Images at Librifly

Limestone statue of a female lyre player, Hellenistic, Cypriot, Limestone, Overall: 34 3/4 x 13 3/4 x 7 3/8 in. (88.3 x 34.9 x 18.7 cm), Stone Sculpture, This work is distinguished by its size and the quality of execution

Palais de Mehemet-Ali, à Esné, 1849–50, Salted paper print from paper negative, Image: 5 13/16 × 8 7/16 in. (14.8 × 21.5 cm), Photographs, Maxime Du Camp (French, 1822–1894

Male Anthropomorph, Bronze Age period, ca. 500 B.C.–100 A.D., Indonesia (Sulawesi), Stone, H. 21 1/2 in. (54.5 cm), Sculpture

清, 朱耷 (八大山人), 山水圖, 冊, Landscape album, Qing dynasty (1644–1911), dated 1699, China, Album of twelve leaves; ink and color on paper, Image (each): 7 3/8 x 9 1/8 in. (18.7 x 23.2 cm), Paintings, Bada Shanren (Zhu Da)

Equestrian Plaque, ca. 1220, Made in Limoges, France, French, Copper (plaque): engraved, stippled, and gilt; (appliqué): repoussé, engraved, chased, scraped, stippled, and gilt; champlevé enamel: dark, medium, and light blue; dark

Rotary Valve Cornet, 1870–75, Boston, Massachusetts, United States, American, Metal, silver plated, Height: 13 15/16 in. (35.4 cm), Aerophone-Lip Vibrated, Hall & Quinby

Alabaster alabastron (perfume vase), Archaic or Classical, 6th–5th century B.C., Cypriot, Calcite (alabaster), H. 5 1/2 x 2 1/8 in. (14 x 5.4 cm), Miscellaneous-Stone Vases, The alabastron has a flattened base, rounded lugs, a flaring

The Artist Kitao Masanobu Relaxing at a Party, Edo period (1615–1868), 1790s, Japan, Left-hand of a triptych of polychrome woodblock prints; ink and color on paper, H. 15 in. (38.1 cm); W. 10 1/4 in. (26 cm), Prints, Kitagawa Utamaro

Standard Bearer and Drummer, 1544, Engraving, Sheet: 2 13/16 x 1 15/16 in. (7.1 x 4.9 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), As the inscription along the right indicates, Beham created this print as a memorial to

Design drawing of of lotus blossom of floral capital from loggia, Laurelton Hall, ca. 1900–1915, American, Watercolor, graphite, and ink on paper, 18 3/8 x 14 in. (46.7 x 35.6 cm), Drawings, Lenox, Incorporated (established 1889

Carnations and Amaranthus, Qing dynasty (1644–1911), China, Folding fan mounted as an album leaf; color on paper, 6 11/16 x 20 in. (17 x 50.8 cm), Paintings, Yun Shouping (Chinese, 1633–1690), Bringing emotion, history, inspiration,

Gamepiece with a Dead Heron ('Falconer's Bag'), 1695, Oil on canvas, 52 3/4 x 43 3/4 in. (134 x 111.1 cm), Paintings, Jan Weenix (Dutch, Amsterdam ca. 1641?–1719 Amsterdam), Jan Weenix was the son of the Italianate landscape and genre

Limestone bearded head with a wreath of leaves, 2nd century B.C., Cypriot, Limestone, Overall: 9 x 7 1/4 x 7 1/4 in. (22.9 x 18.4 x 18.4 cm), Stone Sculpture, Bearded male head with wreath of leaves

Vase fragment, Early Minoan II, Minoan, Terracotta, 1 3/8 × 2 1/8 × 3/8 in. (3.5 × 5.3 × 0.9 cm), Vases

English Couple Sharing an Umbrella, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 14 3/4 x 9 3/4 in. (37.5 x 24.8 cm), Prints, Utagawa Yoshitora (Japanese, active ca. 1850–80

Glass cameo cup fragment, Early Imperial, end of 1st century B.C–beginning of 1st century A.D., Roman, Glass; cast and cut, Overall: 1 1/4 x 1 7/16 in. (3.2 x 3.7 cm), Glass, Translucent cobalt blue with overlays in opaque white and

Coffee and tea service (déjeuner chinois réticulé), 1855–61, French, Sèvres, Hard-paste porcelain, Tray (.1): H. 8 3/8 in. (21.3 cm.); Gr. Diam. 19 5/8 in. (49.8 cm.); coffeepot with cover (.2ab): H. 7 1/2 in. (19.1 cm.); teapot with cover

Vase fragment, Geometric, East Greek/Sardis, Lydian, Terracotta, Overall: 2 7/8 x 1 1/2in. (7.3 x 3.8cm), Vases

Porringer, ca. 1925, Made in Gardner, Massachusetts, United States, American, Silver, 11/16 x 2 7/8 in. (1.7 x 7.3 cm) Bowl: 1 5/8 in. (4.1 cm) 16 dwt (25.3 g), Silver, Arthur J. Stone (1847–1938

Violin, 1885, Gardiner, Maine, United States, American, Wood, Height: 25 in. (63.5 cm), Chordophone-Lute-bowed-unfretted, Philip Henry Holmes (American, Gardiner, Maine 1845–1915 Gardiner

Woman with a Water Pitcher, and a Man by a Bed ('The Maidservant'), ca. 1667–70, Oil on canvas, 24 1/4 x 20 1/2 in. (61.5 x 52.1 cm), Paintings, Pieter de Hooch (Dutch, Rotterdam 1629–1684 Amsterdam), This picture of the late 1660s was

Terracotta lekythos (oil flask), Late Classical, 4th century B.C., Greek, South Italian, Campanian, Terracotta; black-glaze, H. 7 3/8 in. (18.8 cm), Vases, Black glaze lekythos without decoration

Chalcedony intaglio: Head of Jupiter Ammon, Imperial, 1st–3rd century A.D., Roman, Chalcedony, H.: 3/4 x 9/16 in. (2 x 1.5 cm), Gems, The pantheistic head has the ram's horns of Zeus Ammon, the modius headdress of Serapis, and the rays of

Saint Bavo, ca. 1460, Made in Utrecht (?), Netherlands, North Netherlandish, Limestone with traces of paint, Overall: 44 1/4 x 17 x 14 1/4 in. (112.4 x 43.2 x 36.2 cm), Sculpture-Stone, Saint Bavo (d. 657), patron saint of Ghent and Haarlem,

Alvin Langdon Coburn, ca. 1901, Platinum print, Photographs, Frederick H. Evans (British, London 1853–1943 London

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and cut, Other: 1 1/16 x 1 3/8 in. (2.8 x 3.5 cm), Glass, Rim fragment., Translucent turquoise blue and purple, and opaque white

Moldings for Gothic Library Bookcase, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, sheet: 8 1/4 x 12 1/4 in. (20.9 x 31.1 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

女織蚕手業草　十二終, Women Weaving Silk Cloth, Edo period (1615–1868), ca. 1800, Japan, Polychrome woodblock print; ink and color on paper, 14 7/8 x 9 3/4 in. (37.8 x 24.8 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

Stanze di M. Pietro Aretino, January 23, 1537, Printed book with woodcut illustrations, 7 5/8 x 5 13/16 x 5/16 in. (19.4 x 14.7 x 0.8 cm), Books, Rosand and Muraro (1976, pp. 191; 194-45, no. 42), plausibly attribute the cutting to Britto,

The 'Nigde' Carpet, 18th century, Made in Northwestern Iran, probably, Cotton (warp and weft), wool (pile); symmetrically knotted pile, Rug: H. 298 in. (755.7 cm), Textiles-Rugs, The so-called 'Nigde Carpet, ' one of the most famous Islamic

Sugar bowl, 1830–40, Made in Sandwich, Massachusetts, United States, American, Blown glass, H. 7 in. (17.8 cm); Diam. 5 1/4 in. (13.3 cm), Glass, Boston & Sandwich Glass Company (American, 1825–1888, Sandwich, Massachusetts

Fragmentary stand of a terracotta lebes gamikos (round-bottomed bowl with handles and stand used in weddings), Classical, 3rd quarter of 5th century B.C., Greek, Attic, Terracotta; red-figure, H. 7 1/2 in. (19.1 cm), Vases, Herakles and two

Chafing Dish, ca. 1725, Made in New York, New York, United States, American, Silver, Overall: 3 13/16 x 10 1/8 in. (9.7 x 25.7 cm); 12 oz. 2 dwt. (376.7 g), Silver, Peter Van Dyck (1684–1750), Originally a continental form, the silver

『名物革仝印籠仝根付』 人形手金唐革　菖蒲革, Edo period (1615–1868), 1810s, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 1/2 x 7 1/8 in. (14 x 18.1 cm), Prints, Kubo Shunman (Japanese,

Square, 17th century, Attributed to Iran, Silk, brocade, metal threads, H. 19 3/4 in. (50.2 cm), Textiles-Woven

Armchair (one of a pair), ca. 1700, British, Ebonized beechwood, Genoese velvet covers original to the chair, Overall: 48 × 28 × 32 in. (121.9 × 71.1 × 81.3 cm), Woodwork-Furniture, Supplied to Daniel Finch, 2nd Earl of Nottingham and 7th

Ishiyakushi, 東海道五十三次　石薬師, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Snaphaunce Lock, 17th century, German, Steel, L. 6 1/2 in. (16.5 cm); Wt. 14.4 oz. (408.2 g), Firearms Parts

Border Fragment, Whale, 2nd century B.C., Peru, Nasca, Camelid hair, cotton, H x W: 1 3/8 x 1 9/16in. (3.5 x 4cm), Textiles-Sculpture

Silver spiral, Late Bronze Age, ca. 1600–1050 B.C., Cypriot, Silver, Length: 1 3/16 in. (3 cm), Gold and Silver, Of plain wire, one turn

Two Women and a Girl Feeding a Crane at the Verandah, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 5 7/16 x 7 7/16 in. (13.8 x 18.9 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca.

Jerusalem, Site of the Temple on Mount Moriah, 1857, Albumen silver print, Photographs, John Anthony (British, born France, 1823–1901

Terracotta vase in the form of a siren, Archaic, ca. 550–500 B.C., East Greek, Rhodian, Terracotta, H. 5 1/16 in. (12.9 cm), Vases, Aryballos in the form of a siren

Flower of Akashi (Akashi no hana), Edo period (1615–1868), 1853, Japan, Polychrome woodblock print; ink and color on paper, Image: 14 3/4 × 9 7/8 in. (37.5 × 25.1 cm), Prints, Utagawa Kuniteru (Japanese, 1830–1874

Looking Up Pluto's Chimney, 1865–66, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 3/8 × 1 7/16 × 3/16 in. (3.4 × 3.7 × 0.4 cm), Vases

Saddle, late 16th–17th century, Turkish, Wood, bone (staghorn), bark, leather, textile, iron, pigment, H. 22 3/4 in. (57.8 cm); W. 24 in. (61 cm); Wt. 9 lb. 2 oz. (4130 g), Equestrian Equipment-Saddles, This saddle is the only known

Bronze portrait head of a pharaoh, Late Dynastic-Hellenistic, 664–31 B.C., Egyptian, Bronze, 2 5/8in. (6.7cm), Bronzes, Portrait head of a pharaoh

元 盛懋 秋林漁隱圖 團扇, Recluse Fisherman, Autumn Trees, Yuan dynasty (1271–1368), dated 1349, China, Fan mounted as an album leaf; ink and color on silk, Image: 10 1/2 × 13 1/4 in. (26.7 × 33.7 cm), Paintings, Sheng Mou

The Corn Crib, 1918, Bromoil print, 20.5 x 15.9 cm (8 1/16 x 6 1/4 in.), Photographs, Doris Ulmann (American, 1882–1934

Story of Golden Locks, ca. 1870, Oil on canvas, 34 x 28 in. (86.4 x 71.1 cm), Paintings, Seymour Joseph Guy (1824–1910), While little known today, the English-born Guy was celebrated in his lifetime for his charming and technically

Pheasants, Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, 9 5/8 x 13 in. (24.4 x 33 cm), Prints, Hishikawa Moronobu (Japanese, died 1694

Miniature Dress, 12th–13th century, Peru, Ica Valley, Ica, Cotton, feathers, H. 8 3/4 x W. 9 1/2 in. (22.2 x 24.1cm), Textiles-Featherwork

Mosaic glass inlay fragment, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Glass; cast, Other: 1 11/16 x 1 3/4 in. (4.3 x 4.5 cm), Glass, Opaque white and other, uncertain colors., Fragment of thick, flat block,

Fragment of a terracotta plaque, Archaic, 7th century B.C., Greek, Cretan, Terracotta, 3 3/4 in. x 2 in. (9.5 cm x 5 cm), Terracottas, Youth in a long garment

[Yosemite National Park, California], ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled

Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 14 5/8 × 9 7/8 in. (37.1 × 25.1 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Headdress, ca. 1910, French, metal

'Rustam Captures the Horse Rakhsh', Folio from a Shahnama (Book of Kings), late 15th century, Attributed to India, Ink, opaque watercolor, and gold on paper, Page: H. 12 3/8 in. (31.4 cm), Codices

東海道五十三次　由井, Yui, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

The Oiran Wakakusa of Chojiya, Edo period (1615–1868), ca. 1781, Japan, Polychrome woodblock print; ink and color on paper, 15 x 10 1/8 in. (38.1 x 25.7 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

Mercantile Junks at Canton, ca. 1869, Albumen silver print from glass negative, Image: 8 7/16 × 10 9/16 in. (21.4 × 26.8 cm), Photographs, John Thomson (British, Edinburgh, Scotland 1837–1921 London

Vue prise á Lacock Abbey, 1840, Photogenic drawing from paper negative, Image: 16 x 21.1 cm (6 5/16 x 8 5/16 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Jérusalem, Enceinte du Temple, Angle Nord-Ouest et minaret élevé en l'an 697 de l'Hégire, 1854, Salted paper print from paper negative, Image: 33.1 x 23.4 cm (13 1/16 x 9 3/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Terracotta juglet, Cypro-Archaic II, 600–480 B.C., Cypriot, Terracotta, H. 4 1/2 in. (11.4 cm), Vases, Sack shaped, with bands and lotus flowers

Working drawing for 'Fruit' shade, 1900–1915, Made in New York, United States, American, Watercolor and graphite on linen cloth mounted on off-white wove paper, 15 5/8 x 12 5/8 in. (39.7 x 32.1 cm), Drawings, Possibly Tiffany Glass and

River View Down Valley, Cathedral Rock on Left, 1861, Albumen silver print from glass negative, Image: 15 9/16 × 20 9/16 in. (39.5 × 52.2 cm), Photographs, Carleton E. Watkins (American, 1829–1916

Struggle, 1903 or earlier, Gum bichromate print, Image: 17.4 x 11.6 cm (6 7/8 x 4 9/16 in.), Photographs, Robert Demachy (French, 1859–1936), Demachy was the leading French proponent of Pictorialism and the director of the Photo-Club de

Quilt center, ca. 1790, Made in Philadelphia, Pennsylvania, United States, American, Cotton, printed, 27 5/8 x 29 1/2 in. (70.2 x 74.9 cm), Textiles, John Hewson (1744–1821), John Hewson, the first important and well-documented textile

Lamp, Roman, Cypriot, Terracotta, Overall: 1 x 3 1/8 in. (2.5 x 7.9 cm), Terracottas, With warrior

Print, Edo period (1615–1868), 1830, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 1/4 in. (21 x 18.4 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

Covered dish, 1851–57, Made in Kensington, Pennsylvania, United States, American, Earthenware, H. 4 7/8 in. (12.4 cm); Diam. 6 1/2 in. (16.5 cm), Ceramics, Ralph Bagnall Beech (active 1845–57

None, ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled album features seventy-three

Glass ring stone, Late Republican or Imperial, 1st century B.C.–3rd century A.D., Roman, Glass, purple paste, Length: 3/4 in. (1.9 cm), Gems, Melpomene, the muse of tragedy

Excursions from the Four Cardinal Gates: Encounter with the Four Sufferings of Birth, Old Age, Sickness, and Death from the Life of Buddha, Muromachi period (1392–1573), early 15th century, Japan, Section of a wall panel mounted as a hanging

高足杯, Stem Cup with Chrysanthemum Scroll, Yuan dynasty (1271–1368), 14th century, China, Porcelain with molded decoration under transparent glaze (Jingdezhen Shufu ware), Diam. 5 1/8 in. (13 cm), Ceramics, Briefly produced in the

Bankers Glen Yuen Foo Monastery, ca. 1869, Albumen silver print from glass negative, Image: 9 1/16 × 11 3/8 in. (23 × 28.9 cm), Photographs, Possibly by Lai Fong (Chinese, 1839–1890

Three Actors in Beautiful Costumes Performing a Religious Dance, Edo period (1615–1868), ca. 1785, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Overall H. 12 1/4 in. (31.1 cm); W. 16 5/8 in. (42.2 cm), Prints,

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 5/16 × 1 9/16 × 3/16 in. (3.3 × 4 × 0.5 cm), Vases

Santa Barbara and Mission Church, 1876, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

松竹桜家紋散し蒔絵長文箱, Letter Box with Pine, Bamboo, Plum Blossom, and Family Crests, Edo period (1615–1868), 19th century, Japan, Lacquered wood with gold and silver hiramaki-e, cut-out gold foil on nashiji ground (part of

Head of Attendant, Northern Song (960–1127) or Jin (1115–1234) dynasty, 11th–12th century, China, Unfired clay with pigment and gilding, H. 6 3/8 in. (16.2 cm); W. 4 1/4 in. (10.8 cm); D. 7 1/2 in. (19.1 cm), Sculpture

[Captain Baring, Honourable East India Company 6th Bengal Light Cavalry, A.D.C.], 1858–61, Albumen silver print, Image: 11.3 x 8.7 cm (4 7/16 x 3 7/16 in.), Photographs, Unknown

Vase fragment, Archaic, ca. 600–550 B.C., Greek, Laconian, Terracotta, 1 3/4 × 2 5/16 × 3/16 in. (4.5 × 5.9 × 0.5 cm), Vases

Terracotta askos (flask with a spout and handle over the top) in the form of a duck, Late Classical, 4th century B.C., Greek, Attic, Terracotta, H. 3 7/8 in. (9.8 cm), Vases, White painted duck with black spout below beak; black handle above

Glass mosaic inlay, Hellenistic, late 1st century B.C.–early 1st century A.D., Egyptian, Ptolemaic or Roman, Glass; cast, Other: 15/16 in. (2.4 cm), Glass, Translucent turquoise green; decoration in opaque white and yellow, and translucent

Terracotta lekanis (dish), Late Classical, ca. 340–320 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, diameter 11 13/16in. (30cm), Vases, Interior, Eros and deer Exterior, obverse and reverse, woman's head

Lead figure of a winged goddess, possibly Artemis Orthia, Archaic, late 7th–6th century B, C., Greek, Laconian, Lead, Height: 1 3/4 in. (4.4 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great

[Man], 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Two studies of a saddled horse and of a horse with a boy astride; verso: Study of a bean plant, ca. 1602, Pen and brown ink; verso: pen and brown ink, green and brown watercolour, grey wash, Sheet: 6 15/16 x 11 5/16 in. (17.7 x 28.7 cm),

Illustration of Noh Dance Scene, Meiji period (1868–1912), ca. 1910, Japan, Polychrome woodblock print; ink and color on paper, 14 1/2 x 20 in. (36.8 x 50.8 cm), Prints, Tsukioka Kōgyo (Japanese, 1869–1927

Ocarina, Pre-Columbian, 1300–1500, Sierra Nevada de Santa Marta, Colombia, Tairona People; La Aguja Style, Ceramic, L. 5.5 cm (2-5/16 in.); W. 3.7 cm (1-7/16 in.), Aerophone-Whistle Flute-vessel flute

Table Bell in the Form of a Chambermaid, ca. 1735, Austrian, Vienna, Hard-paste porcelain, Height: 4 9/16 in. (11.6 cm), Ceramics-Porcelain, This figure, modeled with a hollow interior, was equipped with a clapper that allowed it to serve as

Bonaly Towers. Home of Lord Cockburn, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848

Parody of the Legend of Xu You and Chao Fu, Edo period (1615–1868), ca. 1715, Japan, Monochrome woodblock print (sumie); ink on paper, 11 3/8 x 16 1/4 in. (28.9 x 41.3 cm), Prints, Okumura Masanobu (Japanese, 1686–1764), In a highly

Glass amphoriskos (perfume bottle), Hellenistic, 3rd century B.C., Greek, Eastern Mediterranean or Italian, Glass; core-formed, Group II, H.: 3 3/16 in. (8.1 cm), Glass, Translucent cobalt blue with same color handles and base-knob; single

The Tripod, 94 feet circumference, 1865–66, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

歌川広重画　鉄線花に鳥, Clematis and Bird, Edo period (1615–1868), 1852, Japan, Polychrome woodblock print; ink and color on paper, 6 7/8 x 9 in. (17.5 x 22.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

Limestone arm with pieces of fruit (?) held in the hand, Cypriot, Limestone, Overall: 1 x 15/16 x 2 15/16 in. (2.5 x 2.4 x 7.5 cm), Stone Sculpture, The small left arm holds a small dish filled with fruit

Illustration of Noh Dance Scene, Meiji period (1868–1912), ca. 1910, Japan, Polychrome woodblock print; ink and color on paper, 14 13/16 x 19 in. (37.6 x 48.3 cm), Prints, Tsukioka Kōgyo (Japanese, 1869–1927