Images at Librifly

Roses Compiègne, 1895, Albumen silver print from glass negative, Image: 14.9 x 10.1 cm (5 7/8 x 4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Interior of a Church, 1877, Black chalk, heightened with white, 24 3/4 x 19 1/4 in. (62.9 x 48.9cm), Drawings, Thomas Couture (French, Senlis 1815–1879 Villiers-le-Bel

Scudello, 16th century, Spanish, Valencia, Tin-glazed earthenware, lustered, Width across handles: 7 in. (17.8 cm), Ceramics-Pottery

Covered Ritual Wine Bucket, Western Zhou dynasty (1046–771 B.C.), 11th–10th century B.C., China, Bronze, H. (to top of lid): 11 7/16 in. (29.1 cm); H. (incl. erect handle): 12 11/16 in. (32.2 cm); W. 10 5/8 in. (27 cm), Metalwork

'Gazing at the Waterfall on Mt. Lu' by Li Bo (701-761), Ming dynasty (1368–1644), China, Folding fan mounted as an album leaf; ink on gold-flecked paper, 7 1/4 x 20 1/4 in. (18.4 x 51.4 cm), Calligraphy, Chen Jiru (Chinese, 1558–1635

Stirrup, 12th–14th century, possibly South Indian, Burmese, or Indonesian, Copper alloy (bronze), H. approx. 8 1/4 in. (21 cm); W. 5 1/4 in. (13.3 cm), Equestrian Equipment-Stirrups, This rare bronze stirrup is very appealing for its

Bronze statuette of Herakles, Hellenistic, ca. 3rd–1st century B.C., Italic, Bronze, H. 3 7/8 in. (9.8 cm), Bronzes, Holding a fillet

Handle of a jug, 6th–5th century B.C., Cypriot, Bronze, Other: 3 1/8in. (7.9cm), Bronzes

Chain, fragmentary, Bronze, Other: 5 1/16in. (12.8cm), Bronzes

Vue des rapides de la Seconde Cataracte, March 1850, Salted paper print from paper negative, Image: 4 13/16 × 8 1/2 in. (12.3 × 21.6 cm), Photographs, Maxime Du Camp (French, 1822–1894

Terracotta pyxis (cosmetic box) with domed lid, Hellenistic, 2nd–1st century B.C., Greek, Asia Minor, Terracotta; white-ground, h. with lid 6 3/4 in. (17.1 cm); h. without lid 4 7/16 in. (11.4 cm), Vases, The preserved decoration on this

View of Lahnstein on the River Rhine, ca. 1636, Pen and brown ink over black and red chalk, sheet: 3 7/8 x 9 3/8 in. (9.8 x 23.8 cm), Drawings, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London

Peaches on a Table, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 10 3/4 in. (21 x 27.3 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Five O'Clock, The World's Fair IV, 1901, Woodcut on tinted Japan paper, Sheet: 11 5/8 x 9 1/4 in. (29.5 x 23.5 cm), Prints, Félix Vallotton (Swiss, Lausanne 1865–1925 Paris

Le Château, fin Octobre, le soir, effet d'orage, vue prise du Parterre du Nord, 1903, Albumen silver print from glass negative, Image: 17.4 × 21.6 cm (6 7/8 × 8 1/2 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Dance Robe and Koto (Zither) Representing the Wealthy Man of Yahagi from the Jōruri Play Ushiwaka (Minamoto no Yoshitsune), 「牛和歌十二段矢矧長者」, Edo period (1615–1868), probably 1810, Japan, Part of an album of woodblock

Scene of the Pleasure Quarter at Fukagawa, Edo period (1615–1868), late 18th century, Japan, Polychrome woodblock print; ink and color on paper, H. 11 1/4 in. (28.6 cm); 8 1/4 in. (21 cm), Prints, Suzuki Harushige (1747–1818

Set of Utensils for the Tea Ceremony, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 7/16 x 7 1/4 in. (13.8 x 18.4 cm), Prints, Kubo Shunman (Japanese, 1757–1820

The Fifth Ichikawa Danjuro as a Court Noble (Kuge), Edo period (1615–1868), 1773 ?, Japan, Polychrome woodblock print; ink and color on paper, 12 5/16 x 5 13/16 in. (31.3 x 14.8 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Terracotta vessel fragment, Late Neolithic, ca. 4000–3000 B.C., Greek Neolithic, Terracotta; Patterned ware, length 1 1/2 in. (3.8 cm), Vases, From Hagiorgetika in the Peloponnese. Dark lines on light ground

Lead figure of a goddess with spear, probably Athena, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 1 15/16 in. (5 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the

Bronze statuette (of a man?), Geometric, 9th–8th century B.C., Etruscan, Bronze, H.: 2 3/16 in. (5.6 cm), Bronzes, With arms lowered

南宋 傳陳居中 胡騎春獵圖 團扇, Nomads hunting with falcons, Song dynasty (960–1279), early 13th century, China, Fan mounted as an album leaf; ink and color on silk, 9 1/2 x 10 3/4 in. (24.1 x 27.3 cm), Paintings, Attributed to

Calligraphy, Ming dynasty (1368–1644), China, Folding fan mounted as an album leaf; ink on paper, 6 1/2 x 18 1/2 in. (16.5 x 47.0 cm), Calligraphy, Unidentified Artist, After Peng Nian (Chinese, 1505–1566

Statuette of a flute-player, female, Greek, Laconian, Lead, Height: 1 5/16 in. (3.4 cm), Miscellaneous-Lead

Glass needle, Early Imperial, ca. 1st century A.D., Roman, Glass; drawn, trailed, and tooled, 1/4 × 6 3/4 × 1/8 in. (0.6 × 17.1 × 0.3 cm), Glass, Translucent blue; opaque white trail., Circular cross section; upper end tooled into two

Female Ancestor Figure, 100 B.C.–A.D. 200, Mexico, Mesoamerica, Nayarit, Nayarit, Ceramic, H. 19 1/2 x W. 8 3/4 in. (49.5 x 22.2 cm), Ceramics-Sculpture

Scene from the 'Chushingura' Drama, Edo period (1615–1868), ca. 1797, Japan, Polychrome woodblock print; ink and color on paper, 14 1/4 x 9 1/8 in. (36.2 x 23.2 cm), Prints, Ichirakutei Eisui (Japanese, active ca. 1793–1801

Design for lampshade, 1900–10, Made in New York, United States, American, Graphite pencil on paper mounted on board, Overall: 8 1/8 x 11 7/8 in. (20.7 x 30.2 cm), Drawings, Possibly Tiffany Glass and Decorating Company (American,

The First Nakamura Nakazo in the role of Shimada no Hachizo, Edo period (1615–1868), 4th month, 1783, Japan, Polychrome woodblock print; ink and color on paper, 12 11/16 x 5 3/4 in. (32.2 x 14.6 cm), Prints, Katsukawa Shunkō (Japanese,

Skyphos, Late Classical, ca. 325–300 B.C., Greek, South Italian, Apulian, Terracotta, H. 16.03 cm. Diameter w/ handles 23.9 cm., Vases

Act I of the Drama 'Sugawara', Edo period (1615–1868), 1769–1825, Japan, Polychrome woodblock print; ink and color on paper, 12 1/8 x 5 1/2 in. (30.8 x 14 cm), Prints, Utagawa Toyokuni I (Japanese, 1769–1825

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and tooled, Other: 11/16 x 1 1/4 in. (1.8 x 3.2 cm), Glass, Body fragment., Translucent purple and opaque white., Slightly

Trencher Salt, 1730–35, Made in Albany, New York, United States, American, Silver, 2 3/16 x 4 1/16 in. (5.6 x 10.3 cm); 2 oz. 15 dwt. (85.8 g), Silver, Jacob Ten Eyck (1705–1793

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 7/8 x 2 3/16 in. (2.2 x 5.6 cm), Glass, Rim fragment., Translucent deep purple and opaque white., Outsplayed rim with

Shitaku and Sansho VII in Soga Kyodai (a Kabuki Play of the Soga Brothers), Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, H. 10 1/2 in. (26.7 cm); W. 7 1/8 in. (18.1 cm), Prints, Utagawa Toyokuni I (Japanese,

Drama of Hikeyahike Kanhiki Dojoji, Edo period (1615–1868), third month of 1780, Japan, Triptych of polychrome woodblock prints; ink and color on paper, A: 12 7/8 x 5 5/8 in. (32.7 x 14.3 cm), Prints, Katsukawa Shunshō (Japanese,

Sakaichō Fukiyachō Kaomise Yoshibai no Zu, Edo period (1615–1868), ca. 1780, Japan, Polychrome woodblock print; ink and color on paper, H. 9 13/16 in. (24.9 cm); W. 14 3/4 in. (37.5 cm), Prints, Utagawa Toyoharu (Japanese, 1735–1814

