Images at Librifly

Limestone statuette of a female lyre player, Classical, late 5th or early 4th century B.C., Cypriot, Limestone, Overall: 14 x 5 7/8 x 3 in. (35.6 x 14.9 x 7.6 cm), Stone Sculpture, Female figure wearing elaborate necklace

Lacquer Paintings of Various Subjects: Snow Shelter for a Tree with Sparrow, Meiji period (1868–1912), 1882, Japan, Lacquer on paper, 7 1/2 x 6 1/2 in. (19.1 x 16.5 cm), Paintings, Shibata Zeshin (Japanese, 1807–1891), The strong color

Ax (Berdiche or Balta), ca. 1500, Syrian or Egyptian, Steel, L. 36 1/4 in. (92.08 cm); W. 6 3/4 in. (17.0 cm); Wt. 3 lb. 1 oz. (1378 g), Shafted Weapons, This ax, with its long, faceted steel shaft and distinctively shaped blade, is typical

Woman with an Accordion daguerreotype, 1840s, United States, American, Daguerreotype, H. 12.06 cm (4 3/4 in.), W. 8.25 cm (3 1/4 in.), Paintings, Ron Fasand (American

Hartcourt (Brother of Archbishop of York), 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland

Glass bowl, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, H.: 2 1/4 in. (5.7 cm), Glass, Translucent pale blue green Rounded, thickened, vertical rim with slight indent below; vertical sides, then curving in to applied, solid

Vase fragment, Geometric, East Greek/Sardis, Lydian, Terracotta, Overall: 3 9/16 x 1 3/16in. (9 x 3cm), Vases

Bronze footbath with its stand, Classical, late 5th–early 4th century B.C., Greek, Bronze, total H. 8 7/16 in. (21.5 cm), Bronzes, Shallow bowl on a stand with two handles

Pitcher, ca. 1815, Made in New England, United States, American, Earthenware, 14 x 10 1/2 x 10 in. (35.6 x 26.7 x 25.4 cm), Ceramics

Bronze mirror, Classical, ca. 425–400 B.C., Etruscan, Bronze, 9 9/16 x 6in. (24.3 x 15.3cm), Bronzes, Satyr and maenad. The motif of satyr chasing maenad is one of the most popular erotic subjects in both Etruscan and Greek art. The use of

Limestone statuette of a nursing mother, Archaic, 3rd quarter of 6th century B.C., Cypriot, Limestone, H.: 7 x 3 3/4 x 3 1/2 in. (17.8 x 9.5 x 8.9 cm), Stone Sculpture, The type of the kourotrophos is common in Cypriot stone and terracotta

Glass ribbed bowl, Early Imperial, 1st–3rd quarter of 1st century A.D., Roman, Glass; blown, trailed, and tooled, H.: 2 1/2 in. (6.3 cm), Glass, Translucent pale streaky purple; trail in opaque white., Knocked-off, uneven rim; short

Wall Bracket for a Lamp, 11th century, Byzantine, Copper alloy, Overall: 16 1/4 x 3 1/16 x 13/16 in. (41.3 x 7.8 x 2 cm), Metalwork-Copper alloy, Lamps provided light in churches, especially for the reading of the Gospels, sermons, and

Large Dish (tagliere): Pope Leo X presenting a baton to Federigo II Gonzaga, marquis of Mantua, on his appointment as captain general of the Church in 1521., ca. 1525–30, Maiolica (tin-glazed earthenware), Diameter: 19 1/16 in. (48.4cm),

Faience aryballos (oil bottle) in the form of a hedgehog, Archaic, 6th century B.C., East Greek, Faience, H.: 2 in. (5.1 cm), Miscellaneous-Faience, Most of the figure riding on the hedgehog's back is missing

Bracelet, Bronze, diameter 7.90 cm., Bronzes

After Three Rubbings, Qing dynasty (1644–1911), dated 1680, China, Folding fan mounted as an album leaf; ink on paper, 6 11/16 x 20 in. (17 x 50.8 cm), Calligraphy, Yun Shouping (Chinese, 1633–1690), Yun Shouping's normal writing style

Bronze cista (toiletries box), Hellenistic, ca. 325–275 B.C., Praenestine, Bronze, H. 16 in. (40.6 cm), Bronzes, The engraved cylindrical frieze shows Hercules, wearing his lion skin and brandishing his club as he fights the Amazons with

Water Lilies, 1910 or earlier, Gelatin silver print from glass negative, Image: 17.6 x 22.7 cm (6 15/16 x 8 15/16 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Vase fragment, Early Helladic, ca. 3000–2200 B.C., Terracotta, 1 15/16 x 1in. (5 x 2.5cm), Vases

