Images at Librifly

Pilgrim's Badge: Saint Theobald of Thann, 1400–1450, Made in Thann, Alsace, present-day France, French, Lead/tin alloy, Overall: 3 9/16 x 1 15/16 x 3/16 in. (9.1 x 4.9 x 0.4 cm), Metalwork-Lead

Pin with spherical head, Hittite Empire, ca. 14th–13th century B.C., Central Anatolia, Hittite, Gold, 5.12 in. (13 cm), Metalwork-Ornaments, The gold head of this pin is modeled after a poppy capsule. Its rosette top and fluted globe

The Actor Nakamura Tomijuro as a Woman Wearing a Red Cape, Edo period (1615–1868), ca. 1772, Japan, Polychrome woodblock print; ink and color on paper, H. 11 3/4 in. (29.8 cm); W. 5 1/2 in. (14 cm), Prints, Ippitsusai Bunchō (Japanese,

The Honey Moon (The English Dance of Death, plate 13), August 1, 1814, Etching and aquatint with watercolor, image: 4 13/16 x 8 1/16 in. (12.3 x 20.4 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

Sculptural Shoulders, 1861–67, Albumen silver print from glass negative, Image: 12 x 8.5 cm (4 3/4 x 3 3/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Kirkstall Abbey. From the West, 1850s, Albumen silver print, Image: 26.3 x 23.5 cm (10 3/8 x 9 1/4 in.), Photographs, Joseph Cundall (British, Norwich, Norfolk 1818–1895 Wallington, Surrey), Philip Henry Delamotte (British, 1821–1889

The Actor Ichikawa Monosuke II in the Role of Daito-no-miya Disguised as a Komuso, Edo period (1615–1868), ca. 1772 (?), Japan, Polychrome woodblock print; ink and color on paper, 12 x 5 3/4 in. (30.5 x 14.6 cm), Prints, Katsukawa Shunshō

Design for a Frescoed Altarpiece of The Resurrection, ca. 1560–71, Pen and dark brown ink, brush and gray- brown wash, highlighted with white gouache, over black chalk, and compass-constructed architecture, on blue paper, Overall: 11 1/16 x

Seals and a Carved Lacquer Container for Seal Ink, 判子と赤肉箱, Edo period (1615–1868), 1817, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 5 9/16 x 7 5/16 in. (14.1 x 18.6 cm), Prints, Kitao

Red jasper amulet of tyet, Late Dynastic, 664–304 B.C., Egyptian, Jasper, red, H.: 1 in. (2.5 cm), Gold and Silver, Amulet of a girdle tie

Tea Urn, 1791, Made in Boston, Massachusetts, United States, American, Silver, ivory, Overall: 22 1/4 x 10 5/8 x 10 3/8 in. (56.5 x 27 x 26.4 cm); 110 oz. 10 dwt. (3437.2 g), Silver, Paul Revere Jr. (American, Boston, Massachusetts

Carnelian ring stone, Late Republican or Imperial, 1st century B.C.–3rd century A.D., Roman, Sard, Length: 9/16 in. (1.4 cm), Gems, Bust of a Silenos wearing an ivy wreath

Nine-light chandelier, ca. 1785, French, Gilt and patinated bronze, Height: 36 5/8 in. (93 cm), Metalwork-Gilt Bronze

Teafield & Josshouse at Peling, ca. 1869, Albumen silver print from glass negative, Image: 9 7/16 × 11 1/8 in. (23.9 × 28.3 cm), Photographs, Attributed to Tung Hing (Chinese, active 1870s

Girl and a Hagoita (Japanese Battledore and Shuttlecock), probably 1815, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 7 15/16 x 7 1/4 in. (20.2 x 18.4 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Pair of bronze situla (bucket) handles, Archaic, 6th century B.C., Etruscan, Bronze, H.: 2 in. (5.1 cm), Bronzes, A symmetrical arrangement of volutes, palmettes, and entwined serpents forms a highly decorative pair of handles that

'Battle between Alexander and Darius', Folio from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524–25, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper, Painting: H. 7 3/8 in. (18.7 cm), Codices, This razm

Chlorite spindle whorl, Late Cypriot III, ca. 1200–1050 B.C., Cypriot, Chlorite, Diam. 1 3/8 in. (3.5 cm), Miscellaneous-Stone, Around the central hole are two concentric incised lines

Madame Jacques-Louis-Étienne Reizet (Colette-Désirée-Thérèse Godefroy, 1782–1850), 1823, Oil on canvas, 23 3/4 x 19 1/2 in. (60.3 x 49.5 cm), Paintings, Anne Louis Girodet-Trioson (French, Montargis 1767–1824 Paris), This work, one

Peony, Qing dynasty (1644–1911), China, Folding fan mounted as an album leaf; ink and color on paper, 6 3/4 x 20 1/8 in. (17.1 x 51.1 cm), Paintings, Wang Wu (Chinese, 1632–1690

John Shaw, 1793, Made in United States, Oil on canvas, 36 x 28 in. (91.4 x 71.1 cm), Paintings, Gilbert Stuart (American, North Kingston, Rhode Island 1755–1828 Boston, Massachusetts

Armor for Man and Horse, ca. 1450–1550, Turkish, Steel, leather, Weight of man's armor, 31 lb. 2 oz. (14.12 kg), Armor for Horse and Man, The horseman's armor and the horse bard, composed of elements from different sources, are associated

Glass amphoriskos (perfume bottle), Hellenistic, 2nd to mid–1st century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group III, H.: 5 1/4 in. (13.3 cm), Glass, Translucent blue, with same color pad-base; handles in translucent

The Third Sawamura Sojuro in the Role of Shirai Gonpachi, Edo period (1615–1868), 2nd month, 1788, Japan, Polychrome woodblock print; ink and color on paper, 12 1/32 x 5 3/8 in. (30.6 x 13.7 cm), Prints, Katsukawa Shunkō (Japanese,

St. Andrews. The Fore Tower of the Castle, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland

Oboe da caccia in F, 1720–40, Germany or Poland, German or Polish, wood, leather, brass, Length without crook: c. 87 cm (34 1/4in); Bell Diam. 10.8 cm (4 1/4in); Body sections: 66 cm (26in)-cannot be separated; Foot: 23.2 cm (9 1/8 in).,

One of Six Impressions from Worn Old Blocks, Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, Overall: 9 5/8 x 13 3/8 in. (24.4 x 34 cm), Prints, Unidentified Artist Japanese, 18th century

Glass amphoriskos (flask), Early Imperial, 1st century A.D., Roman, Glass; blown in a two-part mold, H.: 2 5/8 x 1 3/4 in. (6.7 x 4.4 cm), Glass, Translucent yellow, with one handle in purple and the other in pale blue green., Everted rim,

Madonna and Child with Saints, 1454, Tempera on wood, gold ground, Central panel 82 3/4 x 25 7/8 in. (210.2 x 65.7 cm); left panels 70 7/8 x 16 7/8 in. (180 x 42.9 cm), 70 7/8 x 16 3/4 in. (180 x 42.5 cm); right panels 70 7/8 x 16 7/8 in. (180 x

Sekiya Village on the Sumida River (Sumidagawa Sekiya no sato), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　隅田川関屋の里, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome

木曽海道六拾九次之内 下諏訪, Shimono Suwa Station, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, 9 9/16 x 14 3/8 in. (24.3 x 36.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo

Nenuphars, 1890s–1920s, printed 1956, Gelatin silver print, Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 5/8 in. (34.6 × 24.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

道中膝栗毛　四日市追分, The Branch Road at Yokkaichi, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, H. 9 in. (22.9 cm); W. 13 7/8 in. (35.2 cm), Prints, Utagawa Hiroshige (Japanese,

La Porte dorée à Jérusalem, August 1850, Salted paper print from paper negative, Image: 9 5/16 × 6 3/8 in. (23.7 × 16.2 cm), Photographs, Maxime Du Camp (French, 1822–1894

Tenby Sands, 1856, Salted paper print, Image: 15.9 × 21.1 cm (6 1/4 × 8 5/16 in.), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales

An English Version of the Eclogues of Virgil, 1883, Illustrations: etchings and reproductions of drawings, 14 3/4 x 11 x 1 7/16 in. (37.5 x 28 x 3.7 cm), Books

Mahavira Distributes Wealth: Folio from a Kalpasutra Manuscript, 1461 (Samvat 1519), India (Gujarat), Ink, opaque watercolor, and gold on paper, 4 3/8 x 10 1/8 in. (11.1 x 25.7 cm), Paintings

Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 14 1/4 × 9 7/8 in. (36.2 × 25.1 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

[Old Court of Imam Riza MESHED], 1840s–60s, Albumen silver print, Photographs, Possibly by Luigi Pesce (Italian, 1818–1891

Terracotta column-krater (mixing bowl), Late Classical, 4th century B.C., Greek, South Italian, Apulian, Terracotta; red-figure, H. 21 9/16 in. (54.8 cm), Vases, Obverse, women and two youths in Oscan dress. Reverse, three youths

Vase fragment, Archaic, ca. 550–500 B.C., Greek, Laconian, Terracotta, 1 11/16in. (4.3cm), Vases

Vase fragment, Neolithic, first period, ca. 4000 B.C., Neolithic, Nemea, Terracotta, length 2 15/16in. (7.4cm), Vases

Marie Stuart, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

The Gray Thrush, Edo period (1615–1868), 1789, Japan, Polychrome woodblock print; ink and color on paper, 10 x 14 7/8 in. (25.4 x 37.8 cm), Prints, Kuwagata Keisai (Japanese, 1764–1824

Garden Carpet, second half 18th century, Made in Iran, Kurdistan, Cotton (warp and weft), wool (pile); asymmetrically knotted pile, Carpet: L. of left edge: 122in. (309.9cm), Textiles-Rugs

Portrait of a Woman, ca. 1600, Oil on wood, 44 1/2 x 34 3/4 in. (113 x 88.3 cm), Paintings, British Painter (ca. 1600), The wealth and elevated social status of this Elizabethan woman is suggested by her elaborate dress and jewels. Reflecting

Glass perfume bottle, Early Imperial, early 1st century A.D., Roman, Glass; blown and trailed, H.: 3 in. (7.6 cm), Glass, Translucent cobalt blue; trail in uncertain color, possibly opaque white. Outsplayed, rounded rim; cylindrical neck;

Epichysis, Hellenistic, ca. 325–300 B.C., Greek, South Italian, Apulian, Terracotta, H. 14.40 cm.; diameter 8.67 cm., Vases

Portrait of Toyozumi of Chojiya House, Writing a Letter, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 15 7/16 in. (39.2 cm); W. 10 1/8 in. (25.7 cm), Prints, Eiju (Japanese, active ca. 1789–1801

Design for a window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, gouache, graphite, and POP (print out paper) photograph on wove paper, Overall: 12 5/8 x 8 15/16 in. (32 x 22.7 cm), Drawings,

The Monkey Leader Angada Steals Ravana's Crown from His Fortress, ca. 1725, India (Punjab Hills, Guler), Ink and opaque watercolor on paper, 22 5/16 x 33 in. (56.7 x 83.8 cm), Paintings, Attributed to Manaku (active ca. 1725–60), This scene

Terracotta oinochoe (jug) in the form of a woman's head, Classical, ca. 460–450 B.C., Greek, Attic, Terracotta; red-figure, H. 5 3/8 in. (13.7 cm), Vases, The serious face with heavy chin is typical of the early classical style, which

Terracotta statuette base, Hellenistic, 3rd century B.C., Greek, South Italian, Tarentine, Terracotta, H. 1 1/8 in. (2.9 cm), Terracottas, For statuette

Vase, 1893–96, Made in New York, United States, American, Favrile glass, 3 x 2 1/16 in. (7.6 cm), Glass, Tiffany Glass and Decorating Company (American, 1892–1902), American glass

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 5/8 in. (34.6 × 24.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Bronze kylix (drinking cup), Late Classical or Hellenistic, 4th–3rd century B.C., Greek, Bronze, H. 2 1/4 in. (5.7 cm); diameter 3 9/16 in. (9 cm), Bronzes, This elegant cup combines the deep bowl of a skyphos with the handles of kylix. The

Illustration of Noh Dance Scene, Meiji period (1868–1912), ca. 1910, Japan, Polychrome woodblock print; ink and color on paper, 14 1/2 x 20 1/16 in. (36.8 x 51 cm), Prints, Tsukioka Kōgyo (Japanese, 1869–1927

[In the Mosque of the Damegan/The Eunuchs], 1850s, Albumen silver print from paper negative, 16.3 x 23.2 cm. (6 7/16 x 9 1/8 in.), Photographs, Possibly by Luigi Pesce (Italian, 1818–1891), With unique authority, the camera offered

Terracotta stirrup jar, Late Cypriot IIIB, early 11th century B.C., Cypriot, Terracotta; Proto-white painted ware, H. 5 1/2 in. (14 cm.), Vases, Broad and narrow bands and on shoulder, shaded triangles

Pair of Snaphaunce Pistols, 1675, Italian (Brescian), Wood (walnut), steel, L. 14 1/2 in. (36.8 cm); L. of barrel 8 3/8 in. (21.3 cm); Cal. .46 in. (11.7 mm); Wt. 1 lb. 9 oz. (708.7 g);L. 14 in. (35.6 cm); L. of barrel 8 3/8 in. (21.3 cm); Cal.

Terracotta vase fragment with floral decoration and bands, Middle Minoan II, ca. 1800–1700 B.C., Minoan, Terracotta; Kamares ware, Overall: 2 9/16 x 2 1/8in. (6.5 x 5.4cm), Vases, From Knossos, Crete. Polychrome fragment with floral

[Female Portrait, Standing, Looking Left], 1850s–60s, Albumen silver print from glass negative, 22.4 x 14.4 cm. (8 13/16 x 5 11/16 in.), Photographs, Franz Antoine (Austrian, 1814–1882

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 15/16 × 1 3/8 × 3/16 in. (4.9 × 3.6 × 0.4 cm), Vases

Teapot, 1832–34, French, Sèvres, Hard-paste porcelain, silver, ivory, Overall (confirmed): 7 1/4 x 5 1/16 in. (18.4 x 12.9 cm), Ceramics-Porcelain, This teapot is one of the more striking and original creations of the Sèvres manufactory

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 5/8 in. (34.6 × 24.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Yamauba blackening Her teeth and Kintoki, Edo period (1615–1868), ca. 1795, Japan, Ink on mulberry paper, Oban: 14 3/4 x 9 3/4 in. (37.5 x 24.8 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

Glass bottle shaped like a date, Mid Imperial, mid-1st to early 2nd century A.D., Roman, Glass; blown in a two-part mold, H.: 2 7/8 in. (7.3 cm), Glass, Translucent yellowish brown. Thin, everted rim folded round and in; flaring neck with

美人気量競　五明楼　花扇, “Hanaōgi of the Gomeirō, ” from the series Comparing the Charms of Beauties (Bijin kiryō kurabe: Gomeirō Hanaōgi), Edo period (1615–1868), 1794–95, Japan, Polychrome woodblock print; ink and

The Moon and Her Children from a set of the Planets, mid-16th century, Flemish or French, Wool (13-14 warps per inch, 5-6 per cm.), H. 138 x W. 204 inches (350.5 x 518.2 cm), Textiles-Tapestries, After a print by Barthel Beham (German,

Side Chair, 1810–20, Made in New York, New York, United States, American, Mahogany, ash, tulip poplar, 32 1/4 x 21 3/4 x 18 3/8 in. (81.9 x 55.2 x 46.7 cm), Furniture

Fragment, 3rd–4th century, Made in Egypt, Wool, linen; plain weave, tapestry weave, 5 1/2 in. high 3 9/16 in. wide (14 cm high 9 cm wide), Textiles

清, 王原祁, 輞川圖, 卷, Wangchuan Villa, Qing dynasty (1644–1911), dated 1711, China, Handscroll; ink and color on paper, Image: 14 in. x 17 ft. 10 3/4 in. (35.6 x 545.5 cm), Paintings, Wang Yuanqi (Chinese, 1642–1715), The

近代 林紓 合掌峰 扇面, Hezhang Peak, dated 1921, China, Folding fan mounted as an album leaf; ink and color on alum paper, 7 11/16 x 21 1/4 in. (19.5 x 54 cm), Paintings, Lin Shu (Chinese, 1852–1924), Were it not for the

諸國瀧廻リ　美濃ノ国養老の滝, Yōrō Waterfall in Mino Province (Mino no Yōrō no taki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri), Edo period (1615–1868), ca. 1832, Japan, Polychrome

Elopers in Musashino, Edo period (1615–1868), early 19th century, Japan, Right sheet of a triptych of polychrome woodblock prints; ink and color on paper, Image (oban triptych): 15 1/8 x 10 1/8 in. (38.4 x 25.7 cm), Prints, Kitagawa Utamaro

Miniature Votive Spearhead or Arrowhead, 17th–18th century, Tibetan, Iron, gold, silver, L. 5 3/4 in. (14.6 cm), Archery Equipment-Crossbows

Miniature alabaster lentoid flask, Late Bronze Age(?), ca. 1600–1200 B.C. (?), Cypriot, Veined alabaster, Overall: 3 11/16 x 2 3/8 in. (9.4 x 6 cm), Miscellaneous-Stone Vases, The flask has a globular belly with two loop handles

Enterrement, Cochinchine, 1866, Albumen silver print from glass negative, 22.5 x 30.9 cm (8 7/8 x 12 3/16 in.), Photographs, Emile Gsell (French, Sainte-Marie-aux-Mines 1838–1879 Vietnam

Young Woman Making Her Toilet, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 14 15/16 in. (37.9 cm); W. 10 3/4 in. (27.3 cm), Prints, Kikugawa Eizan (Japanese, 1787–1867

Main Entrance, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney

[Hunters Stalking a Deer], ca. 1857, Salted paper print, 13.6 x 18.9 cm (5 3/8 x 7 7/16 in.), Photographs, Horatio Ross (British, Rossie Castle, near Montrose, Scotland 1801–1886 Scotland

Two Opera Singers, 1749–50, German, Meissen, Hard-paste porcelain, Overall (confirmed): 9 1/2 x 11 3/8 x 6 7/8 in. (24.1 x 28.9 x 17.5 cm), Ceramics-Porcelain, After a composition by Charles Nicolas Cochin II (French, Paris 1715–1790

Atagoshita Yabu-Kōji, 東都名所　芝赤羽根之雪, Winter Landscape, Edo period (1615–1868), 1846, Japan, Polychrome woodblock print; ink and color on paper, 9 3/4 x 14 1/2 in. (24.8 x 36.8 cm), Prints, Utagawa Hiroshige (Japanese,

Yamabuki Flowers (kerria japonica), Edo period (1615–1868), 18th–19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 5/16 x 5 1/2 in. (21.1 x 14 cm), Prints, Unidentified Artist

God Judging Adam, ca. 1795, Relief etching, printed in color and finished with pen and ink and watercolor, sheet: 16 3/4 x 20 3/4in. (42.5 x 52.7cm), Prints, William Blake (British, London 1757–1827 London), A nude and aged Adam, newly

諸國名橋奇覧, ゑちぜんふくゐの橋, Fukui Bridge in Echizen Province (Echizen Fukui no hashi), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran), Edo period (1615–1868), ca. 1830, Japan,

Vessel, Western Zhou dynasty (1046–771 B.C.), China, Bronze, With cover: H. 13 in. (33 cm), Metalwork

Primo tentativo fatto in Italia del Sig. Tassinari farmacista e chimico in Castel Bolognese, 1839–40, Photogenic drawing, 10.2 x 10.5 cm (4 x 4 1/8 in.), irregularly trimmed, Photographs, Likely Sebastiano Tassinari (Italian, 1814–1888

Two Arrows, probably 16th century, Turkish or Iranian, Wood, textile, lacquer, steel, gold, copper alloy, arrow: L. 25 3/4 in. (65.4 cm); Wt. 0.8 oz. (22.7 g); arrow: L. 25 15/16 in. (65.9 cm); Wt. 0.8 oz. (22.7 g), Archery Equipment-Arrows

冨嶽三十六景　相州江の島, Enoshima in Sagami Province (Sōshū Enoshima), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and

Tunic, 1st century B.C.–A.D. 2nd century, Peru, Nasca, Camelid hair, H. 33 1/4 x W. 49 1/4in. (125.1 x 84.5cm), Textiles-Woven

True View of the Pleasure Quarters with Cherry Blossoms in Full Bloom in the Miyozki District of the New Port of Yokohama, Kanagawa, Edo period (1615–1868), 3rd month, 1860, Japan, Triptych of polychrome woodblock prints; ink and color on

[The Pelicans and Greenhouses, Zoological Gardens, Brussels], 1854–56, Salted paper print from paper negative, Image: 14.6 × 19.5 cm (5 3/4 × 7 11/16 in.), Photographs, Louis-Pierre-Théophile Dubois de Nehaut (French, active Belgium,

Entombment of Christ, ca. 1515, Made in Biron, Dordogne, France, French, Limestone, polychromy, Figurative area: 90 in. × 9 ft. 8 1/2 in. × 39 in. (228.6 × 295.9 × 99.1 cm), Sculpture-Stone, The coats of arms of the donors, Pons de

Square Tile Depicting Clouds, 17th century, Attributed to Iran, Stonepaste; polychrome glaze within black wax resist outlines (cuerda seca technique), H. 9 in. (22.9 cm), Ceramics-Tiles, This square tile would have been originally part of a

Furniture plaque: lion, Middle Bronze Age–Old Assyrian Trading Colony, ca. 18th century B.C., Anatolia, probably from Acemhöyük, Old Assyrian Trading Colony, Ivory (hippopotamus), 2.87 x 1.38 in. (7.29 x 3.51 cm), Ivory/Bone-Reliefs,

[The Viscountess Canning, Barrackpore], 1858, Albumen silver print, Image: 13.3 x 9.6 cm (5 1/4 x 3 3/4 in.), Photographs, John Constantine Stanley (British, 1837–1878

Glass pendant in the form of a miniature jug, Late Imperial, ca. 4th century A.D., Roman, Glass; rod-formed, tooled, and trailed, 13/16 × 11/16 × 1/2 in. (2 × 1.8 × 1.3 cm), Glass, Semi-opaque dark green, appearing opaque black; handle

Gold spiral, Late Bronze Age, ca. 1600–1100 B.C., Cypriot, Gold, L. 1.8 cm, Gold and Silver, Of plain wire with one turn