Images at Librifly

Tea Tray, 1799, Made in Philadelphia, Pennsylvania, United States, American, silver, 20 x 30 1/2 in., 174 Troy Ounces (50.8 x 77.5 cm, 5443 Grams), Silver, John McMullin (1765–1843), The yellow fever epidemics of 1793 and 1798

Boulevard de Strasbourg, 1912, Matte albumen silver print from glass negative, Image: 22.7 × 17.7 cm (8 15/16 × 6 15/16 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Henning with Parthenon Frieze, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

Cor Solo, 1829, Lyon, France, French, Brass, silver, Diameter (Of bell): 11 1/4 in. (28.5 cm), Aerophone-Lip Vibrated, Dubois et Couturier, Cors solo, a French invention, are horns built specifically for the use of soloists. They not only

Horinouchi Myo-ho-ji Eho Mairi no Zu, Edo period (1615–1868), ca. 1804, Japan, Two sheets of a pentaptych of polychrome woodblock prints; ink and color on paper, Aiban; H. 13 3/8 in. (34 cm); W. 19 1/2 in. (49.5 cm), Prints, Utagawa Toyohiro

Ichikawa Komazō II (1764–1838) in the Role of Akaneya Hanshichi from the Play Hadesugata On'a Maiginu, Edo period (1615–1868), ca. 1798, Japan, Polychrome woodblock print; ink and color on paper, H. 14 1/4 in. (36.2 cm); W. 10 1/4 in. (26

明 緙絲蟠桃獻壽圖, Immortal Holding a Peach, Ming dynasty (1368–1644), 16th century, China, Silk tapestry (kesi), Overall: 46 x 24 in. (116.8 x 61 cm), Textiles-Tapestries, The figure on this silk tapestry panel is Dongfang Shuo who

Terracotta kylix (drinking cup), Archaic, ca. 550 B.C., Greek, Attic, Terracotta; black-figure, Other: 4 13/16 x 10 in. (12.2 x 25.4 cm), Vases, Exterior, obverse and reverse, combat between spectators. Compared with the Little Master

Shakuhachi (A Kind of Bamboo Flute) and Its Cover, 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 5/16 x 7 5/16 in. (13.5 x 18.6 cm), Prints, Sunayama Gosei (Japanese, 18th–19th century

Girdle Set with Bats and the Character for Longevity (Shou), Qing dynasty (1644–1911), 19th century, China, Silk, metallic thread, glass(?), Overall (a): 12 x 3 in. (30.5 x 7.6 cm), Textiles-Embroidered

四季の花, Girls Getting on Board a Boat, from the illustrated book Flowers of the Four Seasons, Edo period (1615–1868), 1801, Japan, Polychrome woodblock print; ink and color on paper, 6 3/4 x 9 7/8 in. (17.1 x 25.1 cm), Prints,

Ammon, from the series Solitudo Sive Vitae Patrum Eremicolarum, ca. 1585–86, Engraving, sheet: 6 9/16 x 8 1/16 in. (16.7 x 20.5 cm), Prints, Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp

Dish with Bird-and-Flower Design, Edo period (1615–1868), early 17th century, Japan, Stoneware with underglaze iron decoration (Mino ware, Shino style), H. 1 3/4 in. (4.4 cm); W. 7 5/8 in. (19.4 cm), Ceramics

Coffeepot, 1745–60, Made in Boston, Massachusetts, United States, American, Silver, Overall: 9 5/8 x 9 1/8 in. (24.4 x 23.2 cm); 27 oz. 11 dwt. (856.7 g), Silver, Samuel Edwards (1705–1762

[Ruins at Old Delhi], 1850s, Albumen silver print, Image: 15.4 x 22.3 cm (6 1/16 x 8 3/4 in.), Photographs, Unknown

The Actor Tohimura Kamezo as a Warrior, Edo period (1615–1868), 1737–1766, Japan, Polychrome woodblock print; ink and color on paper, 15 1/8 x 6 3/4 in. (38.4 x 17.1 cm), Prints, Torii Kiyohiro (Japanese, active ca. 1737–1766

[The Photographer's Daughter], ca. 1842, Salted paper print from paper negative, Image: 3 11/16 × 2 15/16 in. (9.4 × 7.5 cm), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Nakamura Denkuro as Asaina no Saburo and Nakajima Kanzaemon as Soga no Gorō, Acting Out the Torn Armor Scene (Kusazuri-biki) in a Soga Play, Edo period (1615–1868), ca. 1709, Japan, Polychrome woodblock print; ink and color on paper, 10 3/8