Glass dish, Late Imperial, 4th–5th century A.D., Roman, Glass; blown, H.: 1 3/4 in. (4.4 cm), Glass, Colorless. Everted, flaring, tubular rim, folded round and down, with broad almost horizontal inner shoulder; irregular S-shaped side to

Chiyoda Castle (Album of Men), Meiji period (1868–1912), 1897, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm); thickness of album 1 9/16 in. (4 cm),

Terracotta guttus (flask with handle and vertical spout), Classical, 4th century B.C., Greek, South Italian, Campanian, Terracotta; black-glaze, 3 7/8in. (9.9cm), Vases, On the top, frontal head of a satyr The head is rendered with

Flute, Pre-Columbian, 1300–1500, Sierra Nevada de Santa Marta, Colombia, Tairona People; La Aguja Style, Ceramic, L. 6.6 cm (2-9/16 in.); W. 3.3 cm (1-5/16 in.), Aerophone-Whistle Flute-recorder

Three Men at a Table, 1763, Black chalk, brush and gray wash, heightened with white gouache; framing lines in pen and brown ink, 15 9/16 x 11 15/16 in. (39.5 x 30.3 cm), Drawings, Étienne Jeaurat (French, Vermenton 1699–1789 Versailles

Glass bowl, Early Imperial, Late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and cut, Height: 2 3/8 in. (6 cm), Glass, Translucent honey brown Rounded vertical rim; slightly concave sides, tapering downward; flat bottom.

Venice, from the Porch of Madonna della Salute, ca. 1835, Oil on canvas, 36 x 48 1/8 in. (91.4 x 122.2 cm), Paintings, Joseph Mallord William Turner (British, London 1775–1851 London), Turner drew on his considerable experience as a marine

Priming Flask Made for Prince-Elector August I of Saxony (ruled 1553–86), ca. 1575, probably Saxony, German, probably Saxony, Iron, gold, silk, H. 5 1/6 in. (13.5 cm); Diam. 3 1/2 in. (9 cm); Wt. 9 oz. (258 g), Firearms Accessories-Flasks

A Musician and His Daughter, 1629, Oil on wood, 29 1/2 x 20 3/4 in. (74.9 x 52.7 cm), Paintings, Thomas de Keyser (Dutch, Amsterdam (?) 1596/97–1667 Amsterdam), In this dynamic formal portrait an amateur musician with a theorbo is presented

Fragment, 15th century, Attributed to Spain, Silk; lampas, Textile: H. 13 3/4 in. (34.9 cm), Textiles-Woven, Geometric designs such as the ones in this fragment are found ornamenting a wide variety of media produced in Nasrid period

Lucerne, 1853–56, Salted paper print, Image: 18.4 × 22.9 cm (7 1/4 in. × 9 in.), Photographs, James Knight (British

冨嶽三十六景　相州七里浜, Shichirigahama in Sagami Province (Sōshū Shichirigahama), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print;

Glass cup, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown and trailed, 3 5/16 in. (8.5 cm), Glass, Colorless with greenish tinge, with trail in same glass. Plain, rounded rim; short, flaring neck; carinated body with straight,

Tanjore T?mb?ra (male), early 19th century, India, Indian, jackwood, rosewood, metal, bone, 57 1/2 × 15 × 10 in. (146.1 × 38.1 × 25.4 cm), Chordophone-Lute-plucked-unfretted, This t?mb?ra is the larger in a set of two and thus called

Compote, 1850–70, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 8 7/8 in. (22.5 cm); Diam. 11 1/4 in. (28.6 cm), Glass, With the development of new formulas and techniques, glass-pressing technology

Stele with the Bodhisattvas Avalokiteshvara (Guanyin) and Mahasthamaprapta (Dashizi), Tang dynasty (618–907), mid- to late 7th century, China (Henan province), Limestone with traces of pigment, H. 64 1/2 in. (163.8 cm); W. 35 3/4 in. (90.8

The Actor Bando Hikosaburo 2nd as an Oiran in a Gauze Kimono, Standing, Tying Her Obi, Edo period (1615–1868), ca. 1764, Japan, Polychrome woodblock print; ink and color on paper, 27 11/32 x 4 in. (69.5 x 10.2 cm), Prints, Torii Kiyomitsu

Gold earring with rock crystal bead, Imperial, 1st–2nd century A.D., Roman, Gold, Rock crystal, Other: 1 1/2 in. (3.8 cm), Gold and Silver, Earring of the loop-type with hook-and-eye fastening and rock crystal bead

