Images at Librifly

Portrait of a Young Woman, ca. 1490–1500, Oil on wood, 23 1/8 x 15 3/4 in. (58.7 x 40 cm), Paintings, Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) (Italian, Florence 1456/59–1536 Florence), This damaged but evocative portrait has been

The Burial of Atala, n.d., Etching, plate: 19 11/16 x 23 1/8 in. (50 x 58.8 cm), Prints, Jean-Baptiste-Raphael-Urbain Massard (French, 1775–1843), After Anne Louis Girodet-Trioson (French, Montargis 1767–1824 Paris

Terracotta oinochoe (jug), Archaic, 6th century B.C., Etruscan, Terracotta, H.: 8 11/16 in. (22.1 cm), Vases, The trefoil oinochoe, with three-lobed mouth, is a basic shape in both Etruscan and Greek pottery. This example, with its

Two Actors; a Scene from the Soga Play, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 6 3/16 x 7 3/16 in. (15.7 x 18.3 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Saint Roch and the Angel, ca. 1520, Made in Swabia, Germany, German, Limewood with traces of paint, Overall: 28 1/2 x 10 1/4 x 7 3/8 in. (72.4 x 26 x 18.7 cm), Sculpture-Wood, Master of the Biberach Holy Kinship (German, active 16th

Vase fragment, Early Minoan III, Minoan, Terracotta, 2 5/16 × 2 1/16 × 1/8 in. (5.8 × 5.2 × 0.4 cm), Vases

Flowerpot and stand, 1824, Made in Chester County, Pennsylvania, United States, American, Earthenware; Redware with sgraffito decoration, H. 9 7/8 in. (25.1 cm), Ceramics, James Pottery (1796–1863), An exceptional example of sgraffito

Women in a Landscape, Japan, Polychrome woodblock print (surimono); ink and color on paper, Image: 7 5/8 × 21 1/16 in. (19.4 × 53.5 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo

Creamer, ca. 1755–70, Possibly made in South Kingstown, Rhode Island, United States; Possibly made in Exeter, Rhode Island, United States, American, Silver, 3 15/16 x 3 15/16 in. (10 x 10 cm); 3 oz. 11 dwt. (110.1 g), Silver, Samuel

Concertina, 1855–60, London, England, United Kingdom, British, Mahogany (?), leather, paper, metal (brass, nickel-silver), H. 15.2 x W. 11.4 x D. 12.7 cm (6 x 4 1/2 x 5 in.), Aerophone-Free Reed-concertina / accordion, Charles

Jardin des Plantes, 1898–1900, Albumen silver print from glass negative, Image: 17.5 × 22 cm (6 7/8 × 8 11/16 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Alabaster alabastron (perfume vase), Archaic or Classical, 6th–5th century B.C., Cypriot, Calcite (alabaster), H. 8 3/16in. (20.8cm); Diam. 3 1/2 in. (8.9 cm), Miscellaneous-Stone Vases, The alabastron has small pierced vertical lugs, a

Vanity Sounds the Horn and Ignorance Unleashes the Hounds Overconfidence, Rashness and Desire (from The Hunt of the Frail Stag), ca. 1495–1510, South Netherlandish, Wool warp, wool and silk wefts, Overall: 36 3/8 x 35in. (92.4 x 88.9cm),

Seishu Futami ga Ura, View of Futami Beach at Ise, Edo period (1615–1868), early 19th century, Japan, Polychrome woodblock print; ink and color on paper, Oban 10 x 15 in. (25.4 x 38.1 cm), Prints, Shotei Hokuju (Japanese, active

Bracelet, Cypriot, Bronze, Other (Greatest Diameter): 3 3/4in. (9.5cm), Bronzes

Neck-amphora, Tyrrhenian fragments, Archaic, ca. 575–550 B.C., Greek, Attic, Terracotta; black-figure, 2 1/4 × 3 11/16 in. (5.7 × 9.3 cm), Vases

Steel's Ranch, San Luis Obispo, 1876, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

Porringer, 1755–85, Made in Boston, Massachusetts, United States, American, Silver, Overall: 2 1/8 x 8 1/4 in. (5.4 x 21 cm); 7 oz. 16 dwt. (242.7 g), Silver, Zachariah Brigden (1734–1787

Le Chapelet (autre), 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Equivalent, Set C2 No. 4, 1929, Gelatin silver print, 11.8 x 9.4 cm. (4 5/8 x 3 11/16 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

