Images at Librifly

The Valley of the Forth (Scotland), late 19th–mid-20th century, Graphite and black crayon on buff paper, 10-7/8 x 13-7/8 in. (27.5 x 35.2 cm), Drawings, Sir David Young Cameron (British, Glasgow, Scotland 1865–1945 Perth, Scotland

Terracotta alabastron (perfume vase), Archaic, ca. 625–575 B.C., Etruscan, Etrusco-Corinthian, Terracotta, H. 3 7/16 in. (8.8 cm), Vases, Three-tiered body with pendant designs on the upper tier

Sherbet Dish, ca. 1885, Made in West Midlands, England, British, Blown satin yellow and opaque white glass, H. 2 1/4 in. (5.7 cm), Glass

Sheet of Studies with a Dancer, 19th century, Black chalk, pen and black ink, gray wash (recto); black chalk (verso), 11 7/8 x 10 7/16 in. (30.2 x 26.5cm), Drawings, Honoré Daumier (French, Marseilles 1808–1879 Valmondois

Tombstone of Abu Sa'd ibn Muhammad ibn Ahmad al-Hasan Karwaih, dated A.H. 545/A.D. 1150, Attributed to Iran, Yazd, Marble; carved, painted, H. 22 1/4 in. (56.5 cm), Stone, Ahmad ibn Muhammad Astak

Tumbler, 1850–70, Made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 4 5/8 in. (11.7 cm), Glass, Bakewell, Pears and Company (1836–1882

Tomb Surmounted by the Madonna and Child in an Oval Wreath, Etching, Prints, Angiolo Falconetto (Italian, active ca. 1555–67), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), In Mariette

Ceiling of Ballroom decorated for the Marriage of the King of Naples to the Archduchess of Austria, 1700–1773, Pen and black-gray ink, brush and gray wash over traces of freehand graphite (figures) and of compass and ruled construction lines in

Crucifixion, 16th century, Pen and brown ink, over brush and brown wash, on buff paper, 7-1/2 x 5-5/16 in. (19.1 x 13.5 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Allegorical Design for a Ceiling Fresco., 1650–1700, Pen and brown ink, brush and watercolor, over black chalk or leadpoint, 10 7/16 x 28 9/16 in. (26.5 x 72.5 cm), on two glued sheets of paper., After Francesco Albani (Italian, Bologna

The Cardinal Pacca, n.d., black chalk, 6 15/16 x 5 1/8 in. (17.6 x 13 cm.), Drawings, Jacques Louis David (French, Paris 1748–1825 Brussels

Snuff Bottle, Qing dynasty, 1869, China, Rock crystal, H. 2 3/4 in. (7 cm), Snuff Bottles

Le Kaire, Mosquée d'Amrou - Intérieur - Côté du Sanctuaire, 1851–52, printed 1853–54, Salted paper print from paper negative, 24.0 x 30.5 cm. (9 7/16 x 12 in.), Photographs, Félix Teynard (French, 1817–1892

Study of a standing man knocking; sketch of a sitting man, 1830–80, Charcoal, sheet: 15 9/16 x 9 11/16 in. (39.6 x 24.6 cm), Drawings, François-Claudius Compte-Calix (French, Lyon 1813–1880 Chazay d'Azergues

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer (second title page, 2r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604

Carpet, 16th century, Attributed to Northern Iran, Cotton (warp and weft), wool (pile); asymmetrically knotted pile, Rug: L. 273 in. (693.4 cm), Textiles-Rugs

Pattern, ca. 1840, British, Parchment, No dimensions recorded., Textiles-Methods and Materials

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 1/4 x 3 3/4 in. (3.2 x 9.5 cm), Terracottas

瓜図, Melons, Muromachi period (1392–1573), late 16th century, Japan, Hanging scroll; ink on paper, Image: 13 1/4 × 18 1/8 in. (33.6 × 46 cm), Paintings, Yamada Dōan (Japanese, second half of the 16th century), Images of fruits and

Portrait of a Young Boy, 17th century, Black chalk, heightened with white, touches of graphite., sheet: 5 1/2 x 3 7/8 in. (14 x 9.8 cm), Drawings, Frans van Mieris the Elder (Dutch, Leiden 1635–1681 Leiden

Four drawings showing the manufacture of saws, 19th century, Graphite, white chalk and ink on gray paper, sheet: 9 1/8 x 7 1/2 in. (23.2 x 19.1 cm), Drawings, Anonymous, British, 19th century

Sugar Bowl, 1885, Made in Brooklyn, New York, United States, American, Porcelain, 7 x 4 in. (17.8 x 10.2 cm), Ceramics, Union Porcelain Works (1863–ca. 1922), Union Porcelain Works was one of the most important and inventive American

Bowl, 1908–12, Made in Oyster Bay, New York, United States, American, Earthenware, 2 1/4 x 4 3/4 in. (5.7 x 12.1 cm), Ceramics, William P. Jervis (American (born England), Stoke-on-Trent 1851–1925 Sparta, New Jersey), Jervis Pottery

A Grasshopper and a Bee, 17th century (?), Pen and black ink, gray wash, gouache, and watercolor, sheet: 3 5/16 x 2 5/16 in. (8.4 x 5.8 cm), Drawings, Anonymous, Dutch, 17th century

'Devotional Scene', Folio from the Bellini Album, ca. 1600, Attributed to The Netherlands, Ink, opaque watercolor, and gold on paper, H. 7 1/2 in. (19.1 cm), Codices

Tumbler, 1830–70, Made in United States, American, Pressed glass, H. 3 1/2 in. (8.9 cm); Diam. 3 1/16 in. (7.8 cm), Glass, With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late

The Annunciation (Angel Approaching from Left), 17th century, Black chalk, figure of angel reinforced with pen and light brown ink. Composition outlined in black chalk. On off-white paper, 4-1/16 x 6 in. (10.3 x 15.2 cm), Drawings, Anonymous,

Dish, ca. 1830, Made in Mexico, Mexican, Tin-glazed earthenware, H. 18 in. (45.7 cm), Ceramics

[Henriette-Caroline-Victoire Robert], ca. 1850, Salted paper print from paper negative, Mount: 12 13/16 in. × 10 3/8 in. (32.5 × 26.3 cm), Photographs, Louis-Rémy Robert (French, 1810–1882), Louis-Rémy Robert was head of the gilding and

Eurydice Bitten by a Serpent, n.d., Pen and brown ink, brush and brown wash, traces of black chalk. Framing lines in brown ink., 10 1/8 x 15 7/16 in. (25.7 x 39.2 cm), Drawings, Hendrick de Clerck (Netherlandish, 1570–1629

Jar with Chrysanthemums and Rocks, Edo period (1615–1868), 18th century, Japan, Porcelain painted with colored enamels over transparent glaze (Hizen ware; Kakiemon type), H. 9 1/4 in. (23.5 cm); Diam. 7 1/8 in. (18.1 cm), Ceramics, Often

Terracotta lamp with military equipment, Early Imperial, mid-1st century A.D., Roman, Terracotta; mold-made, Overall: 1 1/8 x 3 7/8 in. (2.9 x 9.8 cm), Terracottas, On discus, equipment comprising at top and bottom two large oval shields each

Dish, 1736–95, Made in China, Chinese, Porcelain, Diam. 9 1/2 in. (24.1 cm), Ceramics

Woman on a Sofa, 1875, Oil colors freely mixed with turpentine, with touches of pastel, over graphite underdrawing, on pink paper, 19 1/8 x 16 3/4 in. (48.6 x 42.5 cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris), This seems to

Half of a Prayer Bead with the Crucifixion, early 16th century, Netherlandish, Boxwood, 2 1/4 × 2 11/16 × 1 5/16 in. (5.7 × 6.8 × 3.4 cm), Sculpture-Miniature-Wood, The rosary, a fifteen-part prayer developed primarily by the Dominican

Disk Brooch, mid-600s, Frankish, Gold; garnet; red, pale, amber and blue glass; mother-of-pearl, Overall: 1 3/4 x 7/8 in. (4.4 x 2.2 cm), Metalwork-Gold, The dress of Frankish women generally consisted of a tunic, cinched by a belt from

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 77r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Jar, ca. 1775–1800, Made in Puebla, Mexico, Mexican, Tin-glazed earthenware, H. 10 3/8 in. (26.4 cm); Diam. 4 3/8 in. (11.1 cm), Ceramics

