Images at Librifly

[Yosemite National Park, California], ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled

Fragment of a terracotta kylix (drinking cup), Classical, ca. 475 B.C., Greek, Attic, Terracotta; red-figure, Overall: 2 3/8 x 3 3/16in. (6 x 8.1cm), Vases, Interior, upper body of a satyr holding a lyre, Reverse, legs of three figures.

Bush Clover in Province of Omi, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 10 1/4 in. (26 cm); W. 7 5/8 in. (19.4 cm), Prints, Isoda Koryūsai (Japanese, 1735–ca. 1790

Flower Baskets and Farmer's Hat, Edo period (1615–1868), Japan, Album leaf; lacquer on silver paper, 4 3/4 x 3 1/2 in. (12.1 x 8.9 cm), Paintings, Shibata Zeshin (Japanese, 1807–1891

Ono no Komachi, Edo period (1615–1868), 1756–1829, Japan, Polychrome woodblock print; ink and color on paper, 14 5/8 x 9 5/8 in. (37.1 x 24.4 cm), Prints, Chōbunsai Eishi (Japanese, 1756–1829), Ono no Komachi, the Heian poetess seen

Narihira's Journey to the East, Edo period (1615–1868), late 18th century, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Image (each): 14 9/16 x 9 3/4 in. (37 x 24.8 cm), Prints, Rekisentei Eiri (Japanese, active

Lucréce (ou la Vestale), 1860s, Albumen silver print from glass negative, 7.6 x 10.2 cm. (3 x 4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Daibutsu no bansho, Vesper Bell of the Temple of Great Buddha, Edo period (1615–1868), ca. 1778, Japan, Polychrome woodblock print; ink and color on paper, 15 x 9 7/8 in. (38.1 x 25.1 cm), Prints, Kitao Shigemasa (Japanese, 1739–1820

The Siege of Ujjain and the Magic She-Ass: Folio from the Kalakacarya Section of a Kalpasutra Manuscript, 16th century, India (Gujarat), Ink, opaque watercolor, and gold on paper, Overall: 4 1/2 x 11 1/4 in. (11.5 x 28.6 cm), Paintings, This

The Colosseum, 1856, Albumen silver print from paper negative, Image: 19.5 x 25 cm (7 11/16 x 9 13/16 in.), Photographs, Jane Martha St. John (British, 1803–1882), Jane St. John was most likely attracted to photography through her close

Cypriote Vase, ca. 1897, Made in New York, New York, United States, American, Favrile glass, 15 in. (38.1 cm), Glass, Louis Comfort Tiffany (American, New York 1848–1933 New York

Vase, ca. 1910, Made in New York, New York, United States, American, Favrile glass, H. 5 5/16 in. (13.5 cm), Glass, Tiffany Studios (1902–32

Terracotta oil lamp, Early Imperial, 1st century A.D., Roman, Terracotta; mold-made, H. 1 in. (2.5 cm); length 4 9/16 in. (11.6 cm), Terracottas, On the discus is winged Victory holding a cornucopia (horn of plenty) in her right hand and a

Still Life; Design of Yogoyomi; Pictorial Calendar, Edo period (1615–1868), 1816, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 1/2 x 7 71/6 in. (14 x 47.8 cm), Prints, Unidentified Artist

Ecce Homo, ca. 1590–1600, Pen and brown ink and gray wash over black chalk, 14 1/4 x 10 7/8 in. (36.2 x 27.6 cm), Drawings, Hans von Aachen (German, Cologne 1552–1616 Prague

Man's Shirt, ca. 1860, United States, Wyoming or Montana, Crow, Native-tanned skin, factory-woven cloth, porcupine quill, glass beads, horsehair, wool yarn, ermine, L. 41 3/8 x W. 63 3/8 in. (105.1 x 161 cm), Hide-Costumes

Hair Ornament, 12th–13th century, Found Iran, Gurgan, Gold; cast, fabricated, engraved, with a copper alloy inner sleeve, decorated with twisted wire and granulation, H. 2 7/8 in. (7.3 cm), Jewelry, Tubular hair ornaments have a deep

Bronze statuette of a sheep, Archaic or Classical, 6th–5th century B.C., Greek, Bronze, H. 4.2 cm, Bronzes, Statuette of a recumbent sheep with head turned to the right

東海道五十三次之内　平塚　縄手道, Hiratsuka, Nawate Do, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, H. 9 15/16 in. (25.2 cm); W. 14 13/16 in. (37.6 cm), Prints, Utagawa