Cour, 7 rue de Valence, 1922, Gelatin silver print from glass negative, Image: 17.2 x 22.7 cm (6 3/4 x 8 15/16 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris), Atget found his vocation in photography in 1897, at the age

A Warrior, Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, H. 14 15/16 in. (37.9 cm); W. 10 5/16 in. (26.2 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo

Glass pendant in the form of a bird, 8th–7th century B.C., Greek, possibly Rhodian, Glass; rod-formed and tooled, Overall: 9/16 x 3/4 in. (1.4 x 1.9 cm), Glass, Translucent purple., Shaped like a stylized bird, with large hole horizontally

Glass mosaic carinated bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 x 1 3/16 in. (2.6 x 3 cm);estimated diam. of rim 3 7/8 in. (9.8 cm), Glass, Rim fragment., Translucent deep

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 3 1/8 x 1in. (8 x 2.5cm), Vases

Print, Edo period (1615–1868), 1780–1850, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 1/4 in. (21 x 18.4 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

Triptych with the Passion of Christ, ca. 1475–85, South German, Mother-of-pearl, gilt wood frame, silk backing, and tooled leather covering, Overall (closed): 8 5/16 x 4 9/16 x 1 5/8 in. (21.2 x 11.6 x 4.2 cm), Miscellaneous-Shell, This

Napkin with David and Bathsheba, ca. 1590–1600, Dutch, Linen, Overall: 42 x 36 in. (106.7 x 91.4 cm), Textiles-Woven

Glass perfume bottle, Imperial, 1st–2nd century A.D., Roman, Glass; blown, H.: 5 7/8 in. (14.9 cm), Glass, Translucent green. Lob-sided rim folded out, round, and in, and pressed flat around mouth; cylindrical neck, with horizontal

Red jasper ring stone, Late Republican or Imperial, ca. 1st century B.C.–3rd century A.D., Roman, Jasper, red, Length: 5/8 in. (1.6 cm), Gems, Serpent carries off the child Opheltes The story of Opheltes of Nemea in the Peloponnese, who

Yodogawa, 京都名所之内　淀川, On the Yodo River, Edo period (1615–1868), 1797–1858, Japan, Polychrome woodblock print; ink and color on paper, 10 1/4 x 15 in. (26.0 x 38.1 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Border Fragment, Figure, 2nd century B.C., Peru, Nasca, Camelid hair, H. 1 13/16 x W. 15/16in. (4.6 x 2.3cm), Textiles-Sculpture

Taira no Kiyomori's Spectral Vision, Edo period (1615–1868), ca. 1845, Japan, Triptych of polychrome woodblock prints; ink and color on paper, 15 x 29 in. (38.1 x 73.7 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo

Bowl, ca. 1730–35, Austrian, Vienna, Hard-paste porcelain, Height: 3 7/16 in. (8.7 cm), Ceramics-Porcelain

Mirror of National Costumes of All Nations(Bankoku ishō kagami), 『万国衣装鑑』, Meiji period (1868–1912), 1882, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Image (a): 14 x 9 1/4 in. (35.6 x 23.5 cm),

富士三十六景　甲斐大月の原, Kai, Otsuki no Hara, Edo period (1615–1868), 4th month horse year 1858, Japan, Polychrome woodblock print; ink and color on paper, 14 x 9 15/32 in. (35.6 x 24.1 cm), Prints, Utagawa Hiroshige

Self-Portrait, 1825–28, Oil on canvas, 8 5/8 x 7 1/4 in. (21.9 x 18.4 cm), Paintings, George Chinnery (British, London 1774–1852 Macau), Chinnery painted more than a dozen self-portraits, the first of which he exhibited at the Royal

戰國秦 青銅鐘, Bell (Zhong), Eastern Zhou dynasty, Warring States period (475–221 B.C.), 5th–3rd century B.C., China, Bronze, H. 24 in. (61 cm); W. 10 1/8 in. (25.7 cm), Metalwork, Longer and narrower than the nao, with an upper

Terracotta lekythos (oil flask), Classical, ca. 420 B.C., Greek, Attic, Terracotta; white-ground, H. 12 3/4 in. (32.4 cm), Vases, Youth and woman at a tomb

Terracotta amphora (jar), Classical, ca. 480–460 B.C., Etruscan, Terracotta; superposed red, 8 1/4in. (21cm), Vases, Obverse, woman with raised hands; reverse, man leaning on a crutch. The red is superposed, not reversed, as in true

Limestone statue of Hera or Demeter (?), Early Hellenistic, ca. 330–200 B.C., Cypriot, Limestone, Overall: 26 3/4 x 11 3/4 x 9 1/2 in. (67.9 x 29.8 x 24.1 cm), Stone Sculpture, Figure wearing long tunic and cloak

