Images at Librifly

The Actor 2nd Nakamura Sukegoro as a Robber, Edo period (1615–1868), 1774, Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/8 in. (30.8 cm); W. 5 7/8 in. (14.9 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

[Wilton Church, East End and Bell Tower], 1850s, Salted paper print from paper negative, Photographs, Unknown (British

Virginia City, 1875, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

[Four East Indian Men], 1870s, Albumen silver print from glass negative, Photographs, Francis Frith (British, Chesterfield, Derbyshire 1822–1898 Cannes, France

Cameo with Hercules and the Nemean Lion within a Garland, ca. 1220–40, South Italian, Sardonyx with modern gold frame, Overall: 1 5/8 x 1 7/16 x 5/16in. (4.2 x 3.6 x 0.8cm), Lapidary Work-Sardonyx, The court of Frederick II actively promoted

Erotic Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 10 in. × 15 1/8 in. (25.4 × 38.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

Chiyoda Castle (Album of Men), Meiji period (1868–1912), 1897, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm); thickness of album 1 9/16 in. (4 cm),

The Actor Sawamura Sōjūrō III in the Role of Shimada Jūzaburō, from the series 'Image of Actors on Stage', Edo period (1615–1868), ca. 1795, Japan, Polychrome woodblock print; ink and color on paper, Image: 14 1/8 x 9 1/2 in. (35.9 x

Lamp, Roman, Terracotta, Overall: 1 1/4 x 4 3/4 in. (3.2 x 12.1 cm), Terracottas

Red Table with Fans and a Brush Stand, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 9/16 x 7 7/16 in. (14.1 x 18.9 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca.

東海道五十三次 神奈川, Kanagawa, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo

Gothic Frets, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, sheet: 8 5/16 x 12 1/8 in. (21.1 x 30.9 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Print, Edo period (1615–1868), ca. 1850, Japan, Polychrome woodblock print; ink and color on paper, H. 14 5/16 in. (36.4 cm); W. 10 in. (25.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Fringed Bag, 7th century, Peru, Rio Grande de Nasca, Nasca, Camelid hair, Overall: 5 1/2 x 12 3/4 in. (13.97 x 32.39 cm), Textiles-Woven

Xiao Yi Obtaining the Lanting Manuscript from the Monk Biancai, Ming (1368–1644) or Qing (1644–1911) dynasty, China, Handscroll; ink and color on silk, 10 5/8 × 34 1/2 in. (27 × 87.6 cm), Paintings, Unidentified Artist, In the Style of

One of Six Impressions from Worn Old Blocks, Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, Overall: 9 3/16 x 13 7/16 in. (23.3 x 34.1 cm), Prints, Unidentified Artist Japanese, 18th century

Bowl with Knotted Medallion, 10th century, Attributed to Iran, Nishapur, Earthenware; black slip with white slip decoration under transparent glaze, H. 2 3/16 in. (5.6 cm), Ceramics

Crowland Abbey, the West Front Under Repair, 1860, Albumen silver print from paper negative, 21.8 x 27.0 cm. (8 9/16 x 10 5/8 in.), Photographs, Alfred Capel Cure (British, 1826–1896

Shells under Water, Edo period (1615–1868), 1790, Japan, Polychrome woodblock print; ink and color on paper, 9 x 14 3/4 in. (22.9 x 37.5 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

Turquoise Bowl with Lute Player and Audience, late 12th–early 13th century, Attributed to Iran, Stonepaste; glazed (opaque monochrome), in-glaze- and overglaze-painted, gilded, H. 3 1/2 in. (8.9 cm), Ceramics, A large assembly with an

The Third Segawa Kikunojō as Ochiyo and Bando Mitsugorō as Hanbei, Edo period (1615–1868), 5th month, 1781, Japan, Polychrome woodblock print; ink and color on paper, 12 1/8 x 8 3/4 in. (30.8 x 22.2 cm), Prints, Katsukawa Shunshō

Glass perfume bottle, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, 4 1/4in. (10.9cm), Glass, Colorless with blue green tinge. Rim folded out, over, and in; cylindrical neck, expanding downward with tooling marks

Figure Studies, from Drawing Book, 1650–56, Engraving, sheet: 7 1/4 x 5 3/4 in. (18.4 x 14.6 cm), Prints, Frederick Bloemaert (Dutch, ca. 1610–ca9), After Abraham Bloemaert (Netherlandish, Gorinchem 1566–1651 Utrecht

