Images at Librifly

Jérusalem, Vallée de Josaphat, Tombeau de St. Jacques, 1854, Salted paper print from paper negative, Image: 23.3 x 31.7 cm (9 3/16 x 12 1/2 in.), Photographs, Auguste Salzmann (French, 1824–1872), Ridiculed by fellow scholars for

Fragment of a terracotta neck-amphora (jar), Archaic, 6th century B.C., East Greek, Clazomenian, Terracotta, H. 2 1/8 in. (5.4 cm), Vases, Sphinx. The use of white dots for articulation is characteristic of Clazomenian vase-painting

St. Andrews. The College Church of St. Salvator, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland

Gold rosette with the head of a griffin, Archaic, ca. 630–620 B.C., Greek, Rhodian ?, Gold, H. 7/8 in. (2.2 cm), Gold and Silver, This is one of a half-dozen ornaments of special shapes still in existence; four belong to a group found on

The Mystic Capture of the Unicorn (from the Unicorn Tapestries), 1495–1505, South Netherlandish, Wool warp with wool, silk, silver, and gilt wefts, Overall: 78 x 25 1/2 in. (198.1 x 64.8 cm), Textiles-Tapestries, In these two fragments of

Lacquer Paintings of Various Subjects: Stack of Rice and Dragonflies, Meiji period (1868–1912), 1882, Japan, Lacquer on paper, 7 1/2 x 6 1/2 in. (19.1 x 16.5 cm), Paintings, Shibata Zeshin (Japanese, 1807–1891), The strong color effect

Izaak Walton's House at Shallowford, Staffordshire, 1880s, printed 1888, Photogravure, 13.7 x 19.5 cm. (5 3/8 x 7 11/16 in.), George Bankart (British

Five Swallows above a Branch, 歌川広重画, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, 15 1/8 x 5 1/8 in. (38.4 x 13 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

A Party of Merrymakers, ca. 1635–38, Oil on wood, 14 3/4 x 19 1/2 in. (37.5 x 49.5 cm), Paintings, Pieter Jansz. Quast (Dutch, Amsterdam (?) 1605/6–1647 Amsterdam), Viewers of the time would have taken in at a glance not only the off-key

Teapot, ca. 1790, Made in New York, New York, United States, American, Silver, Overall: 6 7/8 x 11 3/8 in. (17.5 x 28.9 cm); 20 oz. 1 dwt. (624 g), Silver, Simeon A. Bayley (active 1784–99

Grand Pianoforte, ca. 1840, London, England, United Kingdom, British, Satinwood veneer, oak, spruce, iron, steel, ebony, ivory, gilding, mother-of-pearl, holly, mahogany, burl walnut, tulipwood, silver wire, Height (Total): 37 1/2

Polonaise' Carpet, first half 17th century, Attributed to Iran, probably Isfahan, Cotton (warp and weft), silk (weft and pile), metal-wrapped thread; asymmetrically knotted pile, brocaded, Rug: L. 161 in. (408.9 cm), Textiles-Rugs, The

Mirror ? or plate, Bronze, Other: 6 11/16 x 6 1/4 in. (17 x 15.9 cm), Bronzes

Bedroom Scene, Edo period (1615–1868), ca. 1739, Japan, Polychrome woodblock print; ink and color on paper (hand colored), 10 3/4 x 15 1/8 in. (27.3 x 38.4 cm), Prints, Okumura Masanobu (Japanese, 1686–1764

Butard, 1912, French, a, b) linen, Two related dresses, ‘La Rosière’ (virtuous young girl) and 'Le Butard' (after Poiret's retreat, the Pavillon de Butard in La Celle-Saint-Cloud), are from the spring collections of 1911 and 1912,

Small Boy Wearing a Black Hat Holding a Heart, 18th century, Cut paper with gouache and watercolor, in a wood and gilt-metal frame, Overall: 2 9/16 x 2 9/16 in. (6.5 x 6.5 cm), Cut Paper, Anonymous, Austrian, 18th century

Glass beaker or lamp, Late Imperial, 4th century A.D., Roman, Eastern Mediterranean, Glass; blown, blobbed, and cut, H.: 2 3/4 in. (7 cm), Glass, Translucent yellow green; blobs in translucent cobalt blue., Bulging, cracked-off rim;

Woodwork of a Room from the Colden House, Coldenham, New York, ca. 1767, Made in Orange County, Coldenham, New York, United States, American, Pine, 252 x 213 x 113 in. (640.1 x 541 x 287 cm), Architecture, The woodwork in this room came

Volute-krater fragment, Late Classical, ca. 350–300 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, 7 7/16 x 3 1/2in. (18.9 x 8.9cm), Vases

Chiyoda Castle (Album of Women), Meiji period (1868–1912), 1895, Japan, Polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm), Prints, Yōshū (Hashimoto) Chikanobu (Japanese,

Sash Fragment, 7th century, Peru, Rio Grande de Nasca, Nasca, Camelid hair, Overall: 1 5/8 x 135 1/2 in. (4.11 x 344.17 cm), Textiles-Woven

Jérusalem, Saint-Sépulcre, Face Ouest, Rue du Patriarche, 1854, