Images at Librifly

Glass perfume bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, 1 1/4 x 5/8in. (3.2 x 1.6cm), Glass, Miniature perfume bottle Translucent dark honey brown. Plain rounded rim; flaring mouth; cylindrical neck, tooled in around

Gold ring with a carnelian or glass intaglio, Mid or Late Imperial, 2nd–3rd century A.D., Roman, Gold, diameter 1 1/4in. (3.2cm), Gold and Silver, Draped female bust

Recto: On Timber, the Species of Trees (Vitruvius, Book 2, Chapter 9, no. 4); Verso: On Timber, the Battle of Larignium (Vitruvius, Book 2, Chapter 9, no. 15).., 1530–45, Pen and dark brown ink, sheet: 5 7/8 x 10 3/8 in. (15 x 26.4 cm),

Pair of gold earrings, Archaic or later, 6th century B.C. or later, Greek, Gold, Diam. (each): 1 1/8 in. (2.9 cm), Gold and Silver, The simplicity of these works makes them virtually impossible to date

Terracotta amphoriskos (oil flask), Classical, 4th century B.C., Greek, Attic, Terracotta, H. 6 1/2 in. (16.5 cm), Vases, The vase is in the shape of an almond. Almonds were important to the Greeks for their fruit and oil, which also served

Terracotta lentoid flask, Late Cypriot, ca. 1600–1050 B.C., Cypriot, Terracotta, H. 7 9/16 in. (19.2 cm), Vases, A symbol is incised on one of the handles

Terracotta head of a woman, Hellenistic, 3rd–2nd century B.C., Egyptian (?), Terracotta, H. 1 11/16 in. (4.3 cm), Terracottas, With hair dressed high

Fragment, 16th century, Attributed to Iran, Silk and metal thread; brocaded, 10 in. high 5.00 in. wide (25.4 cm high 12.7 cm wide), Textiles-Woven, These fragments belong to the same textile panel (38.1a-c). They depict a repeating scene of a

Young Pine Tree and the Handle of a Plow, Edo period (1615–1868), 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 3 1/2 x 7 1/8 in. (8.9 x 18.1 cm), Prints, Ryūryūkyo Shinsai (Japanese, active

Terracotta pyxis (box), Late Corinthian, ca. 575–550 B.C., Greek, Corinthian, Terracotta, H. 4 3/4 in. (12.1 cm); diameter 7 3/16 in. (18.3 cm), Vases, This pyxis is noteworthy for the sureness of the potting and decoration, however

[Spence's Hotel & St. John's Cathedral, Calcutta], 1858–61, Albumen silver print, Image: 15.5 x 20.1 cm (6 1/8 x 7 15/16 in.), Photographs, John Constantine Stanley (British, 1837–1878

Tobiuo and Ishimochi Fish, from the series Uozukushi (Every Variety of Fish), Edo period (1615–1868), 1840s, Japan, Polychrome woodblock print; ink and color on paper, 10 1/8 x 14 5/8 in. (25.7 x 37.2 cm), Prints, Utagawa Hiroshige

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1/2 x 1 1/8 in. (1.2 x 2.8 cm), Glass, Translucent blue; turquoise blue layered with yellow and appearing green, opaque white,

Cloisonné furniture plaque with two griffins in a floral landscape, Neo-Assyrian, ca. 8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, H. 4 1/8 x W. 4 11/16 x D. 7/16in. (10.5 x 11.9 x 1.1cm), Ivory/Bone-Reliefs, This

Bronze shepherd's crook, Late Cypriot III, ca. 1200–1050 B.C., Cypriot, Bronze, H. 4 7/8 in. (12.4 cm), Bronzes, This is one of six known pieces that are described as shepherd's crooks or scepters, although this is the only one with a tip

Glass perfume bottle, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, Overall: 3 5/8in. (9.2cm), Glass, Colorless with faint bluish tinge. Slanting rim folded out, over, and in, flattened on top, with irregular opening

Fibula, Geometric, 9th–8th century B.C., Italic, Villanovan, Bronze, H.: 1 7/16 x 3 5/8 x 15/16 in. (3.7 x 9.2 x 2.4 cm), Bronzes

