Images at Librifly

Arpeggione, 1831, Vienna, Austria, Austrian, Wood, various materials, Total L.: 115.7 cm (45-9/16 in.); Body L.: 68.2 cm (26-5/8 in.), Chordophone-Lute-bowed-fretted, Johann Georg Staufer

Glass gold-band mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 11/16 x 1 1/16 in. (1.8 x 2.7 cm), Glass, Body fragment., Translucent blue, turquoise blue and yellow appearing

Hunter and Wild Geese, Ming (1368–1644) or Qing (1644–1911) dynasty, China, Album leaf; ink and color on silk, 7 1/2 x 11 1/2 in. (19.1 x 29.2 cm), Paintings, Unidentified Artist

諸國瀧廻リ　木曾海道小野ノ瀑布, Ono Waterfall on the Kisokaidō (Kisokaidō Ono no bakufu), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri), Edo period (1615–1868), ca. 1832, Japan, Polychrome

Glass perfume bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, Overall: 6 3/4 x 3 5/8 x 1 5/8 in. (17.1 x 9.2 x 4.1 cm), Glass, Candlestick unguentarium. Colorless with greenish tinge. Rounded rim, pressed into sides of

江戸近郊八景之内　飛鳥山暮雪, Asukayama in Evening Snow, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 8 3/4 x 13 3/4 in. (22.2 x 34.9 cm), Prints, Utagawa Hiroshige (Japanese,

Wine Vessel, late Shang dynasty (ca. 1600–1046 B.C.), 11th century B.C., China, Bronze, H. 11 1/8 in. (28.3 cm); Diam. of upper rim: 5 7/8 in. (14.9 cm); Diam. of base 3 3/8 in. (8.6 cm), Metalwork

Landscape After Wen Zhengming, Ming dynasty (1368–1644), dated 1640, China, Folding fan mounted as an album leaf; ink and color on gold-flecked paper, 6 1/2 x 18 23/32 in. (16.5 x 47.6 cm), Paintings, Shao Mi (active ca 1620–1660

Wine Vessel, Shang (ca. 1600–1046 B.C.) or Zhou (1046–256 B.C) dynasty, ca. 1523–900 B.C., China, Bronze, H. 17 1/2 in. (44.5 cm); W. 15 in. (38.1 cm), Metalwork

Ritual Altar Table (Jin), 青銅禁, Western Zhou dynasty (1046–771 B.C.), late 11th century B.C., China, Bronze, H. 7 1/8 in. (18.1 cm); W. 35 3/8 in. (89.9 cm); D. 18 1/4 in. (46.4 cm); Wt. 71 lb. (32.2 kg), Metalwork, This elaborate set

The Jews Collecting the Twelve Stones from the River Jordan, ca. 1535–38, Pen and brown ink, brush and brown ink, over black chalk, squared for transfer in black chalk, sheet: 11 7/8 x 18 3/4 in. (30.1 x 47.7 cm), Drawings, Pieter Coecke

Oboe, 1870–75, Paris, France, French, Rosewood, brass, Height: 23 3/4 in. (60.3 cm), Aerophone-Reed Vibrated-double reed, Triebert (French

Bone pin, Imperial, mid-1st–3rd century A.D., Roman, Ivory or bone, H.: 8 7/16 in. (21.4 cm), The length of this pin suggests that it may have been used in a woman's elaborate coiffure

Glass jar, Late Imperial, 3rd–4th century A.D., Roman, Glass; blown and trailed, 1 5/8 × 1 3/4 in. (4.1 × 4.4 cm), Glass, Small jar. Translucent pale blue green with purple streaks; trail in same color. Rim folded out, over, and in, and

Silver pendant with carnelian scarab, Late Archaic, 6th–5th century B.C., Cypriot or Phoenician, Silver, carnelian, Other: 5/16 × 9/16 × 11/16 in. (0.8 × 1.4 × 1.7 cm), Gold and Silver, On the scarab, two figures flanking a tree. This

[Madame Demidoff and Unknown Sitters], before 1865, Albumen silver prints from glass negatives, Image: 3 3/8 in. × 2 in. (8.6 × 5.1 cm) (each), Photographs, Pierre-Louis Pierson (French, 1822–1913), et al, Painted and retouched by Marck

[Stags Heads - Dibedale], ca. 1856, Salted paper print, 16 x 20.4 cm (6 5/16 x 8 1/16 in.), Photographs, Horatio Ross (British, Rossie Castle, near Montrose, Scotland 1801–1886 Scotland

Terracotta guttus (flask with handle and vertical spout), Hellenistic, 3rd century B.C., Greek, South Italian, Apulian, Terracotta; black-glaze, H. 8.92 cm., Vases, On vase, frontal siren. The guttus was typically filled with oil and used

Knife and Two Knife Handles, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 9/16 x 7 7/16 in. (14.1 x 18.9 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Stephen D. Wilbur, 1865, Albumen silver print from glass negative, Photographs, Reed Brockway Bontecou (American, 1824–1907

Stand, ca. 1787–1799, Made in New York, New York, United States, American, Silver, 15/16 x 6 3/4 x 4 5/8 in. (2.4 x 17.1 x 11.7 cm); 5 oz. 13 dwt. (175.8 g), Silver, Jeronimus Alstyne (active ca. 1787–1799

琉球八景　筍崖夕照, Evening Glow at Jungai (Jungai sekishō), from the series Eight Views of the Ryūkyū Islands (Ryūkyū hakkei), Edo period (1615–1868), ca. 1832, Japan, Polychrome woodblock print; ink and color on paper, 9 7/8

Lacquer Paintings of Various Subjects: Bird and Willow in Snow, Meiji period (1868–1912), 1882, Japan, Album leaf; ink, color, and lacquer on paper, 7 1/2 x 6 1/2 in. (19.1 x 16.5 cm), Paintings, Shibata Zeshin (Japanese, 1807–1891),

Bronze bowl and oinochoe (jug), Late Archaic, late 6th–early 5th century B.C., Etruscan, Bronze, H. 2 1/16 in. (5.3 cm); diameter 12 1/4 in. (31.1 cm), Bronzes, The shallow bowl is said to have been found together with the jug. The bowl, in

Terracotta alabastron (perfume vase), Classical, ca. 460 B.C., Greek, Attic, Terracotta; red-figure, white-ground, H. 6 7/16 in. (16.3 cm); diameter 1 13/16 in. (4.6 cm), Vases, Two women. The women are shown with a fillet and wreath and a

Jérusalem, Birket-Mamillah, 1854, Salted paper print from paper negative, Image: 23.7 x 32.8 cm (9 5/16 x 12 15/16 in.), Photographs, Auguste Salzmann (French, 1824–1872), Salzmann’s composition balances the smooth waters of the ancient

Embroidered sampler, 1806, Made in Somers, New York, United States, American, Embroidered silk on linen, 17 1/4 x 16 1/4 in. (43.8 x 41.3 cm), Textiles, Sally Cornelius (1792–1877

Glass jug, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, H.: 3 1/2 in. (8.9 cm), Glass, Translucent blue green; handle in same color. Rim folded out, round, and in, with beveled upper surface; cylindrical neck, with

Snuffbox, ca. 1740, German, Bloodstone, gold, Overall (confirmed): 1 1/2 x 3 1/4 x 2 1/2 in. (3.8 x 8.3 x 6.4 cm), Metalwork-Gold and Platinum, Heliotrope was known and valued during antiquity for its deep emerald green color and its purported

Actor in Samurai Armor, 1870s, Albumen silver print from glass negative, 24.6 x 18.9 cm (9 11/16 x 7 7/16 in.), Photographs, Suzuki Shin'ichi (Japanese, 1835–1919), An adventurous officer hailing from the Austro-Hungarian Empire, Baron

Field Ensign, possibly 15th–16th century, possibly Turkish, Steel, L. 14 3/4 in. (37.47 cm); W. 6 1/8 in. (15.6 cm), Shafted Weapons, The surface is engraved with interlocking Arabic inscriptions, Koranic verses, and numbers. One of the

Terracotta lekythos (oil flask), Late Archaic, 1st quarter of 5th century B.C., Greek, Attic, Terracotta; white-ground, H. 10 1/4 in. (26 cm), Vases, Trainer. The young man is characterized as a trainer by the himation (overgarment) draped

The Adoration of the Magi, 1550–78, Pen and brown ink, brush and brown wash, over black chalk, highlighted with white gouache, on blue-green paper, 15 1/2 x 12 3/8in. (39.4 x 31.4cm), Drawings, Raffaellino da Reggio (Raffaello Motta)

Terracotta statuette of Eros and Psyche, Late Classical or Hellenistic, 4th–3rd century B.C., Greek, Boeotian, Terracotta, H. 4 9/16 in. (11.5 cm), Terracottas, Draped and wearing wreaths

[Native American Woman in Camp with Racks of Drying Meat], 1880s–90s, Albumen silver print from glass negative, Photographs, Unknown (American

Femmes Annamites, Cochinchine, 1866, Albumen silver print from glass negative, 26.3 x 23 cm (10 3/8 x 9 1/16 in.), Photographs, Emile Gsell (French, Sainte-Marie-aux-Mines 1838–1879 Vietnam

Terracotta oinochoe (jug), Classical, 4th century B.C., Greek, Attic, Terracotta; applied relief, H. 5 1/4 in. (13.4 cm), Vases, Aphrodite and Erotes. Plastic adjuncts had been part of the decoration of Attic vases from the Geometric period

Bronze bull's head, Archaic, early 7th entury B.C., Possibly Cypriot, Bronze, H. to tip of horns 4 1/2 in. (11.4 cm), Bronzes, Bull's head attachment from a tripod with horizontal tubular socket. Painstaking scholarship over twenty years has

Wide River Landscape, ca. 1648–49, Oil on canvas, 16 1/4 x 22 7/8 in. (41.3 x 58.1 cm), Paintings, Philips Koninck (Dutch, Amsterdam 1619–1688 Amsterdam), Koninck's panoramic pictures represent the culmination of an approach to landscape

Bathing in the Sea (Kaisuiyoku), Meiji period (1868–1912), dated 1898, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Each panel: 13 9/16 x 9 1/2 in. (34.4 x 24.1 cm), Prints, Gyosei Shuntei (Japanese

Tripod Plate, 9th–10th century, Mexico, Mesoamerica, Maya, Ceramic, H. 2 1/2 x Diam. 10 7/8 in. (6.4 x 27.6 cm), Ceramics-Containers, Referred to by archaeologists as slateware, this ceramic vessel is a variety that was especially popular

Carnelian scarab, Late Classical or Hellenistic, 4th–3rd century B.C., Etruscan, Carnelian, H.: 11/16 x 5/8 in. (1.7 x 1.6 cm), Gems, Three frontal horses

Bancroft, 1860s, Albumen silver print from glass negative, Photographs, Unknown (British

Gold pendant in the form of a lion's head, Classical, 2nd half of the 5th century B.C., Cypriot, Gold, Diam.: 5/8 in. (1.6 cm), Gold and Silver, Control bead in the shape of a lion's head

Young Lady with Drum and Man with Fan Saluting Her, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 14 1/8 in. (35.9 cm); W. 10 in. (25.4 cm), Prints, Utagawa Toyokuni I (Japanese, 1769–1825

Inscribed marble plaque, Imperial, 2nd–3rd century A.D., Roman, Cypriot, Marble, 5 3/4 x 6 7/8 x 1 in. (14.6 x 17.5 x 2.5 cm), Cesnola Inscriptions, The simple marble plaque is inscribed in Greek with the epitaph of a man called Euplous

Various Seaweed, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 1/4 x 7 3/8 in. (21 x 18.7 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Cypresses, 1889, Oil on canvas, 36 3/4 x 29 1/8 in. (93.4 x 74 cm), Paintings, Vincent van Gogh (Dutch, Zundert 1853–1890 Auvers-sur-Oise), Cypresses was painted in late June 1889, shortly after Van Gogh began his yearlong stay at the

Spring Trees and Grasses by a Stream, 渓流春秋草木図屏風, Edo period (1615–1868), late 17th–early 18th century, Japan, One of a pair of six-panel folding screens; ink, color, gold, and silver on paper, 48 in. x 10 ft. 3 in.

Hydria, Late Classical, ca. 350–325 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, 4 7/8in. (12.4cm), Vases

Shiva Seated with Uma (Umamaheshvara), 11th century, Nepal (Kathmandu Valley), Copper alloy, H. 5 3/8 in. (13.7 cm); W. 5 5/8 in. (14.3 cm); D. 4 1/8 in. (10.5 cm), Sculpture

Samme Motor indbygget i en Marine Flyvebaad., 1905–19, Gelatin silver prints from glass negatives, Image: 3 3/8 × 4 5/16 in. (8.5 × 11 cm), Photographs, Jacob Christian Hansen Ellehammer (Danish, 1871–1946), Vilhelm Ellehammer (Danish),

Male Nude, Study for 'Castor and Pollux Freeing Helen', 1817, Black crayon on off-white laid paper, sheet: 18 x 12 1/8 in. (45.7 x 30.8 cm), Drawings, Joseph-Ferdinand Lancrenon (French, 1794–1874

Incised furniture plaque with a frieze of lotus blossoms and buds, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, paint traces, 1.26 x 6.73 x 0.16 in. (3.2 x 17.09 x 0.41 cm),

Scene from the Play 'Keisei Kaneni Sakura', Edo period (1615–1868), 1756, Japan, Polychrome woodblock print; ink and color on paper, 12 1/4 x 5 3/4 in. (31.1 x 14.6 cm), Prints, Torii Kiyohiro (Japanese, active ca. 1737–1766), Kiyohiro,

Squirrel Eating Chestnuts, Meiji period (1868–1912), 1887–92, Japan, Album leaf; ink on silk, 13 1/2 x 10 7/8 in. (34.3 x 27.6 cm), Paintings, Kawabata Gyokushō (Japanese, 1842–1913

Design for a window, Mr. J.C. Meredith, St. Paul's Cathedral, London, Ontario, Canada, late 19th–early 20th century, Made in New York, United States, American, Watercolor, pen and dark orange and black inks, and graphite on off-white

Camera Obscura, 1839–40, Photogenic drawing from paper negative, Image: 17.2 x 19.5 cm (6 3/4 x 7 11/16 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Glass head pendant, Classical, 5th century B.C., Phoenician or Carthaginian, Glass; rod-formed, trailed, and tooled, 1 7/16 × 7/8 × 3/4 in. (3.6 × 2.3 × 1.9 cm), Glass, Semi-opaque turquoise blue, with additions in opaque white and

Jérusalem, Pins du Couvent arménien, 1854, Salted paper print from paper negative, Image: 23 x 32.9 cm (9 1/16 x 12 15/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Mask, dated 1713, Japanese, Iron, lacquer, H. 8 11/16 in. (22.2 cm); W. 6 3/4 in. (17.2 cm), Armor Parts-Masks, The sharp beak-like nose indicates that this mask represents a type of mountain demon (tengu

Terracotta bowl, Early Cypriot, ca. 2500–1900 B.C., Cypriot, Terracotta; Black Polished Ware, H. 2 9/16 in. (6.5 cm); diameter 4 3/16 in. (10.6 cm), Vases, Hemispherical bowl with elaborate incised decoration

種字阿弥陀三尊像, Amida Triad in the Form of Sacred Sanskrit Syllables, Kamakura period (1185–1333), 13th century, Japan, Hanging scroll; silk embroidery, gold-wrapped thread, and human hair, Image: 44 7/8 x 15 1/4 in. (114 x 38.7

Servant Applying Medicinal to Geisha's Arm, Edo period (1615–1868), late 18th century, Japan, Polychrome woodblock print; ink and color on paper, H. 8 7/8 in. (22.5 cm); W. 12 3/8 in. (31.4 cm), Prints, Kitao Shigemasa (Japanese,

東海道五十三　京　内裏, Kyoto: Dairi, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

Terracotta lekanis (dish), Late Classical, ca. 365–350 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, H. 5 1/2 in. (14 cm), Vases, On the handles, griffins, Reverse, one side, nude youths and women; other side, women,

Dr. Cook of St. Andrews, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

百人一首　うばがゑとき　伊勢, Poem by Ise, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, 10

The Prayer Book of Bonne of Luxembourg, Duchess of Normandy, before 1349, Made in Paris, France, French, Tempera, grisaille, ink, and gold on vellum, Overall (closed): 5 3/16 x 3 13/16 x 1 5/8 in. (13.2 x 9.7 x 4.2 cm), Manuscripts and

Alice Liddell as 'The Beggar Maid', 1858, Albumen silver print from glass negative, Image: 16.3 x 10.9cm (6 7/16 x 4 5/16in.), Photographs, Lewis Carroll (British, Daresbury, Cheshire 1832–1898 Guildford), Known primarily as the author of

Bes Amulet, Late Period, Dynasty 26–29, 664–332 B.C., From Egypt, Faience, L. 7.2 cm (2 13/16 in), w. 4.6 cm (1 13/16 in), d. 2.3 cm (7/8 in

Terracotta cup with barbotine decoration, Early Imperial, mid-1st century A.D., Roman, Terracotta; sigillata ware, H. 2 15/16 in. (7.5 cm), Vases, Two-handled with a row of leaf-shaped plastic decorations; barbotine decoration

Terracotta upper-body fragment with hatched triangle, probably from a pyxis (box with lid), Early Minoan II, ca. 2900–2300 B.C., Minoan, Terracotta; Koumasa ware, Other: 2 1/8 x 2 in. (5.4 x 5.1 cm), Vases, From Vasiliki or Gournia, Crete.

Onoe Matsusuke as a Servant Standing Beside a House, Edo period (1615–1868), ca. 1793?, Japan, Polychrome woodblock print; ink and color on paper, 12 7/32 x 5 1/2 in. (31.1 x 14.0 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819

San Francisco, from Rincon Hill, 1864, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

The Entombment of Christ, ca. 1420–40, Made in Middle Rhine valley, Germany, German, Walnut with traces of paint, Overall: 18 1/16 x 18 7/16 x 5 1/8 in. (45.8 x 46.8 x 13 cm), Sculpture-Wood, In this powerful composition, showing three

St. John's Church, Calcutta, 1850s, Albumen silver print, Image: 18.5 x 24.2 cm (7 5/16 x 9 1/2 in.), Photographs, Captain R. B. Hill

Bronze youth, Classical, ca. 470 B.C., Greek, Bronze, H. 11 3/4 in. (29.8 cm), Bronzes, The gesture of this magnificent nude figure suggests that he , is an athlete expressing veneration. The base makes it likely , that the work was offered

Flintlock Gun, barrel, possibly late 17th century; lock, mountings, decorations early 19th century, gun, Turkish, Albania or Macedonia; lock, French, Silver, wood, pearl, sapphire, diamond, enamel, iron, gold, garnet, L. 62 7/8 in.

Statuette of a warrior-11, Greek, Laconian, Lead, Height: 1 5/16 in. (3.4 cm), Miscellaneous-Lead

Salt, ca. 1835, Made in Baltimore, Maryland, United States, American, Silver and silver gilt, 1 5/8 x 2 1/2 in. (4.1 x 6.4 cm); 2 oz. 11 dwt. (78.8 g), Silver, Andrew Ellicott Warner (1786–1870

Glass amphoriskos with horizontal ribs, Early Imperial, 2nd half of 1st century A.D., Roman, Glass; blown in a two-part mold, H. 4 5/16 in. (11 cm); diameter 1 13/16 in. (4.6 cm), Glass, Translucent cobalt blue, with handles in a semi-opaque

The Third Segawa Kikunojo as an Oiran, Edo period (1615–1868), ca. 1776, Japan, Polychrome woodblock print; ink and color on paper, H. 11 3/4 in. (29.8 cm); W. 8 1/4 in. (21 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Silver ring, Classical, ca. 4th century B.C., Greek, Silver, Length: 9/16 in. (1.4 cm), Gems, Seated woman and Eros

Plate, ca. 1794–1844, Made in Bucks County, Pennsylvania, United States, American, Earthenware; Redware with sgraffito decoration, Diam. 13 3/8 in. (34 cm), Ceramics, Possibly Conrad Mumbouer (1761–1845

Jérusalem, Vallée de Josaphat, Vue générale, 1854, Salted paper print from paper negative, Image: 22.3 x 32.2 cm (8 3/4 x 12 11/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

The Actor Nakamura Sukegoro I with His Sword Drawn in a Defiant Attitude, Edo period (1615–1868), 1726–1792, Japan, Polychrome woodblock print; ink and color on paper, 11 7/8 x 5 3/4 in. (30.2 x 14.6 cm), Prints, Katsukawa Shunshō

Florentine Poet, 1861, Oil on wood, 12 x 19 7/8 in. (30.5 x 50.5 cm), Paintings, Alexandre Cabanel (French, Montpellier 1823–1889 Paris

Sprinkler Bottle with Fesse Emblem, late 13th–early 14th century, Attributed to Egypt, Glass, colorless; blown, applied handles, enameled and gilded, H. 3 7/16 in. (8.7 cm), Glass, Suspended from their handles, miniature perfume

名所江戸百景　王子装束ゑの木大晦日の狐火, Shozokuenoki Tree at Oji: Fox–fires on New Years Eve, Edo period (1615–1868), 1857, Japan, Polychrome woodblock print; ink and color on paper, 14 1/16 x 9 1/2 in. (35.7 x 24.1

Kamakura no Koshi, The Filial Son at Kamakura, From the Book: Sasekishu, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 3/8 in. (21 x 18.7 cm), Prints, Yashima Gakutei

Bronze head of a youth, Hellenistic or Imperial, ca. 200 B.C.–A.D. 200, Etruscan or Roman, Bronze, H.: 1 1/16 in. (2.7 cm), Bronzes, Head of a youth with short wavy hair

Birds on a Branch, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 x 10 3/4 in. (35.6 x 27.3 cm), Paintings, Watanabe Seitei (Japanese, 1851–1918

Harness or bridle fitting in the form of a boar's head, Achaemenid, ca. 6th–4th century B.C., Iran, Achaemenid, Bronze, 1.38 x 1.18 in. (3.51 x 3 cm), Metalwork-Equestrian

Landscapes in the Styles of Various Artists, Qing dynasty (1644–1911), China, Album of twelve leaves; ink and color on paper, Overall (b–l): 10 1/2 x 11 1/2 in. (26.7 x 29.2 cm), Paintings, Cao Jian (Chinese, active early 18th century

An Extensive Wooded Landscape, 1670s, Oil on canvas, 32 3/4 x 44 5/8 in. (83.2 x 113.3 cm), Paintings, Philips Koninck (Dutch, Amsterdam 1619–1688 Amsterdam), The topography in this late work by Koninck was probably inspired by the easterm

Porringer, 1800–1850, Made in Newburyport, Massachusetts, United States, American, Silver, Overall: 1 7/8 x 8 in. (4.8 x 20.3 cm); 7 oz. 2 dwt. (221.1 g), Silver, William Moulton, IV (1772–1861

Karnak (Thèbes), Enciente du Palais - Détails de Sculptures au Point O, 1851–52, printed 1853–54, Salted paper print from paper negative, 24.5 x 30.2 cm. (9 5/8 x 11 7/8 in.), Photographs, Félix Teynard (French, 1817–1892

Kylix Fragment, Archaic, ca. 510 B.C., Greek, Attic, Terracotta; black-figure, a, ) foot: 1 3/8 × 4 3/4 × 1/8 in. (3.5 × 12.1 × 0.3 cm), Vases, Herakles fighting an Amazon

Glass amphoriskos (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, Overall: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Glass, Translucent cobalt blue, with handles in same color;