Images at Librifly

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 3/4 x 1 1/16 in. (1.9 x 2.7 cm), Glass, Translucent purple, opaque white, yellow, and brick red., Shallow convex curving

Fragment, 5th century, Made in Egypt, Wool, linen; plain weave, tapestry weave, 16 1/8 in. high 14 3/16 in. wide (41 cm high 36 cm wide), Textiles

'Death of Farud', Folio from a Shahnama (Book of Kings) of Firdausi, ca. 1610, Attributed to India, Deccan, Bijapur, Ink, opaque watercolor, and gold on paper, Page: 8 x 4 7/8 in. (20.3 x 12.4 cm), Codices, The Shahnama is filled with

Terracotta head of a woman, Hellenistic, 3rd–2nd century B.C., Egyptian (?), Terracotta, H. 2 1/2 in. (6.4 cm), Terracottas, With wreath and heavy fillet around head, and earrings

Limestone statuette of a beardless male votary with a wreath of leaves, Hellenistic ?, 310–30 B.C., Cypriot, Hard limestone, Overall: 16 1/2 x 6 1/4 x 3 3/4 in. (41.9 x 15.9 x 9.5 cm), Cesnola Inscriptions, The young man wears a short chiton

Marseille, late 1850s (?), Albumen silver print from paper negative, Image: 32.6 x 42.7 cm (12 13/16 x 16 13/16 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

清 葉欣 山水圖 冊 絹本, Landscapes, Qing dynasty (1644–1911), dated 1652, China, Album of four leaves; ink and color on silk, 4 5/8 x 5 1/2in. (11.7 x 14cm), Paintings, Ye Xin (Chinese, active ca. 1640–1673), In this gemlike

Rock crystal oval, Hellenistic, 3rd–2nd century B.C., Greek, Rock crystal, Overall: 13/16 x 11/16 in. (2 x 1.7 cm), Gems, Bust of Sarapis

Bowl, Cypriot, Bronze, 1 1/4in. (3.1cm), Bronzes

Corbel with Busts of Angels, 1430–1440, Made in Lombardy possibly, Italy, Italian, Marble with traces of polychromy, Overall: 14 1/4 x 20 x 19in. (36.2 x 50.8 x 48.3cm), Sculpture-Architectural

Marble sarcophagus with the Triumph of Dionysos and the Seasons, Late Imperial, Gallienic, ca. A.D. 260–270, Roman, Marble, Overall: 34 x 85 x 36 1/4 in. (86.4 x 215.9 x 92.1 cm), Stone Sculpture

Carnelian oval set in a gold ring, Hellenistic, late 1st century B.C., Greek, Carnelian, gold, Other: 15/16 in. (2.5 cm), Gems, Nike with flower

Château de Martainville, 1852–54, Salted paper print from glass negative, 24.1 x 31.8 cm (9 1/2 x 12 1/2 in. ), Photographs, Edmond Bacot (French, 1814–1875

Shoulder Band Fragment, 7th–8th century, Attributed to Egypt, Linen, wool, 19.75 in. high 4.00 in. wide (50.16 cm high 10.16 cm wide), Textiles

The actor Otani Oniji in the role of Omoni Hikoshichi, Edo period (1615–1868), ca. 1730, Japan, Polychrome woodblock print; ink and color on paper (Urushi-e), 13 1/10 x 6 1/8 in. (33.3 x 15.6 cm), Prints, Torii Kiyomasu I (Japanese, active

Architectural Project based on the Pantheon, ca. 1847, Pen and ink, brush and watercolor, sheet: 30 1/4 x 40 in. (76.8 x 101.6 cm), Drawings, Ahlsned (Scandinavian, active ca. 1847

Virgin and Child with a Donor Presented by Saint Jerome, ca. 1450, Bavaria, probably Munich, Oil and gold on poplar panel, 25 x 19 in. (63.5 x 48.3 cm), Paintings, Master of the Munich Bavarian Panels (Bavaria, probably Munich, active

