Images at Librifly

Panel from a table carpet showing the Four Continents, the Seasons, and Four Planets, between 1662 and 1680, British, Linen and silk satin, embroidered with silk and wool, passementerie of silk thread, silk-wrapped parchment, and metal,

Seated Woman Holding a Fan, 18th century, Red chalk, 6 1/2 x 8 9/16 in. (16.5 x 21.8 cm), Drawings, François Boucher (French, Paris 1703–1770 Paris

The Nativity, ca. 1558–60, Etching, Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice), In Mariette Album, folio 15, bottom

A Roman Landscape with Figures, probably 1630s, Oil on copper, Diameter 16 in. (40.6 cm), Paintings, Goffredo Wals (German, Cologne, born ca. 1590–95, died 1638–40 Calabria), Wals was a key figure in the generation of painters who took

Bowl fragment, Halaf, ca. 5600–5000 B.C., From Syria, Tell Halaf (ancient Guzana), Halaf, Ceramic, 3.23 in. (8.2 cm), Ceramics-Vessels, This bowl has been pieced together from seventeen sherds. Approximately half of the rim is preserved

Design for an Oval Gold Box, Pen and gray and black ink over graphite, with brush and yellow and rose wash on top, 4 7/8 x 3 3/16 in. (12.4 x 8.1 cm), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Sauce Dish, ca. 1867, Made in Sandwich, Massachusetts, United States, American, Blown glass, H. 6 7/16 in. (16.4 cm); Diam. 3 7/16 in. (8.7 cm), Glass, Boston & Sandwich Glass Company (American, 1825–1888, Sandwich, Massachusetts

[Collection of British Calotypes and Wood-engravings], 1850s, Salted paper prints and engravings, 20.0 x 13.8 cm (7 7/8 x 5 7/16 in.), Albums, William John Newton (British, 1785–1869), Sir Thomas Maryon Wilson, 8th Baronet (British,

Design for Skylight, New University Club, 19th century, Pen and brown ink, watercolor over graphite, sheet: 14 x 17 in. (35.6 x 43.2 cm), John Dibblee Crace (British, London 1838–1919 London

[Escorial], 1880s–90s, Albumen silver print from glass negative, Photographs, Unknown

Design for Stained Glass with Marine Motifs, 19th century, Graphite, ink and watercolor, sheet: 18 3/8 x 14 9/16 in. (46.7 x 37 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and Son

Moses and the Burning Bush, n.d., Pen and point of the brush and ink, brush and gray wash, heightened with white, framing line in brown ink, Drawings, Gerard Hoet (Dutch, Zaltbommel, Gelderland 1648–1733 The Hague

The Cobbler, 17th century, Pen and brown ink, brush and gray wash, over graphite underdrawing. Incised for transfer., sheet: 6 3/4 x 5 3/4 in. (17.1 x 14.6 cm), Drawings, Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Study of Three Figures Skating, 18th century, Graphite, 4 1/2 x 8 1/4 in. (11.5 x 21 cm), Drawings, Anonymous, Dutch, 18th century

Jasper intaglio: Cock-headed anguipede, Imperial, ca. 2nd–3rd century A.D., Roman, Jasper, red, gold, Other: 1 3/8 x 7/8 x 1/8 in. (3.5 x 2.2 x 0.3 cm), Gems

Jasper intaglio: Harpocrates seated on lotus in papyrus boat, Imperial, ca. 2nd–3rd century A.D., Roman, Jasper, green, Other: 9/16 x 3/4 x 1/8 in. (1.5 x 1.8 x 0.3 cm), Gems

Jewelry design, ca. 1925, Gouache over black chalk and graphite outline; outlined in pen and black ink., sheet: 5 1/2 x 3 15/16 in. (13.9 x 10 cm), Drawings, Firm of Fernand Chardon (French, active ca. 1925

Gold Disk Brooch, 7th century, Frankish, Gold, copper alloy core, Overall: 1 1/16 x 5/16 in. (2.7 x 0.8 cm), Metalwork-Copper alloy, The relief pattern of these brooches was created by working a thin sheet of metal from the reverse side. Roman

Strap End, 650–700, Frankish or Allemanic, Bronze with traces of tin, Overall: 5 x 7/8 x 1/16 in. (12.7 x 2.2 x 0.1 cm), Metalwork-Bronze, Belts were important features of early medieval dress. Not only did they serve the practical function

Sauce Dish, ca. 1888, Made in Tarentum, Pennsylvania, United States, American, Pressed yellow glass, H. 2 5/8 in. (6.7 cm); Diam. 4 in. (10.2 cm), Glass, Richards and Hartley Flint Glass Co. (ca. 1870–1890

[Self-Portrait with Camera], ca. 1910, Gelatin silver print, Image: 2 13/16 × 3 3/4 in. (7.1 × 9.5 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Ornemental design, 1700–1780, Red chalk, brush and red chalk wash, over framing line in red chalk, 5 x 12-3/16 in. (12.7 x 31 cm), Drawings, Anonymous, Italian, Piedmontese, 18th century

Pendant, Roman Period or later, late 1st century BC–mid 4th century AD or later, From Egypt, Glass, L. 0.8 × W. 0.9 × D. 0.5 cm (5/16 × 3/8 × 3/16 in

Wine Glass, ca. 1885–87, Made in Wheeling, West Virginia, United States, American, Blown glass, H. 4 in. (10.2 cm), Glass, Probably Hobbs, Brockunier and Company (1863–1891

Marble portrait of the emperor Caracalla, Severan, A.D. 212–217, Roman, Marble, H. 14 1/4 in. ( 36.2 cm), Stone Sculpture, Caracalla took the official name of M. Aurelius Antoninus Pius as part of the Severan dynasty’s attempt to appear as

Belt Fitting, middle of 6th century, Made in Niederbreisig, Germany, Frankish, Copper alloy, Overall: 1 5/8 x 1 7/16 x 5/16 in. (4.2 x 3.6 x 0.8 cm), Metalwork-Copper alloy

Cros. Jean. 19 ans, né à Négrin (Tarn). Tailleur d'habits. Pas de motif. 8/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

La frisure, 1860s, Albumen silver print from glass negative, 7.6 x 9.8 cm. (3 x 3 7/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Birds of a Feather ('Entre los suyos'), 1807–45, Pen and dark brown ink on off-white paper. Composition outlined with pen and dark brown ink on all sides. Traces of black chalk under the inscription, 6-9/16 x 5-3/8 in. (16.7 x 13.7 cm),

Au Choix Design for a Ceiling, n.d., Pen and black ink, brush with gray wash and watercolor, over graphite. Measurement scale drawn along lower border, sheet: 10 3/8 x 6 11/16 in. (26.3 x 17 cm), Anonymous, Italian, first half of the 18th

Ear Ornament or Pendant (Kuru), 18th–early 19th century, New Zealand, Maori people, Greenstone (nephrite), H. 3 1/2 × W. 1/2 in. (8.89 × 1.27 cm), Stone-Ornaments, This small, elongated oval greenstone ornament was worn variously

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 3r), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Christ (?) and an Apostle, 18th century, Pen and bistre with sepia washes, 8-5/8 x 3-3/4 in, Drawings, Anonymous, Italian, 18th century

The Vicar of Freshwater, 1864, Albumen silver print from glass negative, 26.4 x 20.8 cm (10 3/8 x 8 3/16 in. ), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

[Pointed Arches, Sculptural Saints, and Rose Window on Unidentified Cathedral], 1880s, Albumen silver print from glass negative, Photographs, Unknown

Drawings and Prints, Books Prints Ornament & Architecture, Esemplario di lavori, page 8 (recto), Publisher, Nicolò Zoppino, Italian, Ferrara 1478/80–1544 Venice, Zoppino, Nicolò, Italian, 1478, 1544, August 1529

Swiss Dagger with Sheath, Bodkin, and By-Knife, ca. 1570, Swiss, Steel, gold, bronze, wood, textile, Dagger; L. with sheath 17 5/8 in. (44.8 cm); L. without sheath 15 3/4 in. (40 cm); W. 3 1/2 in. (8.9 cm); Wt. 1 lb. 1.5 oz. (496.1 g); Wt.

Drawings and Prints, Books Prints Ornament & Architecture, Page from Eyn Newe kunstlich moetdelboech alle kunst (Page 2r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1532

Table Spoon, 1780–90, Made in New York, New York, United States, American, Silver, L. 9 1/4 in. (23.5 cm), Silver, Benjamin Halsted (1734–1817

Bowl, ca. 1785–90, Made in China, Chinese, Porcelain, H. 2 5/8 in. (6.7 cm); Diam. 5 1/2 in. (14 cm), Ceramics

Drawings and Prints, Album Prints Ornament & Architecture, Desseins Arabesques a Plusieurs Usages Inventés par J.B. Toro, Designer, Etcher, Publisher, Jean Bernard Toro, Charles Nicolas Cochin I, Jacques-Nicolas Le Pas Dubuisson, French,

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 30 (recto), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

Perspectival Drawing of an Armchair, 1500–1546, Pen and black ink, brush and grey wash, sheet: 2 7/16 x 1 11/16 in. (6.2 x 4.3 cm), Drawings, Peter Flötner (German, Thurgau 1485–1546 Nuremberg

Council, 1895, Etching; fifth state of seven, plate: 11 5/8 x 7 in. (29.5 x 17.8 cm), Prints, Käthe Kollwitz (German, Kaliningrad (Königsberg) 1867–1945 Moritzburg

Figure 42: Gaiety expressed by the ideas of lustfulness, cynicism, and lewdness., 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.6 × 20.3 cm (11 1/4 × 8 in.), Photographs, Guillaume-Benjamin-Amand

Two Rococo Frames, with Christ as Man of Sorrows in Upper Design, 19th century, Graphite, sheet: 17 3/4 x 13 7/16 in. (45.1 x 34.1 cm), Anonymous, British, 19th century

Courtyard, 18th century, Water color over pen and bistre foundation, 12-1/2 x 14-1/2 in, Drawings, Anonymous, Italian, 18th century

Half of a Prayer Bead with the Prayer of the Rosary, early 16th century, Netherlandish, Boxwood, silver, Diam. 1 3/16 × 1/4 in. (3 × 0.6 cm), Sculpture-Miniature-Wood

Hab.t de la Corse from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Plate seven from Nouveavx Desseins D'Arquebvseries, ca. 1705–30, Paris, French, Paris, Engraving, 11 x 8 1/4 in. (27.9 x 20.9 cm), Works on Paper, This print is a prime example of French designs for the decoration of firearms in the late

Drawings and Prints, Books Prints Ornament & Architecture, La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 13 (verso), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588

Child's Tunic, 4th–7th century, Made in Kharga Oasis, Byzantine Egypt, Coptic, Linen, wool: Tapestry weave in purple-colored wool on plain-weave ground in undyed linen; single weft entry in red wool along right edge, and single weft entries

Capital with an Angel Emerging from a Cloud, ca. 1150–1200, Made in Burgundy, France, French, Limestone, Overall: 12 7/8 x 12 15/16 x 13 in. (32.7 x 32.9 x 33 cm), Sculpture-Stone, The angel emerging from a cloud suggests that a figure on a

Landscape Study with Clouds, ca. 1829–31, Oil on cardboard, 5 7/8 x 9 1/16 in. (15 x 23 cm), Paintings, Émile Loubon (French, Aix-en-Provence 1809–1863 Marseilles

Studies of Animal Heads and Figures, 17th century, Red chalk, brush and brown wash on light brown paper, 8-1/4 x 8-9/16 in. (20.9 x 21.7 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Landscape with Hilltop Villa, 17th century, Pen and brown ink over faint graphite underdrawing, 7 1/16 x 9 3/16 in. (17.9 x 23.3 cm), Drawings, Guillerot (French, ca. 1620–ca. 1670

Scene from 'My Aunt Margaret's Mirror' (Keepsake Story by Sir Walter Scott), ca. 1828, Watercolor, Sheet: 7 5/8 x 5 7/16 in. (19.4 x 13.8 cm), Drawings, John William Wright (British, London 1802–1848 London

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 38 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Kohl Flask, probably 10th–12th century, Made in Iran or Central Asia, Serpentine; carved, incised, 1 11/16 x 1 15/16 in. (4.3 x 5 cm), Stone, This charming object was designed to hold kohl, a black cosmetic powder applied around the eyes.

Opera Nova Universali intitulata Corona di racammi, page 25 (verso), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Baptism of Christ, late 16th–17th century, Pen and brown ink, brush and brown wash, sheet: 9 11/16 x 9 1/2 in. (24.6 x 24.2 cm), Drawings, Circle of Hans Rottenhammer, I (German, Munich, 1564–1625, Augsburg

Bronze mirror, Late Classical, ca. 350–325 B.C., Etruscan, Bronze, diameter 6 3/8in. (16.2cm), Bronzes, Bellerophon riding Pegasus and killing the chimaera

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 11v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Terracotta column-krater (bowl for mixing wine and water), Classical, ca. 480 B.C., Greek, Attic, Terracotta; red-figure, H. 15 1/8 in. (38.4 cm), Vases, Obverse, youth with amphora (jar) and kylix (drinking cup), Reverse, youth with

Angel of the Annunciation, ca. 1290–1300, Made in Altenberg-an-der-Lahn, Hesse, Germany, German, Pot-metal glass and vitreous paint, 29 5/8 in. × 14 in. (75.2 × 35.6 cm), Glass-Stained, This panel along with the Virgin of the

Frieze of Figures and Birds, 19th century, Graphite with ink, watercolor and gilding, sheet: 8 1/4 x 17 in. (21 x 43.2 cm), Drawings, Rev. Geoffrey Liddell Johnstone (British, 19th century

The Baker's Cart, 1656, Oil on canvas, 38 3/4 x 49 3/8 in. (98.4 x 125.4 cm), Paintings, Jean Michelin (French, ca. 1616–1670), Although depictions of peasants and popular life in rural settings were common in the mid-17th century, Michelin

Semi-Circular Design with Grotesques and a Central Medaillon containing a Landscape, 18th century, Pen and gray ink, brush with gray, red green, pink and blue watercolor over traces of lead on cream laid paper. Framing outlines in pen and gray

Pretiosa Gemma delle virtuose donne, page 29 (recto), 1600

Standing Figure with Feathered Headdress, 12th–early 13th century, Attributed to Iran, Gypsum plaster; modeled, carved, polychrome-painted, gilded, H. 47 in. (119.4 cm), Sculpture, The ornamented headdress, arms, and rich vestments of

One of a Pair of Gold Earrings, 550–650, Avar, Gold, Other: 2 3/16 × 7/8 × 13/16 in., 0 Troy Ounces (5.5 × 2.3 × 2 cm, 16g), Metalwork-Gold, In the 500s and early 600s, when the Avars were regularly receiving enormous payments from the

Two Angels, 17th century, Pen and brown ink, brush and green wash, over black chalk on light tan paper, 9-15/16 x 10-11/16 in. (25.2 x 27.1 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Terracotta askos (flask) in the form of a rooster, Late Classical, 4th century B.C., Etruscan, Terracotta, H. 7 3/8 in. (18.7 cm), Vases, The Etruscans produced numerous askoi in the shape of ducks, but askoi in the shape of other birds are

Vase from a Set of Five-Piece Altar Set (Wugong), Qing dynasty (1644–1911), 18th century, China, Cloisonné enamel on copper, H. 13 in. (33 cm); Diam. of rim 6 1/8 in. (15.6 cm); Diam. of foot 4 5/8 in. (11.7 cm), Cloisonné, Cloisonné is

Fragment with Roundel and L-Shaped Band with Interlace Ornament, 3rd–6th century, Made in Egypt, Wool, linen; plain weave, tapestry weave, Textile: L. 17 11/16 in. (44.9 cm), Textiles, Interlace is a type of pattern formed by bands that

Barbier. Émile, Alphonse. 36 ans, né à Paris. Peintre en bâtiment. Anarchiste. 26/2/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Sistrum with a dedication referring to a king, Ptolemaic Period, Ptolemaic Dynasty, 332–30 B.C., From Egypt, Silver, H. 29.6 × W. 6.9 × D. 4.2 cm (11 5/8 × 2 11/16 × 1 5/8 in.), The sistrum was a a sort of rattle, its rustling sound

Madame Cézanne (Hortense Fiquet, 1850–1922) in the Conservatory, 1891, Oil on canvas, 36 1/4 x 28 3/4 in. (92.1 x 73 cm), Paintings, Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence), Hortense Fiquet, a former artist’s

Allegory or Goddess (Juno?), 16th century, Pen and brown ink, 9-1/2 x 5-3/4 in. (24.1 x 14.6 cm), Drawings, Anonymous, Italian, 16th century

[Crew of U.S. Monitor 'Saugus']. Brady album, p. 172, 1861–65, Albumen silver print from glass negative, Photographs

Hope, 16th century, Etching, Prints, Etched by Master F. P. (Italian, active 16th century), In Mariette Album, folio 42, bottom middle

[Entryway to the Renaissance Court; Doorway from an Old Palace of the Dorias; The Ghiberti Gates; View in Medieval Court], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3 1/8 x 3 3/16 in.), each, Photographs, Attributed to

Cavalry Men at Rest, late 17th–mid-18th century, Pen and grey ink, brown washes, 5 7/8 x 8 1/4 in. (15 x 21 cm), Drawings, Georg Philipp Rugendas (German, Augsburg 1666–1743 Augsburg

The Triumph of Chastity (page from 'The Triumphs of Petrarch'), 1492–93, Woodcut, sheet: 11 5/8 x 7 5/16 in. (29.5 x 18.5 cm), Prints, Anonymous, Italian

New Modelbüch allen Nägerin u. Sydenstickern (Page 26r), 1556

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 17 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Potiphar's Wife Accusing Joseph Before her Husband, 1620–69, Pen and ink, brush and wash. Framing line in pen & brown ink., sheet: 7 7/16 x 8 7/16 in. (18.9 x 21.5 cm), Drawings, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669

Jasper intaglio: Cock-headed anguipes, Late Imperial, 3rd century A.D., Roman, Jasper, Other: 5/8 x 7/16 x 1/8 in. (1.5 x 1.2 x 0.3 cm), Gems, Gnostic gem

Alexander Pope (1688–1744), late 18th century, British, Marble, confirmed: 21 1/2 × 12 × 9 × 7 5/8 in. (54.6 × 30.5 × 22.9 × 19.4 cm), Sculpture, Joseph Nollekens (British, London 1737–1823 London), After an original by Louis

Diana and Attendants?, 17th century, Red chalk on light brown paper, 4-7/16 x 5-7/16 in. (11.3 x 13.8 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Specimen historiae plantarum, 1611, Printed book, containing 25 etched plates, Overall: 9 × 6 5/8 in. (22.8 × 16.9 cm), Books

Bronze fibula (safety pin) with four rings, 9th century B.C., Italic, Bronze, length 5 15/16in. (15.1cm), Bronzes, With an inverted clasp and transverse ribs on bow and four rings

Section (Interior Elevation) of a Columbarium, 1710–27, Pen and brown ink, brush and gray wash, over traces of ruling in graphite, 13 1/8 x 17 5/8in. (33.4 x 44.8cm), Drawings, Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome,

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 67 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Rebab, late 19th century, Algeria or Morocco, Algerian or Moroccan, Wood, parchment, metal, Height: 29 1/2 in. (74.9 cm), Chordophone-Lute-bowed-unfretted, The term rebab refers to chordophones, particularly lutes and lyres, found in

St. Thomas (?), Etching, Sheet: 4 7/16 × 3 1/16 in. (11.3 × 7.8 cm), Prints, Possibly by Angiolo Falconetto (Italian, active ca. 1555–67), In Mariette Album, folio 94, middle fourth

Coin of Ptolemy III from a Ptolemaic hoard, Ptolemaic Period, 246–222 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Birabi, 1915–16, Bronze, Dia. 2.8 cm (1 1/8 in.), A hoard of 162 Ptolemaic coins that contained issue of Ptolemy II,

Goblet, 1850–70, Pressed glass, H. 6 in. (15.2 cm); Diam. 3 3/8 in. (8.6 cm), Glass

Bead ornaments, triangular, 57, Migration, 1st half of the 5th century A.D., East Germanic or nomadic (?), Gold, Type A: 5/16 × 5/16 × 1/16 in. (0.8 × 0.8 × 0.2 cm), Gold and Silver, Gold diadems, worn on the head like a crown, were

The Circumcision, mid-17th–early 18th century, Pen and grayish brown ink, tip of the brush and gray ink, gray wash, red chalk and white heightening, sheet: 7 11/16 x 5 1/16 in. (19.6 x 12.8 cm), Drawings, Gerard de Lairesse (Dutch, Liège