Images at Librifly

Glass alabastron (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H. 3 7/8 in. (9.8 cm), Glass, Opaque dark red brown, appearing black, with handles in same color; trails

Fox Catching Bird, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 1/2 x 10 1/2 in. (36.8 x 26.7 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889

A Young Woman in a Snow Storm Carrying a Heavily Snow-Laden Umbrella, Edo period (1615–1868), ca. 1802, Japan, Probably one sheet of a triptych of polychrome woodblock prints; ink and color on paper, 12 3/8 x 8 3/8 in. (31.4 x 21.3 cm),

Relief Panel with Two Griffins Drinking from a Cup, late 9th–early 10th century, Made in Campania, Southern Italy, South Italian, Marble, polychromy, Overall: 29 3/8 x 51 3/4 x 2 1/4 in. (74.6 x 131.4 x 5.7 cm), Sculpture-Architectural,

Portraits of American Naval Officers, Adams and Perry, Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, 8 3/4 x 11 1/2 in. (22.2 x 29.2 cm), Prints, Unidentified Artist

Designs for Leather, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 9/16 x 7 1/4 in. (14.1 x 18.4 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Portrait of the Courtesan Nioteru of the Ogiya, with Her Two Attendants Namiji and Aō-mi, Edo period (1615–1868), ca. 1785, Japan, Polychrome woodblock print; ink and color on paper, H. 15 5/16 in. (38.9 cm); W. 10 3/8 in. (26.4 cm),

Candlestick, 1830–55, Made in New Jersey, United States, American, Blown glass, H. 9 1/8 in. (23.2 cm), Glass

Jérusalem, Enceinte du Temple, Face Est de l'angle Sud-Est, 1854, Salted paper print from paper negative, Image: 33 x 23.5 cm (13 x 9 1/4 in.), Photographs, Auguste Salzmann (French, 1824–1872

Otani Tomoemon (?) as a Peddler Trudging Through the Snow, Edo period (1615–1868), ca. 1778, Japan, Polychrome woodblock print; ink and color on paper, 12 9/16 x 5 17/32 in. (31.9 x 14.1 cm), Prints, Katsukawa Shunshō (Japanese,

Glass perfume bottle, Mid or Late Imperial, 3rd–4th century A.D., Roman, Glass; blown, 1 11/16 x 1 1/4in. (4.3 x 3.2cm), Glass, Small flask Translucent purple. Rim folded out, round, and in; funnel-shaped neck, with tooling marks around

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 3/4 x 3/4 in. (1.9 x 2 cm), Glass, Thick-walled rim fragment., Translucent deep purple, turquoise blue, light blue mixed with

Bottle with Blue Trails, 12th century, Attributed to probably Syria, Glass; mold-blown with applied decoration, H. 6 11/16 in. (17 cm), Glass, This appealing pale green bottle was initially blown into a mold with narrow vertical ribs and then

Glass beaker or lamp, Late Imperial, 4th–5th century A.D., Roman, Glass; blown in a dip mold, H.: 2 3/8 in. (6 cm), Glass, Translucent yellow brown., Outsplayed horizontal rim, with uneven, cracked-off vertical lip; straight side tapering

Saint John on Patmos, ca. 1511, Oil, gold, and white metal on spruce, Overall 35 1/4 x 30 1/4 in. (89.5 x 76.8 cm); painted surface 34 3/8 x 29 3/4 in. (87.3 x 75.6 cm), Paintings, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch

Amoy Houses, ca. 1869, Albumen silver print from glass negative, Image: 6 11/16 × 9 7/16 in. (17 × 24 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

Terracotta statuette of Eros, Hellenistic, 3rd century B.C., Greek, Eretrian, Terracotta, H.: 6 1/8 in. (15.6 cm), Terracottas, Nude, flying, drapery at sides

Ocarina, Pre-Columbian, 1300–1500, Sierra Nevada de Santa Marta, Colombia, Tairona People; Gayraca style, Ceramic, L. 3.2 cm (1-1/4 in.); W. 2.6 cm (1-1/16 in.), Aerophone-Whistle Flute-vessel flute

Landscape, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/16 x 7 1/4 in. (20.5 x 18.4 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo

Bronze oinochoe (jug) handle with lion's head and female protome, Archaic, ca. 500 B.C., Etruscan, Bronze, Other: 5 1/2 in. (14 cm), Bronzes, Handle of an oinochoe with lion's head and a female protome

