Images at Librifly

花丸紋散蒔絵櫛, Lacquer Comb with Flower-Shaped Roundels, Edo (1615–1868) or Meiji period (1868–1912), mid-19th century, Japan, Lacquered wood with gold, silver, red hiramaki-e on gold ground, W. 4 1/2 in. (11.4 cm), Lacquer

Les Singuliers et Nouveaux Portraicts... page 11 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Tunic, 425–550, Peru, Wari, Camelid hair, H. 46 x W. 54 3/4 in. (116.8 x 139.1 cm), Textiles-Woven

Sketch of a Standing Male Saint, ca. 1800, Pen and bistre with brown washes, 5-1/2 x 4-1/2 in, Drawings, Anonymous, Italian, North Italy, 18th century

Pair of perfume bottles, John Bodington (British, active 1688–1727), 1700/1, British, London, Silver gilt, glass inside, Overall (.15 a-d): 6 11/16 in. (17 cm), Metalwork-Silver, John Bodington (British, active 1688–1727), The

Foot-Combat Armor of Prince-Elector, 1591, Augsburg, German, Augsburg, Steel, gold, leather, copper alloy, H. 38 11/16 in. (98.2 cm); Wt. 46 lb. 3 oz. (20.96 kg); helmet Wt. 11 lb. 9 oz. (5245 g), Armor for Man-1/2 Armor, This is one of a

Horse, Bull, Lion, and Boar, 17th century, Pen and brown ink over black chalk, highlighted with white gouache on blue paper, 7-1/16 x 9-7/8 in. (18 x 25.1 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Head of an Old Woman, after 1610, Oil on canvas, 20 7/8 x 15 3/8 in. (53 x 39 cm), Paintings, Orazio Borgianni (Italian, Rome 1578–1616 Rome), Among the most modern seeming pictures of the seventeenth and eighteenth centuries are informal

A Harvest of Death, Gettysburg, Pennsylvania, July 1863, Albumen silver print from glass negative, Image: 17 13/16 × 22 1/2 in. (45.2 × 57.2 cm), Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882), This photograph of

Red, Black and Gold Drapes, etc., late 19th–early 20th century, Graphite, pen and ink with watercolor, sheet: 19 1/2 x 9 1/2 in. (49.5 x 24.1 cm), Ernest Geldart (British, London 1848–1929

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 20r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Statue of a scribe with a baboon, New Kingdom, Ramesside, Dynasty 19–20, ca. 1295–1070 B.C., From Egypt, Upper Egypt, Thebes, Sheikh Abd el-Qurna, Granodiorite, H. 22 cm (8 11/16 in

Flying Celestial Figure, Khotan Kingdom, 6th–7th century, China (Xinjiang Autonomous Region), Stucco with color, 5 1/2 x 4 in. (14 x 10.2 cm), Sculpture, These winged celestial beings show remarkable connections to the Western classical

Ganesha, ca. 1700–1750, Southern India, Tamil Nadu, probably Thanjavur district, Wood with cloth and polychrome, H. (on stand) 34 1/4 in. (87 cm); W. 8 1/4 in. (21 cm); D. 13 1/2 in. (34.3 cm), Sculpture, Ganesha, the elephant-headed son

Portrait of Jacques Delille, n.d., Brush and brown wash over graphite underdrawing., 6 11/16 x 4 1/2in. (17 x 11.5cm), Drawings, Jean-Baptiste-François Bosio (French, Monaco 1764–1827 Paris

Drawings and Prints, Books Prints Ornament & Architecture, Lucidario di Recami, page 5 (verso), Publisher, Designer, Jeronimo Calepino, Iseppo Foresto, Italian, active Venice, 1557, 1564, Calepino, Foresto, Iseppo, Italian, 1500,

Dish (one of a set), Lewis Mettayer (British, active 1700, died 1740), 1714/15, British, London, Silver gilt, Overall (confirmed): 2 1/2 × 11 1/8 × 11 1/8 in., 32 oz. 19 dwt. (6.4 × 28.3 × 28.3 cm, 1025.489g), Metalwork-Silver, Lewis