Plate (one of a pair), Style of Nicola da Urbino (Italian, active by 1520–died ?1537/38 Urbino), ca. 1525 or later, Italian, Castel Durante, Maiolica (tin-glazed earthenware), Overall (confirmed): 1 11/16 x 8 3/8 in. (4.3 x 21.3 cm),

Roses and Plum Blossoms, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 7 1/4 x 4 7/8 in. (18.4 x 12.4 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Terracotta Hadra hydria (water jar), Hellenistic, late 3rd century B.C., Greek, Ptolemaic, Alexandria, Terracotta; white-ground, h. 14 1/4 in. (36.2 cm); d. 9 1/4 in. (23.5 cm), Vases, The distinctive coarse red clay of this and other

Vue générale de Médinet-habou, prise de l'Est (Thèbes), 1849–50, Salted paper print from paper negative, Image: 6 7/16 × 8 1/16 in. (16.3 × 20.4 cm), Photographs, Maxime Du Camp (French, 1822–1894

The Chowk, 1856–57, Salted paper print from paper negative, Image: 37.4 x 46.5 cm (14 3/4 x 18 5/16 in.), Photographs, John Murray (British, Blackhouse, Aberdeenshire, Scotland 1809–1898 Sheringham, Norfolk county, England), Murray's

Bronze statuette of a hunter, Archaic, early 5th century B.C., Greek, Bronze, H. 5 1/2 in. (14 cm), Bronzes, The identification of the figure depends on the conical cap—the felt pilos often worn by hunters—as well as on the pose. The study

À la Barre, September 1, 1893, Albumen silver print from glass negative, Image: 13.8 x 10 cm (5 7/16 x 3 15/16 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Lead figure of a warrior with a helmet and shield, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 2 1/2 in. (6.4 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the

A Dandy of More Than Questionable Morals Out Walking on a Cold Day, Edo period (1615–1868), ca. 1728, Japan, Polychrome woodblock print (hand-colored); ink and color on paper, 10 1/2 x 15 in. (26.7 x 38.1 cm), Prints, Attributed to Ishikawa

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 1/2 in. (34.6 × 24.1 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861

Karnak (Thèbes), Palais - Partie Posterieure - Fragment de Colonnades Vu du Point S, 1851–52, printed 1853–54, Salted paper print from paper negative, 23.9 x 30.6 cm. (9 7/16 x 12 1/16 in.), Photographs, Félix Teynard (French,

Glass network mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Overall: 1 7/8 x 1 5/16 in. (4.8 x 3.3 cm); estimated diam. of rim 3 15/16 in. (10 cm), Glass, Rim fragment., Translucent

[The Taj Mahal from the Gateway], January–March 1864, Albumen silver prints from waxed paper negatives, Image: 35 x 127 cm (13 3/4 x 50 in.) overall, Photographs, John Murray (British, Blackhouse, Aberdeenshire, Scotland 1809–1898

元末明初 佚名牧羊圖團扇頁 絹本設色, Sheep and herd boy, late Yuan (1271–1368)–early Ming (1368–1644) dynasty, 14th century, China, Fan mounted as an album leaf; ink and color on silk, 9 1/2 x 9 3/4 in. (24.1 x 24.8 cm),

Mask and Other Objects for the Noh Dance, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/16 x 7 1/4 in. (20.5 x 18.4 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Terracotta head of a man, Classical, 4th century B.C., Greek, South Italian, Tarentine, Terracotta, H. 5 1/2 in. (13.97 cm), Terracottas, The figure wears a series of bands around his head. The upper one had a motif in the center, probably

Bronze cylindrical cup, Imperial, ca. 1st–2nd century A.D., Roman, Bronze, H. 2 in. (5.1 cm), Bronzes, Decorated with five moulded bands on the outside; on the bottom, moulded concentric circles

Incense Box in Shape of Mandarin Duck, Edo period (1615–1868), 18th century, Japan, Lacquer with gold design, H. 3 1/8 in. (7.9 cm); W. 3 15/16 in. (10 cm); L. 5 3/16 in. (13.2 cm), Lacquer

Plate, ca. 1745, Italian, Florence, Hard-paste porcelain, Diameter: 9 1/8 in. (23.2 cm), Ceramics-Porcelain, The blue-and-white flower spray combines Kangxi and Meissen elements, while the stenciled technique is adapted from Isnik-inspired

Terracotta kylix (drinking cup), Archaic, early 5th century B.C., Greek, Boeotian, Terracotta, H. 2 3/4 in. (7 cm); diameter 6 1/8 in. (15.5 cm); width with handles 8 1/4 in. (20.9 cm), Vases, Exterior, palmettes. The black-figure technique