Cista, foot, Bronze, H. 4.39 cm., Bronzes

Basket of Flowers with Bamboo Blind, Edo period (1615–1868), ca. 1799–1810, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 22 1/8 in. (21 x 56.2 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo)

Wall painting fragment from the peristyle of the Villa of P. Fannius Synistor at Boscoreale, Late Republic, ca. 50–40 B.C., Roman, Fresco, 28 3/8' X19 5/8', Miscellaneous-Paintings, Globe, also identified as a sundial; from the peristyle E

Burgonet, ca. 1560, probably Milan, Italian, probably Milan, Steel, gold, H. 11 1/4 in. (28.6 cm); W. 8 1/2 in. (21.6 cm); D. 13 1/2 in. (34.3 cm); Wt. 3 lb. 11 oz. (1685 g), Helmets

[Young Woman, Sicily, Italy], 1890s–1900s, Albumen silver print from glass negative, 22.1 x 16.6 cm. (8 11/16 x 6 9/16 in.), Photographs, Wilhelm von Gloeden (Italian, born Germany, 1886–1931

Plaque in the form of a sphinx, Iron Age II, ca. 8th century B.C., Syria, Bronze, 5 1/4 x 5 1/8 in. (13.3 x 13 cm), Metalwork-Reliefs, Hammered from single sheets of bronze, these sphinxes look outward toward the viewer. Their striding poses

梅に三光鳥, Bird on a Plum Branch, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 15 1/4 x 6 3/4 in. (38.7 x 17.1 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Bronze strainer with openwork handle, Classical, 5th century B.C., Etruscan, Bronze, length 11 1/2in. (29.2cm), Bronzes, This is one of the most elaborate and best-preserved Etruscan strainer handles. The artist has skillfully presented a

Circular limestone incense burner, Cypriot, Limestone, H. 3 in. (7.6 cm); Diam. 3 3/8 in. (8.6 cm), Miscellaneous-Stone, The incense burner is in the form of a spool or bobbin, the foot of which is slightly wider than the saucer

Turban Helmet, late 15th–16th century, probably Istanbul, Turkish, possibly Istanbul, in the style of Turkman armor, Steel, iron, silver, gold, H. 11 7/8 in. (30.2 cm); Diam. 9 in. (22.9 cm); Wt. 3 lb. 12.9 oz. (1272.9 g), Helmets,

Lamp, saucer-shaped, Bronze, Other: 6 1/2 x 6 1/8 in. (16.5 x 15.6 cm), Bronzes

東海道五十三次・庄野 白雨, Sudden Shower at Shōno, from the series Fifty-three Stations of the Tōkaidō, Edo period (1615–1868), 1834–35, Japan, Polychrome woodblock print; ink and color on paper, Image: 9 3/4 x 14 1/4 in.

Girl with Fan, Edo period (1615–1868), ca. 1750–70, Japan, Polychrome woodblock print; ink and color on paper, H. 11 1/2 in. (29.2 cm); W. 6 in. (15.2 cm), Prints, Masafusa (Japanese, active ca. 1750–1770

The Picture of New York, and Stranger's Guide through the Commercial Emporium of the United States., 1818, Illustrations: engraving, 5 7/8 x 3 11/16 x 1 3/16 in. (15 x 9.4 x 3 cm), Books

南宋 馬麟 蘭花圖 冊頁 絹本, Orchids, Southern Song dynasty (1127–1279), second quarter of the 13th century, China, Album leaf; ink and color on silk, Image: 10 7/16 x 8 7/8 in. (26.5 x 22.5 cm), Paintings, Ma Lin (Chinese, ca.

Bracelet, Cypriot, Bronze, Other: 2 15/16in. (7.4cm), Bronzes

近江八景之内 堅田落雁, Geese Alighting at Katada, Lake Biwa, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, 8 13/16 x 13 5/8 in. (22.4 x 34.6 cm), Prints, Utagawa Hiroshige (Japanese,

Cous du Kadisha, Monte Libon, 1860s–80s, printed ca. 1870, Albumen silver print, Photographs, Félix Bonfils (French, 1831–1885

Miniature Tall Clock, 1785–90, Made in Plymouth, Massachusetts, United States, American, Mahogany, oak, maple, white pine, 47 x 11 3/8 x 5 5/8 in. (119.4 x 28.9 x 14.3 cm), Furniture, Caleb Leach (active ca. 1776–90

Books of Flowers and a Writing Brush, 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 x 7 1/4 in. (20.3 x 18.4 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Plate, 1810, Made in Northampton County, Pennsylvania, United States, American, Earthenware; Redware with sgraffito decoration, Diam. 10 1/2 in. (26.7 cm), Ceramics, Attributed to Andrew Uhler (active ca. 1801–10

'Laila and Majnun at School', Folio from a Khamsa (Quintet) of Nizami, A.H. 835/ A.D. 1431–32, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper, Page: H. 12 5/16 in. (31.3 cm), Codices, This splendid

Helmet, probably 15th century, Iranian, Steel, iron, gold, silver, H. 12 3/8 in. (31.4 cm); Diam. 8 1/2 in. (21.6 cm); Wt. 2 lb. 7.9 oz. (1131.1 g), Helmets, The inscription around the rim is very worn but reads in part: 'He may protect.'

D.O. Hill and W.B. Johnstone, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

Winter, 1787, French, Paris, Bronze, Overall (confirmed): 56 1/2 x 15 3/8 x 19 7/8 in., Wt. 438 lb., 15 in. (143.5 x 39.1 x 50.5 cm, 198.6755kg, 38.1 cm); Pedestal: H. 34 in. (86.4 cm), Sculpture-Bronze, Jean Antoine Houdon (French,

東都名所　猿若町芝居の図, Picture of the Theatres in Sakai Cho, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 8 15/16 in. (22.7 cm); W. 13 5/8 in. (34.6 cm), Prints, Utagawa Hiroshige

Seated Figure (one of a pair), Qing dynasty (1644–1911), Qianlong period (1736–95), China, Cloisonné enamel, H. 36 in. (91.4 cm); W. 13 in. (33 cm); D. 17 1/2 in. (44.5 cm), Cloisonn

Glass beaker, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, Height: 3 11/16 in. (9.3 cm), Glass, Translucent pale yellow green. Rounded, flaring rim; cylindrical body with slightly convex, vertical side, curving in at base to

元 錢選 梨花圖 卷, Pear Blossoms, Yuan dynasty (1271–1368), ca. 1280, China, Handscroll; ink and color on paper, Image: 12 5/16 x 37 7/8 in. (31.3 x 96.2 cm), Paintings, Qian Xuan (Chinese, ca. 1235–before 1307), Qian Xuan was

Cathedral Rock, River View, 1861, Albumen silver print from glass negative, Image: 41.5 x 59.6; Mount: 53.4 x 67, Photographs, Carleton E. Watkins (American, 1829–1916

Paperweight, 1848–56, Made in Brooklyn, New York, United States, American, Porcelain, W. 4 in. (10.2 cm), Ceramics, Charles Cartlidge and Company (1848–1856

Glass finger ring, Imperial, ca. 2nd–3rd century A.D., Roman, Glass; drawn and tooled, H.: 1/4 in. (0.6 cm), Glass, Translucent honey yellow., Circular hoop and cross section made from a straight rod and bent into ring so that ends meet at

Tile, A.H. 824/ A.D. 1421, From Turkey, Bursa, Tempered earthenware; molded; polychrome glazed within black wax resist outlines (cuerda seca technique); gilded, H. 11 1/2 in. (29 cm), Ceramics-Tiles, This tile matches a border frieze adorning

Nanamaro and His Followers Looking at the Moon in China, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 x 7 3/16 in. (20.3 x 18.3 cm), Prints, Kubo Shunman (Japanese,

Portrait, 1898, Platinum print, 15.7 x 9.8 cm. (6 3/16 x 3 7/8 in.), Photographs, F. Holland Day (American, Norwood, Massachusetts 1864–1933 Norwood, Massachusetts

東海道五十三次之内　日坂　佐夜の中山, Nissaka, Sayo Nakayama, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 15/32 x 14 1/8 in. (24.1 x 35.9 cm), Prints, Utagawa Hiroshige

French Commode Table, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 8 3/8 x 14 1/4 in. (21.2 x 36.1 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Mosaic glass fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 1/2 x 7/8 in. (3.8 x 2.2 cm), Glass, Rim fragment., Translucent honey brown and opaque white., Rounded rim; outsplayed neck;

Egrets at the Water's Edge, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 x 10 3/4 in. (35.6 x 27.3 cm), Paintings, Watanabe Seitei (Japanese, 1851–1918

Yokohama, Town Hall, Telegraph Office, Post Office, 1870s, Albumen silver print from glass negative, 25.2 x 20 cm (9 15/16 x 7 7/8 in.), Photographs, Unknown

Terracotta aryballos (oil flask), Early Corinthian, ca. 620–590 B.C., Greek, Corinthian, Terracotta, H. 2 13/16 in. (7.1 cm), Vases, Goat and bull confronted

Bed steps (Marchepied de lit), late 18th century, French, Carved, painted and gilded beech and walnut; modern silk damask, Overall (confirmed): H. 17 1/2 x W. 22 x D. 21 in. (44.5 x 55.9 x 53.3 cm), Woodwork-Furniture

Kawasaki, 東海道五十三次　川崎　六郷のわたし, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, 8 23/32 x 13 23/32 in. (22.2 x 34.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo

Hakoōmaru, Buyū chikara-gusa, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 5/8 in. (34.6 × 24.4 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861

Bowl, Cypriot, Bronze, 3 1/8in. (7.9cm), Bronzes

Talbot's Tower, Falaise Castle, 1856, Albumen silver print from paper negative, 21.3 x 27.8 cm. (8 3/8 x 10 15/16 in.), Photographs, Alfred Capel Cure (British, 1826–1896

[The St. Pauls Cathedral, Calcutta], 1850s, Albumen silver print, Image: 18.5 x 24 cm (7 5/16 x 9 7/16 in.), Photographs, Captain R. B. Hill

L'Ancre, 1860s, Albumen silver print from glass negative, 5.4 x 8.6 cm. (2 1/8 x 3 3/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

'Bronze Works' album of photographs, ca. 1912, Photography, Tiffany Studios (1902–32) , New York

Dandelions, 1900s–1920s, Platinum print, Photographs, Frederick H. Evans (British, London 1853–1943 London), Inspired by the writings of the Swedish mystic Emanuel Swedenborg (1688–1772) and motivated by a Romantic conception of nature,

Fire-Holder and Tea-Box, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 1/2 x 7 9/16 in. (14 x 19.2 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Les beau décolleté, 1860s, Albumen silver print from glass negative, 5.1 x 8.6 cm. (2 x 3 3/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Standing cup with cover and stand, ca. 1735, German, Meissen, Hard-paste porcelain, Overall, cup: 15 1/2 x 6 1/4 in. (39.4 x 15.9 cm); Overall, stand: 1 1/2 x 11 1/2 in. (3.8 x 29.2 cm), Ceramics-Porcelain

Divan (Anthology) of Hafiz, last quarter 18th century, Attributed to India, Kashmir, Opaque watercolor, gold, and ink on paper, H. 7 1/4 in. (18.4 cm), Codices

Intérieur Rue de Vaugirard, 1910, Albumen silver print from glass negative, 22.0 x 17.9 cm. (8 11/16 x 7 1/16 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Study for the decoration of the ceiling of the Opéra Comique, ca. 1857, Black chalk on blue paper mounted on cardboard, Sheet with canted corners: 17 3/16 x 17 3/16 in. (43.7 x 43.7 cm), Drawings, Thomas Couture (French, Senlis 1815–1879

Ban, Qing dynasty (1644–1911), late 19th century, Fukian province, China, Chinese, Wood, L.: 29.2 cm (11-1/2 in.);W. 6.4 cm (2-1/2 in.), Idiophone-Concussion, The ban is related to the paiban and serves a similar purpose: marking time

Bronze relief of a veiled woman riding a sea-goat, Late Classical or Early Hellenistic, 4th century B.C., Greek, Bronze, H. 3 1/2 in. (8.9 cm.), Bronzes, Despite her elaborate drapery and stately pose, this female riding a sea-goat is

Itabana Station, Edo period (1615–1868), late 1830s, Japan, Polychrome woodblock print; ink and color on paper, Oban 9 5/8 x 14 7/16 in. (24.4 x 36.7 cm), Prints, Keisai Eisen (Japanese, 1790–1848

Vue d'une Mosquée ruinée près de Bab-Saïda, au Kaire, December 1849–January 1850, Salted paper print from paper negative, Image: 6 1/4 × 8 9/16 in. (15.8 × 21.8 cm), Photographs, Maxime Du Camp (French, 1822–1894

喜多川歌麿画　『美人花合』　「兵庫屋内　花妻図」, “The Courtesan Hanazuma Reading a Letter, ” from the series Beauties Compared to Flowers (Bijin hana awase), Edo period (1615–1868), 1790s, Japan, Polychrome

Plasma scaraboid seal, Classical, ca. 450–400 B.C., Greek, Ionian, Plasma, Length: 5/8 in. (1.6 cm), Gems, Persian horseman spearing a Greek

Papyrus letter in Greek, Late Imperial, early 3rd century A.D., Roman, Egyptian, Papyrus, H.: 4 x 3 1/8 in. (10.2 x 7.9 cm), Miscellaneous-Papyrus, The papyrus contains a letter written by Heraclides to his brother Petechois. It is

Glass mosaic ornament in the form of a shell, Early Imperial, ca. 1st century A.D., Roman, Glass; cast, H.: 1 3/4 in. (4.4 cm), Glass, Translucent cobalt blue, appearing black, with overlays in opaque white and yellow. Solid block with flat

Tartar Huntsman, Ming (1368–1644) or Qing dynasty (1644–1911), ca. 1530, China, Handscroll; ink and color on silk, H. 12 3/8 in. (31.4 cm), Paintings, Unidentified Artist, Formerly Attributed to Qiu Ying (Chinese, ca. 1495–1552

The Second Segawa Tomisaburo as a Tall Courtesan Standing in a Room, Edo period (1615–1868), ca. 1785, Japan, Polychrome woodblock print; ink and color on paper, 12 7/32 x 5 3/4 in. (31.1 x 14.6 cm), Prints, Katsukawa Shunshō (Japanese,

[Countess de Castiglione], 1895, Albumen silver print from glass negative, Approximately 14.3 x 9.9 cm (5 5/8 x 3 7/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Ladle, ca. 1730–1772, Made in Philadelphia, Pennsylvania, United States, American, Silver, 15 13/16 x 3 7/8 in. (40.2 x 9.8 cm); 7 oz. 12 dwt. (236.6 g), Silver, Philip Syng Jr. (1703–1789

Edinburgh. Greyfriars' Churchyard, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848

Auld Reckie - C. Grove, ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled album features

Faience statuette of Aphrodite, Hellenistic, 334–30 B.C., Egyptian, Ptolemaic, Faience, H.: 1 11/16 in. (4.3 cm), Miscellaneous-Faience, Amulet in the form of a crouching Aphrodite

Bodhisattva Samantabhadra (Puxian), Southern Song (1127–1279)–Yuan (1271–1368) dynasty, 12th–14th century, China, Mammoth ivory, H. 8 3/4 in. (22.2 cm), Sculpture

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 3/4 x 5/8 in. (1.9 x 1.6 cm), Glass, Thick-walled fragment., Translucent cobalt blue, purple, and turquoise blue layered with

Landscape with the Flight into Egypt, ca. 1650, Oil on wood, 18 x 22 7/8 in. (45.7 x 58.1 cm), Paintings, Aelbert Cuyp (Dutch, Dordrecht 1620–1691 Dordrecht), Cuyp never went to Italy, but he emulated Dutch Italianate painters who had been

Vase fragment, Early Minoan II, Minoan, Terracotta, 1 5/8 × 1 15/16 × 1/4 in. (4.1 × 5 × 0.6 cm), Vases

Statuette of a warrior-11, Greek, Laconian, Lead, Height: 13/16 in. (2 cm), Miscellaneous-Lead

Tsukudajima hatsuhotogizu, 東都名所　佃島初郭公, The Year's First Song of the Cuckoo at Tsukudajima, Edo period (1615–1868), 1831, Japan, Polychrome woodblock print; ink and color on paper, 13 3/4 x 8 1/2 in. (34.9 x 21.6 cm),

Pepper Caster, ca. 1800, Made in Albany, New York, United States, American, Silver, Overall: 5 13/16 x 2 1/8 in. (14.8 x 5.4 cm); 3 oz. 16 dwt. (118.9 g), Silver, Isaac Hutton (American, New York 1766–1855 Albany, New York

Modern reconstruction of ancient beads and monkey pendant, Archaic, primarily 7th century B.C., Etruscan, Amber, Overall length of necklace, 49 1/2' monkey pendant; H 1 1/4' x D. 7/8' x W. 3/8', Miscellaneous-Amber, Amber pendants and beads

Standing Figure, 3rd–7th century, Mexico, Mesoamerica, Teotihuacan, Green schist, H.16 1/8 x W. 8 1/8 x D. 6 1/8 in. (41 x 20.6 x 15.5 cm), Stone-Sculpture, Among the sculptural works associated with the ancient city of Teotihuacan are