Drawings and Prints, Books Prints Ornament & Architecture, Titel page from the Modelbuch aller Art Nehens vn Stickens (Page 1r), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555,

Candlestand (Torchère), early 18th century, possibly German, Dresden, Carved beechwood, Height: 71 in. (180.3 cm), Woodwork-Furniture

Design for Water Channels with Fantastic Animals Covering Small Sections, 17th century, Pen and brown ink and colored washes, 17-1/4 x 11-3/8 in, Drawings, Anonymous, Italian, 17th century

Matha. , 1880s–90s, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a distinguished family of scientists and statisticians,

Model of a Cow and Her Calf, Middle Kingdom, Dynasty 11–mid 12, ca. 2030–1850 B.C., From Egypt, Middle Egypt, Asyut (Lykopolis), Khashaba/Kamal excavations, 1910–1914, Wood, h. 24 cm (9 7/16 in); w. 38.5 cm (15 3/16 in

Length, 18th century, French, Silk and metal thread, 41 × 21 1/4 in. (104.1 × 54 cm), Textiles-Woven, This French dress silk is a complex combination of textures and colors: silver and gold streamers and floral garlands meander across a

Wall Decorated with Musical and Military Trophies and Three Windows, 18th century, Pen and ink, gray wash, sheet: 18 x 9 1/8 in. (45.7 x 23.2 cm), Anonymous, British, 18th century

Falcon Figurine, Naqada III–Dynasty 1, ca. 3300–2900 B.C., From Egypt, Quartzite, L. 7.2 x W. 2.7 x H. 3.2 cm (2 13/16 x 1 1/16 x 1 1/4 in

Vase, 1755–65, Probably made in Bristol, Bristol, England, British, Opaque glass with enamel decoration, 6 7/8 × 4 1/16 × 4 1/16 in. (17.5 × 10.3 × 10.3 cm), Glass

Fragment from Balustrade of the Temple of Athena Nike, Acropolis, Athens, ca. 1882, Albumen silver print from glass negative, Image: 10 1/2 × 8 1/8 in. (26.7 × 20.6 cm), Photographs, William James Stillman (American, Schenectady, New York

Pitcher, 1849–58, Probably made in Bennington, Vermont, United States, American, Mottled brown earthenware, H. 9 7/8 in. (25.1 cm), Ceramics, Probably United States Pottery Company (1852–58

Water Jar, about 1880, United States, New Mexico, Acoma Pueblo, Ceramic, H. 10 x W. 12 1/4 in. (68.6 x 31.1 cm), Ceramics-Containers

Design Wall Elevation with Stucco and Painted Decorations, 1708, Pen and brown ink, brush and gray wash, 11-1/4 x 15 in. (28.6 x 38.1 cm), Luigi Garzi (Italian, Pistoia 1638–1721 Rome

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Franz Xavier Habermann, Carl Pier, Martin Engelbrecht, Jeremias Wachsmuth, German,

Le dos, 1860s, Albumen silver print from glass negative, 7.6 x 10.2 cm. (3 x 4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Glass cinerary urn (olla), Early to Mid Imperial, mid-1st–2nd century A.D., Roman, Glass; blown, H.: 9 1/2 in. (24.1 cm), Glass, Translucent blue green., Broad, tubular rim, folded out, down, and in, forming uneven upper surface; tall

Bagolin, ca. 1750–53, German, Höchst, Hard-paste porcelain, Overall (confirmed): 8 x 6 1/4 x 3 in. (20.3 x 15.9 x 7.6 cm), Ceramics-Porcelain, Bagolin belongs to a series of fifteen porcelains depicting commedia dell'arte characters on

Portrait of a Bearded Man with a Ruff, 1625, Oil on canvas, 30 x 25 in. (76.2 x 63.5 cm), Paintings, Frans Hals (Dutch, Antwerp 1582/83–1666 Haarlem), As the original inscription indicates, the sitter was thirty-six when portrayed by Hals.

Virgin and Child, ca. 1400–20, Made in Belgium; Made in Burgundy, French, South Netherlandish or French, Walnut, Overall: 5 15/16 x 4 1/16 x 3 1/4 in. (15.1 x 10.3 x 8.3 cm), Sculpture-Miniature-Wood, The unusual depiction of the Christ

The Death of Leonardo da Vinci, n.d., Etching and engraving, Sheet: 18 7/16 × 20 7/8 in. (46.8 × 53.1 cm), Prints, Joseph Théodore Richomme (French, Paris 1785–1849 Paris), After Jean Auguste Dominique Ingres (French, Montauban

(13) [Persepolis], 1840s–60s, Albumen silver print, Photographs, Luigi Pesce (Italian, 1818–1891

Glass mosaic jar, Hellenistic, 2nd–early 1st century B.C., Greek, probably Eastern Mediterranean, Glass; cast, 5 7/16 x 6 1/8 in. (13.8 x 15.6 cm), Glass, Although fragments of mosaic glass are quite numerous and widespread, relatively few

Glass beaker, Late Imperial, 4th century A.D., Roman, Rhenish, Glass; blown, blobbed, and cut, H.: 4 13/16 in. (12.3 cm), Glass, Colorless; translucent cobalt blue and honey yellow blobs., Uneven vertical rim, cracked off and ground,

『画本虫撰』 「ひくらし」「くも」, Evening Cicada, Higurashi; Spider, Kumo, from the Picture Book of Crawling Creatures (Ehon mushi erami), Edo period (1615–1868), 1788, Japan, Page from woodblock printed book; ink and color

Porringer, 1700–1725, Made in New York, New York, United States, American, Silver, Overall: 1 7/8 x 7 15/16 in. (4.8 x 20.2 cm); 9 oz. 3 dwt. (284.4 g), Silver, Peter Van Dyck (1684–1750

Glass striped mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, H.: 7/8 x 1 1/4 in. (2.3 x 3.2 cm), Glass, Body fragment., Translucent blue, purple appearing opaque brick red,

Glass gold-band mosaic alabastron (perfume bottle), Hellenistic, 1st century B.C., Greek, Eastern Mediterranean, Glass; cast, probably around a rod, H.: 8 3/8 in. (21.3 cm), Glass, Translucent cobalt blue, colorless, translucent turquoise

The Actor Ogino Isaburō in the Role of Katorihime, Edo period (1615–1868), ca. 1734, Japan, Urushi-e (lacquer) print, 11 1/2 x 5 3/4 in. (29.2 x 14.6 cm), Prints, Torii Kiyomasu I (Japanese, active 1696–1716

Pont de la Mulatiere, ca. 1861, Albumen silver print from glass negative, Image: 28.3 x 44.3 cm (11 1/8 x 17 7/16 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

六十余州名所図会　隠岐　焚火の社, The Takihi Shrine, Oki Province, from the series Views of Famous Places in the Sixty-Odd Provinces, Edo period (1615–1868), ca. 1853, Japan, Polychrome woodblock print; ink and color on

The Old Castle, Oil on wood, 15 5/8 x 21 7/8 in. (39.7 x 55.6 cm), Paintings, Emanuel Murant (Dutch, Amsterdam 1622–1700 Leeuwarden), People go around their daily lives on the grounds of an abandoned medieval castle, the ruins of which might

Scene from a Drama, Edo period (1615–1868), ca. 1804, Japan, Polychrome woodblock print; ink and color on paper, H. 15 1/4 in. (38.7 cm); W. 9 7/8 in. (25.1 cm), Prints, Utagawa Toyokuni I (Japanese, 1769–1825

Fragments, 15th century, Attributed to Spain, Granada, Silk, metal-wrapped thread; lampas, Textile a: L. 11 1/2 in. (29.2 cm), Textiles-Woven, These rectangular red silk textile fragments, which may have once been joined, are decorated with