Glass skyphos (drinking cup), Hellenistic, late 3rd–early 2nd century B.C., Greek, Glass; cast and cut, 4in. (10.2cm), Glass, Colorless.. Rounded, slightly inverted rim; convex curving side tapering downward; integral splayed base ring with

Gold pendant in the form of a vase, Classical, late 6th–5th century B.C., Greek or Cypriot, Gold, Other: 9/16 in. (1.4 cm), Gold and Silver, Vase-shaped

Vue de Saïgon (Feuille No. 1), 1866, Albumen silver print from glass negative, 24.7 x 34.2 cm (9 3/4 x 13 7/16 in.), Photographs, Emile Gsell (French, Sainte-Marie-aux-Mines 1838–1879 Vietnam

Lobster on a Piece of Charcoal, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 3/16 x 7 1/4 in. (20.8 x 18.4 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

東海道五十三次　大津, Otsu, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Belt Hook, late Eastern Zhou dynasty (770–256 B.C.), China, Bronze, W. 1/2 in. (1.3 cm); L. 2 in. (5.1 cm), Metalwork

Saint Thomas, ca. 1490–1500, Engraving, sheet: 7 5/16 x 4 1/16 in. (18.6 x 10.3 cm), Prints, Master FVB (Netherlandish, active ca. 1475–1500), This compelling portrayal was created by one of the outstanding printmakers active in the

Chiyoda Castle (Album of Men), Meiji period (1868–1912), 1897, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm); thickness of album 1 9/16 in. (4 cm),

Glass jar, Early Imperial, mid-1st–2nd century A.D., Roman, Glass; blown, H.: 4 7/8 in. (12.4 cm), Glass, Colorless with pale blue green tinge. Uneven horizontal rim, with rounded tubular edge, folded out, down, and in, forming collar

Forgetting Filial Piety, Edo period (1615–1868), ca. 1781, Japan, Polychrome woodblock print; ink and color on paper, H. 10 1/4 in. (26 cm); W. 7 1/2 in. (19.1 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815), A rainy morning outside

Base of an Altar Cross with Reading Angels Sitting on Dragons and Standing Church Fathers, ca. 1125–50, North Italian, Copper alloy, cast and gilt, Overall: 4 x 5 1/8 x 5 1/8 in. (10.2 x 13 x 13 cm), Metalwork-Copper alloy, The names of

Flonflon, ca. 1920, French, silk, metallic thread, feathers, Although Poiret’s atelier was capable of producing millinery that encompassed a wide range of materials and silhouettes, including cloches, turbans, small straws, jeweled

Actor as a Woman Standing by a Mirror Stand, Edo period (1615–1868), ca. 1735, Japan, Polychrome woodblock print; ink and color on paper (Urushi-e), H. 12 1/4 in. (31.1 cm); 6 3/8 in. (16.2 cm), Prints, Torii Kiyotada (Japanese, fl. ca.

港崎横浜一覧, A Glance at Miyosaki, Yokohama, ca. 1860, Japan, Diptych of polychrome woodblock prints; ink and color on paper, Oban; 13 7/8 x 18 7/8 in. (35.2 x 47.9 cm), Prints, Utagawa Yoshimori (Japanese, 1830–1884

Landscape Painting of Figure in Woodland Setting, Qing dynasty (1644–1911), China, Album leaf; color on silk, 4 5/8 x 14 3/4 in. (11.7 x 37.5 cm), Paintings, Unidentified Artist

Masked Figure Pendant, 1st–7th century, Colombia, Calima (Yotoco), Gold, H. 2 3/4 x W. 1 3/8 x D. 5/8 in. (7 x 3.5 x 1.6 cm), Metal-Ornaments

Glass ribbed bowl, Early Imperial, 1st century A.D., Roman, Glass; mold-blown, H.: 1 7/16 in. (3.7 cm), Glass, Translucent blue green., Vertical unworked rim; pronounced concave shoulder expanding downwards; convex sides sloping inwards

Sutra Cover with Seeded Fruit and the Character for Longevity (Shou), Ming dynasty (1368–1644), 16th century, China, Silk double cloth, Overall: 4 3/4 x 13 1/2 in. (12.1 x 34.3 cm), Textiles-Woven

Multi-Plate Helmet of Thirty-One Lames, possibly 15th–16th century, Mongolian or Tibetan, Iron, gold, silver, brass or copper alloy, H. 9 in. (22.9 cm); W. 9 1/2 in. (24.1 cm); D. 9 7/16 in. (24 cm); Wt. 3 lb. 4.3 oz. (1482.7 g), Helmets

