Images at Librifly

Forest Scene with Tree in Foreground, 17th century, Brush and gray wash, black chalk heightened with white, touches of green chalk in the center, 16 x 12 3/16 in. (40.7 x 30.9 cm), Drawings, Attributed to Jacques d'Artois (Flemish, Brussels

Goblet, 1830–70, Made in United States, American, Pressed glass, H. 6 in. (15.2 cm), Glass, With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late 1840s. By this time, pressed

[La Comtesse Seated with Fan], 1860s, Albumen silver print from glass negative, 9.8 x 13.0 cm (3 7/8 x 5 1/8 in.), Photographs, Giovanni Morotti (Italian

Design for a Corinthian Entablature for the Duke of Richmond, either for Richmond House, Whitehall, London, or Goodwood, Sussex, late 18th–early 19th century, Pen and black and brown ink, sheet: 15 1/4 x 19 7/8 in. (38.7 x 50.5 cm), Thomas

Dery. Louis. 60 ans, né à Cobugny (Nièvre). Cordonnier. Anarchiste. 9/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born

Apothecary Jar, ca. 1800, Made in Mexico, Mexican, Tin-glazed earthenware, H. 7 7/8 in. (20 cm), Ceramics

Design for a Frieze with a Coat of Arms with a Serpent and a Landscape Scene with Women and Children, 18th century, Pen and ink and red chalk (partially pricked for transfer), 3-7/8 x 17-3/4 in, Anonymous, Italian, 18th century

Corner cupboard from a House in Lancaster County, Pennsylvania, ca. 1761, Made in Lancaster County, Pennsylvania, United States, American, Painted wood, Architecture

Charlier. Ernile, Frédéric. 40 ans, né à Brest (Finistère). Peintre. Vol. 18/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Spoon, 1670–90, Made in New York, New York, United States, American, Silver, 3/4 x 6 3/8 in. (1.9 x 16.2 cm); 1 oz. 10 dwt. (46 g), Silver, Jurian Blanck Jr. (baptized 1645–ca. 1714/15

The Laundry, 1840s, Albumen paper negative, Image: 5 13/16 × 5 5/16 in. (14.7 × 13.5 cm), Negatives, Louis-Adolphe Humbert de Molard (French, Paris 1800–1874

Madura. The Great Pagoda Jewels., January–February 1858, Albumen silver print from dry collodion on glass negative, Image: 21.9 x 30.1 cm (8 5/8 x 11 7/8 in.), Photographs, Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822–1902

Illustration for 'Snegurochka' [Snegurochka in the forest], ca. 1925, Gouache, metallic inks, and black ink, heightened with white, over graphite., Image: 10 3/4 x 8 1/16 in. (27.3 x 20.5 cm), Drawings, Boris Zvorykin (Russian, Moscow

The Allatoona Pass, Georgia, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

明晚期 黑漆嵌螺鈿人物故事圖葵口盤, Dish with Figures in a Landscape, probably a Scene from the Romance of the West Chamber ( Xixiang Ji ), Ming dynasty (1368–1644), 16th century, China, Black lacquer with mother-of-pearl

Design for a Chimneypiece Made from an Old Altarpiece, 19th century, Ink and watercolor, sheet: 14 9/16 x 11 7/8 in. (37 x 30.2 cm), Anonymous, British, 19th century

Mythological Scene, 17th century, Red chalk on cream paper, 6-13/16 x 10-1/4 in. (17.3 x 26.1 cm), Drawings, Anonymous, Italian, Bolognese, 17th century

Studies for Five Figures of Angels Standing, and Seated on Clouds, 17th century, Pen and light brown ink over black chalk. On off-white paper, 4-1/2 x 5-1/4 in. (11.4 x 13.3 cm), Drawings, Anonymous, Spanish, School of Seville, 17th century

Funerary stela of Thutirtis, born of Kerbet (?), Late Period–Ptolemaic Period, 350–300 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Ptolemaic Cemetery (Birabi), Burial 35, near tomb, 1912–13, Limestone, paint, H. 28.3 cm (11 1/8

Ring, Ptolemaic Period, Ptolemaic Dynasty, 200–30 B.C., From Egypt, Gold, garnet, L. 1.9 x W. 1.6 cm (3/4 x 5/8 in), This ring is set with a garnet cabochon, that is, a garnet cut and polished so as to be rounded rather than faceted. Such

Bronze horse bit, Late Geometric, ca. 725–700 B.C., Late Villanovan, Bronze, width 8 3/16in. (20.8cm), Bronzes, Solid cast, with twisted mouthpiece terminating in heavy rings that orgianlly held the guide reins. The ends are flanked with