Glass mosaic inlay fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 3/16 x 1 1/2 in. (3 x 3.8 cm), Glass, Uncertain colors, including blue appearing green, opaque yellow and red., Flat

Bowl, Six Dynasties (220–589), China, Bronze, H. 4 in. (10.2 cm); Diam. 6 5/8 in. (16.8 cm), Metalwork

Glass one-handled bottle, Early to Mid Imperial, late 1st–early 2nd century A.D., Roman, Glass; blown and tooled, Diam.: 3 3/8 x 1 1/4 x 1 3/4 in. (8.6 x 3.2 x 4.4 cm), Glass, Translucent yellow green; handle in same color. Collared rim

Bassoon in C, 1771, La Chaux-du-Milieu (near Le Locle, Neuchatel), Switzerland, Swiss, Maple, brass, Length (end to end) 1146 mm, Length of tube +/-2438 mm including crook and reed, Diameter of bell (opening) 76 mm, Aerophone-Reed

Landscape, late Ming (1368–1644)– early Qing (1644–1911) dynasty, China, Folding fan mounted as an album leaf; ink and mineral color on gold paper, 8 x 22 in. (20.3 x 55.9 cm), Paintings, Chen Hongshou (Chinese, 1599–1652

Button with concentric bands, Bronze, Diam.: 1 15/16 in. (4.9 cm), Bronzes

Mammoth Hot Springs, Pulpit Terraces, ca. 1883, Albumen silver print from glass negative, 43.0 x 53.1 cm. (16 15/16 x 20 15/16 in.), Photographs, William Henry Jackson (American, 1843–1942), The physical demands of large-format landscape

Terracotta kothon (perfume vase), Late Corinthian, 2nd half of the 6th century B.C., Greek, Corinthian, Terracotta, H. 2 1/16 in. (5.2 cm), Vases, The kothon--also known as a plemochoe or exaleiptron-- was designed to prevent its contents

Jewish Woman of Algiers Seated on the Ground, ca. 1846, Watercolor over graphite on wove paper (trimmed and laid down on blue wove paper), Sheet: 11 3/4 x 9 1/8 in. (29.8 x 23.2cm), Drawings, Théodore Chassériau (French, Le Limon,

Oinochoe in the form of a woman's head, Late Archaic, early 5th century B.C., Greek or Etruscan, South Italian (Campanian), Terracotta, Other: 8 7/8 × 3 1/8 × 4 1/2 × 2 13/16 in. (22.5 × 7.9 × 11.4 × 7.1 cm), Vases

Plymouth from Mt. Edgcumbe, September 1845, Salted paper print from paper negative, Image: 16.5 x 20.3 cm (6 1/2 x 8 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock), Talbot was a man of great learning and broad

Glass block with gold leaf, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Overall: 1 9/16 x 1/2 in. (4 x 1.3 cm), Glass, This fragment from a larger block of streaky opaque red glass has one surface

Osagawa Tsuneyo as a Woman Standing in a Room, Edo period (1615–1868), ca. 1793?, Japan, Polychrome woodblock print; ink and color on paper, 11 1/2 x 5 5/16 in. (29.2 x 13.5 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819

[Tulips], 1896–1903, Trichromie, 8.5 x 17.8cm, Transparencies, Auguste-Marie-Louis-Nicolas Lumière (French, Besançon 1862–1954 Lyon) and, Louis-Jean Lumière (French, Besançon 1864–1948 Bandol

Sailor Tanaka Ichitarō, from the series Mirror of Army and Navy Heroes (Rikkai gunjin kōmyō kagami), Meiji period (1868–1912), 1895 (Meiji 28, 7th month), Japan, Polychrome woodblock print; ink and color on paper, 14 x 9 5/16 in. (35.6 x

Candlestick, 1670–1700, Brass, H. 8 1/2 in. (21.6 cm); Diam. 6 1/8 in. (15.6 cm), Metal, A typical household in seventeenth-century New England owned several metal or ceramic candlesticks. Wax candles were an expensive rarity—most colonists

Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 14 1/16 × 9 3/4 in. (35.7 × 24.8 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

西周 青銅尊, Wine Cup (Zhi), Western Zhou dynasty (1046–771 B.C.), 11th–10th century BC, China, Bronze, H. 5 3/4 in. (14.6 cm); Diam. 5 in. (12.7 cm); Diam. of rim 5 5/8 in. (14.3 cm); Diam. of foot 4 5/8 in. (11.7 cm), Metalwork