Vase (one of a set of three), ca. 1725–30, German, Meissen, Hard-paste porcelain, partially tinted gray-blue, Overall (confirmed): 9 3/4 x 4 3/4 x 4 5/8 in. (24.8 x 12.1 x 11.7 cm), Ceramics-Porcelain

Small Birds and Bamboo, Meiji period (1868–1912), 1887–92, Japan, Album leaf; ink on silk, 13 5/8 x 10 7/8 in. (34.6 x 27.6 cm), Paintings, Kawabata Gyokushō (Japanese, 1842–1913

Vase, ca. 1884–93, Made in Trenton, New Jersey, United States, American, Porcelain, H. 13 9/16 in. (34.4 cm), Ceramics, Greenwood Pottery Company (American, Trenton, New Jersey, 1861–1933), As an early label on the piece indicates,

Fragment, 4th–5th century, Attributed to Egypt, Linen, wool; tapestry weave, H. 4 in. (10.2 cm), Textiles

Sling Shot with Shells, 14th–15th century, Peru, Chimú or Chancay, Shell, cotton, beads, wood, Length 56-5/8 in. (144 cm), Beads-Ornaments

Act X (Dai jūdanme): Actors Kataoka Nizaemon VIII as Ōboshi Yuranosuke, Bandō Kamezō I as Amakawaya Gihei, and Ichikawa Dannosuke V as His Wife (Nyōbō) Osono, from the series The Storehouse of Loyal Retainers, a Primer (Kanadehon

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 5/8 x 13/16 in. (1.6 x 2.1 cm); estimated diam. of rim 5 1/2 in. (14 cm), Glass, Rim fragment., Translucent honey yellow

View on Rak-Chui opposite Swatow, ca. 1869, Albumen silver print from glass negative, Image: 6 1/4 × 10 9/16 in. (15.8 × 26.9 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

Chiyoda Castle (Album of Women), Meiji period (1868–1912), 1895, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm), Prints, Yōshū (Hashimoto) Chikanobu

Boutique Journaux, Rue de Sèvres, Paris, 1910–11, Matte albumen silver print from glass negative, Image: 22.7 x 18 cm (8 15/16 x 7 1/16 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris), By the end of his life, Atget

Girl with Plum Blossoms, Meiji period (1868–1912), ca. 1900?, Japan, Polychrome woodblock print; ink and color on paper (crepon), 14 1/4 x 10 5/8 in. (36.2 x 27 cm), Prints, Unidentified Artist, Hugechi (Qugeci

Fibula, boat-shaped type, Bronze, Other: 3 7/16 in. (8.7 cm), Bronzes

東海道五十三次　戸塚, Totsuka, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

Sentinel Rock, Yosemite, ca. 1872, printed ca. 1876, Albumen silver print from glass negative, Photographs, Attributed to Carleton E. Watkins (American, 1829–1916

[Lacock Abbey], 1850s, Salted paper print from paper negative, Photographs, Unknown (British

Statuette of a warrior-11, Greek, Laconian, Lead, Height: 3/4 in. (1.8 cm), Miscellaneous-Lead

Inro and Two Netsuke, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 3/8 x 7 1/4 in. (13.7 x 18.4 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Hercules and Achelous (in the form of a bull), Attributed to the Master of the Martyrdom of St. Sebastian (Austrian), ca. 1670, Austrian, Ivory, 3 × 2 1/2 in. (7.6 × 6.4 cm), Sculpture-Miniature, Attributed to the Master of the Martyrdom of

A Girl with a Pipe, Edo period (1615–1868), ca. 1785, Japan, Polychrome woodblock print; ink and color on paper, 25 31/32 x 4 15/32 in. (66.0 x 11.4 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

[Ricoglitore Di Cognizioni Utili. Anno 2o, No. 12 (15 October 1839), p. 50], 1839, Ink on paper, Sheet: 29.5 x 41 cm (11 5/8 x 16 1/8 in.), Ephemera

Two Ladies in Foreground of Landscape, Ming dynasty (?) (1368–1644), China, Miniature from album of eleven paintings; ink and color on silk, 5 x 6 3/4 in. (12.7 x 17.1 cm), Paintings, Unidentified Artist

[Outskirts of Governor Generals Camp], 1858–61, Albumen silver print, Image: 19.7 x 27.8 cm (7 3/4 x 10 15/16 in.), Photographs, Unknown

Terracotta vessel fragment with net pattern and dots within circles, Late Helladic III, ca. 1400 B.C., Mycenaean, Terracotta; Dark-on-light ware, 1 15/16 × 3 9/16 × 1/4 in. (5 × 9.1 × 0.6 cm), Vases, From Mycenae. Dark net pattern with