Enthroned Buddha Finial, 4th–5th century, Pakistan (ancient region of Gandhara), Bronze, H. 4 3/8 in. (11.1 cm); W. 2 1/8 in. (5.4 cm); D. 1 1/4 in. (3.2 cm), Sculpture

葡萄蝉図, Cicada on a Grapevine, Muromachi period (1392–1573), late 14th century, Japan, Hanging scroll; ink on paper, Image: 25 1/4 × 12 1/8 in. (64.2 × 30.8 cm), Paintings, Bokurin Guan (Japanese, active late 14th century), At the

Design for an Altar: Virgin and Child Flanked by Saints, Two Angels in the Left and Right Foreground, 1600–1800, Pen and brown ink, brush and brown wash, over lead or graphite, on cream laid paper. Framing lines in brown ink, 8-1/2 x 6-1/8

Glass bowl fragment with cut decoration, Late Imperial, ca. A.D. 330–380, Roman, Glass; blown and cut, 3/4 × 1 9/16 × 1/16 in. (1.9 × 4 × 0.2 cm), Glass, Translucent green., Small body fragment, joined to five other fragments

Antiope, 17th century, Pen and brown ink, with red chalk wash., sheet: 8 7/8 x 11 1/2 in. (22.5 x 29.2 cm), Drawings, Anonymous, Italian, 17th century

Pitcher, ca. 1850–75, Made in Pennsylvania, United States, American, Earthenware; Redware, 7 9/16 x 7 1/4 x 6 1/4 in. (19.2 x 18.4 x 15.9 cm), Ceramics

Tray or Platter with Two Alternate Designs, 19th century, Pen and wash, 12-1/8 x 12-1/8 in, Drawings, Anonymous, Italian, 19th century

Costume Design for 'Officiers du duc Frédéric' [a]; Descriptive Sheet of Costume Accessories [b], 1889, Pen and black ink, watercolor, over graphite underdrawing, 12 3/8 x 9 7/16 in. (31.4 x 23.9 cm), Drawings, Charles Bianchini (French,

Study of Two Soldiers Swordfighting, 17th century, Black and white chalk, heightened with cream-colored gouache, on blue paper, sheet: 6 9/16 x 9 7/16 in. (16.7 x 23.9 cm), Drawings, Adam Frans van der Meulen (Flemish, Brussels 1632–1690

Venus de' Medici; view from the front, 1640, Black chalk, brush and gray wash, white heightening on blue paper, 16 1/2 x 10 13/16in. (41.9 x 27.4cm), Drawings, Peter van Lint, Flemish (Antwerp 1609–1690 Antwerp

'Shah Jahan on Horseback', Folio from the Shah Jahan Album, verso: ca. 1630; recto: ca. 1530–50, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 5/16 in. (38.9 cm), Codices, Painting by Payag (Indian, active ca.

Design for Wall Decoration, Gouache, 5 13/16 x 14 3/16 in. (14.7 x 36 cm.), Pierre François Léonard Fontaine (French, Pontoise 1762–1853 Paris

Ceiling Vault of Palazzo Mattei, Rome, 1750–59, Pen and gray ink, brush and gray wash, sheet: 14 5/16 x 9 11/16 in. (36.4 x 24.6 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 4 (verso), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

Shell pestle/polisher, Early Cycladic II, ca. 2700–2400 B.C., Cycladic, Spondylus shell (aragonite), 3/4 × 7/16 in. (2 × 1.1 cm), Miscellaneous-Shell, Small pestle or polisher carved from a piece of shell

Pontoon Bridge Train, James River, 1864, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

[Peasant Woman], 1870s, Albumen silver print from glass negative, Photographs, Unknown

Design for a Trolley Station, 19th–20th century, Pen and ink and wash, Robert Adams (British (?), active ca. 1900

Savard. Henri-Auguste. 29 ans, né le 7/5/65 à Paris XXe. Ciseleur. Anarchiste. 2/7/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Ornament for Cartouche, 16th century, Pen and brown ink, washed, 3-1/2 x 4-5/8 in. (8.9 x 11.7 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Franz Xavier Habermann, Martin Engelbrecht, Jeremias Wachsmuth, Carl Pier, German,

Waringin, (Banyan), 1860s–70s, Albumen silver print from glass negative, 20.2 x 27.4 cm (7 15/16 x 10 13/16 in.), Photographs, Unknown

Harpokrates, Third Intermediate Period–Late Period, 7th–4th century B.C., From Egypt, Cupreous metal, precious metal inlay, H. 15.5 cm (6 1/8 in.); W. 3 cm (1 3/16 in.); D. 7 cm (2 3/4 in.), The figure represents a child god in a

Beaker, ca. 1785–95, Italian, Naples, Soft-paste porcelain, Height: 2 5/16 in. (5.9 cm), Ceramics-Porcelain

Drawings and Prints, Books Prints Ornament & Architecture, Libro quarto. De rechami per elquale se impara in diuersi modi lordine e il modo de recamare...Opera noua, page 11 (recto), Publisher, Alessandro Paganino, Italian, active Salò,

Les Singuliers et Nouveaux Portraicts... page 43 (verso), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Lea Castle, Worcestershire, View in Bower, looking North, ca. 1816, Watercolor, sheet: 8 x 6 3/4 in. (20.3 x 17.1 cm), Attributed to John Carter (British, London 1748–1817 London

Snuff Bottle, Qing dynasty (1644–1911), late 18th–early 19th century, China, Smoky quartz with jadeite stopper, H. 3 1/4 in. (8.3 cm), Snuff Bottles

Design for Serving Piece, 16th century, Pen and black ink, brush with gray and yellow wash over traces of red chalk, 16 7/16 x 11 5/16 in. (41.8 x 28.7 cm), Drawings, Erasmus Hornick (Netherlandish, Antwerp ca. 1520–1583 Prague

La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 2 (verso), 1556, Woodcut, Overall: 8 1/4 x 6 1/8 in. (21 x 15.5 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice. From top to bottom, and left to right: Design

Parrying Dagger, ca. 1550–75, Italian, Steel, gold, brass, wood, L. 15 7/8 in. (40.3 cm); L. of blade 11 in. (27.9 cm); W. 5 in. (12.7 cm); W. of blade 1 1/16 in. (2.7 cm); thickness of blade 3/8 in. (1 cm); Wt. 15 oz. (425.2 g), Daggers,

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 28 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

Bronze oinochoe (jug) handle with lion's head and female protome, Archaic, 6th century B.C., Etruscan, Bronze, Other: 6 13/16 in. (17.3 cm), Bronzes, Terminating above in a lion's head flanked by two smaller animal heads and below a female

Terracotta statuette of a woman, Middle Cypriot III–Late Cypriot I, ca. 1725–1450 B.C., Cypriot, Terracotta; hand-made, H. 10 7/16 in. (26.49 cm), Terracottas, The figure is hollow, unlike others of its type. The elongated ovoid body is

The Rape of the Sabines, late 17th–mid 18th century, Black chalk on vellum; framing line in black chalk, by the artist, Sheet: 7 11/16 × 12 15/16 in. (19.5 × 32.8 cm), Drawings, Willem van Mieris (Dutch, Leiden 1662–1747 Leiden

Charger with cavalier and portrait medallions, 1677, British, Staffordshire, Slip-decorated earthenware, Overall (confirmed): 2 1/2 × 17 1/4 × 17 in. (6.4 × 43.8 × 43.2 cm), Ceramics-Pottery, Ralph Toft (British, 1600–1700

Sketches of Two Statues: 'Angel of War' and 'Angel of Peace', ca. 1850, Pen and brown ink, graphite, sheet: 3 5/8 x 3 3/16 in. (9.2 x 8.1 cm), Drawings, John Gibson (British, Gwynedd, Wales 1790–1866 Rome

Pie Dish, 1803–67, Made in Goshen, Connecticut, United States, American, Earthenware; Redware, Diam. 10 7/8 in. (27.6 cm), Ceramics, Attributed to Hervey Brooks (1779–1873

The Wilderness Battlefield, 1864, Albumen silver print from glass negative, Image: 4 7/8 × 3 11/16 in. (12.4 × 9.4 cm), Photographs, Unknown (American), Possibly by Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington,

Recto: Virgin and Child, and Saint John the Baptist; Verso: summary sketches, possibly the Virgin and Child, late 16th century, Brown and black oil with white heightening; verso: black chalk, 11 5/8 x 9 1/16 in. (29.5 x 23 cm), Drawings,

Nenfro tomb-slab fragment, Archaic, ca. 600–550 B.C., Etruscan, probably Tarquinian, Nenfro, Overall: 17 5/8 x 5 3/4 in. (44.8 x 14.6 cm), Stone Sculpture, This is the lower-left corner of a much larger stone slab that probably originally