Terracotta head of a deer, Late Classical, 4th century B.C., Greek, South Italian, Tarentine, Terracotta, length 5 in. (12.7 cm), Terracottas, This extraordinarily sensitive representation was probably a patrix, the model from which molds

Four Geese By a Pond, 19th century, Pastel on heavy cream paper, 13 11/16 x 17 3/16 in. (34.8 x 43.7 cm), Drawings, Alfred Sisley (British, Paris 1839–1899 Moret-sur-Loing

Elinor and Lucy Llewelyn, 1853–56, Salted paper print, Image: 12.4 × 10.5 cm (4 7/8 × 4 1/8 in.), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales

Ivory pin, late 2nd–3rd century A.D., Roman, Ivory, Diam.: 4 in. (10.2 cm), Pin

Terracotta beaker, Imperial, ca. 1st–2nd century A.D., Roman, Terracotta, H. 3 3/8 in. (8.5 cm), Vases, As well as the floral relief decoration, the beaker has a stamped inscription in Greek that reads, “Gift of Gorgios

Bronze mirror, Hellenistic, ca. 330–300 B.C., Praenestine, Bronze, Other: 7 1/8 x 13 1/2 in. (18.1 x 34.3 cm), Bronzes, Two-horse chariot driven by a woman. Most Praenestine mirrors have a distinctive pear-shaped disc, unlike the circular

Sugar bowl, 1865–75, Made in Sandwich, Massachusetts, United States, American, Blown and engraved glass, H. 7 1/2 in. (19.1 cm); Diam. 4 1/4 in. (10.8 cm), Glass, In 1867, after twenty-two years of employment as factory superintendent of

Terracotta column-krater (bowl for mixing wine and water), Archaic, last quarter of 6th century B.C., Greek, Attic, Terracotta; black-figure, H. 13 1/16 in. (33.2 cm), Vases, Obverse and reverse, charioteer in a quadriga (four-horse

Appliqué Figure of the Apostle James, ca. 1350, Made in Lower Saxony or Westphalia, North German, Copper alloy, cast and gilt, Overall: 12 3/4 x 3 3/8 x 1 3/4 in. (32.4 x 8.5 x 4.4 cm), Metalwork-Copper alloy

Vase, 1886–90, Made in Brooklyn, New York, New York, United States, American, Earthenware, glazed and painted with overglaze polychrome enamels raised paste decoration, H. 17 1/2 in. (44.5 cm), Ceramics, Faience Manufacturing Company

Keisei Ichikawa Denzo, ca. 1797–1800, Japan, Polychrome woodblock print; ink and color on paper, 16 1/4 x 11 1/8 in. (41.3 x 28.3 cm), Prints, Utagawa Toyokuni I (Japanese, 1769–1825

Terracotta guttus (flask with handle and vertical spout), Late Classical, 4th century B.C., Greek, South Italian, Campanian, Terracotta; black-glaze, H. 3 3/4 in. (9.6 cm), Vases, On the top, frontal head of a maenad. The small boss on the

Bronze bracelet, Bronze, diameter 3 15/16in. (10cm), Bronzes, Ornamented with eight sets of three round bosses

鈴木春信画　覗き絡繰り・「高野の玉川　弘法大師」, A Teenage Boy and Girl with a Viewer for an Optique Picture (Nozoki-karakuri); Kōbō Daishi’s Poem on the Jewel River of Kōya (Kōya no Tamagawa: Kōbō Daishi), Edo

Terracotta vessel fragment with linear motifs, Early Minoan III, ca. 2300–2100 B.C., Minoan, Terracotta; White-on-dark ware, Other: 4 1/4 in. (10.8 cm), Vases, From Gournia, Crete. Fragment with triangular motifs

Edinburgh. Greyfriars' Churchyard, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848