Tea, ca. 1738–45, Etching and engraving, Sheet (trimmed): 11 3/4 × 9 1/4 in. (29.8 × 23.5 cm), Prints, Gabriel Huquier (French, Orléans 1695–1772 Paris), After François Boucher (French, Paris 1703–1770 Paris

Head of a Bearded Old Man Wearing a Laurel Crown, mid-18th–early 19th century, Black chalk, heightened with white chalk, 20 1/16 x 12 7/8 in. (50.9 x 32.7cm), Drawings, Antoine François Callet (French, Paris 1741–1823 Paris) Attributed

Vase fragment, Neolithic, first period, Neolithic, Thessaly, Terracotta, Other: 2 3/4in. (7cm), Vases

柳々居辰斎画 子春　嫁入の具, Edo period (1615–1868), probably 1816 (Year of the Rat), Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 1/2 x 7 7/16 in. (14 x 18.9 cm), Prints, Ryūryūkyo Shinsai

Glass flask, Late Imperial, 3rd–4th century A.D., Roman, Glass; blown, 3 11/16 in. (9.4 cm), Glass, Small flask Colorless with pale yellow green tinge. Rounded rim, slightly inverted on one side; flaring mouth; concave neck; bulbous body;

Baobab à Mohéli, 1863, Albumen silver print from glass negative, Image: 28.7 x 22.8 cm (11 5/16 x 9 in.), Photographs, Désiré Charnay (French, 1828–1915

Clock, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 1/2 x 7 1/2 in. (21.6 x 19.1 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Terracotta lekythos (oil flask) with centaur battling a warrior, Archaic, ca. 575–550 B.C., Greek, Attic, Terracotta; black-figure, H. 10 5/8 in. (27 cm.), Vases, The rare shape of this vase, the so-called Deianeira type, is characterized

The Adoration of the Shepherds, ca. 1605–10, Oil on canvas, 56 7/8 x 39 7/8 in. (144.5 x 101.3 cm); with added strips 64 1/2 x 42 in. (163.8 x 106.7 cm), Paintings, El Greco (Domenikos Theotokopoulos) (Greek, Iráklion (Candia) 1540/41–1614

Teapot, 1838–50, Made in Jersey City, New Jersey, United States, American, Earthenware, H. 3 3/4 in. (9.5 cm); Diam. 4 3/4 in. (12.1 cm), Ceramics

世上各国写画帝王鏡, Mirror of Portraits of All Sovereigns in the World (Sejō kakkoku shaga teiō kagami), Meiji period (1868–1912), April, 1879, Japan, Polychrome woodblock print; ink and color on paper, 14 5/8 x 29 in. (37.1 x

Print, Edo period (1615–1868), 1743–1812, Japan, Polychrome woodblock print; ink and color on paper, 15 3/16 x 10 1/4 in. (38.6 x 26 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812

Gable figure (Tekoteko), 1820s, New Zealand, Maori people, Te Arawa, Wood, paint, H. 26 x W. 11 1/4 x D. 3 1/4 in. (66 x 28.6 x 8.3 cm), Wood-Sculpture

青楼美人合, The Courtesan Itsuhata with Her Pipe, Edo period (1615–1868), ca. 1765, Japan, Polychrome woodblock print (Yonkyokuban); ink and color on paper, 8 3/8 x 5 3/4 in. (21.3 x 14.6 cm), Prints, Suzuki Harunobu (Japanese,

Panel (Lid from a Chest?), second half 8th century, Attributed to probably Egypt, Wood (fig); mosaic with bone and four different types of wood, H. 18 3/4 in. (47.6 cm), Wood, The most complete surviving example of its kind, this panel most

Poem to Xu Qianzhi, Ming dynasty (1368–1644), China, Folding fan mounted as an album leaf; ink on gold paper, 7 1/8 x 20 1/4 in. (18.1 x 51.4 cm), Calligraphy, Wang Zhideng (Chinese, 1535–1612

Vue générale de Bethany - General view of Bethany, ca. 1880, Albumen silver print, Photographs, Félix Bonfils (French, 1831–1885

Glass mosaic inlay, Hellenistic, late 1st century B.C.–early 1st century A.D., Egyptian, Roman, Glass, Other: 2 1/8 in. (5.4 cm), Glass, Translucent light blue and opaque white., Thin narrow strip., Continuous guilloche or wave pattern.,

Column Statue of Saint Hilary of Galeata, ca. 1170–1200, Made in Galeata, Romagna, Northern Italy, North Italian, Carrara marble, Overall: 34 7/8 x 4 1/4 x 6 3/4 in. (88.6 x 10.8 x 17.1 cm), Sculpture-Stone, Pupil of Guglielmo da Modena

Vase fragment, Helladic, Greek, Laconian, Terracotta, 1 13/16 x 1 9/16in. (4.6 x 4cm), Vases

Hardanger Fiddle, 1786, Norway, Norwegian, Wood, mother-of-pearl, ebony, bone, Height: 24 7/16 in. (62 cm), Chordophone-Lute-bowed-unfretted, The Hardanger fiddle of western Norway has a violin form but features a fanciful scroll, a

Capriccio with St. Paul's and Old London Bridge, Oil on canvas, 42 x 47 in. (106.7 x 119.4 cm), Paintings, Antonio Joli (Italian, Modena 1700–1777 Naples), A pupil of Paolo Panini in Rome, Joli was active as a scene painter in northern Italy

Predica del arte del bene morire (sermon on the art of dying well), ca. 1502, Printed book with 4 woodcut illustrations, Overall: 7 7/8 x 5 1/2 x 1/4 in. (20 x 14 x 0.7 cm), Books, The sermon of the influential Dominican preacher Savonarola on

Shono, 東海道五十三次　庄野, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

Linen from Tutankhamun's Embalming Cache, New Kingdom, Dynasty 18, ca. 1336–1327 B.C., From Egypt, Upper Egypt, Thebes, Valley of the Kings, Embalming Cache of Tutankhamun (KV 54), Davis/Ayrton excavations, 1907–08, Linen, ink, l.

Grotesque Panel, 1562, Etching, Sheet: 4 1/8 x 2 5/8 in. (10.4 x 6.6 cm), Prints, Jacques Androuet Du Cerceau (French, Paris 1510/12–1585 Annecy), After Nicoletto da Modena (Italian, Modena, active ca. 1500–ca. 1520

Mrs. James Pulham Sr. (Frances Amys, ca. 1766–1856), 1818, Oil on canvas, 29 3/4 x 24 3/4 in. (75.6 x 62.9 cm), Paintings, John Constable (British, East Bergholt 1776–1837 Hampstead), The sitter, an amateur portrait painter, was the

Wall painting from the west wall of Room L of the Villa of P. Fannius Synistor at Boscoreale, Late Republican, ca. 50–40 B.C., Roman, Fresco, Overall: 77 x 107in. (195.6 x 271.8cm), Miscellaneous-Paintings, This large painting fragment comes

Head from a Statue of King Amenhotep I, New Kingdom, Dynasty 18, ca. 1525–1504 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Temple of Mentuhotep II, Forecourt, 1921–22, Sandstone, paint, H. 20 cm (7 7/8 in); weight 6.4 kg

Wreaths, 11, Greek, Laconian, Lead, 15/16 × 3/4 in. (2.4 × 2 cm), Miscellaneous-Lead

Glass alabastron (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H. 3 3/8 in. (8.6 cm), Glass, Translucent blue, streaked with reddish purple, with handles in same color;

Glass network mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 15/16 in. × 5 1/2 in. × 1 11/16 in. × 1/8 in. (2.4 × 14 × 4.3 × 0.4 cm), Glass, Rim fragment., Translucent

元 趙原 (元) 倣燕文貴范寬山水圖 卷, Landscape in the Style of Yan Wengui and Fan Kuan, Yuan (1271–1368) or Ming (1368–1644) dynasty, late 14th century, China, Handscroll; ink on paper, Image: 9 13/16 x 30 1/2 in. (24.9 x 77.5

Arrowhead, Bronze, Other: 7/16 × 13/16 in. (1.1 × 2.1 cm), Bronzes

Onna no Daruma, Edo period (1615–1868), 1835?, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/2 x 7 5/16 in. (21.6 x 18.6 cm), Prints, Keiri (Japanese, active first half of the 19th century

Terracotta askos (flask with a handle over the top), Hellenistic, ca. 300 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, H. 9 1/8 in. (23.2 cm), Vases, The askos itself is in the form of a sea creature, Scylla, its snake-like

Glass alabastron (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H.: 3 1/2 in. (8.9 cm), Glass, Translucent light blue, with handles in same color; trails in opaque

The Thames near Kelmscott Manor, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by

Alabaster one-handled jug, Late Bronze Age, ca. 1600–1050 B.C., Cypriot, Calcite (alabaster), H. 6 1/16 in. (15.4 cm), Miscellaneous-Stone Vases, The jug has a globular belly and a disk-shaped foot. The upper end of the handle extends in low

Limestone statuette of Pan, Hellenistic, 3rd–1st century B.C., Cypriot, Limestone, 12 x 2 x 3 1/2 in. (30.5 x 5.1 x 8.9 cm), Stone Sculpture, The nebris, knotted on the chest, covers the shoulders and falls to the back. There are goat ears

Whistling Jar, Pre-Columbian, 200 B.C.–1000 A.D., North Coast, Peru, Peruvian, Clay, L. 15.7 cm.; H. 16.1 cm.; W. 6.8 cm.; Wt. 391 g., Aerophone-Blow Hole-vessel flute

Limestone statuette of a temple boy, Classical, 4th century B.C., Cypriot, Limestone, Overall: 10 1/4 x 8 1/2 x 4 3/8 in. (26 x 21.6 x 11.1 cm), Stone Sculpture, Seated figure with chain of pendants over left shoulder and bracelets

[Government House, Allahabad], 1858, Albumen silver print, Image: 7.1 x 7.6 cm (2 13/16 x 3 in.), Photographs, John Constantine Stanley (British, 1837–1878

Mishima Pass in Kai Province (Kōshū Mishima goe), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei, 冨嶽三十六景　甲州三島越, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and

東海道五十三次之内　嶋田, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Three Dancers of Sumiyoshi or Suminoye, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 x 7 1/4 in. (20.3 x 18.4 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Miniature Dress, 12th–13th century, Peru, Ica Valley, Ica, Cotton, feathers, H. 8 1/4 x W. 8 in. (21 x 20.3 cm), Textiles-Featherwork

Three Buddhist prayer rolls (fragments), Ming (1368–1644) or Qing (1644–1911) dynasty, China, Set of three handscroll; ink on paper, Scroll A: 9 1/4 in. (23.5 cm), Calligraphy, Unidentified Artist Chinese, 16th century

Print, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 1/8 x 7 5/16 in. (13 x 18.6 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo

百人一首　うばがゑとき　伊勢, Poem by Ise, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Edo period (1615–1868), 1839, Japan, Polychrome woodblock print; ink and color on paper, H. 9

Dish, 1420–1450, Made in probably Manises, Valencia, Spain, Spanish, Tin-glazed earthenware, Overall: 18 1/4 x 2 1/2 in. (46.4 x 6.4 cm), Ceramics

The Boulevards at Paris, May–June 1843, Salted paper print from paper negative, 15.1 x 19.9 cm (5 15/16 x 7 13/16 in. ), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock), Talbot traveled to Paris in May 1843 to

Young Nobleman Crouching beside His Horse, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/8 x 7 3/16 in. (20.6 x 18.3 cm), Prints, Suzuki Kiitsu (Japanese, 1796–1858

Fibula, serpentine type, Bronze, Other: 2 3/16 in. (5.6 cm), Bronzes

Autumn Landscape, Edo period (1615–1868), ca. 1780, Japan, Hanging scroll, color on satin, 14 3/16 x 9 15/16 in. (36.1 x 25.2 cm), Paintings, Yosa Buson (Japanese, 1716–1783), With its soft tones of ink and color against luminous satin

Terracotta statuette of a deer, Late Archaic, 1st quarter of the 5th century B.C., Greek, Boeotian, Terracotta, H. 5 5/8 in. (14.3 cm), Terracottas, The base and feet are modern restorations

Nevada Fall, 700 feet, Yosemite, ca. 1872, printed ca. 1876, Albumen silver print from glass negative, Image: 33.6 × 26.7 cm (13 1/4 × 10 1/2 in.), Photographs, Attributed to Carleton E. Watkins (American, 1829–1916

Fibula, boat-shaped type, Bronze, Other: 1 1/2 in. (3.8 cm), Bronzes

Cup on a Stand with Flower Décor, New Kingdom, Dynasty 18, ca. 1400–1352 B.C., From Egypt, Faience, H. 7.5 cm (2 15/16 in); diam. 1.7 cm (6 11/16 in

Deity Face Pendant, 7th–8th century, Guatemala or Mexico, Mesoamerica, Maya, Jadeite/omphacite, iron ochre, H. 2 1/4 in. (5.7 cm), Stone-Ornaments, This apple-green jade ornament represents the avian face of Ux Yop Hu’n (“Three Leaves

Ichikawa Danjūrō V in a Shibaraku Performance, Edo period (1615–1868), ca. 1789, Japan, Polychrome woodblock print; ink and color on paper, H. 12 7/8 in. (32.7 cm); W. 8 5/8 in. (21.9 cm), Prints, Katsukawa Shunkō (Japanese,

Glass juglet with vertical ribbing, Early Imperial, Flavian, 2nd half of 1st century A.D., Roman, Glass; blown in a two-part mold, 3 3/16 x 2 x 1 3/4 in. (8.1 x 5.1 x 4.4 cm), Glass, Translucent cobalt blue, with colorless handle., Everted

Série des Roses, 1895, Albumen silver print from glass negative, Approximately 14.3 x 9.9 cm (5 5/8 x 3 7/8 in.) each, Albums, Pierre-Louis Pierson (French, 1822–1913), In the last years of her life, Countess de Castiglione, now a

Fan, Bag and Incense-Tube, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 5/8 x 7 1/2 in. (14.3 x 19.1 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Venationes ferarum avium, piscium..., 16th century, plates: engraving, Overall: 14 1/2 x 11 in. (36.8 x 27.9 cm), Books

Vase fragment, Early Helladic, ca. 3000–2200 B.C., Terracotta, 1 1/4 × 2 × 1/4 in. (3.2 × 5 × 0.6 cm), Vases

Tea Things, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 3/4 x 6 9/16 in. (19.7 x 16.7 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

Glass striped mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 x 1 3/16 in. (2.5 x 3 cm), Glass, Rim fragment., Translucent honey yellow, purple, turquoise blue, mainly

Glass mosaic plaque fragment with floral motifs, Early Imperial, late 1st century B.C.–1st century A.D., Roman, Egyptian, Glass, fused sections; cast, Overall: 2 3/8 x 1 11/16 in. (6 x 4.3 cm), Glass, Deep cobalt blue ground, appearing

Terracotta hydria (water jar), Late Classical, 4th century B.C., Greek, Attic, Terracotta; black-glaze, H. 15 1/2 in. (39.4 cm), Vases, This extraordinarily beautiful vase is decorated at the neck with a wreath of vine tendrils and gilded

A Very Pretty House, 1853–56, Salted paper print, Image: 17.8 × 22.1 cm (7 in. × 8 11/16 in.), Photographs, James Knight (British

[Tapestry Room], 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin

Fragment of a Band, 5th century, Attributed to Egypt, Linen, wool; tapestry weave, looped embroidery, H. 10 in. (25.4 cm), Textiles

Terracotta kernos (vase for multiple offerings), Early Cycladic III–Middle Cycladic I, ca. 2300–2200 B.C., Cycladic, Terracotta, Overall: 13 5/8 in. (34.6 cm), Vases, Although the kernos was used in widely disparate regions during the

Fragment of Sash, 18th century, Attributed to Morocco, Fez, Silk, 21.13 in. high 6.25 in. wide (53.7 cm high 15.9 cm wide), Textiles-Woven

Pocket bottle, 1769–74, Possibly made in Manheim, Pennsylvania, United States; Possibly made in Elizabeth, Pennsylvania, United States, American, Blown pattern-molded glass, H. 5 in. (12.7 cm), Glass, Attributed to American Flint Glass

Saint John, mid-13th century, Made in Umbria probably, Italy, Italian, Poplar covered with canvas, gesso, and tin foil; oil glazes, Overall: 57 1/2 x 15 1/8 x 3 1/4 in. (146.1 x 38.4 x 8.3 cm), Sculpture-Wood

Ax head with monkey figure, Middle Kingdom, Dynasty 12–13, ca. 1981–1640 B.C., From Egypt, Bronze or copper alloy, h. 8.2 cm (3 1/4 in); w. 7.1 cm (2 13/16 in); th. 0.9 cm (3/8 in

Glass squat alabastron (perfume bottle), Hellenistic, late 4th–early 3rd century B.C., Eastern Mediterranean or Italian, Glass; core-formed, Group II, H.: 4 1/16 in. (10.3 cm), Glass, Translucent light greenish yellow, with handles in same

Nakayama Tomisaburo in the role of An no Oyasu, Edo period (1615–1868), 2nd month, 1792, Japan, Polychrome woodblock print; ink and color on paper, 12 11/32 x 5 5/8 in. (31.4 x 14.3 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819