Gold Buckle, 6th–7th century, Langobardic or Byzantine, Plaque: gold - sheet; wire - beaded; granulation. Tongue: gold - sheet; setting. Loop: gold., Overall: 1 1/4 x 3/8 x 2 5/16 in. (3.1 x 1 x 5.9 cm), Metalwork-Gold

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 42 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Sword Pommel, 12th–13th century, probably French, Copper alloy, enamel, Diam. 2 x 3/4 in. (5.1 x 1.9 cm), Swords-Accessories, This pommel is one of the best examples of a distinct group of sword and dagger pommels dating from the time of the

Candlestick with Three Branches, 18th century, Pen and brown ink, brush and gray wash, 12-1/4 x 8-1/2 in, Drawings, Anonymous, Italian, 18th century

Portrait, 17th century, Red chalk on light tan paper, 10 x 7-13/16 in. (25.4 x 19.9 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Carteau. Auguste. 23 ans, né à St-Florent (Cher). Verrier. Anarchiste. 1/5/92., 1892, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born

A Pipe Organ with Papal Arms, 16th century, Pen and brown ink, brush and brown wash, sheet: 14 3/16 x 10 3/8 in. (36 x 26.3 cm), Drawings, Anonymous, Italian, 16th century

Portrait of Christoph Mondragon, 17th century, Black chalk, brush and brown wash. Incised. Tacked down to white board., 5 7/8 x 4 15/16 in. (15 x 12.5 cm), Drawings, Anonymous, Flemish, 17th century

Panel with Cusped Arches, 14th century, From Morocco, Wood (cedar); carved and painted, H. 19 in. (48.3 cm), Wood, Marinid architecture shared many characteristics with that of Andalusia. In both traditions, carved wooden friezes, usually

La Sainte Bible (vol. 2), 1866, Steel plate engraving, 17 1/16 × 13 1/16 × 2 1/2 in. (43.4 × 33.1 × 6.4 cm), Books

Bowl (Tecomate), 12th–10th century B.C., Mexico, Mesoamerica, Olmec, Ceramic, H x Diam.: 4 5/8 x 6 1/4 in. (11.7 x 15.9 cm), Ceramics-Containers, A common vessel type called a tecomate, this bowl was shaped by hand into a gourd form using

Decorative Ram's Head, first half 19th century, Ink and wash, sheet: 17 3/8 x 12 1/2 in. (44.1 x 31.8 cm), (?) Anonymous, British, 19th century

Capital, 10th century, From Spain, probably Cordoba, Marble; carved, H. 14 1/2 in. (36.8 cm), Sculpture, This capital probably came from the splendid Umayyad royal residence city of Madinat al-Zahra', near Cordoba, Spain, which was founded

Martin. Constant. 53 ans, né le 5/4/39 à Santrevaux (Basses-Alpes). Crémier. Anarchiste. 27/4/92. , 1892, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Candelabrum in the form of an Urn Clasped by Carytides and Candle Branches, 1760–1806, Pen and ink and brush and wash, sheet: 9 7/8 x 7 in. (25.1 x 17.8 cm), Attributed to Henry Holland (British, Fulham, London 1745–1806 Chelsea, London

Dish (one of a pair) (part of a set), 1714/15, British, London, Silver gilt, Overall (confirmed): 2 1/8 × 8 5/8 × 8 5/8 in., 17 oz. 13 dwt. (5.4 × 21.9 × 21.9 cm, 548g), Metalwork-Silver, When Sir Paul Methuen embarked on his

Terracotta four-handled amphora (jar), Archaic, ca. 675–650 B.C., Etruscan, Italo-Corinthian, Terracotta, H. 24 in. (61 cm); diameter 11 1/4 in. (28.6 cm), Vases, Three felines and a winged hybrid. Vases of the same elongated shape and with

Neue Künstliche Figuren Biblischer Historien, 1576, Woodcuts, Overall: 8 1/4 x 6 1/8 x 9/16 in. (20.9 x 15.5 x 1.5 cm), Books, Woodcuts by Tobias Stimmer (Swiss, Schaffhausen 1539–1584 Strasbourg

'Preparing for the Pantomime', 1836–64, Watercolor, pen and brown ink over graphite, Sheet: 6 7/16 x 3 7/8 in. (16.3 x 9.8 cm), Drawings, John Leech (British, London 1817–1864 London

Cabinet Design with Central Shelves, 19th century, Graphite and watercolor on tracing paper, sheet: 4 13/16 x 5 1/8 in. (12.2 x 13 cm), Anonymous, British, 19th century

Two Episodes from the Parable of the Prodigal Son, ca. 1510–25, South Netherlandish, Wool warp; wool and silk wefts, Overall: 93 x 64 1/4in. (236.2 x 163.2cm), Textiles-Tapestries

Terracotta krater (mixing bowl), Archaic, ca. 550 B.C., Etruscan, Terracotta; bucchero pesante, total H. 10 11/16 in. (27.2 cm), Vases, Six female heads decorate the rim of the large vessel. Below, a frieze showing a procession of modeled

[Group of 55 Stereograph Views of Groups of Children], 1850s–1910s, Albumen silver prints, Mounts approximately: 8.7 x 17.4 cm (3 7/16 x 6 7/8 in.) to 9.9 x 17.8 cm (3 7/8 x 7 in.), Photographs, T. W. Ingersoll, R. B. Lewis (American), W. E.

Drawings and Prints, Print, Christ Carrying the Cross (copy), Publisher, Artist, After, Joannes de Ram, Nicolaes de Bruyn, Dutch, Amsterdam 1648–1696 Amsterdam, Netherlandish, Antwerp 1571–1656 Rotterdam, Ram, Joannes de, Bruyn,

Kneeling Angel With Hands Outstretched, 17th century, Pen and dark brown ink. On off-white paper, 4-7/16 x 4-3/16 in. (11.3 x 10.7 cm), Drawings, Anonymous, Spanish, School of Seville, 17th century

Bowl, 6th–3rd century B.C., Peru, Ica Valley, Paracas, Ceramic, post-fired resin paint, Overall: 3 3/4 in. (9.53 cm), Ceramics-Containers

Tunic, 7th century, Peru, Rio Grande de Nasca, Nasca, Camelid hair, Overall: 33 in. (83.82 cm), Textiles-Woven

Footed Bowl, early 13th century, Attributed to Iran, Bronze; inlaid with silver and black compound, H. 4 3/8 in. (11.1 cm), Metal, This footed bowl has a rich program of inlaid silver decoration. There are epigraphic bands under the rim and

Drawings and Prints, Books Prints Ornament & Architecture, Lucidario di Recami, page 2 (verso), Publisher, Designer, Jeronimo Calepino, Iseppo Foresto, Italian, active Venice, 1557, 1564, Calepino, Foresto, Iseppo, Italian, 1500,

Fragment of a Halo with Buddha Figure, Khotan Kingdom, 6th–7th century, China (Xinjiang Autonomous Region), Stucco with color, H. 4 3/4 in. (12.1 cm); W. 5 3/4 in. (14.6 cm); D. 1 1/8 in. (2.9 cm), Sculpture, These fragments are from an

Landscape with Farm House and a Steeple in the Distance, 17th century, Pen and brown ink, brown wash., 6 1/8 x 8 in. (15.6 x 20.3 cm), Drawings, Anonymous, Dutch, 17th century

Dish, 1690–1710, Japanese, for European market, Hard-paste porcelain, Diameter: 8 5/8 in. (21.9 cm), Ceramics-Porcelain-Export

[Palace of the Dey of Algiers, Algeria], 1859, Waxed paper negative, Image: 28.7 × 38.6 cm (11 5/16 × 15 3/16 in.), Negatives, Gustave de Beaucorps (French, 1825–1906), Beaucorps was born into a wealthy, aristocratic French family and

Boy Trying to Make an Ox Drink, Edo period (1615–1868), Japan, Hanging scroll; ink and color on paper, 34 1/4 x 13 in. (87x 33 cm), Paintings, Attributed to Sakai Hōitsu (Japanese, 1761–1828

Elephant Sword, 15th–17th century, Indian, Iron or steel, L. 24 in. (61.2 cm); Wt. 5 lb. 3 oz. (2362 g), Swords, Elephants were used in warfare in India for approximately a thousand years. In addition to armor, war elephants sometimes were

Disk Brooch, 7th century, Frankish, Copper alloy, coated with gold overlay, glass or stone, Diam. 1 9/16 x 13/16 inches (diam. 3.9 x 2.0 cm), Metalwork-Copper alloy

Standing Female Nude, 1810–49, Red and black chalk, heightened with white, on beige paper., 18-15/16 x 14-7/16 in. (48.1 x 36.6 cm), Drawings, William Etty (British, York 1787–1849 York

Pair of vases, ca. 1872–80, British, Stoke-on-Trent, Staffordshire, Porcelain, Overall: 12 1/8 × 5 5/8 × 3 7/8 in. (30.8 × 14.3 × 9.8 cm), Ceramics-Porcelain