Vase with Rock, Flowers, and Butterflies, Qing dynasty (1644–1911), Kangxi period (1662–1722), China, Black lacquer over porcelain, inlaid with mother-of-pearl, H. 2 3/4 in. (7 cm); Diam. 8 1/4 in. (21 cm), Ceramics, The decorating of

Terracotta Hadra hydria (water jar), Hellenistic, 226–225 B.C., Greek, Ptolemaic, Cretan, Terracotta, H.: 16 5/8 x 10 1/2 in. (42.2 x 26.7 cm), Vases, The inscription on the front gives the name of the deceased whose cremated bones were

Star-Shaped Tile, first half 15th century, Made in Spain, probably Malaga, Earthenware; luster-painted on opaque white glaze, W. 9-1/4 in. (23.5 cm), Gaming pieces, Eight-pointed star tiles from Nasrid Spain are rare, but this example bears

Limestone head of a bearded male with a plain headdress, Archiac, middle of the 6th century B.C., Cypriot, Limestone, Overall: 13 x 11 1/2 x 11 in. (33 x 29.2 x 27.9 cm), Stone Sculpture, Bearded head with collar in the Egyptian fashion

Terracotta Megarian bowl, Hellenistic, ca. late 3rd–mid 1st century B.C., Greek, Terracotta; mold made, h. 2 15/16 in. (7.5 cm); d. 5 in. (12.7 cm), Vases, This bowl was probably made in Cyprus by a local potter seeking to replicate the

Glass jar, Late Imperial, 4th century A.D., Roman, Syrian, Glass; blown and trailed, H.: 4 11/16 in. (11.9 cm), Glass, Translucent pale yellow green; trail in same color. Rounded, everted rim with hollow, folded flange below; wide

Glass cup, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown and cut, Height: 2 3/4 in. (7 cm), Glass, Colorless with pale greenish tinge. Knocked-off, uneven rim; slightly bulging collar below rim; sides expanding downward, then

One Hundred Flowers, Qing dynasty (1644–1911), 18th century, China, Handscroll; ink and color on silk, 16 1/2 x 255 1/2 in. (41.9 x 649 cm), Paintings, After Yun Shouping (Chinese, 1633–1690

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 1/8 x 1 11/16 in. (2.8 x 4.2 cm), Glass, Thin-walled body fragment., Translucent honey brown, cobalt blue, and

'Buzurgmihr Masters the Game of Chess', Folio from a Shahnama (Book of Kings), ca. 1300–30, Made in Iran or Iraq, Ink, opaque watercolor, and gold on paper, Painting: H. 1 15/16 in. (4.9 cm), Codices, The text of the Shahnama has its own

Limestone naiskos with female figures holding their breasts, Classical ?, 5th century B.C. ?, Cypriot, Limestone, Overall: 2 5/8 x 1 3/8 x 1 1/2 in. (6.7 x 3.5 x 3.8 cm), Stone Sculpture, On two sides, five apparently nude women are shown

Squash, Song dynasty (?) (960–1279), China, Album leaf; ink and color on silk, 8 1/8 x 9 3/8 in. (20.6 x 23.8 cm), Paintings, Unidentified Artist, in the style of Zhao Chang (Chinese, active 10th–11th century

Terracotta statuette of a draped woman, Late Classical, late 4th century B.C., Greek, possibly Corinthian, Terracotta, H.: 16 3/16 in. (41.1 cm), Terracottas, This figure has drawn her garment over her head. Traces of blue color are preserved

Apollo and Marsyas, 15th century, Italian, Bronze; mounted in a gilt bronze or brass frame, Overall, without frame: H. 1 7/16 x W. 1 1/4 in. (3.7 x 3.2 cm), Medals and Plaquettes, The earliest Renaissance bronze plaquettes were cast after

Scene from a Drama, Edo period (1615–1868), 1804, Japan, Polychrome woodblock print; ink and color on paper, H. 15 1/8 in. (38.4 cm); W. 10 3/16 in. (25.9 cm), Prints, Utagawa Toyokuni I (Japanese, 1769–1825

[An Italian Street Musician], ca. 1856, Albumen silver print from glass negative, Image: 34 x 26.4 cm (13 3/8 x 10 3/8 in.), partially obscured by overmat, Photographs, Gustave Le Gray (French, 1820–1884

Vase fragment, Geometric, East Greek/Sardis, Lydian, Terracotta, Overall: 1 3/4 x 1 1/4in. (4.4 x 3.2cm), Vases

Teapot, 1745–55, Made in Charlestown, Massachusetts, United States, American, Silver, Overall: 5 5/8 x 8 3/4 x 4 5/16 in. (14.3 x 22.2 x 11 cm); 16 oz. 14 dwt. (519.6 g), Silver, Josiah Austin (1719/20–ca. 1780

The Actor Sawamura Sōjūrō 3rd (Kinokuniya) from the series Portraits of Actors on Stage (Yakusha butai no sugata-e), Edo period (1615–1868), ca. 1794, Japan, Polychrome woodblock print; ink and color on paper, 15 3/8 x 10 1/8 in. (39.1 x

Design for the Ceiling of a Bedchamber at Goodwood House, Sussex, ca. 1800, Ink and watercolor over graphite, sheet: 20 1/4 x 14 3/16 in. (51.5 x 36 cm), James Wyatt (British, Weeford, Stafforshire 1746–1813 near Marlborough, Wiltshire

清 朱耷 (八大山人) 二鷹圖 軸, Two eagles, Qing dynasty (1644–1911), dated 1702, China, Hanging scroll; ink on paper, Image: 73 3/4 x 35 1/2 in. (187.3 x 90.2 cm), Paintings, Bada Shanren (Zhu Da) (Chinese, 1626–1705), After

Bronze navicella-type fibula (safety pin), Geometric, 9th–8th century B.C., Villanovan, Bronze, Other: 2 11/16 in. (6.8 cm), Bronzes, Navicella (little boat) fibulae have arched bows with open undersides

Bronze statuette of a Lar, Imperial, 1st–2nd century A.D., Roman, Bronze, H. 2 3/4 in. (7 cm), Bronzes, The lower part of the tunic is blown out on either side; no mantle

Wine glass, ca. 1824–40, Made in Jersey City, New Jersey, United States, American, Blown and cut glass, H. 4 7/8 in. (12.4 cm); Diam. 2 7/8 in. (7.3 cm), Glass, The Jersey Glass Company exhibited at the Franklin Institute in 1836 and was

Glass pourer flask, Mid Imperial, 2nd–early 3rd century A.D., Roman, Cypriot, Glass; blown, 3 × 2 1/8 × 3 3/4 in. (7.6 × 5.4 × 9.5 cm), Glass, This simple but practical vessel was used for pouring liquids, drawn from large storage

Model of the foreleg of a horned animal, perhaps from a foundation deposit, New Kingdom, Dynasty 18, ca. 1400–1295 B.C., From Egypt, Wood; remains of black pigment, L. 12.7 cm (5 in.), The smoothed edges on this foreleg of an ox indicate

[The Earl Canning, Barnes Court, Simla], 1861, Albumen silver print from glass negative, Image: 26.3 x 21.9 cm (10 3/8 x 8 5/8 in.), Photographs, Unknown, Charles John, Viscount and later Earl Canning (1812-1862), assumed his role as

Statuette of Isis nursing Horus (missing above the legs), inscribed for Hor son of Padihorresnet, Late Period, Saite, Dynasty 26, 611–594 B.C., From Egypt, Bronze, gilded silver, electrum; separate leaded bronze throne, H. 39.3 × W. 12.3

Bronze statuette of a youth, Classical, late 5th century B.C., Etruscan, Bronze, H. 7 in. (17.8 cm), Bronzes, This exquisite statue depicts a nude young man with hands raised in the ancient prayer gesture. The facial features, hair, and

Tarascon, Château, ca. 1862, Albumen silver print from glass negative, Image: 21.6 x 28.3 cm (8 1/2 x 11 1/8 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Kyoto, 東海道五十三次　京　三条大はし, Edo period (1615–1868), ca. 1848–49, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4 in. (22.2 x 34.9 cm), Prints, Utagawa Hiroshige (Japanese,

Rovine del Foro, 1848–52, Albumen print from glass negative, Image: 11 5/16 × 8 11/16 in. (28.7 × 22 cm), Photographs, Eugène Constant (French, active Italy, 1848–55

Bust of a bearded man in a cap, mid-19th century, Italian, Rome, Onyx, gold mount, Visible cameo: 44.6 x 34.2 mm, Lapidary Work-Gems, Luigi Saulini (Italian, 1819–1883), Luigi Saulini first drew his subjects’ portraits, sometimes after

Landscape with Fishing Village and Boat on Lake, Ming (1368–1644) or Qing dynasty (1644–1911), China, Fan mounted as an album leaf; ink and color on silk, 8 7/8 x 9 3/4 in. (22.5 x 24.8 cm), Paintings, Unidentified Artist, After Li Cheng

Scene From the Second Act of the Drama 'Kawaranu Hana Sakae Hachinoki', Edo period (1615–1868), 12th month, 1769, Japan, Polychrome woodblock print; ink and color on paper, 12 11/32 x 5 7/16 in. (31.4 x 13.8 cm), Prints, Katsukawa Shunshō

Café, Avenue de la Grande-Armée, 1924–25, Matte albumen silver print from glass negative, 17.6 × 22.7 cm (6 15/16 × 8 15/16 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris), Atget's interest in the texture of old

Bird on Branch, Qing dynasty (1644–1911), China, Fan mounted as an album leaf; ink and color on silk, 10 3/4 x 10 7/8 in. (27.3 x 27.6 cm), Paintings, Unidentified Artist

Christian Inspiration, 19th century, Pastel over watercolor, gouache, on cream-colored paper, Image: 18 5/8 x 23 1/2 in. (47.3 x 59.7 cm); sheet: 19 5/8 x 24 3/16 in. (49.9 x 61.4 cm), Drawings, Pierre Puvis de Chavannes (French, Lyons

The Youthful Saint John the Baptist, ca. 1625–30, Italian, Florence, Marble, Overall (confirmed): 28 × 17 1/2 × 13 1/4 in., 138lb. (71.1 × 44.5 × 33.7 cm, 624kg), Sculpture, Domenico Pieratti (Italian, Florence 1600–1656 Rome), As

The Floods of 1856, Church of Saint-Pothin, Lyon, June 1856, Salted paper print from paper negative, Image: 32.5 x 43.5 cm (12 13/16 x 17 1/8 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Box with lid, Edo period (1615–1868), 19th century, Japan, Sprinkled gold on lacquer (maki-e), 3 1/4 x 5 3/4 x 4 3/4 in. (8.3 x 14.6 x 12.1 cm), Lacquer, This covered box, part of a wedding trousseau, comprised of thirty-one pieces,

Steatite scaraboid seal, Geometric, 8th century B.C., Greek, Steatite, H.: 1 5/16 in. (3.3 cm), Gems, Flattened scaraboid of green, translucent steatite, perforated horizontally. Two men, in reversed positions, on either side of a large

Textile Fragment from the Dalmatic of San Valerius, 13th century, Attributed to Spain, Silk, metal-wrapped thread; taqueté, Textile: L. 6 1/2 in. (16.5 cm), Textiles-Woven, This brocaded textile was originally part of a dalmatic (liturgical

Illustration of Noh Dance Scene, Meiji period (1868–1912), ca. 1910, Japan, Polychrome woodblock print; ink and color on paper, 14 9/16 x 20 1/16 in. (37 x 51 cm), Prints, Tsukioka Kōgyo (Japanese, 1869–1927

Glass alabastron (perfume bottle), Early Hellenistic, late 4th–early 3rd century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group II, H.: 4 13/16 in. (12.2 cm), Glass, Translucent cobalt blue, with handles in same color;

Lachesis, n.d., Black and white chalk on faded blue paper, framing lines in pen and brown ink, 13 7/8 x 17 1/16 in. (35.2 x 43.4 cm), Drawings, Circle of Pierre Paul Prud'hon (French, Cluny 1758–1823 Paris

Vannier, 1910–12, Gelatin silver print from glass negative, Image: 16.3 x 22.3 cm (6 7/16 x 8 3/4 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Glass stirring rod, Early to Mid Imperial, ca. 1st–2nd century A.D., Roman, Glass; drawn and tooled, H. 7 5/8 in. (19.4 cm); diameter 1 in. (2.5 cm), Glass, Colorless with pale yellow green tinge. Cylindrical rod, tightly twisted to produce

[View of a House in the Woods, with a Waterlogged Road], 1853–56, Albumen silver print, Image: 18.5 × 22.3 cm (7 5/16 × 8 3/4 in.), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales

Glass perfume bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown and cut, Overall: 6 1/4 in. (15.9 cm), Glass, Tall candlestick unguentarium. Translucent pale blue green. Fine tubular rim folded out, over, and in; flaring

Arrowhead, Bronze, Other: 1 3/16 in. (3 cm), Bronzes

Jérusalem, Vallée de Hinnom, Tombeaux antiques, 1854, Salted paper print from paper negative, Image: 23.4 x 33 cm (9 3/16 x 13 in.), Photographs, Auguste Salzmann (French, 1824–1872

Two Stirrups, 16th–17th century, Mongolian or Tibetan, Iron, gold, silver, H. 6 1/2 in. (16.5 cm); W. 5 11/16 in. (14.4 cm); Wt. 22 oz. (617 g), Equestrian Equipment-Stirrups, A detailed Mongolian inscription on the base of one of the

Terracotta cup, Early Imperial, 1st century B.C.–1st century A.D., Roman, Terracotta; Arretine ware, H. 3 11/16 in. (9.4 cm), Vases

Glass spindle whorl, Imperial, ca. 1st–2nd century A.D., Roman, Glass; rod-formed and wound, Diam. 1 in. (2.6 cm), Glass, Translucent cobalt blue. Domed body; flat bottom but with circular groove; vertical hole, larger on bottom. Intact;

Glass bowl, Late Imperial, 4th century A.D., Roman, Glass; blown, 1 3/8 x 5 13/16in. (3.5 x 14.8cm), Glass, Colorless. Broad horizontal rim with rounded lip and folded tubular bulge; convex side, tapering downwards to bottom with deep kick

The House of Umegawa, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 12 1/2 in. x 6 in. (31.8 x 15.2 cm), Prints, Nishimura Shigenobu (Japanese, active 1729–39

Slop bowl, 1862–63, Made in New York, New York, United States, American, Silver, 5 3/8 x 5 3/16 in. (13.7 x 13.2 cm), Silver, Wood and Hughes (1845–99), Presented to Christian Dorflinger upon his retirement from the Long Island Flint

Love Letter (Kesobumi), Meiji period (1868–1912), January 1906, Japan, Polychrome woodblock print; ink and color on paper, 8 3/4 x 11 3/4 in. (22.2 x 29.8 cm), Prints, Kajita Hanko (Japanese, 1870–1917

Pin, Cypriot, Bronze, Other: 11 1/4in. (28.6cm), Bronzes

La fille de mon ami de Lille, 1856, Salted paper print from paper negative, Image: 8 3/4 × 7 1/16 in. (22.2 × 17.9 cm), Photographs, Louis-Pierre-Théophile Dubois de Nehaut (French, active Belgium, 1799–1872

Terracotta krater, Late Helladic IIIB, ca. 13th century B.C., Mycenaean, Terracotta, H. 12 in. (30.5 cm.), Vases, Decorated on each side with an octopus, two vertical handles

Bifolium from a Qur'an, late 9th–10th century, Attributed to Central Islamic Lands or North Africa, Ink, opaque watercolor, and gold on parchment, 9 1/8 x 25 5/16 in. (23.2 x 64.3 cm), Codices, This double folio was once bound in a

Terracotta oinochoe (jug), Geometric, 2nd half of 9th century B.C., Greek, Attic, Terracotta, 4 1/16in. (10.4cm), Vases, From the Hymettos deposit

Glass perfume bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, 2 15/16in. (7.4cm), Glass, Colorless with pale yellow green tinge. Rim tooled out horizontally, folded over and in, and pressed into lopsided, flaring mouth;

Salt, ca. 1785–95, Possibly made in Boston, Massachusetts, United States, American, Silver, 1 3/16 x 2 3/4 in. (3 x 7 cm); 1 oz. 13 dwt. (50.8 g), Silver, Possibly David Tyler (1760–1804

Mechanic Tattooing, 1870s, Albumen silver print from glass negative, 25.1 x 20 cm (9 7/8 x 7 7/8 in.), Photographs, Unknown

Small pisolitic bauxite axe, Neolithic, 5th–4th millennium B.C., Cretan, Stone, 2 1/4 in. x 1 3/4 in. (5.7 x 4.4. cm), Miscellaneous-Stone, Celt

Ruines de la Salle Hypostyle du Palais de Karnac - Vue prise du Sud-Ouest, 1849–50, Salted paper print from paper negative, Image: 5 3/16 × 7 15/16 in. (13.1 × 20.2 cm), Photographs, Maxime Du Camp (French, 1822–1894

Alabaster or loutrophoros (jar for storage or water), Late Classical or Early Hellenistic, 2nd half of the 4th–3rd century B.C., Cypriot, Veined alabaster, H. 7 7/8 (20 cm); Diam. 3 7/16 in. (8.7 cm), Miscellaneous-Stone Vases, With long

Glass network mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 15/16 x 1 1/16 in. (2.4 x 2.7 cm), Glass, Rim fragment., Translucent blue, opaque yellow, and colorless., Applied

Moldings for Gothic Library Bookcase, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, sheet: 11 15/16 x 6 3/16 in. (30.3 x 15.7 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Limestone funerary cippus (tomb marker), Imperial, 2nd–3rd century A.D., Roman, Cypriot, Limestone, H.: 24 7/8 x 10 1/2 in. (63.2 x 26.7 cm), Cesnola Inscriptions, Only one other funerary cippus of this type is known, but the conventions

Lady Elizabeth Eastlake, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Kingfishers and Pussy-willow, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 3/8 x 5 3/8 in. (21.3 x 13.7 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Carnelian scarab, Hellenistic, 3rd century B.C., Etruscan, Carnelian, H.: 7/16 x 9/16 in. (1.1 x 1.4 cm), Gems, Man driving a two-horse chariot

The Actor Ichikawa Komazo I as Yorimasa, Edo period (1615–1868), 1770, Japan, Polychrome woodblock print; ink and color on paper, 12 5/8 x 5 3/4 in. (32.1 x 14.6 cm), Prints, Ippitsusai Bunchō (Japanese, active 1760–1794

Terracotta kylix (drinking cup), Archaic, 6th century B.C., East Greek, Terracotta, H. 3 11/16 in. (9.4 cm) , Vases, Decorated with horizontal bands

Geyser Road, 1868–70, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

Fringed Bag, 7th century, Peru, Rio Grande de Nasca, Nasca, Camelid hair, Overall: 6 1/2 x 15 1/2 in. (16.51 x 39.37 cm), Textiles-Woven

Limestone votive throne, Archaic, 6th century B.C., Cypriot, Limestone, Overall: 30 1/2 × 18 1/2 × 15 in. (77.5 × 47 × 38.1 cm), Stone Sculpture, Throne with panelled back and front

Bandō Hikosaburō III in the Role of Sugawara no Michizane, Edo period (1615–1868), ca. 1796, Japan, Polychrome woodblock print; ink and color on paper, 15 x 10 in. (38.1 x 25.4 cm), Prints, Utagawa Toyokuni I (Japanese, 1769–1825

Gilt terracotta ornaments from a necklace, Late Helladic III, ca. 1400–1050 B.C., Mycenaean, Terracotta, gold, Diameter of rosettes 1 1/32 in. (2.7cm) with variations of c. 0.1 cm., Terracottas, Eight petaled rosettes and one pendant in the