Pope Gregory XVI Visiting the Church of San Benedetto at Subiaco, 1843, Oil on canvas, 49 1/4 x 55 3/8 in. (125.1 x 140.7 cm), Paintings, Jean-François Montessuy (French, Lyons 1804–1876 Lyons), The magnificently frescoed monastery of San

Souterrain de la Nerthe, ca. 1861, Albumen silver print from paper negative, Image: 32.5 x 43.4 cm (12 13/16 x 17 1/16 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Terracotta neck-amphora (jar), Archaic, ca. 510–500 B.C., Greek, Attic, Terracotta; black-figure, H. 12 15/16 in. (32.8 cm), Vases, Obverse, the centaur Pholos and Herakles between Iolaos and Hermes., Reverse, revellers

Miniature Feathered Dress, 12th–13th century, Peru, Ica Valley, Ica, Cotton, feathers, H. 8 3/8 x W. 9 in. (21.3 x 22.9 cm), Textiles-Featherwork

[St. Pierre, Caen], 1850s, Salted paper print from paper negative, Photographs, Unknown (British

明 阮祖德 抑齋曾叔祖八十五齡壽像 軸, Portrait of the Artist's Great-Granduncle Yizhai at the Age of Eighty-Five, Ming dynasty (1368–1644), dated 'xinyou' (1561 or 1621?), China, Hanging scroll; ink and color on silk, Image: 61

'Rescue of Bizhan by Piran', Folio from a Shahnama (Book of Kings) of Firdausi, ca. 1610, Attributed to India, Deccan, Bijapur, Ink, opaque watercolor, and gold on paper, Page: 7 7/8 x 4 3/4 in. (20 x 12.1cm), Codices, During the reign of

Treasure Box (Papahou), 18th century, New Zealand, Bay of Plenty region, Maori people, Wood, shell, H. 3 1/2 x W. 4 1/8 x L. 17 5/8 in. (8.9 x 10.5 x 44.8 cm), Wood-Containers, Personal ornaments are important objects in Maori culture. Often

Buckle fragment, Bronze, Other: 1 3/4 in. (4.4 cm), Bronzes

Saint Jerome with a lion, 1547, Italian, Verona, Walnut and other woods, Woodwork, Francesco Orlandini, Commissioned by Claude d'Urfé, Ambassador of the King of France to the Council of Trent. Executed by Fra Damiano da Bergamo and his

Terracotta Megarian bowl, Hellenistic, 2nd century B.C., Greek, Boeotian, Terracotta, h. 3 1/4 in. (8.3 cm); w. 5 1/2 in. (14 cm), Vases, This vase belongs to a select group of bowls decorated in relief with scenes from epic poetry and from

From the Radio Tower, Berlin, 1928, printed ca. 1940, Gelatin silver print, Image: 24.6 x 19.1 cm (9 11/16 x 7 1/2 in.), Photographs, László Moholy-Nagy (American (born Hungary), Borsod 1895–1946 Chicago, Illinois

Jérusalem, Vallée de Hinnom, Détails du flanc droit, 1, 1854, Salted paper print from paper negative, Image: 23.1 x 32.3 cm (9 1/8 x 12 11/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Terracotta Nolan neck-amphora (jar), Classical, ca. 460–450 B.C., Greek, Attic, Terracotta; red-figure, H. 13 1/2 in. (34.3 cm), Vases, Obverse, Zeus Reverse, Ganymede

Shoe for a Child, 16th century, British, Leather, L. 6 in. (15.2 cm), Miscellaneous

Wall clock (pendule en cartel), Clock maker: Jean Godde l'aîné (French, ca. 1668–1748/49), Case maker: Charles Cressent (French, Amiens 1685–1768 Paris), ca. 1740–45, French, Paris, Case: gilded bronze, oak, and tortoiseshell on

Red Berry Plant and Butterfly, Edo period (1615–1868), Japan, Album leaf; lacquer on paper, 4 1/2 x 3 1/2 in. (11.4 x 8.9 cm), Paintings, Shibata Zeshin (Japanese, 1807–1891