Tumbler, 1830–70, Made in United States, American, Pressed glass, H. 3 3/4 in. (9.5 cm); Diam. 3 7/16 in. (8.7 cm), Glass, With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late

Les Singuliers et Nouveaux Portraicts... page 35 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Flute, PreColumbian, 200 B.C.–100 A.D., Colima, Mexico, Colima, clay, L. 14 1/2 × Diam. 1 in. (36.8 × 2.5 cm), Aerophone-Whistle Flute-recorder

Cayuga Lake, Elbow Curve, 1895–1900, Albumen silver print from glass negative, Image: 43 x 51.9 cm (16 15/16 x 20 7/16 in.), Photographs, William H. Rau (American, 1855–1920), Although William Rau is perhaps best known for his photographs

Design for a Mirrored Cabinet and a Set of Corner Shelves, 19th century, Ink, watercolor and gouache, Anonymous, British, 19th century

Reclining Woman, early 20th century, Graphite and light blue paper., 11 x 7 3/8 in. (27.9 x 18.8 cm), Drawings, Paul Scheurich (American German, New York 1883–1945 Brandenburg

Design for a Fancy Table, Louis Quatorze Style, 1835–1900, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Rattle, Whistle, and Bells, 1735–45, Made in New York, New York, United States, American, Silver and coral, 6 1/4 in. (15.9 cm); 2 oz. 15 dwt. (85 g), Silver, Richard Van Dyck (1717–1770) or, Peter Van Dyck (1684–1750), This object

Sheet with putti and several figures, pen and ink and graphite, 7-1/4 x 8-1/2 in. (18.4 x 21.6 cm), Drawings, Félicien Rops (Belgian, Namur 1833–1898 Essonnes

U.S. Transport in Rapids, Tennessee River/The Suck - Tennessee River below Chattanooga, looking down stream, ca. 1864, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Mathieu. Gustave., 1880s–90s, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a distinguished family of scientists and

Female Figure, 3rd century B.C.–A.D. 4th century, Mexico, Mesoamerica, Michoacan, Chupicuaro, Ceramic, pigment, H. 4 5/16 in. (11 cm), Ceramics-Sculpture

Pitcher, ca. 1830–31, Made in Poughkeepsie, New York, United States, American, Red earthenware, 11 in. (27.9 cm), Ceramics, Orcutt & Thompson

Fortitude of Harmonia, 18th–19th century, Pen and brown ink, brush and grey wash, Sheet: 3 3/16 × 4 5/8 in. (8.1 × 11.7 cm), Drawings, Edward Francis Burney (British, Worcester 1760–1848 London

Saltcellar, ca. 1840, Made in Mexico, Mexican, Tin-glazed earthenware, H. 2 3/8 in. (6 cm), Ceramics

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 35 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Dolly Varden, 1900s, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Christ's Entry Into Jerusalem, 1696–1704, Pen and black ink, brush and grey wash, over traces of red chalk. Incised., 12 11/32 x 8 1/10 in. (31.4 x 20.6 cm), Drawings, Jan Goeree (Dutch, Middelburg 1670–1731 Amsterdam

Tieback, ca. 1860, Made in United States, American, Gilt bronze, blown glass, Glass

Inscribed Seal, 10th–11th century, Excavated in Iran, Nishapur, Jet; incised, H. 13/16 in. (2 cm), Seals, Inscribed seals, used to validate documents or goods, were often worn on a string or chain. Some examples, whose inscriptions invoke

Letter with textile samples, late 18th–early 19th century, French, No dimensions recorded., Textiles-Methods and Materials

Valois, 1866, Albumen silver print from glass negative, Image: 7 9/16 × 9 1/4 in. (19.2 × 23.5 cm), Photographs, André-Adolphe-Eugène Disdéri (French, Paris 1819–1889 Paris

Landscape with Figure, early 16th century, Pen and brown ink, 7 x 8 5/16 in. (17.8 x 21.1 cm), Drawings, The Veneto (1500–1529), This sketch is an important early example of landscape in Italian art. The composition, including a figure in

Two Women with Fans, 19th century, Pen and brown ink, gray, blue, and brown wash. Laid down., 15 9/16 x 11 1/4 in. (39.5 x 28.6 cm), Drawings, Constantin Guys (French, Flushing 1802–1892 Paris

Mantel clock (pendule de chiminée), Clockmaker: Paul Gudin Le Jeune (French, recorded 1739, died 1755), clock ca. 1750, figures decorated ca. 1737/38, French, Paris with German, Meissen and French, Vincennes case, Case: hard-paste and

The Virgin and Saints Interceding before Christ for the Souls of the Lost, 1771 or before, Pen and black ink, watercolor and gouache on laid paper, Sheet: ca. 26 x 17 11/16 in. (66 x 45 cm), Drawings, Johann Baptist Enderle (German, Ulm

July (one of a series representing the labors of the months), 1690 or slightly earlier, Red chalk, 3 1/4 x 4 3/4 in. (8.3 x 12.1 cm), Drawings, Jonas Umbach (German, Augsburg 1624–1693 Augsburg

Siren, ca. 1571–90, Italian, Rome, Bronze, Overall (confirmed): H. 32 1/8 x W. 44 3/4 x D. 13 3/8 in., 130lb. (81.6 x 113.7 x 34 cm, 58.9676kg), Sculpture-Bronze, Direct and dramatic, this bronze half-length statue represents a nude

Design for Rear Decoration of a Coach, n.d., Pen and brown ink, brush and gray wash over traces of lead point, 9-3/4 x 8-5/8 in. (24.8 x 21.9 cm), Drawings, Attributed to Agostino Letterini (Italian, Venice, 1642–1730), Attributed to

Plate, 1774, French, Toulouse, Silver, Overall: 9 3/4 in., 18oz. (24.8 cm, 514.1g), Metalwork-Silver, Covered bowls such as this were known in France as ecuelles, and were intended for the serving of hot broth or soup. Broth was commonly

The Execution of Saint John the Baptist, ca. 1770, Oil on canvas, 24 × 16 1/2 in. (61 × 41.9 cm), Paintings, Ubaldo Gandolfi (Italian, San Matteo della Decima 1728–1781 Ravenna), This work, by one of the leading painters of

Egg Cup, 1870–80, Made in Pittsburgh, Pennsylvania, United States, American, Pressed yellow glass, H. 4 1/4 in. (10.8 cm); Diam. 2 3/4 in. (7 cm), Glass, Adams and Company

Design for Stained Glass Windows, 19th century, Pen and black and brown ink, with touches of watercolor, over graphite, sheet: 7 1/8 x 4 in. (18.1 x 10.2 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and Son

Visitation, 1768–1837, Brush with dark grey and black watercolor/gouache wash and pen and brown ink, highlighted with brush and white gouache on grey-washed off-white paper cut into shape, with domed top. Composition outlined in pen and black

Pitcher, 1825–75, Made in Pennsylvania, United States, American, Earthenware; Redware, 8 3/8 x 8 1/2 x 7 1/2 in. (21.3 x 21.6 x 19.1 cm), Ceramics

Fragment of a Shawl, 9th–10th century, Attributed to Egypt, Wool, linen; plain weave, tapestry weave, H. 8 3/4 in. (22.2 cm), Textiles-Woven

Metal Object, with Initials 'PR', for Church, second half 19th century, Gouache, sheet: 2 3/8 x 3 in. (6 x 7.6 cm), Anonymous, British, 19th century

The Month of April: Man Grafting a Branch onto a Tree, 16th century, Pen and black ink over traces of black chalk., 4 1/8 x 3 1/16 in. (10.5 x 7.8 cm), Drawings, Erasmus Hornick (Netherlandish, Antwerp ca. 1520–1583 Prague

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H 9.3 cm ( 3 11/16 in.); W 13.5 cm ( 5 5/16

[Pair of Stereograph Views of Chapel Royal, London], 1850s–1910s, Albumen silver prints, Mounts approximately: 8.8 x 17.5 cm (3 7/16 x 6 7/8 in.), Photographs, Unknown

Study of a Seated Nude, Bearded Man in Half-Length, 1590–1654, Pen and brown ink on light tan laid paper, 5-3/4 x 4-7/8 in. (14.6 x 12.4 cm), Drawings, Attributed to Francisco de Herrera, the Elder (Spanish, Seville ca. 1590–1654 Madrid

Ceiling Design, 1633–1703, Red chalk with brush and red wash, highlighted with white gouache, over black chalk underdrawing on off-white paper. Some architectural elements constructed with ruler and compass, 6-5/16 x 10-1/2 in. (16.0 x 26.7

Allegorical Figure of Abundance, 18th century, Blue oil paint on beige paper, 8-13/16 x 13 in. (22.4 x 33 cm), Drawings, Anonymous, Italian, first half of the 18th century

Limestone male figure, Archaic, mid-6th century B.C., Cypriot, Limestone, H. 36 1/2 in. (92.7 cm), Stone Sculpture

Drawings and Prints, Books Prints Ornament & Architecture, Libro quarto. De rechami per elquale se impara in diuersi modi lordine e il modo de recamare...Opera noua, page 18 (verso), Publisher, Alessandro Paganino, Italian, active Salò,

Designs for Wall Ensemble with Scroll and Grotesque Motifs, 1700–1780, Brush and gray wash, over lead point or black chalk, Sheet: 8 9/16 x 10 1/4 in. (21.7 x 26 cm), Drawings, Anonymous, Italian, Piedmontese, 18th century

Armchair, 1881–82, Made in New York, New York, United States, American, Gilded wood, mother-of-pearl, and original silk velvet upholstery, 33 1/2 x 27 x 28 in. (85.1 x 68.6 x 71.1 cm), Furniture, Herter Brothers (German, active New

Two Designs for Wall Decorations on a Hatched Ground, 18th century, Pen and maroon and dark brown ink over chalk, 11-1/8 x 6 in, Anonymous, Italian, 18th century

Teapot, ca. 1888, Made in New York, New York, United States, American, Silver, silver-gilt, enamel and ivory, 4 3/4 x 10 7/8 x 5 3/16 in. (12.1 x 27.6 x 13.2 cm); 12 oz. 13 dwt. (393 g), Silver, Tiffany & Co. (1837–present), An 1898

[Two Plumbers with a Pipe, Pipe Cutter, and Toolbox], 1870s–80s, Tintype, Image: 9 x 6.4 cm (3 9/16 x 2 1/2 in.), Photographs, Unknown (American

Design for a Wine Fountain, ca. 1770–1816 , Pen, black ink with brush and grey wash, 10 3/16 x 7 1/16in. (25.8 x 18cm), Henri Auguste (French, Paris 1759–1816 Port-au-Prince

Drawing for Ceiling Decoration, 17th century, Pen and brown ink, brush and brown wash, over graphite underdrawing and ruled construction, sheet: 11 15/16 x 7 5/8 in. (30.4 x 19.4 cm), Drawings, Anonymous, Italian, 17th century

Snuff bottle with eagle and bear, Qing dynasty (1644–1911), 19th century, China, Chalcedony, H. 2 7/8 in. (7.3 cm); W. 2 1/8 in. (5.4 cm); D. 7/8 in. (2.2 cm), Snuff Bottles, The combination of an eagle and a bear is a Chinese rebus for hero

Vase, 18th century, Made in Italy, Italian, Opaque glass with enamel decoration, H. 7 in. (17.8 cm), Glass

The Mountain Stream, Pen and black ink, 7 5/8 x 6 3/4 in. (19.3 x 17.1 cm), Drawings, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

The Sultan, 1774, Brush and brown wash over black chalk underdrawing, 14 1/4 × 11 1/4 in. (36.2 × 28.6 cm), Drawings, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris

Square Cloth with Feathered Border, 14th–15th century, Peru, Chimú, Feathers, camelid hair, cotton, wool, H x W: 12 x 2 3/8in. (30.5 x 6cm), Textiles-Featherwork

The Rape of Ganymede, 1694, Red chalk, with graphite underdrawing, sheet: 3 11/16 x 5 3/8 in. (9.4 x 13.7 cm), Drawings, Sophia Blesendorf (German, active late 17th century

Panel with trophy representing Europe, 18th century, French, Oak, Overall: 88 5/8 × 23 1/2 in. (225.1 × 59.7 cm), Woodwork

Figure with Cup and Disk, 3rd–5th century, Peru, Moche, Ceramic, H. 5 3/4 in. (14.61 cm), Ceramics-Sculpture

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 102 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Drawings and Prints, Album Print Ornament & Architecture, Diverses Pieces de Serruriers, page 13 (recto), Artist, Artist, After, Hugues Brisville, Jean Berain, Gabriel Ladame, French, born ca. 1633, active Paris 1663, French,