Fragment, 4th–5th century, Attributed to Egypt, Linen, wool; tapestry weave, H. 3 1/8 in. (7.9 cm), Textiles

Marchand de Vin, Rue Boyer, Paris, 1910–11, Albumen silver print from glass negative, Image: 21.5 x 17.6 cm (8 7/16 x 6 15/16 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Ōtani Hiroemon in the role of Gokumon no Shobei, Edo period (1615–1868), 9th month, 1774, Japan, Polychrome woodblock print; ink and color on paper, 12 1/8 x 5 2/3 in. (30.8 x 14.4 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

南宋 理宗 趙昀 行書錄光宗趙惇題楊補之 《紅梅圖》 賜貴妃詩 團扇, Quatrain on a Spring Garden, Song dynasty (960–1279), China, Fan mounted as an album leaf; ink on silk, 11 x 9 1/2 in. (27.9 x 24.1 cm), Calligraphy,

Bodhisattva Padmapani Seated in Royal Ease, ca. 10th century, Thailand (Khorat Plateau), Bronze, H. 7 7/8 in. (20 cm); W. 6 in. (15.2 cm); D. 4 1/4 in. (10.8 cm), Sculpture, Sculptures in this style are primarily based on Pala-period prototypes

Incised cosmetic box fragments with a warrior and four women, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 1.89 x 2.6 x 0.24 in. (4.8 x 6.6 x 0.61 cm), Ivory/Bone-Vessels, These slightly

History of Kamakura, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 1/4 in. (21 x 18.4 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Creamer, ca. 1876, Made in Brooklyn, New York, United States, American, Porcelain, H. 3 7/8 in. (9.8 cm); Diam. 3 1/4 in. (8.3 cm), Ceramics, This creamer is part of a tea set (–.14) designed for the 1876 Centennial celebration. The set's

Glass flask, Late Imperial, 4th century A.D., Roman, Glass; blown, H. 5 in. (12.7 cm), Glass, Colorless with slight greenish tinge. Plain rounded rim; concave funnel neck; globular body, tapering downwards; kick in bottom with pontil scar;

Arashiyama, 京都名所之内　あらし山満花, Full Blossom at Arashiyama on the Oi River, Edo period (1615–1868), 1797–1858, Japan, Polychrome woodblock print; ink and color on paper, 9 7/8 x 14 5/8 in. (25.1 x 37.1 cm), Prints,

[Tomb of Oljaetu, 1305-1313.], 1840s–60s, Albumen silver print, Photographs, Possibly by Luigi Pesce (Italian, 1818–1891

Fibula, boat-shaped type, Bronze, Other: 1 3/4 in. (4.4 cm), Bronzes

Pallas Athena and the Herdsman's Dogs, 1876, Oil on canvas, 44 1/8 x 70 1/8 in. (112.1 x 178.1 cm), Paintings, Briton Riviere (British, London 1840–1920 London

Gibbon Seated on a Branch, Yuan dynasty (1271–1368) (?), late 12th century, China, Fan mounted as an album leaf; ink on silk, 9 3/5 x 9 3/8 in. (24.4 x 23.8 cm), Paintings, Unidentified Artist

Bone plaque with a hole at one end, Archaic, 7th century B.C.?, Greek, Laconian, Ivory, Other: 2 7/8 in. (7.3 cm), Concentric rings between groups of three lines

Vase fragment, Geometric, East Greek/Sardis, Lydian, Terracotta, Overall: 3 1/8 x 2 7/8in. (7.9 x 7.3cm), Vases

Newhaven Fishwives, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Patrick Byrne, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Abdijplein of Middelburg, 17th century, Pen and brown ink, gray wash, sheet: 7 3/16 x 11 5/8 in. (18.3 x 29.5 cm), Drawings, Adriaen van de Venne (Dutch, Delft 1589–1662 The Hague

Glass cameo fragment of a large platter or tabletop, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Glass; cast, applied, and carved, Overall: 9 1/2 x 20 3/4in. (24.1 x 52.7cm), Glass, Translucent deep purple with

Spatula, Roman, Bronze, Other: 6 7/8 in. (17.5 cm), Bronzes

Bronze tripod base for a thymiaterion (incense burner), Classical, ca. 475–450 B.C., Etruscan, Vulci, Bronze, H. 4 5/16 in. (11 cm), Bronzes