La Voulte, 1861, Albumen silver print from glass negative, Image: 26.3 x 41.7 cm (10 3/8 x 16 7/16 in.) left, Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Terracotta flask, ca. 2nd–3rd century A.D., Roman, Terracotta; red slip ware, H. 6 5/16 in. (16 cm); diameter 4 1/2 in. (11.5 cm), Vases, The flask has a very unusual shape that is perhaps modeled on a gourd

Penllergare; Printing, 1853–56, Salted paper print, Image: 10.8 × 13.9 cm (4 1/4 × 5 1/2 in.) (a), oval, Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales), James Knight (British

Terracotta stemmed cup, Cypro-Geometric I, 1050–950 B.C., Cypriot, Terracotta, H. 6 3/4 in. (17.2 cm); diameter 7 5/16 in. (18.6 cm), Vases, High foot, with lattice designs in panels

Furniture element with a monkey, Middle Bronze Age–Old Assyrian Trading Colony, ca. 18th century B.C., Anatolia, probably from Acemhöyük, Old Assyrian Trading Colony, Ivory, 1.02 x 0.71 in. (2.59 x 1.8 cm), Ivory/Bone-Reliefs, This

Crib of the Infant Jesus, 15th century, Made in Brabant, South Netherlands, South Netherlandish, Wood, polychromy, lead, silver-gilt, painted parchment, silk embroidery with seed pearls, gold thread, translucent enamels, 13 15/16 x 11

Glass perfume bottle, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Glass; cast and blown, H.: 2 5/16 in. (5.9 cm), Glass, Translucent streaky blue. Everted, horizontal rim with angular outer lip; cylindrical neck,

Limestone plaque with two eyes in relief, Classical, 480–310 B.C., Cypriot, Limestone, Overall: 4 3/4 x 4 9/16 x 3/4 in. (12.09 x 11.61 x 1.9 cm), Miscellaneous-Stone, The two eyes show very thick eyelids and eyebrows sculpted in relief

Scholars and Monkeys under Trees, Ming (1368–1644) or Qing dynasty (1644–1911), China, Handscroll; ink on silk, 9 1/2 x 63 5/8 in. (24.1 x 161.6 cm), Paintings, Unidentified Artist

The Actor Nakamura Kumetaro I as a Oiran, Edo period (1615–1868), ca. 1756, Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/8 in. (30.8 cm); W. 5 1/2 in. (14 cm), Prints, Torii Kiyohiro (Japanese, active ca. 1737–1766

Bowl, 13th century or later, Made in Iran, Earthenware; painted and glazed, 11 1/8 x 3 7/16 in. (28.3 x 8.7 cm), Ceramics

Wine-pot and Cup for the New Year Ceremony, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 5 7/8 x 7 1/2 in. (14.9 x 19.1 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Terracotta skyphos (deep drinking cup), Classical, mid-4th century B.C., Greek, Boeotian, Terracotta; black-figure, Overall: 8 11/16 x 12 3/16in. (22 x 30.9cm), Vases, Obverse, reclining man and three crones (the Judgment of Paris?) ,

Terracotta lekanis with lid (dish), Classical, late 5th century B.C., Greek, Attic, Terracotta; black-figure, H.: 6 1/8 in. (15.6 cm), Vases, Decorated with band of wavy lines between handles

Painted Wooden Coffin of Nesiamun, Late Period, Dynasty 25–26, ca. 712–525 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Complex of Mentuhotep II, Court, south side, intrusive burial no. 3, 1922–23, Wood, paint, resin,

Design for three windows, ca. 1894–1922, Made in New York, United States, American, Watercolor, gouache, brown ink, and graphite, Overall: 14 1/16 x 21 15/16 in. (35.7 x 55.8 cm), Drawings, Possibly Tiffany Glass and Decorating Company

西周 青銅匕, Spoon (Bi), Western Zhou dynasty (1046–771 B.C.), late 9th–early 8th century B.C., China, Bronze, W. 2 1/2 in. (6.4 cm); L. 12 3/4 in. (32.4 cm); Wt. 1 lb. (0.5 kg), Metalwork