Vase in Shape of Archaic Chinese bronze, Edo period (1615–1868), second half of the 18th century, Japan, Porcelain with celadon glaze (Hizen ware, Nabeshima type), H. 10 1/4 in. (26 cm); Diam. 6 5/8 in. (16.8 cm), Ceramics

Demons Fighting Over an Animal Limb, late 17th century, India (Rajasthan, Bikaner or the Deccan), Ink, opaque watercolor, and gold on paper, 11 9/16 x 7 5/16 in. (29.4 x 18.6 cm), Paintings, In this painting, set in a fantastic landscape

Viewing the Sunset over Ryōgoku Bridge from the Onmayagashi Embankment (Onmayagashi yori Ryōgokubashi sekiyō o miru), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei),

Picking Clams, Edo period (1615–1868), ca. 1791, Japan, Triptych of polychrome woodblock prints; ink and color on paper, 15 5/8 x 30 5/8 in. (39.7 x 77.8 cm), Prints, Utagawa Toyokuni I (Japanese, 1769–1825), In the late eighteenth

Fuji Tohō, The Top of Mount Fuji, Edo period (1615–1868), ca. 1800, Japan, Polychrome woodblock print; ink and color on paper, H. 10 1/8 in. (25.7 cm); W. 15 1/4 in. (38.7 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849

Vase fragment, Geometric, Greek, Laconian, Terracotta, 2 × 2 3/8 × 3/8 in. (5.1 × 6 × 0.9 cm), Vases

Processione sulla facciata della Grande Scala, 1858, Salted paper print from paper negative, Photographs, Luigi Pesce (Italian, 1818–1891

Jérusalem, Birket-Hammam-Setty-Mariam, 1854, Salted paper print from paper negative, Image: 23.1 x 33.1 cm (9 1/8 x 13 1/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Fragment with Figures, 7th century, Peru, Rio Grande de Nasca, Nasca, Camelid hair, Overall: 8 x 11 in. (20.32 x 27.94 cm), Textiles-Woven

National Congregational Council at Plymouth Rock, June 22, 1865, Albumen silver print from glass negative, Image: 37.5 x 47.6 cm (14 3/4 x 18 3/4 in.), Photographs, John Adams Whipple (American, 1822–1891

Newsboy, 1938, Lithograph, Sheet: 13 7/8 x 10 5/8 in. (35.2 x 27 cm), Prints, Carl G. Hill (American, (?) 1920–1943

Saber, Grip and guard, second half of the 17th century; blade, late 18th–19th century, Turkish, Steel, jade (nephrite), gold, copper, diamond, L. 38 in. (96.5 cm); L. of blade 32 3/4 in. (83.2 cm); Wt. 1 lb. 15 oz. (889 g), Swords, The

'How Rustam Found a Spring', Folio from a Shahnama (Book of Kings) of Firdausi, ca. 1300–30, Attributed to Northwestern Iran or Baghdad, Ink, opaque watercolor, silver, and gold on paper, Text block: 6 1/16 x 4 13/16 in. (15.4 x 12.2 cm),

Small terracotta trefoil-mouthed jug, Middle Minoan IB, ca. 1950–1900 B.C., Minoan, Terracotta; Fine plain ware, H. 3 1/4 in. (8.3 cm.), Vases, Fine plain ware without decoration

The Doll Festival, Third Day of the Third Month, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 3/8 in. (21 x 18.7 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Vue générale de Rouen, 1852–54, Salted paper print from glass negative, 21.9 x 33.3 cm (8 5/8 x 13 1/8 in. ), Photographs, Edmond Bacot (French, 1814–1875

Julia Margaret Cameron, 1870, Albumen silver print from glass negative, Photographs, Henry Herschel Hay Cameron (British, 1852–1911), Julia Margaret Pattle was born in Calcutta in 1815, the fourth of ten children of Adeline de l’Etang and

Waste Bowl, ca. 1799, Made in Philadelphia, Pennsylvania, United States, American, silver, 5 1/2 x 6 1/2 in. (14 x 16.5 cm) 14oz. 15 dwt (458.6 g), Silver, John McMullin (1765–1843

Basket, New Kingdom, Dynasty 18, ca. 1525–1504 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Meritamun (TT 358, ), corridor, 1928–29, Palm Leaf, H. 46 cm (18 1/8 in); w. 58 cm (22 13/16 in

Two Young Women on a Verandah, Edo period (1615–1868), ca.1766–70, Japan, Polychrome woodblock print; ink and color on paper, 11 1/4 x 8 7/16 in. (28.6 x 21.4 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770

Carpet, second half 16th century, Made in Iran, Silk (warp), cotton (weft), wool (pile); asymmetrically knotted pile, Rug: H. 99 3/4 in. (253.4 cm), Textiles-Rugs, The scenes depicted on this carpet may allude to the bazm, or the feast that

[Japanese Woman in Traditional Dress Posing Outdoors], 1870s, Albumen silver print from glass negative, 25.2 x 19.8 cm (9 15/16 x 7 13/16 in.), Photographs, Suzuki Shin'ichi (Japanese, 1835–1919

Calligraphy, Ming dynasty (1368–1644), China, Folding fan mounted as an album leaf; ink on paper, 7 3/8 x 21 in. (18.7 x 53.3 cm), Calligraphy, Yuan Zhi (Chinese, 1502–1547

Butterfly, Qing dynasty (1644–1911), 18th century, China, Jade (nephrite), H. 4 1/4 in. (10.8 cm); W. 2 5/16 in. (5.8 cm); D. 1/4 in. (0.6 cm), Jade

The Sixth Scene from Scenes of the Pleasure Quarter at Yoshiwara in Edo, Edo period (1615–1868), late 17th century, Japan, Monochrome woodblock print; ink on paper, H. 10 1/16 in. (25.6 cm); W. 15 3/16 in. (38.6 cm), Prints, Hishikawa

Glass jug, Late Imperial, mid-3rd–4th century A.D., Roman, Glass; blown and trailed, H.: 10 in. (25.4 cm), Glass, Translucent pale green; handle and trails in same color. Thick, rounded rim; funnel-shaped mouth; slender, conical neck,

Caster, ca. 1735, Made in New York, New York, United States, American, Silver, Overall: 6 7/8 x 2 1/2 in. (17.5 x 6.4 cm); 8 oz. (248.2 g), Silver, Adrian Bancker (1703–1772), Although eighteenth-century American silver casters were often

Passage from Tao Qian's 'Returning Home', Ming dynasty (1368–1644), China, Folding fan mounted as an album leaf; ink on gold paper, 6 7/8 x 19 7/8 in. (17.5 x 50.5 cm), Calligraphy, Dong Qichang (Chinese, 1555–1636), Court politics caused

[Japanese Woman with Parasol], 1870s, Albumen silver print from glass negative, 25.1 x 20.3 cm (9 7/8 x 8 in.), Photographs, Suzuki Shin'ichi (Japanese, 1835–1919

Meeting of a Prince and Poet, mid-16th century, Attributed to Iran, Tabriz, Ink, opaque watercolor, silver, and gold on paper, Page: H. 13 5/8 in. (34.6 cm) , Codices, This unfinished work depicts the meeting of a noble young horseman and

[The Tuileries after the Commune], 1871, Albumen silver print from glass negative, Photographs, Hippolyte-Auguste Collard (French, 1811–1887

Bronze statuette of a sphinx, Late Hellenistic or Imperial, ca. 1st century B.C.–2nd century A.D., Greek or Roman, Bronze, H. 1 5/8 in (4.1 cm), Bronzes, Lying down, with head erect and paws extended, wings spread

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, H.: 1 3/8 x 1 1/2 in. (3.5 x 3.8 cm), Glass, Body fragment., Translucent deep honey brown, cobalt blue, and opaque white., Part

