. 1889, French, Paris, Stoneware, Overall (confirmed): 17 3/16 × 8 5/8 × 8 5/8 in., 12.6 lb. (43.7 × 21.9 × 21.9 cm, 5.7 kg), Ceramics-Pottery, Although Delaherche would later denounce the use of ornament,

Queen Emma of Hawaii and Her Entourage, 1865, Albumen silver print from glass negative, Image: 14 1/8 × 17 15/16 in. (35.9 × 45.6 cm), Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Clothing Tray (Midare-bako) with Paulownia and Nine Stars Crests, 桐九曜紋蒔絵乱箱, Momoyama period (1573–1615), late 16th–early 17th century, Japan, Lacquered wood with gold, silver hiramaki-e, e-nashiji on black lacquer ground,

Bowl, Goryeo dynasty (918–1392), early 14th century, Korea, Stoneware with inlaid decoration of phoenixes and clouds under celadon glaze, H. 2 1/4 in. (5.7 cm); Diam. 7 5/8 in. (19.4 cm), Ceramics

Male Nude, 19th century, Red chalk, sheet: 11 1/4 x 16 3/4 in. (28.6 x 42.5 cm), Drawings, Giovanni Battista Lombardi (Italian, 1823–1880), After Anton Raphael Mengs (German, Ústi nad Labem (Aussig) 1728–1779 Rome

Phoenician-style ewer, Iron Age, ca. 7th–6th century B.C., Iberian Peninsula, Bronze, 14 in. (35.6 cm), Metalwork-Vessels, Vessels of similar form and construction have been excavated in Cyprus, Italy, and the Iberian Peninsula, with

Section of a Palace (Probably of the Building in Accession Numbers and ), 1710–27, Pen and brown ink, brush and gray wash, over graphite and some stylus ruling, 12 15/16 x 17 3/4in. (32.8 x 45.1cm), Drawings, Pietro Paolo Coccetti