Fibula, Roman, Bronze, H.: 3/4 x 2 x 5/16 in. (1.9 x 5.1 x 0.8 cm), Bronzes

Dagger with Sheath, ca. 1650–1700, Nepalese, Ivory (elephant), steel, silver, gold, L. with sheath 15 3/4 in. (40 cm); L. without sheath 12 3/4 in. (32.4 cm); W. 1 1/4 in. (3.2 cm); Wt. 6 oz. (170.1 g); Wt. of sheath 3.3 oz. (93.6 g),

Mug, ca. 1770–1800, Probably made in New England, United States, American, Earthenware, H. 5 in. (12.7 cm); Diam. 4 3/4 in. (12.1 cm), Ceramics

Study for the Figure of Saint Peter, ca. 1545, Black chalk, sheet: 16 1/2 x 9 3/8 in. (41.9 x 23.8 cm), Drawings, Daniele da Volterra (Daniele Ricciarelli) (Italian, Volterra 1509–1566 Rome), This sculptural, carefully rendered study of the

Fragment of a Marble Sarcophagus, 8th century (?), Made in Southwestern France, Frankish, Marble, Overall: 16 1/2 x 29 1/4 in. (41.9 x 74.3 cm), Sculpture-Stone, The monogram of Christ along with the Greek letters alpha and omega, referring

Half-Contra Bassoon, after 1853, Paris, France, French, Maple, brass, Length (end to end) 1545 mm, Length of tube ca. 2888 mm, Diameter of bell 212 mm, Crook ca. 370 mm, Length of wing section 553 mm, Length of butt section 464 mm,

Woman and Child, Edo period (1615–1868), ca. 1794–95, Japan, Polychrome woodblock print; ink and color on paper, 14 7/8 x 10 in. (37.8 x 25.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), In this playful, amusing picture, a

近代 顧麟士 臨溪亭子圖 扇面, Pavilion Beside a Rock Garden and Stream, dated 1921, China, Folding fan mounted as an album leaf; ink and color on alum paper, 7 x 19 5/8 in. (17.8 x 49.8 cm), Paintings, Gu Linshi (Chinese,

Vase fragment, Early Helladic, ca. 3000–2200 B.C., Terracotta, 3 1/2 x 2 3/16in. (8.9 x 5.6cm), Vases

Vase fragment, Neolithic, Aegean, Terracotta, Overall: 1 1/4 x 1 3/8in. (3.2 x 3.5cm), Vases

Chillon, 1855, Albumen silver print from glass negative, Approx. 15.2 x 20.3 cm (6 x 8 in.), Photographs, John Joscelyn Coghill (Irish, 1826–1905

Bronze statuette of Osiris, Late Dynastic-Hellenistic, 664–31 B.C., Egyptian, Bronze, H. 4 3/8 in. (11.1 cm), Bronzes, Standing mummiform Osiris

木曽海道六拾九次之内　宮ノ越, Miyanokoshi Station, Edo period (1615–1868), ca. 1836, Japan, Polychrome woodblock print; ink and color on paper, 8 7/8 x 13 3/8 in. (22.5 x 34 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo

Bronze statuette of a bull, Archaic, 7th century B.C., Greek, Bronze, H. 1 13/16 in. (4.6 cm), Bronzes, Statuette of a bull with horns pointing forward

Penrice; [Untitled], 1853–56, Salted paper print; albumen silver print, Image: 11.8 × 13.9 cm (4 5/8 × 5 1/2 in.) (a), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales

Ornament, stud or matrix for an ornament ?, Bronze, H.: 1 3/16 in. (3 cm), Bronzes

The School Path; The Shanty; Haymakers, 1853–56, Salted paper print, Image: 14.1 × 17.2 cm (5 9/16 × 6 3/4 in.) (a), Photographs, James Knight (British

Bodhisattva, Ming dynasty (1368–1644), 16th–17th century, China, Wood with lacquer and gilding, H. 49 1/2 in. (125.7 cm); W. 18 1/4 in. (46.4 cm), Sculpture