Toys of Papier-Mache, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 1/2 x 7 7/16 in. (14 x 18.9 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Furniture plaque: female sphinx with Hathor-style curls, Middle Bronze Age–Old Assyrian Trading Colony, ca. 18th century B.C., Anatolia, probably from Acemhöyük, Old Assyrian Trading Colony, Ivory (hippopotamus), 2.87 x 2.24 in. (7.29 x

Landscape, Ming dynasty (1368–1644), dated 1603, China, Folding fan mounted as an album leaf; ink and color on paper, 6 3/8 x 18 23/32 in. (16.2 x 47.6 cm), Paintings, Wu Bin (active ca. 1583–1626

Violin, ca. 1625, England or Germany, British or German, Wood, Body L.: 34.2 (13-1/2 in.; String L.: 29 cm (11-1/2 in.); Total L.: 55.6 cm (21-3/4 in.); Greatest Width, Lower Bouts: 18.9 cm (7-1/2 in.), Chordophone-Lute-bowed-unfretted,

Glass ribbed beaker, Early Imperial, Julio-Claudian, mid-1st century A.D., Roman, Glass; blown and tooled, H.: 3 9/16 in. (9 cm), Glass, Translucent pale blue green., Knocked-off, uneven, outsplayed rim; short concave neck; side bulging at

明 鄭重 搜山圖 卷, Searching the Mountains for Demons, late Ming dynasty (1368–1644), China, Handscroll; ink and color on paper, 10 5/8 in. x 27 ft. 9 1/2 in. (27 x 847.1 cm), Paintings, Zheng Zhong (Chinese, active ca. 1612–48),

Buddha with Radiate Halo and Mandorla, 6th century, Pakistan (ancient region of Gandhara), Brass, H. 11 1/2 in. (29.2 cm); W. 5 1/2 in. (14 cm), Sculpture, This image was likely used for personal veneration. The Buddha wears a typical

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 1/2 × 9 5/8 in. (34.3 × 24.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Young Man Walking Toward the Left on High Geta and Playing the Flute as He Walks, Edo period (1615–1868), ca. 1745, Japan, Polychrome woodblock print; ink and color on paper, 28 1/2 x 6 1/4 in. (72.4 x 15.9 cm), Prints, Okumura Masanobu

Peonies and Iris, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 1/4 x 7 3/8 in. (21 x 18.7 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Ritual Wine Vessel (Zun), Shang (ca. 1600–1046 B.C.) or early Western Zhou (1046–771 B.C.), 13th–10th century B.C., China, Bronze, H. 9 5/8 in. (24.4 cm); Diam. 7 11/16 in. (19.5 cm), Metalwork

Sugar bowl, 1810–30, Made in Pittsburgh, Pennsylvania, United States, American, Blown and engraved glass, H. 7 5/8 in. (19.4 cm), Glass, Benjamin Bakewell & Co. (1809–1813) or, Bakewell, Page & Bakewell (1808–1882

Dish, 1400–1450, Made in probably Manises, Valencia, Spain, Spanish, Tin-glazed earthenware, Overall: 13 5/8 x 2 3/16 in. (34.6 x 5.5 cm), Ceramics

Fragment of Sash, 18th century, Attributed to Iran, Silk, metal, 24 x 15 1/2 in. (61.0 x 39.4 cm), Textiles

Nurse, Meiji period (1868–1912), ca. 1905, Japan, Polychrome woodblock print; ink and color on paper, 12 x 8 1/4 in. (30.5 x 21 cm), Prints, Takeuchi Keishū (Japanese, 1861–1943

Pitcher, 1820–40, Probably made in Pittsburgh, Pennsylvania, United States, American, Blown and engraved glass, H. 7 1/2 in. (19.1 cm), Glass

The Courtesan Hinazuru of the Teahouse Chojiya (House of the Clove), Edo period (1615–1868), ca. 1795, Japan, Polychrome woodblock print; ink and color on paper, 13 7/8 x 9 5/8 in. (35.2 x 24.4 cm), Prints, Chōbunsai Eishi (Japanese,