Toddy Ladle, 1800–1815, Made in New York, New York, United States, American, Silver, L. 9 1/2 in. (24.1 cm), Silver, Joel Sayre (1778–1818) or, John Sayre (1771–1852

Chariot fragments, S-shaped braces, Archaic, ca. 500–480 B.C., Etruscan, Bronze, Iron, K5: 6 × 3 5/16 in. (15.2 × 8.4 cm), Bronzes, Large collection of bronze and iron attachments once belonging to a chariot

Chinese Railing, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, sheet: 8 3/8 x 10 9/16 in. (21.3 x 26.8 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Terracotta squat lekythos (oil flask), Classical, late 5th century B.C., Greek, Attic, Terracotta; red-figure, H. 4 11/16 in. (11.9 cm), Vases, Crawling child

Shimadai and Sambo, 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 3/8 x 7 3/4 in. (13.7 x 19.7 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Lady Su Hui and Her Verse Puzzle, Qing dynasty (1644–1911), China, Handscroll; ink and color on silk, Image: 11 7/8 in. × 20 ft. (30.2 × 609.6 cm), Paintings

Glass beaker, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, Height: 4 1/4 in. (10.7 cm), Glass, Translucent blue green Flaring rim with thickened, rounded lip; sides tapering downward, turned out at bottom to form low base ring;

Three Girls on a Riverbank, Edo period (1615–1868), early 19th century, Japan, Hanging scroll; ink and color on silk, Image: 15 3/4 × 23 1/4 in. (40 × 59.1 cm), Paintings, Attributed to Torii Kiyonaga (Japanese, 1752–1815), Three

Vue de Syout - Palais du Pacha, 1850, Salted paper print from paper negative, Image: 5 7/16 × 8 9/16 in. (13.8 × 21.7 cm), Photographs, Maxime Du Camp (French, 1822–1894

Group of Silver Vessels, Third Intermediate Period, Dynasty 21–22, ca. 1070–712 B.C., From Egypt, Eastern Delta, Tell Basta (Bubastis), Temple of Bastet, ancient cache, Silver, h. 7cm (2 3/4 in), In 1906 two caches were found buried

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 3 5/8 x 2 15/16in. (9.2 x 7.5cm), Vases

三囲神社の御開帳, Display of Treasures at Mimeguri Shrine (Mimeguri jinja no onkaichō), Edo period (1615–1868), 1799, Japan, Triptych of polychrome woodblock prints; ink and color on paper, 15 3/8 x 9 7/8 x 10 in. (39.1 x 25.1 x 25.4

Square with Holy Warriors Spearing a Serpent, 7th–8th century, Attributed to probably Egypt or Syria, Silk, 5 in. high 5.12 in. wide (12.5 cm high 13 cm wide), Textiles-Woven, Silk, one of the most luxurious fibers used to create textiles,

Terracotta lamp, ca. A.D. 40–100, Roman, Cypriot, Terracotta; mold-made, Overall: 1 1/16 x 3 3/4 in. (2.7 x 9.5 cm), Terracottas, With winged lion, with maker's mark 'I

Vase, 1902–18, Made in Brooklyn, New York, New York, United States, American, Blown glass, H. 12 3/4 in. (32.4 cm); Diam. 6 1/16 in. (15.4 cm), Glass, Quezal Art Glass and Decorating Company (1901–ca. 1924

Fibula, serpentine type, 7th century B.C., Etruscan, Bronze, H.: 1 3/8 x 4 1/8 x 9/16 in. (3.5 x 10.5 x 1.4 cm), Bronzes

The Observatory; Thereza Llewelyn, 1853–56, Salted paper print, Image: 9.8 × 15.6 cm (9.8 × 15.6 cm) (a), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales), Miss Bush (British, active 19th century

Vue générale d'Esné (No. 2, partie médiale), 1849–50, Salted paper print from paper negative, Image: 5 7/16 × 8 3/4 in. (13.8 × 22.2 cm), Photographs, Maxime Du Camp (French, 1822–1894

[Countess de Castiglione], 1895, Albumen silver print from glass negative, Approximately 14.3 x 9.9 cm (5 5/8 x 3 7/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

『画本虫撰』 「虻」「芋虫」, Horsefly (abu); Green Caterpillar, imomushi, from the Picture Book of Crawling Creatures (Ehon mushi erami), Edo period (1615–1868), 1788, Japan, Page from woodblock printed book; ink and color on

Pair of bronze cymbals, Classical, 5th–4th century B.C., Greek, Peloponnesian, Bronze, Diam.: 3 7/8 in. (9.8 cm), Bronzes, Inscribed in Greek, of Kallisthenia. Cymbals were a favorite instrument of the Greeks, especially in religious

Vase, ca. 1903, Made in New York, New York, United States, American, Favrile glass, H. 11 3/16 in. (28.4 cm), Glass, Tiffany Furnaces

Cuirass (Chair-a'ina), first half 19th century, Iranian, Steel, copper alloy, textile (velvet), H. 15 1/2 in. (39.4 cm); W. 13 in. (33 cm); W. laid flat 35 1/2 in. (90.2 cm); D. 12 in. (30.5 cm); Wt. 10 lb. 13.6 oz. (4921.5 g), Armor

Headband, 7th–10th century, Peru, Wari, Cotton, camelid hair, Height 3-1/8 in., Textiles-Woven

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 5/8 x 15/16 in. (1.5 x 2.4 cm), Glass, Body fragment., Translucent purple, light blue mixed with opaque yellow appearing green,

Panel with a tree pattern, Neo-Assyrian, ca. 8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, wood (modern), 13 7/8 x 19 5/8 in. (35.2 x 49.8 cm), Ivory/Bone-Reliefs-Inscribed, This piece of ivory furniture was found

Terracotta bell-krater (mixing bowl), Classical, ca. 430–410 B.C., Greek, South Italian, Lucanian, Terracotta; red-figure, 12 5/16in. (31.3cm), Vases, Obverse, satyr and maenad at a herm Reverse, three draped youths The Pisticci Painter

Glass cinerary urn with lid, Imperial, Flavian or Trajanic, mid-1st–2nd century A.D., Roman, Glass; blown, H. without cover 10 5/8 in. (27 cm), Glass, Urn: Translucent blue green; handles in same color. Everted, angular rim, folded over

L'antica porta d'ingrezza a Persepolis], 1858, Salted paper print from paper negative, Photographs, Luigi Pesce (Italian, 1818–1891

Jérusalem, Saint Sépulcre, détails des chapiteaux, 1854, Salted paper print from paper negative, Image: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.), Photographs, Auguste Salzmann (French, 1824–1872), Salzmann’s photographs dissect the

Alphonse Karr, 1850s, Albumen silver print from glass negative, Photographs, André-Adolphe-Eugène Disdéri (French, Paris 1819–1889 Paris

Study of Magnolia Blossom, ca. 1891, Made in New York, New York, United States, American, Graphite and watercolor on brown wove paper, Overall: 13 1/4 x 11 in. (33.7 x 27.9 cm), Drawings, Tiffany & Co. (1837–present

Bronze kylix (drinking cup), Late Classical or Hellenistic, 4th–3rd century B.C., Greek, Bronze, H.: 1 7/8 in. (4.8 cm), Bronzes, The number of metal vases that has survived since antiquity is minimal because they were melted down to serve

Icones historicae Veteris et Novi Testament, 1681, Woodcuts, 7 15/16 x 5 5/16 x 1 3/16 in. (20.2 x 13.5 x 3 cm), Books

Chinese Cabinet, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 8 7/16 x 12 in. (21.4 x 30.4 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Lacquer Paintings of Various Subjects: Butterflies, Meiji period (1868–1912), dated 1881, Japan, Lacquer and mother-of-pearl fragments, 7 1/2 x 6 1/2 in. (19.1 x 16.5 cm), Paintings, Shibata Zeshin (Japanese, 1807–1891), The strong color

I Summon You to Comradeship in the Red Cross, 1918, Color lithograph, sheet: 40 1/16 x 29 15/16 in. (101.8 x 76.1 cm), Posters, Harrison Fisher (American, Brooklyn, New York 1877–1934 New York

Aquamanile in the Form of a Mounted Man-at-Arms, early 15th century, Made in Nuremberg, Germany, German, Copper alloy, Overall: 10 9/16 x 9 15/16 x 3 3/4 in. (26.8 x 25.3 x 9.5 cm), 4lb. (2086g), Metalwork-Copper alloy

Wine urn, 1869–80, Made in Sandwich, Massachusetts, United States, American, Pressed glass, H. 20 7/8 in. (53 cm), Glass, Probably Boston & Sandwich Glass Company (American, 1825–1888, Sandwich, Massachusetts), Because the mold for

Fragments of a Carpet with Lattice and Blossom Pattern, ca. 1650, Made in India or present-day Pakistan, Kashmir or Lahore, Silk (warp and weft), pashmina wool (pile); asymmetrically knotted pile, Textile: L. 155 3/4 in. (395.6 cm),

Judith, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Seeing Each Other with a View to Marriage, Edo period (1615–1868), ca. 1770, Japan, Polychrome woodblock print; ink and color on paper, H. 10 in. (25.4 cm); W. 6 7/8 in. (22.5 cm), Prints, Isoda Koryūsai (Japanese, 1735–ca. 1790

Two designs for wine coolers, ca. 1750, Pen and ink and brown wash, 8 3/8 x 5 3/8 in. (21.3 x 13.6 cm), Drawings, Anonymous, French, 18th century

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 7/8 × 5 × 5/16 in. (4.8 × 12.8 × 0.8 cm), Vases

The Actor Nakamura Sukegorō II as a Samurai Disguised as a Shichō or Attendant at a Shinto Shrine, Edo period (1615–1868), ca. 1778, Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/4 in. (31.1 cm); W. 5 5/8 in. (14.3 cm),

Ovid among the Scythians, 1862, Oil on paper, laid down on wood, 12 5/8 x 19 3/4 in. (32.1 x 50.2 cm), Paintings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), This is the final work Delacroix devoted to a theme that

Jérusalem, Minaret de la Rue du Patriarche, 1854, Salted paper print from paper negative, Image: 33 x 23.6 cm (13 x 9 5/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Environs of Paris, 1920s, printed 1956, Gelatin silver print, Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Fair Visitors in the Compound of a Buddhist Temple, Edo period (1615–1868), ca. 1789, Japan, One sheet of a triptych of polychrome woodblock prints; ink and color on paper, 15 x 10 in. (38.1 x 25.4 cm), Prints, Katsukawa Shunchō (Japanese,

Fibula, Bronze, H.: 1/2 x 2 1/8 in., 0.7 cm (1.3 x 5.4 x 0.7 cm), Bronzes

Edinburgh. The Orphan Hospital, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

Terracotta vase in the shape of a sandaled right foot, Classical, 1st half of 5th century B.C., Greek, Attic, Terracotta; black-glaze, H. 4 3/4 in. (12 cm); length 8 3/16 in. (20.8 cm), Vases, Attic vases of the fifth century B.C. include

Ruine sulla terza terazza, Persepolis, 1858, Salted paper print from paper negative, Photographs, Luigi Pesce (Italian, 1818–1891

Cows and a Goat in a Landscape, 1774, Gray, brown, and white gouache, 17 x 24 1/16 in. (43.2 x 61.1 cm), Drawings, Attributed to Jean Pillement (French, Lyons 1728–1808 Lyons

Scene of Military Life: A General Giving Orders, 1744, Red chalk, over traces of graphite, 18 3/8 x 13 7/8 in. (46.7 x 35.2 cm), Drawings, Charles Parrocel (French, Paris 1688–1752 Paris

The Actor Matsumoto Koshiro 3rd as a Man who Stands with Arms Folded near a Brush Fence, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/2 in. (31.8 cm); W. 5 13/16 in. (14.8 cm), Prints, Katsukawa

'Théâtre des Champs-Élysées', 1913, French, a, c-e) silk, rhinestones; b) silk; f, g) silk, leather, Poiret's radical approach to dressmaking was inseparable from his ideas of the body, which found their ultimate expression in his

Chess Piece in the Form of a Knight, ca. 1510–30, Western European, possibly German or British, Ivory (elephant), L. 2 1/16 in. (5.2 cm); H. 1 13/16 in. (4.6 cm), Sculpture, This ivory chessman, the only survivor of an otherwise vanished

A History of the Amistad Captives: Being a Circumstantial Account of the Capture of the Spanish Schooner Amistad, by the Africans on Board; Their Voyage, and Capture near Long Island, New York; with Biographical Sketches of Each of the Surviving

Jérusalem, Piscine de Siloe, Vue générale, 1854, Salted paper print from paper negative, Image: 23.4 x 32.5 cm (9 3/16 x 12 13/16 in.), Photographs, Auguste Salzmann (French, 1824–1872