Bronze hydria (water jar), Classical, early 4th century B.C., Greek, Bronze, H. 20 3/16 in. (51.2 cm), Bronzes, The plaques at the attachments of the side handles and the vertical handle are embellished with palmettes interspersed with other

Glass cameo fragment, Early Imperial, Augustan or Julio-Claudian, late 1st century B.C.–mid-1st century A.D., Roman, Glass; cast and cut, H.: 2 1/4 in. (5.7 cm), Glass, Translucent deep honey brown with opaque turquoise green overlay.,

Arrowhead, Bronze, Other: 15/16in. (2.4cm), Bronzes

Coverlet for a bed (Lit à la duchesse en impériale), ca. 1780–90, French, Beauvais, Silk and wool (20-25 warps per inch, 8-11 per centimeter), Overall: H. 85 × W. 65 in. (215.9 × 165.1 cm), Textiles-Tapestries, As its full-size domed

Cylindrical box fragment with female figures, Neo-Assyrian, ca. 8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 2.6 x 2.24 x 0.51 in. (6.6 x 5.69 x 1.3 cm), Ivory/Bone-Vessels

東海道五十三次之内　川崎　六郷の渡し舟, Kawasaki, Edo period (1615–1868), ca. 1842, Japan, Polychrome woodblock print; ink and color on paper, Overall: 9 x 13 3/4in. (22.9 x 34.9cm), Prints, Utagawa Hiroshige (Japanese,

[House with Woman on Balcony, Man Standing Below], ca. 1857, Salted paper print from glass negative, 15.2 x 20.6 cm. (6 x 8 1/8 in.), Photographs, Richard Dykes Alexander (British, Ipswich 1788–1865

Glass striped mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 3/4 x 1 in. (1.9 x 2.6 cm); estimated diam. of rim 2 3/8 in. (6 cm), Glass, Rim fragment., Translucent pale greyish

Manuscript Leaf with Saint John Gualbert in an Initial S, from an Antiphonary, early 16th century, Made in Umbria, Italy, Italian, Tempera, ink, and gold on parchment, Overall: 28 1/4 x 19 15/16 in. (71.7 x 50.6 cm), Manuscripts and

Serpentinite pendant, Late Bronze Age, ca. 1600–1050 B.C., Cypriot, Serpentinite, H. 1 1/16 (2.7 cm); Diam. 9/16 in. (1.5 cm), Miscellaneous-Stone, The pendant is not perforated, but furnished with a small knob at the upper end around which

Oxford High Street, ca. 1845, Salted paper print from paper negative, 7 3/8 x 6 13/16, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Jugate busts of Czarevitch Paul and Maria Feodorovna of Russia, James Tassie (British, Glasgow, Scotland 1735–1799 London), 1791, British, London, Cast glass, Overall: 2 11/16 x 2 3/16 x 7/16 in. (6.8 x 5.5 x 1.1 cm); 68 x 55.4 x 11.1 mm,

Sweetmeat jar, 1850–70, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, diamond thumbprint, H. 9 in. (22.9 cm); Diam. 5 3/8 in. (13.7 cm), Glass, With the development of new formulas and techniques,

Rocky Landscape, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 1/4 x 10 7/8 in. (36.2 x 27.6 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889

Saint Agapitus of Praeneste in the Arena; (interior) The Beheading of Saint Agapitus of Praeneste, ca. 1500–1505, Oil, gold, and white metal on wood, 54 1/4 x 30 1/2 in. (137.8 x 77.5 cm), Paintings, Swiss Painter (fourth quarter 15th

Bronze horse bit, Geometric, 8th–7th century B.C., Villanovan, Bronze, Other: 8 1/2 in. (21.6 cm), Bronzes, Horse bit with open work cheek pieces depicting stylized horses with rings for the guide reins

Onoe Kikugoro in the Role of Goinosuke Takenari in the Drama 'Keisei Asakusa no Kane', Edo period (1615–1868), 12th month, 1754 or 1st month, 1755, Japan, Polychrome woodblock print; ink and color on paper, 12 1/2 x 5 3/4 in. (31.8 x 14.6

The Actor, 3rd Sawamura Sojuro Holding an Open Fan, Edo period (1615–1868), ca. 1779, Japan, Polychrome woodblock print; ink and color on paper, H. 11 15/16 (30.3 cm); W. 5 3/8 in. (13.7 cm), Prints, Katsukawa Shunkō (Japanese,

Design for a seven lancet window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, pen and brown ink, and graphite on artist board, 24 7/16 x 15 1/2 in. (62 x 39.4 cm), Drawings, Possibly Tiffany

Potted Pine Tree and Koto (Japanese Harp), 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 7 3/4 x 6 9/16 in. (19.7 x 16.7 cm), Prints, Keisai Eisen (Japanese, 1790–1848

Bushu Yokohama gaikokujin yūkyō no zu, A View of the Amusements of the Foreigners in Yokohama, Bushu, Edo period (1615–1868), 1st month, 1861, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Image (a): 14 1/2 x 9

Underdress, ca. 1835, American, cotton

Newhaven Fishwife, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Rev. Peter Jones, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Bronze head of a grotesque, Imperial, ca. 1st–2nd century A.D., Roman, Bronze, H. 2 3/8 in. (6 cm), Bronzes, He has a long nose, high cheekbones and a receding forehead. On his nose and on each cheek is a wart. He is bald, except for a

明, 鄒之麟, 山水圖, 扇面, , Landscape, Ming dynasty (1368–1644), China, Folding fan mounted as an album leaf; ink on gold paper, Image: 9 1/2 × 20 1/8 in. (24.1 × 51.1 cm), Paintings, Zou Zhilin (Chinese, 1574–ca. 1654

Lady Dorothy's Bridge, Haddon Hall, 1888, Photogravure, 15.0 x 20.2 cm. (5 15/16 x 7 15/16 in.), George Bankart (British

Uranosuke Plays Blind Man's Buff with the Women of the Ichiriki Joroya, Edo period (1615–1868), ca. 1790, Japan, Middle sheet of a triptych of polychrome woodblock prints; ink and color on paper, 14 1/3 x 10 in. (36.4 x 25.4 cm), Prints,

Dressing Chest and Bookcase, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 8 5/8 x 13 1/8 in. (21.8 x 33.3 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Antietam Bridge, On the Sharpsburg and Boonsboro Turnpike, No. 1, September 1862, 1862, Albumen silver print from glass negative, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Carpet, last quarter 16th century, Attributed to Egypt, Cairo, Silk (warp), wool (weft and pile); asymmetrically knotted pile, Rug: L. 164 3/4 in. (418.5 cm), Textiles-Rugs

Terracotta collar-necked jar with two handles, Early Helladic II, ca. 2650–2150 B.C., Helladic, Terracotta; Coarse ware, H. 5 in. (12.60 cm.), Vases, Course ware jar with two handles

Moscow, the Kremlin in the Distance, 1852, Salted paper print from paper negative, Image: 17.7 x 21.8 cm (6 15/16 x 8 9/16 in.), Photographs, Roger Fenton (British, 1819–1869

Coffee Pot, 1809–60, Attributed to Turkey, Silver, parcel-gilt, H. 6 3/4 in. (17.1 cm), Metal, This coffee pot is typical of the objects that were displayed in open niches in reception rooms of upper-class Syrian residences during the

Glass beaker, Early Imperial, 2nd half of 1st–early 2nd century A.D., Roman, Glass; blown and cut, H. 5 5/8 in. (14.3 cm), Glass, Colorless with pale yellow green tinge. Thick, outsplayed rim, cracked off and ground; cylindrical body with

Jardin du Luxembourg, 1902, Albumen silver print from glass negative, Image: 22.1 × 17.5 cm (8 11/16 × 6 7/8 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Lead ornament in the form of a bud, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 1 1/8 in. (2.9 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient

青銅觶, Ritual Wine Cup (Zhi), Western Zhou dynasty (1046–771 B.C.), late 11th century B.C., China, Bronze, H. 5 3/4 in. (14.6 cm); Diam. 4 7/8 in. (14.6 × 12.4 cm); Diam. of rim: 4 1/8 in. (10.5 cm); Diam. of foot: 3 3/4 in. (9.5 cm);

Glass bottle, Imperial, 1st–3rd century A.D., Roman, Glass; mold-blown, Overall: 3 5/16 x 1 7/16 x 1 7/16 in. (8.4 x 3.7 x 3.7 cm), Glass, Small, one-handled square bottle. Translucent yellow green; handle in same color. Rim folded out,

Chiyoda Castle (Album of Men), Meiji period (1868–1912), 1897, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm); thickness of album 1 9/16 in. (4 cm),

Lead figure of a horseman, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 1 3/8 in. (3.5 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient sanctuaries of

Amethyst oval, Late Hellenistic or Augustan, 1st century B.C.–1st century A.D., Greek or Roman, Amethyst, H.: 1 13/16 in. (4.6 cm), Gems, Nike writing on a shield

Bronze statuette of a goddess, Imperial, 1st–2nd century A.D., Roman, Bronze, H. 2 7/8 in. (7.3 cm), Bronzes, The Roman goddess Juno is likely represented

Glass amphoriskos (perfume bottle), Hellenistic, 2nd to mid–1st century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group III, H.: 4 5/8 in. (11.7 cm), Glass, Translucent blue, with same color pad-base and handles; trail in

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 5/8 in. (34.6 × 24.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Chrysanthemums, Qing dynasty (1644–1911), China, Album leaf; ink and color on paper, 11 7/8 x 8 1/8 in. (30.2 x 20.6 cm), Paintings, Unidentified Artist, After Yun Shouping (Chinese, 1633–1690

江戸高名会亭尽　柳ばし夜景　万八, The Manpachi at Evening in Yanagibashi, Edo period (1615–1868), ca. 1835–42, Japan, Polychrome woodblock print; ink and color on paper, H. 9 13/16 in. (24.9 cm); W. 14 9/16 in. (37 cm),

Terracotta relief plaque with head of Medusa, Hellenistic, 2nd century B.C., Greek, Terracotta; mold-made, H. 1 1/2 in. (3.8 cm.), Terracottas, A little blue pigment remains near her left wing and around the hair

Scenes from the Life of Saint Andrew, late 14th century, Made in Castile, Spain, Spanish, Tempera on wood, gold ground, 78 1/4 in. × 39 3/4 in. × 2 1/8 in. × 15/16 in. (198.8 × 101 × 5.4 × 2.4 cm), Paintings-Panels

Limestone votive capital, Late Classical (or later), ca. 4th century B.C., Cypriot, Limestone, Overall: 13 1/4 x 18 1/4 x 18 3/4 in. (33.7 x 46.4 x 47.6 cm), Stone Sculpture, The capital combines elements of the Doric and Ionic orders. The

Shells under Water, Edo period (1615–1868), 1790, Japan, Polychrome woodblock print; ink and color on paper, 9 1/8 x 14 1/2 in. (23.2 x 36.8 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

Carnelian ring stone, Late Republican or Imperial, 1st century B.C.–3rd century A.D., Roman, Carnelian, Length: 1/2 in. (1.3 cm), Gems, Portrait head of a young woman The woman wears a net, with a fillet and kerchief over it. This gem is

東海寄談音児館, Onoe Kikugorō V as Otowake Neko no ke (Right), Bandō, Mitsugorō, IV as Aishō Michinoku (Center), Onoe Kikugorō V as Isogai Mibunosuke (Left) in the Kabuki play Tōkai Kidan Nekomata Yashiki, Meiji period

Vase fragment, Late Minoan I, ca. 1600–1450 B.C., Minoan, Terracotta, 2 5/8 × 1 7/8 × 3/16 in. (6.7 × 4.8 × 0.4 cm), Vases

Ristori, September 1, 1893, Albumen silver print from glass negative, Image: 14.3 x 9.8 cm (5 5/8 x 3 7/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Glass perfume bottle, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, 1 5/8in. (4.1cm), Glass, Small perfume bottle Colorless with pale blue green tinge. Thickened, rounded, uneven rim; flaring mouth; cylindrical neck,

Ocarina, Pre-Columbian, 1300–1500, Sierra Nevada de Santa Marta, Colombia, Tairona People; Gayraca style, Ceramic, 2 3/8 × 2 11/16 × 2 3/16 in. (6.1 × 6.9 × 5.6 cm), Aerophone-Whistle Flute-vessel flute

See Them Fly, Edo period (1615–1868), ca. 1767, Japan, Polychrome woodblock print; ink and color on paper, H. 10 11/16 in. (27.1 cm); W. 8 1/4 in. (21 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770

Squirrels Gathering Chestnuts, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and gold on silk, 14 1/4 x 10 3/4 in. (36.2 x 27.3 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889