Fragment, 4th century, Made in Egypt, Wool, linen; plain weave, tapestry weave, 3 15/16 in. high 3 13/16 in. wide (10 cm high 9.7 cm wide), Textiles

Box, ca. 1800, German, Stuttgart, Silver, 5 11/16 x 5 7/8 x 4 15/16 in. (14.5 x 15 x 12.5 cm), Metalwork-Silver, These silver boxes, part of larger silver, presumably were used to keep sweets and other delicacies, as the handy form and

New Year Decoration and a Set of Bed-Clothing, 18th–19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 3/4 x 7 1/8 in. (19.7 x 18.1 cm), Prints, Hachifusa Shūri (Japanese, 18th–19th century

St. Andrews Cathedral, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

東海道五十三次　三島, Mishima, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

Long-tailed Tit on Autumn Ivy, 歌川広重画　蔦に柄長鳥, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print (hosoban); ink and color on paper, 14 3/4 x 4 3/4 in. (37.5 x 12.1 cm), Prints, Utagawa Hiroshige

Cruet Stand, ca6, Made in New York, New York, United States, American, Silver, Overall: 9 13/16 x 8 1/16 x 6 in. (24.9 x 20.5 x 15.2 cm); 19 oz. 14 dwt. (612.4 g), Silver, Joseph Dubois (1767–1798), Teunis Denise Dubois (1773–1843

Gold earring with elongated body, Late Archaic, 6th–5th century B.C., Cypriot, Gold, Other: 1 1/2 in. (3.8 cm), Gold and Silver, Earring of simple form

North Side of California Street, 1864, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

Glass alabastron (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H.: 4 5/8 in. (11.7 cm), Glass, Translucent cobalt blue, with handles in same color; trails in opaque

Bowl with Variation of 'Baba Nakkas' Design, ca. 1500–1525, Attributed to Turkey, Iznik, Stonepaste; painted in light and dark blue under transparent glaze, H. 5 3/16 in. (13.1 cm), Ceramics, Some of the earliest Iznik stonepaste ceramics

Glass amphoriskos (perfume flask), Early Imperial, 1st century A.D., Roman, Glass; blown in a two-part mold, H.: 3 3/16 in. (8.1 cm), Glass, Translucent reddish purple; handles in colorless glass with a smoky green tinge. Tubular rim, folded

Music Box, ca. 1800, Geneva, Switzerland, Swiss, Various materials, H. 7.3 cm (2 7/8 in.), Idiophone, Gold music box in the shape of a harp on a chain. Enamelled in various colors and set with pearls and rose diamonds

Glass conical bowl, Late Hellenistic, mid–2nd to early 1st century B.C., Greek, Glass; cast and cut, H.: 2 15/16 in. (7.5 cm), Glass, Translucent honey brown. Upright rounded rim with almost pointed upper edge; straight side, tapering

Design Drawing, ca. 1893, Made in New York, New York, United States, American, Watercolor and graphite on off-white board, 24 3/8 x 19 in. (61.9 x 48.3 cm), Drawings, Tiffany & Co. (1837–present

Treatise on Painting, Song dynasty (960–1279) or later, China, Handscroll; ink on silk, H. 18 in. (45.7 cm), Paintings

Chiyoda Castle (Album of Women), Meiji period (1868–1912), 1895, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm), Prints, Yōshū (Hashimoto) Chikanobu

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 1/16 x 1 1/2 in. (2.7 x 3.8 cm), Glass, Rim fragment., Translucent honey brown, blue, and opaque white., Vertical,

Terracotta aryballos (oil flask), Late Corinthian, 2nd half of the 6th century B.C., Greek, Corinthian, Terracotta, H. 2 3/4 in. (7 cm), Vases, Aryballoi with floral quatrefoils were produced in very great number through the sixth century

Three Brothers, Front View, 4480 Feet, 1861, Albumen silver print from glass negative, Image: 20 3/8 × 16 1/8 in. (51.7 × 40.9 cm), Photographs, Carleton E. Watkins (American, 1829–1916

Evening Snow at Banto, Edo period (1615–1868), ca. 1779, Japan, Polychrome woodblock print; ink and color on paper, 9 3/5 x 7 1/5 in. (24.4 x 18.3 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

Newark Abbey, near Chertsey, 1856, Albumen silver print, Photographs, John Richardson Major (British, 1821–1871

東海道五十三次　御油, Goyu, from the series The Fifty-three Stations of the Tōkaidō Road, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige