Images at Librifly

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 12 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 16 (recto), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

山水図, Landscape, Edo period (1615–1868), first half of the 18th century, Japan, Hanging scroll; ink and color on paper, Image: 53 7/8 × 12 1/2 in. (136.8 × 31.8 cm), Paintings, Yanagisawa Kien (Japanese, 1704–1758), Although the

North Front and Second Floor Plan of John Munn House, Utica, New York, 1854, Ink and watercolor, Sheet: 14 3/8 x 9 3/4 in. (36.5 x 24.8 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey

Two Studies for the Madonna and Child (recto); Flagellation (verso), 16th century, Pen and ink, one sketched in red, 6 x 7 in. (15.2 x 17.8 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Prince Lobkowitz, 1858, Albumen silver print from glass negative, 20.0 x 23.2 cm (7 7/8 x 9 1/8 in.), Photographs, André-Adolphe-Eugène Disdéri (French, Paris 1819–1889 Paris), Disdéri popularized the system by which eight exposures

Les étoiles de jois, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Design for a Four-poster Bed with Draperies, 1840–99, Ink, watercolor, wash and graphite, sheet: 16 1/4 x 13 in. (41.3 x 33 cm), Anonymous, British, 19th century

Bronze serpentine-type fibula (safety pin), Geometric, 8th century B.C., Etruscan, Bronze, Other: 3 3/8 in. (8.6 cm), Bronzes, Two spirals, both of one turn. The bow has a series of moulded beads

Building On a Riverbank, 1760–79, Pen and black ink, sheet: 7 3/4 x 13 in. (19.7 x 33 cm), Drawings, After John Hamilton Mortimer (British, Eastbourne 1740–1779 London), Formerly attributed to John Thomas 'Antiquity' Smith (British,

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... title page (verso), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. Scene takes place within the interior of a room.

清 玉髓雙螭耳杯, Cup and tray, Qing dynasty (1644–1911), 18th century, China, Chalcedony, Cup: H. 1 3/8 in. (3.5 cm); W. 4 in. (10.2 cm), Hardstone

Studies, Pen and black ink, 3 1/4 x 6 1/16 in. (8.3 x 15.4 cm), Drawings, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

Arithmetic, 1760, Fresco, transferred to canvas, 146 x 57 7/8 in. (370.8 x 147 cm), Paintings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid) and Workshop, and Girolamo Mengozzi (called Colonna) (Italian, Venetian,

Panel, mid- to late 18th century, Indian, probably Gujarat, Cotton, embroidered with silk, L. 41 x W. 34 inches (104.1 x 86.4 cm), Textiles-Embroidered

The Albany Buoying a Bight of the Cable of 1865 on the Night of August 26th, 1866, 1866, Watercolor with touches of gouache, Sheet: 8 1/8 x 12 13/16 in. (20.6 x 32.5 cm), Drawings, Robert Charles Dudley (British, 1826–1909), One of the 19th

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 6 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le Clerc,

Dish with Heron Design, Edo period (1615–1868), late 17th century, Japan, Porcelain with underglaze blue decoration (Hizen ware, Nabeshima type), H. 1 1/4 in. (3.2 cm); Diam. 5 1/2 in. (14 cm), Ceramics

Study of a Tree, 16th century, Pen and brown ink., 6 7/8 x 4 13/16 in. (17.4 x 12.3 cm), Drawings, Anonymous, Netherlandish, 16th century

Study of a Draped Torso, 19th century, Black chalk highlighted with white chalk, Sheet: 12 3/16 x 8 1/2 in. (31 x 21.6 cm), Drawings, Anonymous, British, 19th century, This drawing of the upper part of a gown worn by a lightly sketched form

[Boy in Profile, Face Shown Frontally in Mirror], 1850s, Salted paper print from paper negative, 14.8 x 20.5 cm (5 13/16 x 8 1/16 in.), Photographs, Unknown (British

[Girl with Striped Robe], 1870s, Albumen silver print, Photographs, Unknown

Marble portrait bust of a woman, Antonine, ca. A.D. 155–165, Roman, Marble, 29 3/4 in. × 19 1/2 in. × 10 in. (75.6 × 49.5 × 25.4 cm), Stone Sculpture, This woman wears a stola and palla wrapped around her shoulders. A separate marble