Glass bead, Roman, Glass, Diam.: 3/4 x 11/16 in. (2 x 1.7 cm), Glass, Bead comprising two parts, fused together. Translucent blue, with opaque white. Large irregular cylindrical bead, with hole in one end of body; stem, decorated with white

木曽海道六拾九次之内　長久保, Nagakubo Station, Edo period (1615–1868), ca. 1836, Japan, Polychrome woodblock print; ink and color on paper, 8 3/4 x 13 3/4 in. (22.2 x 34.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo

Mosaic glass bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 5/8 x 15/16 in. (1.6 x 2.4 cm), Glass, Rim fragment., Translucent deep purple appearing black, pale blue mixed with yellow

Faucheurs, Somme, 1890–98, printed 1956, Gelatin silver print, Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Fibula, Geometric, 9th–8th century B.C., Italic, Villanovan, Bronze, Other: 1 11/16 in. (4.3 cm), Bronzes

Jérusalem, Colonne de la Porte judiciaire, 1854, Salted paper print from paper negative, Image: 33.2 x 23.6 cm (13 1/16 x 9 5/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Glass alabastron (perfume bottle), Late Classical or Hellenistic, mid-4th–early 3rd century B.C., Greek, Eastern Mediterranean or Italian, Glass; core-formed, Group II, H.: 5 1/8 in. (13 cm), Glass, Translucent pale honey brown, with

Spatula, Cypriot, Bronze, Other: 6 1/8in. (15.5cm), Bronzes

Candle Holder, 1790–1810, Made in Philadelphia, Pennsylvania, United States, American, Silver, steel, Overall: 5 1/16 x 9 5/8 x 4 3/4 in. (12.9 x 24.4 x 12.1 cm); 17 oz. 17 dwt. (556.5 g), Silver, Joseph Lownes (1758–1820

Lead figure of a horse, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Length: 1 3/16 in. (3.1 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient sanctuaries of

The Eel Master (Unagi danna), illustration from Bugei Kurabu (Literary Club), Meiji period (1868–1912), Japan, Frontispiece; polychrome woodblock print; ink and color on paper, Album: 8 1/2 x 5 5/16 in. (21.6 x 13.5 cm), Prints, Mizuno

Terracotta feeding bottle, Late Classical, 4th century B.C., Greek, South Italian, Campanian, Terracotta, H. 7 1/4 in. (18.4 cm), Vases, Encircled by three bands of black

青楼仁和嘉女芸者之部　茶せん売　黒木売　さいもん, Three Niwaka Performers, Edo period (1615–1868), ca. 1794, Japan, Polychrome woodblock print; ink and color on paper, 15 x 9 3/4 in. (38.1 x 24.8 cm), Prints,

View of Weinheim on the River Neckar, 1800–1818, Black chalk, pen and brown ink, watercolor, over graphite. Framing line in pen and black over brown ink, sheet: 10 3/4 x 10 7/8 in. (27.3 x 27.6 cm), Drawings, Carl Philipp Fohr (German,

Ichimura Takenojo VIII, Edo period (1615–1868), ca. 1720, Japan, Polychrome woodblock print (hand colored); ink and color on paper, 13 1/4 x 6 1/4 in. (33.7 x 15.9 cm), Prints, Attributed to Torii Kiyotomo (Japanese, active early 19th

[Chinese Woman Sitting with Basket], 1870s, Albumen silver print from glass negative, 23.7 x 19.2 cm (9 5/16 x 7 9/16 in.), Photographs, Raimund von Stillfried (Austrian, 1839–1911

Mrs. Bryan Cooke (Frances Puleston, 1765–1818), ca. 1787–91, Oil on canvas, 50 x 39 1/2 in. (127 x 100.3 cm), Paintings, George Romney (British, Beckside, Lancashire 1734–1802 Kendal, Cumbria), A Welsh heiress, Frances Puleston was

Choker of Gold Rings, Second Intermediate Period–Early New Kingdom, Dynasty 17–Early Dynasty 18, ca. 1635–1458 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Courtyard CC 41, Tomb R 4, Burial C 1, On body, 1915–16, Gold, L. 33.5

近代, 俞明, 桐窗仕女, 扇面, A Beauty at the Window by a Wutong Tree, dated 1923, China, Folding fan mounted as an album leaf; ink and color on alum paper, 7 1/2 x 21 7/16 in. (19.1 x 54.5 cm), Paintings, Yu Ming (Chinese,

[Chinese Man Wearing Hat], 1870s, Albumen silver print from glass negative, 23.7 x 19.2 cm (9 5/16 x 7 9/16 in.), Photographs, Raimund von Stillfried (Austrian, 1839–1911

A Lady Walking at Night Holding an Oil Lamp, ca. 1725, India (Rajasthan, Bikaner), Ink and opaque watercolor on paper, 5 5/8 x 2 5/8 in. (14.3 x 6.7 cm), Paintings

Dwarf (one of three), ca. 1760–70, Italian, Florence, Soft-paste porcelain, Height: 2 5/8 in. (6.7 cm), Ceramics-Porcelain

Vase fragment, Geometric, East Greek/Sardis, Lydian, Terracotta, Overall: 3 1/2 x 2 7/8in. (8.9 x 7.3cm), Vases

Dagger with Sheath, late 17th century, Hilt, Indian, Mughal; blade, Turkish or Indian, Steel, nephrite, gold, rubies, emeralds, silver-gilt, leather, L. 17 in. ( 43.18 cm), Daggers

Vase fragment, Early Minoan III, Minoan, Terracotta, 2 1/2 × 1 5/8 × 3/16 in. (6.4 × 4.1 × 0.5 cm), Vases

Two Ewers with Lamp-shaped Spouts, late 12th century, Attributed to Iran, Khurasan, Brass; cast, chased, engraved, inlaid with silver and black compound, H. 7 1/4 in. (18.41 cm), (not assigned), On this piece, the handle is preserved, and

Limestone handle of a patera or a fire shovel ending in a ram’s head, Classical ?, 5th century B.C. ?, Cypriot, Limestone, Overall: 3 x 2 1/2 x 9 1/8 in. (7.6 x 6.4 x 23.2 cm), Cesnola Inscriptions, Handle ending in a ram's head, with

Nihon Embankment at Yoshiwara, from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei, Yoshiwara, Nihonzutsumi), 「名所江戸百景　よし原 日本堤」, Edo period (1615–1868), 1857, Japan, Polychrome woodblock print;

Head of a King, ca. 1220–30, Made in Mantes, France, French, Limestone, Overall: 12 1/4 x 9 13/16 x 9 3/8 in. (31.1 x 24.9 x 23.8 cm), Sculpture-Stone

Glass beaker, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, 4 1/8in. (10.5cm), Glass, Translucent pale blue green. Rounded, slightly thickened rim; flaring mouth; elongated body with slightly bulbous sides; integral, thick pad

Glass network mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, H.: 1 1/16 x 1 in. (2.8 x 2.6 cm), Glass, Body fragment., Colorless, with opaque white., Slightly convex side., Seven narrow

Le Sorti...intitolate giardino di pensieri, October 1540, Printed book with woodcut illustrations., 12 3/16 x 8 11/16 x 7/8 in. (31 x 22 x 2.3 cm), Books, The evocative woodcut that adorns the frontispiece of this fortune-telling book is

Glass monochrome dish fragment, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Glass; cast and cut, Overall: 1 3/8 x 3 1/4 in. (3.5 x 8.3 cm), Glass, Opaque jade green., Vertical, rounded rim; convex side, bulging

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 5/8 × 1 3/16 × 3/16 in. (4.1 × 3 × 0.4 cm), Vases

Design for wall fixture, late 19th–early 20th century, Made in New York, United States, American, Watercolor, gouache, and graphite on off-white lightweight board, Overall: 22 1/16 x 14 in. (56.1 x 35.5 cm), Drawings, Possibly Tiffany

Hanging Shelves, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 8 11/16 x 7 13/16 in. (22.1 x 19.8 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Ichikawa Ebizo (the Fourth Ichikawa Danjuro) as a Samurai, Edo period (1615–1868), 1773 or 1774, Japan, Polychrome woodblock print; ink and color on paper, 12 4/5 x 5 7/8 in. (32.5 x 14.9 cm), Prints, Katsukawa Shunshō (Japanese,

The Actor Nakamura Rikō, as a Courtesan with a Sword, Edo period (1615–1868), ca. 1780, Japan, Polychrome woodblock print; ink and color on paper, H. 12 in. (30.5 cm); W. 6 in. (15.2 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Necklace or Torque, Geometric, 9th–8th century B.C., Italic, Villanovan, Bronze, Other: 5 in. (12.7 cm), Bronzes

Bronze statuette of Apollo, Classical, ca. 500 B.C., Greek, Bronze, Overall: 4 3/8 x 5/8 x 2 in. (11.1 x 1.6 x 5.1 cm), Bronzes, Apollo was a youthful god who presided over a wide variety of activities, from the initiation of boys into

Arc antique à Orange, 1853, Salted paper print from paper negative, Image: 32.4 x 42.4 cm (12 3/4 x 16 11/16 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889), In 1853 Baldus traveled throughout Provence, recording the

帝国議会貴族院之図, Illustration of The Imperial Assembly of the House of Peers (Teikoku gikai kizokuin no zu), Meiji period (1868–1912), 1890, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Oban; 14 x 29 3/4

Glass aryballos (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H.: 2 13/16 in. (7.1 cm), Glass, Translucent cobalt blue, with same color handles; trails in opaque yellow

Mandarin Dwelling, Canton, ca. 1869, Albumen silver print from glass negative, Image: 8 7/16 × 10 9/16 in. (21.5 × 26.9 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

[Pan-Pacific International Exposition], 1915, Autochrome, 12.7 x 17.9 cm (5 x 7 1/16 in.), Transparencies, Arnold Genthe (American (born Germany), Berlin 1869–1942 New Milford, Connecticut

Cassetta frame, ca. 1520, Italian, Venice, Poplar back frame with walnut upper moldings., 73.6 x 54.9, 57.2 x 38.3, 59 x 40.6 cm., Frames

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and tooled, H.: 1 1/8 x 1 3/8 in. (2.9 x 3.5 cm), Glass, Body fragment. , Translucent honey brown, blue, and opaque

Miniature alabaster amphora (jar), Hellenistic, late 4th–3rd century B.C., Cypriot, Gypsum (alabaster), H. 3 1/8 (7.9 cm); 1 7/8 in. (4.8 cm), Miscellaneous-Stone Vases, Pointed base and small handles

Bag, 14th–15th century, Peru, Chimú, Cotton, camelid hair, silver, shell beads, Length 6-1/4 in. (16 cm), Textiles-Woven

Terracotta phiale (libation bowl), Hellenistic, 3rd century B.C., Greek, South Italian, Apulian, Terracotta, H. 2 1/8 in. (5.4 cm); diameter 8 1/2 in. (21.6 cm), Vases, This distinctive type of phiale with twelve egg-shaped cavities and

Veüe generale du chateau de Versailles, 1680s, Etching, Prints, Adam Perelle (French, Paris 1640–1695 Paris

Camellia and Bird, Edo period (1615–1868), ca. 1833, Japan, Polychrome woodblock print; ink and color on paper, 8 27/32 x 6 3/8 in. (22.5 x 16.2 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Charles II (1630–1685), King of England, Vellum laid on prepared card with gessoed back, Oval, 1 1/4 x 1 1/8 in. (33 x 27 mm), Miniatures, Style of Samuel Cooper (British, probably after 1672

Minowa, Kanasugi at Mikawashima, from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei, Minowa Kanasugi, Mikawashima), 「名所江戸百景　蓑輪　金杉　三河しま」, Edo period (1615–1868), snake year 1857, Japan,

Terracotta plate, Hellenistic, ca. 330–300 B.C., Greek, South Italian, Campanian, Teano, Terracotta; applied color, diameter 13in. (33cm), Vases, Plate of black glaze on which decorations are painted in various colors

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and tooled, H.: 1 15/16 in. (5 x 4.1 cm), Glass, Body fragment, thin-walled., Translucent deep honey brown and opaque

Lady Hotoke Dancing, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 3/8 x 7 3/8 in. (21.3 x 18.7 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

Terracotta spouted conical bowl, Early Minoan III, ca. 2400–2200 B.C., Minoan, Terracotta; White-on-dark ware, H. 2 1/2 in. (6.4 cm.), Vases, Cup with trough spout with oblique white lines on reddish and black ground

Jérusalem, Rue du quartier arabe, 2, 1854, Salted paper print from paper negative, Image: 33.5 x 23.6 cm (13 3/16 x 9 5/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Terracotta modiolus (drinking cup), Early Imperial, Julio-Claudian, ca. A.D. 5–40, Roman, Terracotta, H. 6 in. (15.3 cm), Vases, Fore-parts of horses, leaves, arabesques, satyr masks

The Actor Ichikawa Monosuke II in an Unidentified Female Role, Edo period (1615–1868), ca. 1789, Japan, Polychrome woodblock print; ink and color on paper, 12 3/8 x 5 9/16 in. (31.4 x 14.1 cm), Prints, Katsukawa Shun'ei (Japanese,

Bowl, Archaic or Classical, ca. 550–450 B.C., Italic-Native, South Italian (Daunian), Terracotta, H. w/ handles 8.51 cm. Diameter 16.51 cm., Vases

Vase fragment, Neolithic, Terracotta, 1 1/8 × 2 3/16 × 1/4 in. (2.8 × 5.6 × 0.7 cm), Vases

Banner, ca. 1683, Turkish, Silk, metallic thread, 78 5/8 x 66 3/4 in. (199.8 x 169.5 cm), Banners

Sugar Bowl, 1795–1810, American, Silver, Overall: 8 7/16 x 4 9/16 in. (21.4 x 11.6 cm); 13 oz. 4 dwt. (410 g), Silver, Marked by R. G

[Peasant Woman with Winnowing Basket], late 1870s, Albumen silver print from glass negative, Image: 17 x 13.3 cm (6 11/16 x 5 1/4 in.), Photographs, Unknown (French

Standing lion, 1849–52, Made in Bennington, Vermont, United States, American, Earthenware, 9 1/4 x 10 7/8 x 5 7/8 in. (23.5 x 27.6 x 14.9 cm), Ceramics

Tray, 1832–40, Made in New England, United States, American, Pressed glass, 4 1/2 x 7 in. (11.4 x 17.8 cm), Glass, The Gothic-arch pattern pressed into this covered dish reflects the Gothic revival of the 1830s and 1840s

Le Jardin des Plantes, Descriptions et Moeurs des Mammiferes, 1842, Engraving, wood engraving, lithography and watercolor, Overall: 10 11/16 x 7 1/2 x 1 15/16 in. (27.2 x 19 x 5 cm), Books

Lead grille or ornament, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 1 1/2 in. (3.9 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient sanctuaries of

Glass beaker, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, Overall: 3 3/4in. (9.6cm), Glass, Translucent light green with yellowish tinge. Rounded, thickened rim, folded inwards; body with almost straight sides tapering

Landscape, Ming dynasty (1368–1644), dated 1577, China, Handscroll; ink and color on paper, Image: 8 5/16 x 31 7/8 in. (21.1 x 81 cm), Paintings, Unidentified Artist, After Mo Shilong (Chinese, 1537–1587

西周 青銅簋, Ritual Grain Vessel (Gui), Western Zhou dynasty (1046–771 B.C.), late 11th–early 10th century B.C., China, Bronze, H. 6 5/8 in. (16.8 cm); W. (at handles) 8 13/16 in. (22.4 cm); Diam. of rim 6 3/8 in. (16.2 cm); Diam. of

Vase fragment, Neolithic, second period, ca. 4000–3000 B.C., Neolithic, Gonia, Terracotta, length 1 5/16in. (3.3cm), Vases

Pitcher, 1815–40, Probably made in Ohio, United States, American, Blown-molded glass, H. 4 3/4 in. (12.1 cm), Glass

Nakamura Noshio II in the Role of Imayō uta Bikuni, Edo period (1615–1868), 1796 (Kansei 8), Japan, Polychrome woodblock print; ink and color on paper, 12 5/16 x 5 5/8 in. (31.3 x 14.3 cm), Prints, Katsukawa Shunkaku

Glass mosaic hemispherical bowl, Late Hellenistic, 2nd–mid-1st century B.C., Greek, Glass; cast, H. 2 13/16 in. (7.1 cm); diameter 4 11/16 in. (11.9 cm), Glass, Translucent blue and opaque white. Vertical, squared-off rim; convex curving

Bridle Cheekpiece, Western Zhou dynasty (1046–771 B.C.), 11th–10th century B.C., China, Bronze, H. 3 13/16 in. (9.7 cm); W. 3 5/16 in. (8.4 cm), Metalwork

Terracotta lekythos (oil jar), Classical, ca. 480–470 B.C., Greek, Attic, Terracotta; red-figure, H.: 7 1/4 in. (18.4 cm), Vases, Woman seated with wool at wool-basket, Eros flying toward her; near her a quail

Bone pin, ca. A.D. 300–450, Roman, Ivory or bone, H.: 2 3/8 in. (6 cm), Similar pins found in excavations in Rome have been dated to the late Roman period (4th–5th century A.D

Virgin and Child, 1516, Oil on spruce, 11 x 7 3/8 in. (27.9 x 18.7 cm); set in panel 11 x 8 1/4 in. (27.9 x 22.2 cm), Paintings, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), At first glance, this small painting seems to