東海道五十三次　金谷, Kanaya, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo

Plaque from a Tantric Ritual Apron (Chakrasamvara and Vajravarahi at Center), 16th century or later, Nepal, Bone, H. 5 1/2 in. (14 cm), Bone

Oyama Tsunayoshi's Cross Examination, Meiji period (1868–1912), August 27, 1877 (Meiji 10), Japan, One sheet of a triptych of polychrome woodblock prints; ink and color on paper, Triptych 13 15/16 x 28 1/8 in. (35.4 x 71.4 cm), Prints,

Sashu Tsukahara setchu, Nichiren in Snow at Tsukahara, Sodo Province, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, 8 7/8 x 13 3/5 in. (22.5 x 34.5 cm), excluding margins, Prints, Utagawa

Temple of Wingless Victory, Lately Restored, 1848, Paper negative, Image: 16.7 x 20.6 cm (6 9/16 x 8 1/8 in.), Negatives, George Wilson Bridges (British, 1788–1864), An Oxford-educated Englishman, the Reverend George Bridges lived

Lamp, ca. A.D. 40–100, Roman, Cypriot, Terracotta, Overall: 7/8 x 3 1/4 in. (2.2 x 8.3 cm), Terracottas

A Young Noble Seated, Brush in Hand; a Lady Seated and Another Standing by His Side, Edo period (1615–1868), ca. 1791, Japan, Polychrome woodblock print; ink and color on paper, H. 9 3/16 in. (23.3 cm); W. 7 1/16 in. (17.9 cm), Prints,

Tempio della Pace, 1848–52, Albumen print from glass negative, Image: 8 11/16 × 11 5/16 in. (22 × 28.7 cm), Photographs, Eugène Constant (French, active Italy, 1848–55

Limestone head of a beardless male votary with a wreath of leaves, Hellenistic, 2nd half of the 4th century B.C., Cypriot, Hard limestone, Overall: 9 x 5 7/8 x 5 7/8 in. (22.9 x 14.9 x 14.9 cm), Stone Sculpture, Figure wearing wreath of

Seven Trees, ca. 1900–1902, Charcoal on paper, 8 5/8 x 11 3/4 in. (21.9 x 29.8 cm), Drawings, Paula Modersohn-Becker (German, Dresden 1876–1907 Worpswede), This spontaneous drawing is not typical of the stolid peasant life depicted by

Echo, 1874, Oil on canvas, 38 1/2 x 26 1/4 in. (97.8 x 66.7 cm), Paintings, Alexandre Cabanel (French, Montpellier 1823–1889 Paris), In Greek mythology Echo is the beautiful nymph who falls in love with Narcissus, a handsome youth who loves

Mirror, Bronze, 3/8 × 4 5/8 × 1/8 in. (1 × 11.8 × 0.4 cm), Bronzes

A Country Girl at Surrentum, Italy, September 1776, Red chalk, heightened with white, sheet: 11 15/16 x 8 9/16 in. (30.4 x 21.7 cm), Drawings, Allan Ramsay (British, Edinburgh, Scotland 1713–1784 Dover), Ramsay, a leading

Vue générale de l'île de Philae, prise de l'île de Begueh (Ouest), 1849–50, Salted paper print from paper negative, Image: 6 in. × 7 7/8 in. (15.2 × 20 cm), Photographs, Maxime Du Camp (French, 1822–1894

Alabaster alabastron (perfume vase), Archaic or Classical, 6th–5th century B.C., Cypriot, Calcite (alabaster), H. 6 7/8 ; Diam. 2 7/8 in. (17.5 x 7.3 cm), Miscellaneous-Stone Vases, The alabastron has a pear-shaped profile, two salient

Standing Lion (Lionne debout), modeled probably ca. 1825–30, French, Plaster, covered with wax, on a wooden base, Height: 10 in. (25.5 cm), Sculpture, Attributed to Antoine-Louis Barye (French, Paris 1796–1875 Paris

Limestone head of a snake, Archaic, probably 6th–5th century B.C., Cypriot, Limestone, Overall: H.:3 1/2 x W.:1 5/8 x D.:3 in. (8.9 x 4.1 x 7.6 cm), Stone Sculpture, The head of a bearded snake has an open mouth and teeth that are very well

Terracotta jug, Cypro-Archaic I, 750–600 B.C., Cypriot, Terracotta, H. 7 15/16 in. (20.2 cm), Vases, Standing bird

View of Futami Beach at Ise, Edo period (1615–1868), ca. 1825, Japan, Polychrome woodblock print; ink and color on paper, Oban 9 5/8 x 14 1/4 in. (24.4 x 36.2 cm), Prints, Shotei Hokuju (Japanese, active 1790–1820

Morning Glories, Edo period (1615–1868), ca. 1847, Japan, Polychrome woodblock print; ink and color on paper, 13 x 4 3/8 in. (33 x 11.1 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Mail Shirt, 15th–16th century, Istanbul, Possibly Turkish, Istanbul or Iranian, Iron, H. 44 1/8 in. (112.0 cm); W. 44 7/8 in. (114.0 cm); W. of chest 25 5/8 in. (65.0 cm); Diam. (outside) of inscribed links 5/8 in. (15.8 mm); Diam. (inside)

Paperweight, ca. 1850, Made in East Cambridge, Massachusetts, United States, American, Glass, H. 2 1/8 in. (5.4 cm); Diam. 3 3/16 in. (8.1 cm), Glass

Gold earring with convex disk and small disk, Imperial, 1st–2nd century A.D., Roman, Gold, Other: 1 7/16 in. (3.7 cm), Gold and Silver, Convex discs of plain foil

The Fifth Ichikawa Danjuro as a Samurai Attired in Ceremonial Kamishimo, Edo period (1615–1868), probably 1774, Japan, Left-hand sheet of a triptych of polychrome woodblock prints; ink and color on paper, 12 11/32 x 5 13/16 in. (31.4 x 14.8

Mokuboji Yukimi (Uekiya), 江戸高名会亭尽　木母寺雪見　植木屋, Uekiya Restaurant at Mokuboji, Edo period (1615–1868), ca. 1835–42, Japan, Polychrome woodblock print; ink and color on paper, H. 9 3/8 in. (23.8 cm); W. 14

Child's Robe, 19th century, Japan (Ryūkyū Islands), Banana fiber (basho), cotton, 42 x 37 in. (106.68 x 93.98 cm), Textiles-Costumes

Jérusalem, Porte de Jaffa, Intérieur, 1854, Salted paper print from paper negative, Image: 31.9 x 23.1 cm (12 9/16 x 9 1/8 in.), Photographs, Auguste Salzmann (French, 1824–1872), Viewed at random, Salzmann’s 174 photographs of

Glass pendant in the form of a demonic mask, Archaic or Classical, 6th–5th century B.C., Phoenician, Glass; rod-formed, trailed, and tooled, H.: 7/8 in. (2.2 cm), Glass, Semi-opaque deep yellow brown, appearing black, with additions in

The Rape of Europa, 18th century, Red chalk., 14 1/2 x 14 5/8 in. (36.9 x 37.2 cm), Drawings, Jean-Baptiste Marie Pierre (French, Paris 1714–1789 Paris

Burgonet all'Antica, ca. 1535–45, probably Milan, Italian, probably Milan, Steel, gold, silver, H. 10 13/16 (27.5 cm); W. 8 1/16 (20.5 cm); D. 11 5/8 in. (29.6 cm); Wt. 3 lb. 12 oz. (1709 g), Helmets, This helmet is formed as a

Agate scarab, Classical, early 4th century B.C., Etruscan, Agate, banded, Other: 5/16 x 1/2 in. (0.8 x 1.3 cm), Gems, Wounded Achilles

東海道五十三次　藤枝, Fujieda, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo

[Garden, Front], 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin