Images at Librifly

Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 14 5/8 in. × 10 in. (37.1 × 25.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

京都名所之内　糺川原之夕立, Tea-houses on the Bank of the Tadasu River in a Shower, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 8 1/2 in. (21.6 cm); W. 13 11/16 in. (34.8 cm), Prints,

清 汪恭 摹趙孟頫肖像 軸, Copy of a Portrait of Zhao Mengfu, Qing dynasty (1644–1911), 19th century, China, Hanging scroll; ink and color on silk, 25 1/8 x 12 1/8 in. (63.8 x 30.8 cm), Paintings, Unidentified Artist, Formerly

Pricket Candlestick with a Naked Youth Fighting a Dragon, ca. 1140–60, Made in Meuse Valley, Netherlands, South Netherlandish, Copper alloy, cast and gilt, Overall: 7 5/8 x 6 x 4in. (19.4 x 15.2 x 10.2cm), Metalwork-Copper alloy, The

The Actor Nakayama Tomisaburo as a Woman at a Picnic under Autumn Maple Trees, Edo period (1615–1868), ca. 1792, Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/2 in. (31.8 cm); W. 5 3/4 in. (14.6 cm), Prints, Katsukawa

Terracotta statuette base, Hellenistic, 3rd century B.C., Greek, South Italian, Tarentine, Terracotta, H. 7/8 in. (2.2 cm), Terracottas, For statuette

Landscapes, Qing dynasty (1644–1911), dated 1688, China, Album of ten paintings; ink on paper, Each leaf: 10 1/4 x 7 1/2 in. (26 x 19.1 cm), Paintings, Zheng Min (Chinese, 1633–1683

The Red Cliff Ode, by Su Tongpo (1036-1101), late Ming (1368–1644)–early Qing (1644–1911) dynasty, 17th century, China, Album of sixteen calligraphies; ink on tan-coated paper, Overall (leaves): 11 3/8 x 7 1/2 in. (28.9 x 19.1 cm),

The Ono at Ryogoku Yanagibashi, 江戸高名会亭尽　両国柳橋　大のし, Edo period (1615–1868), ca. 1835–42, Japan, Polychrome woodblock print; ink and color on paper, H. 9 7/8 in. (25.1 cm); W. 14 9/16 in. (37 cm), Prints,

Toby jug, 1849–58, Made in Bennington, Vermont, United States, American, Earthenware, H. 6 1/4 in. (15.9 cm), Ceramics

Pottery Whistle, Pre-Columbian, ca. 800–1525, Central Region, Costa Rica, Costa Rican, Clay, H: 78mm; W: 77mm; L: 68mm; Wt: 113g., Aerophone-Whistle Flute-whistle

Glass astragalus (knucklebone), Hellenistic or Early Imperial, ca. 225 B.C–A.D. 75, Greek or Roman, Glass; cast in a two-part mold, H.: 5/8 in. (1.6 cm), Glass, Colorless with pale blue green tinge. Shaped like the knucklebone of a sheep or

Fragment of a terracotta amphora (jar), Archaic, ca. 550 B.C., Greek, Attic, Terracotta; black-figure, 3 3/16 × 4 5/8 × 3/8 in. (8.1 × 11.7 × 0.9 cm), Vases, Top of the mane, ear, and topknot of a horse in a quadriga (four-horse

[The Reading Establishment], 1846, Salted paper prints from paper negatives, Left image: 18.6 x 22.4 cm (7 5/16 x 8 13/16 in.), Photographs, Attributed to William Henry Fox Talbot (British, Dorset 1800–1877 Lacock), Attributed to Nicolaas

Pont de la Mulatiere, ca. 1861, Albumen silver print from glass negative, Image: 28 x 44.6 cm (11 x 17 9/16 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Landscape with Rapids, Ming (1368–1644) or Qing dynasty (1644–1911), China, Album leaf; ink and color on silk, 9 3/4 x 8 3/4 in. (24.8 x 22.2 cm), Paintings, Unidentified Artist, Copy after Cui Que (Chinese, 11th century

The Satta pass, Province of Sunshu, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, 10 x 4 3/4 in. (25.4 x 12.1 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Terracotta guttus (flask with handle and vertical spout), Classical, 4th century B.C., Greek, South Italian, Campanian, Terracotta; black-glaze, 5 1/2in. (14cm), Vases, On top, head of meanad, full face, in relief

Vase fragment, Late Minoan III, ca. 1400–1200 B.C., Minoan, Terracotta, 15/16 × 1 3/16 × 1/4 in. (2.3 × 3.1 × 0.7 cm), Vases

[Path leading to Convent, Simla], 1850s, Albumen silver print, Image: 17.7 x 23.8 cm (6 15/16 x 9 3/8 in.), Photographs, Unknown

French Commode Table, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 7 3/8 x 12 1/16 in. (18.7 x 30.6 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

La Cortigiana de Roma (Courtesan), ca. 1580, Engraving, Sheet: 9 x 6 1/4 in. (22.8 x 15.8 cm), Prints, Attributed to Pietro Bertelli (Italian, active Padua, ca. 1571–1621

Vue du Village de Garara, 1850, Salted paper print from paper negative, Image: 6 1/8 × 8 7/16 in. (15.6 × 21.5 cm), Photographs, Maxime Du Camp (French, 1822–1894

British Legation, Teheran, 1858, Salted paper print from paper negative, Photographs, Luigi Pesce (Italian, 1818–1891

Food Vessel, Early Zhou dynasty (1046–256 B.C.), 11th–10th century B.C., China, Bronze, H. 4 11/16 in. (11.9 cm); W. (handle to handle): 9 7/8 in. (25.1 cm); Diam. of rim: 6 3/4 in. (17.1 cm), Metalwork

Akasaka Kiri-Ratake Uchu Yu Kei, Edo period (1615–1868), ca. 1859, Japan, Polychrome woodblock print; ink and color on paper, H. 14 1/8 in. (35.9 cm); W. 9 1/2 in. (24.1 cm), Prints, Utagawa Hiroshige II (Japanese, 1829–1869

木曽海道六拾九次之内　望月, Mochizuki, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 9 1/4 x 14 3/4 in. (23.5 x 37.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo

Spouted pitcher, Iron Age I, ca. 1300–1100 B.C., Iran, Dinkha Tepe, Iran, Ceramic, H. 8 3/4 in. (22.2 cm), Ceramics-Vessels

Broad Collar, New Kingdom, Dynasty 18, ca. 1479–1425 B.C., From Egypt; Probably from Upper Egypt, Thebes, Wadi Qabbanat el-Qurud, Tomb of the 3 Foreign Wives of Thutmose III (Wadi D, Tomb 1), Gold, carnelian, obsidian, glass, H 24 cm

Porringer, 1750–65, Made in Boston, Massachusetts, United States, American, Silver, Overall: 2 x 7 7/8 in. (5.1 x 20 cm); 7 oz. (217.2 g), Silver, Joseph Clark(e) Jr. (1716–1783

Wall painting fragment from the north wall of Room H of the Villa of P. Fannius Synistor at Boscoreale, Late Republican, ca. 50–40 B.C., Roman, Fresco, 17 1/4'x 17 1/4', Miscellaneous-Paintings, Wall painting fragment from the north wall of

Poem and Colophon to the Album of Paintings, 'Clouds and Spring Trees at Dusk', Qing dynasty (1644–1911), ca. late 19th century, China, Album leaf of calligraphy in running script; ink and color on paper, 9 3/4 x 13 1/2 in. (24.8 x 34.3 cm),

東海道五十三次　日阪, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

The Love Letter, early 1670s, Oil on canvas, 36 x 25 in. (91.4 x 63.5 cm), Paintings, Jacob Ochtervelt (Dutch, Rotterdam 1634–1682 Amsterdam), Ochtervelt was a co-pupil of Pieter de Hooch under Nicolaas Bercham in Haarlem. He worked in his

Needle, Cypriot, Bronze, Other: 5 1/4in. (13.3cm), Bronzes

The Actor Arashi Tominosuke (Standing) in the Role of Hyasakihime, and Ichimura Kamezo as Kanto Koroku, Edo period (1615–1868), probably January 1749, Japan, Polychrome woodblock print; ink and color on paper, 11 1/2 x 5 3/8 in. (29.2 x 13.7

Bronze footed globular vessel with lid, Imperial, ca. 1st–2nd century A.D., Roman, Bronze, H. 2 7/8 in. (7.3 cm); H. with lid 3 5/8 in. (9.2 cm), Bronzes, The body is decorated in shallow relief with children, garlands, dogs and rabbits

難波屋おきた, Okita of the Naniwa-ya Tea-house, Edo period (1615–1868), 1790s, Japan, Polychrome woodblock print; ink and color on paper, H. 14 5/16 in. (36.4 cm); W. 9 1/2 in. (24.1 cm), Prints, Kitagawa Utamaro (Japanese,

Design for room interior, late 19th–early 20th century, Made in New York, United States, American, Watercolor, ink and graphite on paper, mounted on board, Drawing: 22 × 30 in. (55.9 × 76.2 cm), Drawings, Possibly Tiffany Glass and

Letter to Nancun, Ming dynasty (1368–1644), China, Album leaf; ink on paper, 10 1/8 x 13 3/8 in. (25.7 x 34.0 cm), Calligraphy, Wang Chong (Chinese, 1494–1533

Brooch, before 1888, Italian, Glass micromosaic, gold, Overall: 1 1/2 x 2 13/16 in. (3.8 x 7.1 cm), Metalwork-Jewelry, Firm of Castellani, Mosaic possibly by Luigi Podio, The pale yellow-gold mount is a subtle foil for the head of medusa,

Bronze arrowhead, 6th–4th century B.C. or later, Greek or Achaemenid, Bronze, Other: 1 9/16 in. (3.9 cm), Bronzes, With midrib and socket

Wall painting fragment with winged figure, Early Imperial, Julio-Claudian, ca. A.D. 14–68, Roman, Fresco, Overall: 7 1/16 x 10 1/2 in. (17.9 x 26.7 cm), Miscellaneous-Paintings, Winged figure in chiton, holding a fillet

Upper End of the Lake Penllergare, 1853–56, Salted paper print, Image: 16.9 × 21.9 cm (6 5/8 × 8 5/8 in.), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales

Glass short-strip mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 11/16 x 15/16 in. (1.7 x 2.4 cm), Glass, Thin-walled body fragment., Translucent blue, opaque white, yellow, and

A Janissary 'of War' with a Lion, ca. 1577–80, Watercolor, gouache, gold paint, gum arabic, and burnishing, 11 1/8 x 8 13/16in. (28.2 x 22.4cm), Drawings, Jacopo Ligozzi (Italian, Verona 1547–1627 Florence

商至西周 青銅盉, Spouted Wine Vessel (He), Shang (ca. 1600–1046 B.C.)–Western Zhou (1046–771 B.C.) dynasty, 12th–11th century BC, China, Bronze with green patina, H. 10 3/4 in. (27.3 cm); W. 7 3/4 in. (19.7 cm); L. (with spout

[Tigers Presented to the Countess Canning at Agra], 1858–61, Albumen silver print, Image: 6.7 x 7.7 cm (2 5/8 x 3 1/16 in.), Photographs, Unknown

Mosaic glass bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Overall: 7/8 x 1 1/2 in. (2.2 x 3.8 cm), Glass

Nessus Abducting Dejanira, ca. 1815–25, Italian, Rome, Sardonyx, mounted in gold as a pendant, Overall: 1 15/16 x 2 1/4 in. (4.9 x 5.7 cm); visible cameo (confirmed): 40.5 x 48 mm, Lapidary Work-Gems

Jasper Cup with Gilded-Silver Mounts, ca. 1350–80, Made in Prague, Bohemian, Jasper, silver gilt mount and foot, Overall: 4 1/8 x 4 1/2 x 3 7/16 in. (10.5 x 11.5 x 8.8 cm), Lapidary Work-Jasper, With its integrally carved trefoil handle,

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 2 5/8 x 2 1/8in. (6.7 x 5.4cm), Vases

Ti-fille Brune, 1895, Albumen silver print from glass negative, Image: 14.3 x 9.8 cm (5 5/8 x 3 7/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Sanpuku Tsui, Moon in Musashi Province, Edo period (1615–1868), ca. 1740, Japan, Center sheet of a triptych of polychrome woodblock prints; ink and applied color ('tan-e') on paper, 12 1/2 x 6 1/8 in. (31.8 x 15.6 cm), Prints, Okumura

Figured flask, ca. 1824, Made in Wheeling, West Virginia, United States, American, Blown-molded glass, H. 7 1/8 in. (18.1 cm), Glass, Probably Knox and McKee (Virginia Green Glass Works) (1820–ca. 1833

Virgin and Child, Oil, gold, and silver on linden, 15 5/8 x 12 1/8 in. (39.7 x 30.8 cm), Paintings, Workshop or Circle of Hans Traut (German, ca. 1500), This painting testifies to the widespread influence of early Netherlandish masters on

Terracotta stemmed dish, Classical, 5th century B.C., Greek, Attic, Terracotta, H. 3 1/16 in. (7.8 cm); diameter of mouth 7 9/16 in. (19.2 cm); diameter of foot 3 1/16 in. (7.9 cm), Vases, Stemmed dish with no decoration

Glass jar with marvered trails, Late Imperial, Early Byzantine, or Islamic, 5th century A.D. or later, Roman, Syro-Palestinian, Glass; blown, trailed, and marvered, H.: 3 3/16 in. (8.1 cm), Glass, Uncertain translucent color; trail and

Viewing Cherry Blossoms, Edo period (1615–1868), 1790, Japan, Polychrome woodblock print; ink and color on paper, Image: 8 7/8 in. × 14 in. (22.5 × 35.6 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), At times the observer is the

Worsthorn Old Hall, 1860s, Albumen silver print from glass negative, Photographs, Unknown (British

Shri Raga: Folio from a ragamala series (Garland of Musical Modes), mid-17th century, India (Rajasthan, Bundi), Ink and opaque watercolor on paper, 8 1/4 x 4 3/4 in. (20.9 x 12.1 cm), Paintings, Here the ruler is seen playing a rudra vina,

Porte méridionale de la Salle Hypostyle du Palais de Karnac (Thèbes), 1849–50, Salted paper print from paper negative, Image: 6 in. × 8 3/8 in. (15.3 × 21.3 cm), Photographs, Maxime Du Camp (French, 1822–1894

Terracotta statuette of a draped woman, Hellenistic, mid-3rd century B.C., Greek, Boeotian, Terracotta, H.: 6 7/16 in. (16.4 cm), Terracottas, The play of this lady's drapery is enlivened by her right arm bent under her garment and her left

Glass barrel jug, Late Imperial, 3rd century A.D., Roman, Glass; blown in a three-part mold, 4 9/16in. (11.6cm), Glass, Translucent blue green; handle in same color. Tubular rim, folded out, round, and in, and flattened on top; slightly

Lead disk with a hole in the center, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Diameter: 5/8 in. (1.5 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient

Scène près d'un étang au moulin du Petit-Mourmelon, 1857, Albumen silver print from glass negative, Mount: 18 9/16 × 24 9/16 in. (47.2 × 62.4 cm), Photographs, Gustave Le Gray (French, 1820–1884), While at Châlons Le Gray also recorded

文具一式, Writing Set and Poem Card Box (Shikishi-bako), from Spring Rain Surimono Album (Harusame surimono-jō), vol. 1, Edo period (1615–1868), ca. 1805–10, Japan, Privately published polychrome woodblock prints (surimono) mounted in

Jar in the Form of a Woman Playing a Lyre, New Kingdom, Dynasty 18, ca. 1400 B.C., From Egypt, Pottery, paint, H. 15.3 cm (6 in); w. 8 cm (3 1/8 in); d. 8 cm (3 1/8 in), This jar is representative of a genre that was produced for about a

Snowdon from Llyn Nantlle, North Wales, 1832, Graphite and watercolor with gum, sheet: 7 7/8 x 11 3/4 in. (20 x 29.8 cm), Drawings, George Fennel Robson (British, Durham 1788–1833 London), Every summer, Robson explored the wilder corners

Landscape with a Cottage and Well, ca. 1714, Red chalk. Framing lines in pen and brown ink. A strip of paper 1.1 cm. in height has been added at upper margin., 3 5/16 x 5 5/8 in. (8.4 x 14.3 cm), Drawings, Antoine Watteau (French, Valenciennes

Terracotta askos (flask with a spout and handle), Late Classical, 4th century B.C., Greek, South Italian, Campanian, Terracotta; black-glaze, H. 3 1/4 in. (8.3 cm), Vases, The guttus and askos are two kinds of flask for liquids, often

Mrs. James Bleecker (Sarah Bache), ca. 1795, Watercolor on ivory, 2 1/8 x 1 3/8 in. W (5.4 x 3.5 cm), Paintings, John Ramage (Ireland ca. 1748–1802 Montreal), Sarah Bache (1774-1852) married James Bleecker after the death of her sister

Limestone hand holding a bird, Hellenistic, 3rd–1st century B.C., Cypriot, Limestone, Overall: 4 x 4 1/2 x 4 1/2 in. (10.2 x 11.4 x 11.4 cm), Stone Sculpture, The lifesize left hand, the fingers of which are very thin, holds a small duck.

Fragment, 5th century, Attributed to Egypt, Wool, linen; plain weave, tapestry weave, 6.25 in. high 5.00 in. wide (15.87 cm high 12.7 cm wide), Textiles

Terracotta Panathenaic prize amphora (jar), Archaic, ca. 530 B.C., Greek, Attic, Terracotta; black-figure, H. 24 13/16 in. (63 cm); diameter of mouth 6 15/16 in. (17.6 cm); diameter of foot 4 13/16 in. (12.3 cm), Vases, Obverse, Athena,

Hairpin with a Figure of a Hippopotamus, Middle Kingdom, Dynasty 12–13, ca. 1981–1640 B.C., From Egypt, Bone, h. 7.3 cm (2 7/8 in), The figure of an erect hippopotamus represents a goddess invoked as the protector of women in pregnancy and

Border Fragment, 1st century B.C.–A.D. 2nd century, Peru, Paracas, Camelid hair, cotton, Overall: 6 3/4 x 43 1/2 in. (17.15 x 110.49 cm), Textiles-Woven

Vase fragment, Neolithic, second period, ca. 4000–3000 B.C., Neolithic, Gonia, Terracotta, length 2 3/16in. (5.5cm), Vases

近代 陸恢 山水 扇面, Landscape, dated 1912, China, Folding fan mounted as an album leaf; ink and color on alum paper, 6 1/4 x 20 in. (15.9 x 50.8 cm), Paintings, Lu Hui (Chinese, 1851–1920), The poem inscribed by Luo Hui on this

Kylix, 6th century B.C., Cypriot, Terracotta, 3 x 7 1/2 in. (7, 6 x 19, 1 cm), Vases, Cup with offset lip and two reserved bands

Chinese man in an arbor, ca. 1735, German, Meissen, Hard-paste porcelain, H. 15-3/4 in. (40 cm), Ceramics-Porcelain, The bald, bearded Chinese man sitting in an arbor may be a depiction of Shou Lao, the Chinese god of longevity

冨嶽三十六景　武州玉川, Tama River in Musashi Province (Bushū Tamagawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color

Ladle, ca. 1765, Made in New York, New York, United States, American, Silver, whalebone(?), thread, Overall: L. 13 1/4 in. (33.7 cm); 1 oz. 4 dwt. (37.4 g), Silver, Benjamin Halsted (1734–1817), Myer Myers (1723–1795

清, 張熊, 山水, 冊頁, Landscape, Qing dynasty (1644–1911), dated 1827, China, Album leaf; ink and color on paper, 9 3/4 x 13 1/2 in. (24.8 x 34.3 cm), Paintings, Zhang Xiong (Chinese, 1803–1886

Erotic Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 10 in. × 15 1/8 in. (25.4 × 38.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

Saint James the Greater, ca. 1450–75, Made in Poligny, Burgundy, France, French, Limestone with traces of paint, Overall: 59 1/2 x 27 1/2 x 16 in. (151.1 x 69.9 x 40.6 cm), Sculpture-Stone, Saint James the Greater is shown in his

Limestone statuette of Apollo(?), Hellenistic, 3rd–1st century B.C., Cypriot, Limestone, H.: 20 1/4 x 7 3/4 in., 4.5 cm (51.4 x 19.7 cm, 1 3/4 in.), Stone Sculpture, Male figure with drapery thrown over left arm

Segawa Kikunojo II as a Girl and Ichikawa Tomiyeimon?, Edo period (1615–1868), ca. 1770, Japan, Polychrome woodblock print; ink and color on paper, H. 12 3/8 in. (31.4 cm); W. 5 7/8 in. (14.9 cm), Prints, Ippitsusai Bunchō (Japanese,

Vase fragment, Geometric, East Greek/Sardis, Lydian, Terracotta, Overall: 3 5/8 x 3in. (9.2 x 7.6cm), Vases

Terracotta pyxis (cosmetic box), Classical, 1st half of 5th century B.C., East Greek, Terracotta; red-figure, H.: 4 1/2 in. (11.4 cm), Vases, The pyxis is inscribed in the Doric dialect of Greek, used in south-west Asia Minor and the

Standing Virgin and Child, late 13th century, probably early 20th century, Italian, Marble (Lunense marble from Carrara (Italy)), Overall: 35 3/4 x 12 x 6 in. (90.8 x 30.5 x 15.2 cm), Sculpture-Stone

Cope, first half 17th century (velvet), Attributed to Iran, Silk, cotton, metal wrapped thread; cut and voided velvet, brocaded, embroidered, with engraved metal fittings, Textile: L. 44 1/2 in. (113 cm), Textiles

The Archer and the Milkmaid, ca. 1610, Engraving; first state of two (New Hollstein), Sheet: 16 5/16 x 12 15/16 in. (41.4 x 32.8 cm), Prints, After Jacques de Gheyn II (Netherlandish, Antwerp 1565–1629 The Hague), Andries Stock

Limestone mortar, Cypriot, Limestone, Overall: 2 3/4 x 9 1/2 in. (7 x 24.1 cm), Miscellaneous-Stone Vases, Shallow bowl with trough-spout and two handles

Terracotta kylix (drinking cup), Late Classical, ca. 400–350 B.C., Greek, South Italian, Campanian, Terracotta; applied color, diameter 5 3/4in. (14.6cm), Vases, Interior, an ivy wreath in white; in the center, a stamped rosette

Le Fontane di Roma (parts 1-4), 1691 or after, Etching, Overall: 11 x 15 7/8 x 1 5/16 in. (27.9 x 40.4 x 3.4 cm), Compendium of four print series showing views of the main fountains and water sources in and around the city of Rome, published by

Limestone statuette of a boy with a kausia, Hellenistic, late 4th century–late 1st century B.C., Cypriot, Limestone, Overall: 17 1/4 x 5 5/8 x 4 15/16 in. (43.8 x 14.3 x 12.5 cm), Stone Sculpture, Figure holding libation bowl

Cloaca Maxima, by 1858, Albumen silver print from glass negative, Image: 31 x 37.2 cm (12 3/16 x 14 5/8 in.), Photographs, Robert Macpherson (British, Tayside, Scotland 1811–1872 Rome), After studying medicine in Edinburgh, Robert

Baptismal Font, ca. 1155–70, Made in Liège, South Netherlands, South Netherlandish, Dark calciferous limestone, 15 1/2 x 51 in., 400lb. (39.4 x 129.5 cm, 181.4kg), Sculpture-Architectural, This large font is central to the legend of a

Newhaven Fishwife, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,