Covered Urn, ca. 1800, Made in China; Object place NEW ZEALAND ROTORUA WHAKAREWAREWA, Chinese, Porcelain, 17 1/2 x 10 in. (44.5 x 25.4 cm), Ceramics

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 3 × 3 in. (7.6 × 7.6 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Tea Spoon, 1770–1800, American, Silver, L. 5 3/8 in. (13.7 cm), Silver, Marked by A. H

Ruhe (Repose) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate VIII. First edition, 1881, Etching, drypoint and aquatint on chine collé; first edition, Overall: 18 5/16 x 26 in. (46.5 x 66 cm), Prints,

Blackthorn, designed 1892, Block-printed wallpaper, Sheet: 27 x 21 1/2 in. (68.6 x 54.6 cm), Wallpaper

Figure 12: A study of the contraction of and the expression produced by the superior part of m. orbicularis oculi, 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.3 × 20.4 cm (11 1/8 × 8 1/16 in.),

Workshop Interior, 1629–77, Black chalk, gray wash, sheet: 5 11/16 x 7 5/8 in. (14.5 x 19.3 cm), Drawings, Thomas Wijck (Dutch, Beverwijck, near Haarlem 1616?–1677 Haarlem

Symbolic Figure (a Sibyl?), 16th century, Pen and ink, brush and wash, touched with red chalk and Chinese white, on brown grey paper, 10-1/8 x 5-5/8 in. (25.7 x 14.3 cm), Drawings, Anonymous, Italian, Venetian, 15th to 16th century

Divan (Collected Works) of Jami, ca. 1480, Attributed to Iran, Shiraz, Ink, opaque watercolor, and gold on paper; leather binding, 10 x 6in. (25.4 x 15.3cm), Codices, This manuscript is signed by a member of the renowned al?Khwarazmi family

[Three Seated Men with Arms Around Each Other], 1860s, Ambrotype, Image: 6.5 x 8.7 cm (2 9/16 x 3 7/16 in.), Photographs, Unknown (American

Beaker, ca. 1765, Probably made in Bristol, Bristol, England, British, Opaque glass with enamel decoration, H. 8 in. (20.3 cm), Glass

Madonna and Child, probably 1440s, Tempera on wood, gold ground, Overall, with arched top, 34 1/2 x 25 in. (87.6 x 63.5 cm); painted surface 30 1/2 x 21 3/4 in. (77.5 x 55.2 cm), Paintings, Jacopo Bellini (Italian, Venetian, active

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 5 (recto), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Royal bust with atypical snake, Late Period–Ptolemaic Period, Dynasty 30, 400–200 B.C., From Egypt, Alabaster (gypsum), H. 12 cm (4 3/4 in.); W. 10 cm (3 15/16 in.); D. 4.3 cm (1 11/16 in.), Small Late Period and Ptolemaic reliefs or

Marble portrait head of a man, Late Imperial, 3rd century A.D., Roman, Marble, H.: 6 1/8 in. (15.5 cm), Stone Sculpture

Bow Brooch, late 5th–early 6th century, Alemannic, Silver-gilt, Overall: 3 7/16 x 2 5/16 x 1/2 in. (8.8 x 5.8 x 1.2 cm), Metalwork-Silver, The bow brooch was a component of many Germanic women’s dress. In Frankish territory brooches were

Interior with Columns and Vault, 17th century, Pen and brown ink, over traces of graphite underdrawing, sheet: 7 x 4 13/16 in. (17.8 x 12.2 cm), Drawings, Anonymous, Italian, 17th century

A Brook in the Forest, Oil on canvas, 19 7/8 x 24 1/8 in. (50.5 x 61.3 cm), Paintings, Gustave Courbet (French, Ornans 1819–1877 La Tour-de-Peilz

Earring disks, Archaic, 6th century B.C., Etruscan, Gold, Diameter (.a): 1 3/8 × 3/16 in. (3.4 × 0.5 cm), Gold and Silver

Bird-Shaped Brooch, second half 6th century, Made in Northern France, Frankish, Silver, glass paste, Overall: 1 3/16 x 1/2 x 1/4 in. (3 x 1.3 x 0.7 cm), Metalwork-Silver

[Carpenter with Square], 1860s–70s, Tintype, Image: 10 x 5.9 cm (3 15/16 x 2 5/16 in.), Photographs, Unknown (American

Pemjean. Lucien, Pierre. 32 ans, né à Lyon (Rhône). Publiciste. Anarchiste. 2/1/93., 1893, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 13 (recto), Publisher, Domenico da Sera, French, active Italy, 16th century, Sera,

Drawings and Prints, Book Prints Ornament & Architecture, New Modelbüch allen Nägerin u. Sydenstickern (Page 6v), Designer, Publisher, Hans Hoffman, Jacob Frölich, German, active Strasbourg, 1556, Strassburg, Hoffman, Hans, Frölich,

백자 항아리 조선, 白磁壺 朝鮮, Jar, Joseon dynasty (1392–1910), first half of the19th century, Korea, Porcelain, H. 9 in. (22.9 cm); Diam. 10 in. (25.4 cm); Diam. of rim 5 3/8 in. (13.7 cm); Diam. of foot 5 5/8 in. (14.3 cm),

The Resurrection of Christ, 17th century, Red chalk, brush and brown wash on cream paper, 8-3/16 x 5-13/16 in. (20.75 x 14.8 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Drawings and Prints, Books Prints Ornament & Architecture, Dedication page of Neu künstlich Modelbuch (page 2v), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Stassburg, Jobin, Bernhard, Swiss,

Palette Depicting a Pair of Mud Turtles, Predynastic, early Naqada II, ca. 3650–3500 B.C., From Egypt, Greywacke, H. 15.3 x W. 16 x Th. 0.6 cm (6 x 6 5/16 x 1/4 in.), The large mud turtle, Trionyx triunguis, which inhabited the Nile River

A Standing Soldier, 1561, Pen and black ink, over a sketch in black chalk, red chalk, sheet (rounded at the top): 8 5/8 x 5 1/2 in. (21.9 x 14 cm), Drawings, Michel Kirmer (active ca. 1552–ca. 1570

St. Paschal Baylon Adorning the Blessed Sacrament, 1739–1819, Black chalk (verso); brush and brown wash over black chalk underdrawing (recto) on off-white paper, 9-3/4 x 6 in. (24.8 x 15.2 cm), Drawings, Mariano Salvador de Maella (Spanish,

西園方済筆　梅に叭叭鳥図, Mynah Bird on Plum Branch, Edo period (1615–1868), 18th century, Japan, Hanging scroll; ink on paper, 36 3/16 x 10 1/2 in. (91.9 x 26.7 cm), Paintings, Saien Hōsai (Xiyua Fangqi) (1736?–?1795), A

Silhouetted Study of Bacchus in a Niche, 18th century, Pen and gray ink, brush with gray and pale brown wash, highlighted with white gouache, over black chalk, on cream paper. Figure cut out along contours and pasted onto a drawn niche with an

Bronze dragon-type fibula (safety pin), Geometric, 8th century B.C., Villanovan, Bronze, Other: 7 1/2 in. (19 cm), Bronzes, Dragon-type fibulae are a later variant of the serpentine type

Pomade pot, 1735–40, French, Chantilly, Tin-glazed soft-paste porcelain, silver, Overall (confirmed): 1 13/16 × 1 3/4 × 1 3/4 in. (4.6 × 4.4 × 4.4 cm), Ceramics-Porcelain, The widespread use of beauty products in eighteenth-century

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 15 (recto), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Ecce Homo, 1584, Pen and brown ink, brown and gray wash. Framing lines in pen and brown ink. Incised for transfer, sheet: 2 7/8 x 2 3/16 in. (7.3 x 5.6 cm), Drawings, Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp

Fuss eines 17 jährigen Jünglings, 1896, Photogravure, Image: 8 1/4 in. × 7 in. (21 × 17.8 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was

Corona delle Nobile et Virtuose Donne, Libro Terzo, page 7 (recto), 1620, Woodcut, Overall: 5 1/2 x 7 11/16 in. (14 x 19.5 cm), Designed by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice, published by Alessandro de'

Design for an Overdoor Decoration (?) (recto); Part of a Doorway (verso), 1740–60, Pen and brown ink, brush and wash, over traces of black chalk (recto). Pen and brown ink (verso), 4-1/2 x 5 in. (11.4 x 12.7 cm), Anonymous, Italian,

Lucidario di Recami, page 15 (verso), 1564

Roundel, 11th century, Made in Iran, Gold; filigree, granulation, Diam. 2 13/16 in. (7.1 cm), Jewelry, This splendid gold roundel exemplifies the refinement of Seljuq goldsmithing by virtue of its construction and combination of techniques.

Drawings and Prints, Album Prints Ornament & Architecture, Nouveau Livre de Vases, Designer, Etcher, Jean Bernard Toro, Charles Nicolas Cochin I, French, Dijon 1672–1731 Toulon, French, Paris 1688–1754 Paris, Toro, Jean Bernard,

Finger Bowl, 1880–88, Made in Sandwich, Massachusetts, United States, American, Blown amber glass with applied threaded decoration, H. 2 1/2 in. (6.4 cm); Diam. 5 1/8 in. (13 cm), Glass, Possibly Boston & Sandwich Glass Company (American,

Drawings and Prints, Books Prints Ornament & Architecture, Gemma pretiosa della virtuose donne, page 26 (recto), Designer, Publisher, Isabella Catanea Parasole, Gugliemo Facciotti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

'Retombante' Stool, ca. 1916–18, Lacquered beech, silvered bronze, and modern upholstery, H. 22 1/4, W. 25 1/2, D. 18 3/4 in. (56.5 x 64.8 x 47.5 cm), Furniture, The model name refers to this stool’s unusual shape. Its minimal sloping

Study of Three Old Gnarled Trees, 1660, Watercolor and gray wash, sheet: 9 15/16 x 9 5/16 in. (25.2 x 23.7 cm), Drawings, Jan Siberechts (Flemish, Antwerp 1627–ca. 1703 London

Design for an Oak Font, late 19th–early 20th century, Graphite, pen and ink and watercolor, sheet: 13 7/8 x 3 3/4 in. (35.3 x 9.5 cm), Ernest Geldart (British, London 1848–1929

Four Icons from a Pair of Doors (Panels), possibly part of a Polyptych: John the Theologian and Prochoros, the Baptism (Epiphany), Harrowing of Hell (Anastasis), and Saint Nicholas, early 15th century, Made in Crete ?, Byzantine, Tempera and

Portrait of a Man, 1693, Oil on canvas, Oval, 32 1/2 x 25 3/4 in. (82.6 x 65.4 cm), Paintings, Hyacinthe Rigaud (French, Perpignan 1659–1743 Paris), The sitter’s wig and his elegant costume—jewel, lace, and embroidered coat—suggest

Rinceau Ornament with the Head of a Zephyr, ca. 1889, Pen and black ink and graphite, sheet: 15 3/8 x 12 3/8 in. (39.1 x 31.4 cm), John Dibblee Crace (British, London 1838–1919 London

中國 南宋 建窯 兔毫釉茶碗, Tea Bowl with “Hare’s-Fur” Glaze, Southern Song dynasty (1127–1279), 12th century, China, Stoneware with iron glaze (Jian ware), H. 2 3/4 in. (7 cm); Diam. 5 in. (12.7 cm), Ceramics

Classical Design Element with Leaves and Vines, 1776–79, Graphite, sheet: 8 13/16 x 9 5/16 in. (22.4 x 23.7 cm), Attributed to Thomas Hardwick (British, London 1752–1829 London

Soldier, first half 20th century, Graphite, gouache, watercolor, green colored pencil, traces of graphite framing lines, sheet: 16 1/4 x 9 3/16 in. (41.2 x 23.4 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Acanthus Scroll with Rosette, 17th century, Brush and brown wash, over graphite underdrawing, image: 11 7/8 x 8 1/4 in. (30.2 x 21 cm), Anonymous, Italian, 17th century

Bust of a Man in Profile to Left, n.d., Red chalk, heightened with white, on beige paper, Drawings, Jacques Gamelin (French, Carcassonne 1738–1803 Carcassonne

Drawings and Prints, Album Drawings Prints Ornament & Architecture, Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects, Artist, Workshop of, Workshop of, Charles Percier, Pierre François

Design for a Wall with Three Windows, 1841–84, Graphite, sheet: 13 7/8 x 9 15/16 in. (35.2 x 25.2 cm), Charles Hindley and Sons (British, London 1841–1917 London

Section from the 'Qur'an of `Umar Aqta', late 14th–early 15th century (before 1405), Attributed to present-day Uzbekistan, Samarqand, Ink, opaque watercolor, and gold on paper, H. 19 1/2 in. (49.5 cm), Codices, This fragment of a page

Kunstbuchlein. Aetliche künste mancherley weise Dintten und aller hand Farben aubereyten, October 9, 1533, Books

Tomb of Don Pedro de Toledo in San Gracomo degli Spagnuoli, Naples, 1540–1946, Drawings, After Giovanni Marigliano (Giovanni da Nola) (Italian, Nola ca. 1488–1558, active Naples

Design for a Stole, late 19th–early 20th century, Watercolor, pen and black ink over graphite, sheet: 13 13/16 x 6 1/4 in. (35.1 x 15.9 cm), Ernest Geldart (British, London 1848–1929

Deer in Landscape, 1810–75, Watercolor on wove paper, Sheet: 7 1/2 x 9 7/16 in. (19 x 23.9cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

7 of Horns, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

Pillow Cover, Qing dynasty (1644–1911), 19th century, China, Silk tapestry (kesi), Overall: 23 1/4 x 25 3/4 in. (59.1 x 65.4cm), Textiles-Tapestries

Dagger Pommel, 12th–13th century, French, Bronze, L. 1 1/8 in. (2.9 cm); Wt. 1.7 oz. (48.2 g), Daggers

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 17 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Parade Saddle, ca. 1450, German or Tyrolean, Bone, polychromy, wood, leather, iron alloy, H. 16 1/2 in. (41.9 cm); L. 22 in. (54.8 cm); W. 17 in. (43.2 cm), Equestrian Equipment-Saddles, About twenty similarly decorated saddles exist,

A Female Martyr Saint, ca. 1650, Oil on wood, 20 x 16 3/8 in. (50.8 x 41.6 cm), Paintings, Carlo Francesco Nuvolone (Italian, Milan 1609–1662 Milan), The female saint portrayed in this painting is unidentified. The palm she holds in her left

Four Generations, ca. 1860, Salted paper print, Image (Oval): 28.1 × 22.4 cm (11 1/16 × 8 13/16 in.), Photographs, James Wallace Black (American, 1825–1896

Overflap and Inside Cover of a Khamsa (Quintet) of Nizami, dated A.H. 931/ A.D. 1524–25, Made in present-day Afghanistan, Herat, Binding: leather; embossed; gold and color , 12 5/8 x 8 3/4 in. (32.1 x 22.2 cm), Codices, Painted by Shaikh

Rosette Brooch, 550–600, Frankish, Silver-gilt, niello, garnet, Overall: 1 x 5/16 in. (2.6 x 0.8 cm), Metalwork-Silver, Garnets, worked in the cloisonné technique, featured prominently in the luxury jewelry of the Franks. Jewelers would

Design for a Token: Galères, 1740, 1740, Red chalk; red chalk wash surrounding design., 8 3/8 x 8 7/16 in. (21.3 x 21.4 cm), Drawings, Edme Bouchardon (French, Chaumont 1698–1762 Paris

Cornet-trompe in D, ca. 1862, Paris, France, French, Brass, L. perp. to bell 33.9 cm. (without mouthipiece), Diam. of bell 22.5 cm., Diam. of bore 0 inside receiver, Aerophone-Lip Vibrated-trumpet / trombone, Attributed to Alphonse

Pitcher, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 4 1/8 x 3 1/2 x 3 in. (10.5 x 8.9 x 7.6 cm), Ceramics

'Journey of the Prophet Muhammad', Folio from the Majma al-Tavarikh (Compendium of Histories), ca. 1425, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper, 16.87 in. high 13.00 in. wide (42.8 cm high 33

America, 16th century (?), Pen and brown ink, brush and brown wash. Squared in black chalk., 9 1/4 x 12 in. (23.5 x 30.5 cm), Drawings, Anonymous, Netherlandish, 16th century ?, after Maerten de Vos (Netherlandish, Antwerp 1532–1603

Branches and Vines Quilt, ca. 1875, Made in Pekin, Illinois, United States, American, Cotton, silk, and wool, 88 × 86 in. (223.5 × 218.4 cm), Textiles, Ernestine Eberhardt Zaumseil (American, 1828–1904), Working in the later years of