Images at Librifly

The Boating Party, 1853–56, Salted paper print, Image: 15.5 × 20 cm (6 1/8 × 7 7/8 in.), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales

西周 青銅壺, Wine Vessel (Hu), Western Zhou dynasty (1046–771 B.C.), late 9th–early 8th century B.C., China, Bronze, H. 21 3/4 in. (55.2 cm); W. 14 3/4 in. (37.5 cm), Metalwork, As the Shang animal mask lost its symbolic meaning

六十余州名所図会　壱岐　志作, Snowfall at Shimasaku, Iki Province, from the series Views of Famous Places in the Sixty-Odd Provinces, Edo period (1615–1868), ca. 1853, Japan, Polychrome woodblock print; ink and color on paper,

Box with Design of Pine, Bamboo, and Cherry Blossom, Edo period (1615–1868), 19th century, Japan, Sprinkled gold on lacquer (maki-e), Depth: 17 3/4in. (45.1cm), Lacquer, This covered box, part of a wedding trousseau, comprised of

Agate scarab, Classical, 450–400 B.C., Etruscan, Banded agate, H.: 3/4 x 5/8 in. (1.9 x 1.6 cm), Gems, Herakles and a standing man. The carving of the latter is in an unfinished state

Fille de Lanxchow, 1870s, Albumen silver print from glass negative, 23.7 x 19.2 cm (9 5/16 x 7 9/16 in.), Photographs, Raimund von Stillfried (Austrian, 1839–1911

Player of a transverse flute, 18th century, Etching, sheet: 9 1/16 x 7 1/2 in. (23 x 19 cm), Prints, Anonymous, French, 18th century

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 1/2 in. (34.6 × 24.1 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Fragmentary terracotta cup, 2nd century A.D., Roman, Terracotta, H. 8.31 cm., Vases, On the sides of the cup is barbotine decoration inset with small chunks of colored glass

Bag, 14th–early 16th century, Peru, Peruvian, Cotton, camelid hair, Height 7-1/2 in., Textiles-Woven

Terracotta kylix: band-cup (drinking cup), Archaic, ca. 540 B.C., Greek, Attic, Terracotta; black-figure, 3 × 7 1/4 × 6 5/16 in. (7.6 × 18.4 × 16 cm), Vases, Obverse, woman and egg-laying goose, between geese, Reverse, riders. The

Morning after the Snow at Koishikawa in Edo (Koishikawa yuki no ashita), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　礫川雪の旦, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome

Visiting a Friend in Autumn, Edo period (1615–1868), Japan, Hanging scroll; ink and color on paper, Image: 53 11/16 x 11 9/16 in. (136.4 x 29.4 cm), Paintings, Okada Beisanjin (Japanese, 1744–1820), The water swirls beneath the pilings of

Terracotta head of a woman, Hellenistic, 3rd–2nd century B.C., Greek, South Italian, Tarentine, Terracotta, H. 10 1/2 in. (26.7 cm), Terracottas, Since fine, hard stone such as marble was not readily available, Tarentine artists used

[Carpenter and Apprentice], ca. 1844, Salted paper print from paper negative, 15.5 x 14.9 cm (6 1/8 x 5 7/8 in. ), Photographs, Attributed to William Henry Fox Talbot (British, Dorset 1800–1877 Lacock), Though lacking the absolute precision

Fox by Mystic Fire, Edo period (1615–1868), Japan, Album leaf; lacquer on paper, 4 1/2 x 3 1/2 in. (11.4 x 8.9 cm), Paintings, Shibata Zeshin (Japanese, 1807–1891

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 3/16 × 1 7/16 × 1/4 in. (3 × 3.6 × 0.7 cm), Vases

String of ninety-seven glass eye beads, 6th–4th century B.C., Greek, Eastern Mediterranean, Glass; rod-formed, 28 1/2 in. (72.4 cm), Glass, Most of the beads are decorated with eight eyes, arranged in four pairs, but some have only three

Glass miniature jar, Late Imperial, 4th–5th century A.D., Roman, Glass; blown and trailed, H.: 15/16 in. (2.4 cm), Glass, Translucent cobalt blue; one trail in same color, zigzag trail and base ring in opaque brownish red., Everted rim,

[The Countess Canning, Simla], 1861, Albumen silver print, Image: 24.4 x 19 cm (9 5/8 x 7 1/2 in.), Photographs, Unknown

Pottery Whistle, Pre-Columbian, 300–1200, Veracruz, Mexico, Mexican (Veracruz), Clay, Overall: H. 7.4 x W. 5.5 x D. 7.6cm, 80 g. (2 15/16 x 2 3/16 x 3in., 0.2lb.), Aerophone-Whistle Flute-whistle

Figure from a model boat, Middle Kingdom, Dynasty 12, ca. 1981–1640 B.C., From Egypt, Memphite Region, Lisht South, Double Row of Pits, Pit 6L.P13, 1923–24, Wood, paint, h. 8.8 cm (3 7/16 in

Vase fragment, Early Minoan II, Minoan, Terracotta, 2 5/16 × 2 7/16 × 3/16 in. (5.9 × 6.2 × 0.5 cm), Vases

(12) [Persepolis, (W: before restoration), 1840s–60s, Albumen silver print, Photographs, Luigi Pesce (Italian, 1818–1891

Fragment of a terracotta architectural tile, Archaic, 6th century B.C., Lydian, Terracotta, Overall: 4 11/16 x 5 in. (11.9 x 12.7 cm), Terracottas, Fragment, lotus palmette

Hutchings Hotel, Yosemite, ca. 1872, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

Terracotta kylix (drinking cup), Hellenistic, ca. 330–300 B.C., Greek, South Italian, Campanian, Teano, Terracotta; applied color, diameter 5in. (12.7cm), Vases, Decorated with ivy vine and stamped pattern

Fragment, 4th–5th century, Attributed to Egypt, Wool, linen; plain weave, weft loop weave, 5 3/16 in. high 4 7/8 in. wide (13.2 cm high 12.4 cm wide), Textiles

Sardonyx ring stone, Late Republican or Imperial, ca. 1st century B.C.–3rd century A.D., Roman, Sardonyx, Length: 11/16 in. (1.7 cm), Gems, Ares (mars) standing, fully armed with spear and shield

Glass dish, Late Imperial, 4th century A.D., Roman, Glass; blown, 1 11/16 × 9 1/2 in. (4.3 × 24.1 cm), Glass, Colorless with pale blue green tinge. Rounded rim folded out and down; concave side to body, tapering downwards then curving

名所江戸百景　浅草　金龍山, The Kinryusan Temple at Asakusa, Edo period (1615–1868), 1856, Japan, Polychrome woodblock print; ink and color on paper, H. 13 3/8 in. (34 cm); W. 8 3/4 in. (22.2 cm), Prints, Utagawa Hiroshige

Clock, 1815–20, Made in Paris, France, Gilt bronze, 19 x 14 1/8 in. (48.3 x 35.9 cm), Metal, Dubuc (active ca. 1780–1819), After the War of 1812 imported French clocks in gilt-bronze cases depicting allegorical subjects were marketed

Terracotta pelike (jar), Hellenistic, ca. 330–310 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, H. 19 5/8 in. (49.8 cm), Vases, Obverse, woman seated between youth and woman; above, Eros with fillet, woman, and swan

Large jar with peony decoration, 백자 청화 동화 모란 무늬 항아리 조선, Joseon dynasty (1392–1910), second half of the 19th century, Korea, Porcelain with underglaze cobalt-blue and copper-red design, H. 15 in. (38.1 cm),

Xiantang Estuary, Song dynasty (960–1279), ca. 1200, China, Album leaf; ink and color silk, 9 1/8 x 9 3/8 in. (23.2 x 23.8 cm), Paintings, In the style of Xia Gui (Chinese, active ca. 1195–1230

Vessel, Shang dynasty (ca. 1600–1046 B.C.), 16th–11th century B.C., China, Bronze, H. 7 3/4 in. (19.7 cm), Metalwork

Nose from a terracotta mask, Archaic, 6th century B.C., Greek, Laconian, Terracotta, Other: 2 5/8 in. (6.7 cm), Terracottas, This nose comes from one of the numerous masks found at the sanctuary of Artemis Orthia

Portrait of a Young Woman Holding a Mask, ca. 1750s, Mezzotint, sheet: 19 1/4 x 14 1/4 in. (48.9 x 36.2 cm), Prints, Johann Lorenz Haid (German, Kleineislingen 1702–1750 Augsburg), After Giovanni Battista Piazzetta (Italian, Venice

Bedroom Scene, Edo period (1615–1868), ca. 1739, Japan, Polychrome woodblock print; ink and color on paper (hand colored), 10 3/4 x 15 in. (27.3 x 38.1 cm), Prints, Okumura Masanobu (Japanese, 1686–1764

Vase, Qing dynasty (1644–1911), 19th century, China, Copper, cloisonné, H. 2 1/2 in. (6.4 cm), Cloisonn

東海道五十三次之内　川崎　六郷渡舟, Ferry Boat Crossing the Rokugo River, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 15/32 x 14 3/4 in. (24.1 x 37.5 cm), Prints, Utagawa

Carpet, 18th century, Attributed to Azerbaijan, Kuba, Wool (warp, weft and pile); symmetrically knotted pile, Rug: L. 125 1/8 in. (317.8 cm), Textiles-Rugs

Watercolor of musician playing ruan(?), late 18th century, China, Chinese, Watercolor on paper, Overall: 43.2 x 35.6 x 1.3cm (17 x 14 x 1/2in.), Works on Paper

The Lake at the Foot of Half Dome, 1861, Albumen silver print from glass negative, Image: 16 1/2 × 20 9/16 in. (41.9 × 52.3 cm), Photographs, Carleton E. Watkins (American, 1829–1916

Ochanomizu in the Rain, Edo period (1615–1868), mid-19th century, Japan, Polychrome woodblock print; ink and color on paper, H. 10 1/4 in. (26 cm); W. 13 3/4 in. (34.9 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861), The closely

Print, Meiji period (1868–1912), ca. 1906, Japan, Polychrome woodblock print; ink and color on paper, 12 1/2 x 8 7/8 in. (31.8 x 22.5 cm), Prints, Munakata

Time Banished by Truth, n.d., Pen and black and gray ink, brush and gray wash, over black chalk, 16 x 13 1/4 in. (40.6 x 33.7 cm), Drawings, Jean Jacques de Boissieu (French, Lyons 1736–1810 Lyons

Butterfly, Ming dynasty (1368–1644), 17th century, China, Jade (nephrite), H. 2 1/8 in. (5.4 cm); W. 3 9/16 in. (9 cm); D. 1/4 in. (0.7 cm), Jade, The butterfly is usually associated with joy and weddings, but as its name (hudie) is a pun

Caricature of the Painter Pierre-Charles Jombert, 1773–75, Black chalk, 41 15/16 x 16 13/16 in. (106.5 x 42.7 cm), Drawings, François André Vincent (French, Paris 1746–1816 Paris

[Mosque of the Shah], 1840s–60s, Albumen silver print, Photographs, Possibly by Luigi Pesce (Italian, 1818–1891

Terracotta neck-amphora (jar), Classical, late 5th century B.C., Greek, South Italian, Campanian, Terracotta; black-glaze, H. 11 5/8 in. (29.5 cm), Vases, The Owl-Pillar Group represents one of the first workshops active in Campania,

Carnelian scaraboid seal, Late Classical, probably 4th century B.C., Greek, Carnelian, Length: 5/8 in. (1.6 cm), Gems, Zebu bull

Pioneer's Cabin, 1865–66, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

Bai tou weng, Edo period (1615–1868), 1789, Japan, Polychrome woodblock print; ink and color on paper, 10 x 14 7/8 in. (25.4 x 37.8 cm), Prints, Kuwagata Keisai (Japanese, 1764–1824

Saint Adalbert and Saint Procopius, ca. 1490–1500, Oil on spruce, gold ground, Painted surface, including black border, 27 1/8 x 17 in. (68.9 x 43.2 cm), Paintings, Master of Eggenburg (Austrian, Tirol, active 1490–1500

Glass amphoriskos (perfume bottle), Classical, late 6th–5th century B.C., Greek, eastern Mediterranean, Glass; core-formed, Group I, H.: 3 7/8 in. (9.8 cm), Glass, Opaque white, with knob-base in same color; trail in translucent purple.

Portrait of a Woman, 1642, Oil on canvas, 34 3/8 x 28 in. (87.3 x 71.1 cm), Paintings, Ferdinand Bol (Dutch, Dordrecht 1616–1680 Amsterdam), This is one of three portraits of women by Bol inscribed 1642, the earliest known date on paintings

Album di disegni fotogenici, 1839–40, Photogenic drawings, 28.5 x 22 cm (11 1/4 x 8 11/16 in. ), Albums, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock), Likely Sebastiano Tassinari (Italian, 1814–1888), One of the most

Bell, Western Han dynasty (206 B.C.–A.D. 9), China, Bronze, H. 20 in. (50.8 cm); W. 12 in. (30.5 cm), Metalwork

Lead figure of a flute-player, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, 1 5/8 in. (4.2 cm), Miscellaneous-Lead, The figure shares with other examples the two horn-like projections on his head. Since he does not have a tail or

Terracotta scyphus (drinking cup), Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Terracotta; lead-glazed ware, H. 2 5/8 in. (6.7 cm), Vases, Green-glazed with heads of Dionysos and figures of satyrs

Mrs. John Wood Dodge (Mary Louise Dodge), 1836, Made in United States, Watercolor on ivory, 4 3/4 x 3 5/8 in. (12.1 x 9.2 cm), Paintings, John Wood Dodge (1807–1893), The subject was the artist's wife and cousin

Eye idol, Middle Uruk, ca. 3700–3500 B.C., Syria, Tell Brak, Gypsum alabaster, 3 in. (7.6 cm), Stone-Sculpture

Lead figure of a warrior with a helmet and shield, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 1 7/8 in. (4.8 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the

Three Courtesans Weaving Silk, Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, 9 1/4 x 12 3/4 in. (23.5 x 32.4 cm), Prints, Nishikawa Sukenobu (Japanese, 1671–1750

Sugar bowl, 1812–27, Made in Boston, Massachusetts, United States, American, Blown glass with applied decoration, H. 6 3/16 in. (15.7 cm); Diam. 5 1/4 in. (13.3 cm), Glass, Attributed to Thomas Cains (active 1812–ca. 1820), The

Terracotta ring vase, Geometric, 8th century B.C., Greek, possibly Cumaean, Terracotta, H. 10 in. (25.4 cm), Vases, Vases with a vertical ring-shaped body occur sporadically in the Greek world. The present example is noteworthy for the

Ragini Des Variri: Page from a Dispersed Ragamala Series (Garland of Musical Modes), ca. 1680, India (Madhya Pradesh, Malwa), Ink and opaque watercolor on paper, 7 1/4 x 6 in. (18.4 x 15.2 cm), Paintings

Comb Morion, ca. 1580–90, possibly Brunswick, Lower Saxony, German, possibly Brunswick, Steel, brass, leather, H. 12 1/2 in. (31.75 cm); W. 9 1/2 in. (24.13 cm); D. 16 1/2 in. (41.9 cm); Wt. 3 lb. 15 oz. (1771 g), Helmets

Porringer, ca. 1740, Made in Boston, Massachusetts, United States, American, Silver, Overall: 1 13/16 x 8 1/8 in. (4.6 x 20.6 cm); 8 oz. 14 dwt. (270.1 g), Silver, Jacob Hurd (American, Boston, Massachusetts 1702/3–1758 Boston,

Glass mosaic bowl fragments, Hellenistic, 2nd–1st century B.C., Greek, Glass; cast, H.: 5 in. (12.7 cm), Glass, Translucent deep turquoise blue, opaque white, yellow, and red., Hemispherical bowl fragment with a vertical rim with rounded

Faience amulet of Taweret, Late Dynastic–Hellenistic, 664–30 B.C., Egyptian, Clay, glazed, H.: 1 3/4 in. (4.4 cm), Gold and Silver, Amulet, Thueris

Priest Nichiren in Exile on Sado Island, Edo period (1615–1868), ca. 1830, Japan, Polychrome woodblock print; ink and color on paper, Oban:, H. 9 3/4 in. (24.8 cm); W. 14 11/16 in. (37.3 cm), Prints, Utagawa Kuniyoshi (Japanese,

Statuette of a woman votary, 5 ?, ca. 700–500 B.C., Greek, Laconian, Lead, Height: 1 1/8 in. (2.9 cm), Miscellaneous-Lead

Young Court Lady, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 1/4 in. (21 x 18.4 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Two Pierrots Balancing on Swans and Two Dancers, 1820–75, Cutout in blue paper, mounted on an album sheet, sheet: 6 7/16 x 4 7/8 in. (16.4 x 12.4 cm), Cut Paper, Hans Christian Andersen (Danish, Odense 1805–1875 Copenhagen

Takashima Ohisa Using Two Mirrors to Observe Her Coiffure, Edo period (1615–1868), ca. 1795, Japan, Polychrome woodblock print; ink and color on paper, 13 3/4 x 9 7/8 in. (34.9 x 25.1 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

Glass bowl, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, Height: 2 in. (5.1 cm), Glass, Colorless with pale blue green tinge Vertical, rounded, and thickened rim; vertical sides to body, then curving in to applied base ring;

Alabaster alabastron (perfume vase), Archaic or Classical, 6th–5th century B.C., Cypriot, Calcite (alabaster), H. 10 1/4 x 2 1/8 in. (26 x 5.4 cm), Miscellaneous-Stone Vases, The alabastron is particularly large in size. The two vertical

Hamlet, Horatio, Marcellus and the Ghost (Shakespeare, Hamlet, Act 1, Scene 4), September 29, 1796, Stipple engraving; published state, Image: 17 in. × 23 7/16 in. (43.2 × 59.5 cm), Prints, After Henry Fuseli (Swiss, Zürich 1741–1825

Landscape with Drunken General and Servant, Ming dynasty (1368–1644), China, Fan mounted as an album leaf; ink and color on silk, 8 5/8 x 9 3/16 in. (21.9 x 23.3 cm), Paintings, Unidentified Artist, Formerly Attributed to Hao Cheng (Chinese,

Glass jar, Early Imperial, 2nd half of 1st–mid-2nd century A.D., Roman, Glass; blown, H.: 5 3/8 in. (13.7 cm), Glass, Translucent blue green. Rounded, flaring, tubular rim, folded out and down, forming collar around neck; broad ovoid

'A Bathhouse Keeper is Consumed by Passion for his Beloved', Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, 1597–98, Made in present-day Pakistan, Lahore, Main support: Ink, opaque watercolor and gold on paper, Image: H. 10 in. (25.4

東海道五十三次　袋井, Fukuroi, from the series The Fifty-three Stations of the Tōkaidō Road, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige

Limestone statuette of a male votary with Cypriot shorts and a diadem, Archaic, early 6th century B.C., Cypriot, Limestone, Overall: 15 1/8 x 4 7/8 x 3 1/4 in. (38.4 x 12.4 x 8.3 cm), Stone Sculpture, Male votary with Cypriot loin-cloth

Siege Helmet, ca. 1650–1700, French, Steel, H. 13 (33 cm); W. 8 1/8 in. (20.64 cm); D. 11 3/8 in. (28.9 cm); Wt. 22 lb. 6 oz. (10.17 kg), Helmets

Wine-Cup and Fan, Edo period (1615–1868), early 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 5 1/8 in. (21 x 13 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

Sculptures sur la façade postérieure du grande Temple de Dendérah (Tentyris), 1849–50, Salted paper print from paper negative, Image: 6 1/8 × 8 9/16 in. (15.5 × 21.8 cm), Photographs, Maxime Du Camp (French, 1822–1894

Lobster on a Piece of Charcoal with Other New Year Decorations, 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 x 6 13/16 in. (12.7 x 17.3 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca.

Interior View, Edo period (1615–1868), ca. 1788, Japan, Polychrome woodblock print; ink and color on paper, 15 3/8 × 10 3/16 in. (39.1 × 25.9 cm), Prints, Katsukawa Shunchō (Japanese, active ca. 1783–95

Spatula, Cypriot, Bronze, Other: 6 5/16in. (16cm), Bronzes

Terracotta amphora (jar), Archaic, ca. 600 B.C., Greek, Attic, Terracotta; black-figure, H. 22 11/16 in. (57.6 cm), Vases, Obverse and reverse, head of a horse. The so-called Horse-Head amphorae were produced during the first half of the

Grand Pylone du Palais de Karnac, Thèbes, 1849–50, Salted paper print from paper negative, Image: 5 7/8 × 8 1/8 in. (14.9 × 20.7 cm), Photographs, Maxime Du Camp (French, 1822–1894

Lead wreath, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 15/16 in. (2.5 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient sanctuaries of Laconia; over one

Terracotta rim fragment with hatched form, Early Minoan III, ca. 2300–2100 B.C., Minoan, Terracotta; White-on-dark ware, Other: 4 1/2 in. (11.4 cm), Vases, From Gournia, Crete. Rim fragment with hatched form

Terracotta stemless kylix (drinking cup), Late Classical, ca. 410–380 B.C., Greek, South Italian, Lucanian, Terracotta; red-figure, width 11 1/8in. (28.2cm), Vases, Interior, satyr leaning on a pillar, Exterior, obverse, woman holding

Bronze arrowhead, 6th–4th century B.C. or later, Greek or Achaemenid, Bronze, Other: 1 1/4 in. (3.2 cm), Bronzes, With midrib and socket

Maison Jeanne d'Arc, Rouen, 1900s, Platinum print, Photographs, Frederick H. Evans (British, London 1853–1943 London

Sugar bowl, 1830–65, Made in New Jersey, United States, American, Blown glass with applied decoration, H. 7 1/2 in. (19.1 cm), Glass

Terracotta pelike (wine jar), Late Classical, ca. 375–350 B.C., Greek, Attic, Terracotta; red-figure, H. 11 in. (28 cm), Vases, Obverse, battle between Arimaspeans and griffins, Reverse, three youths conversing. The Greek historian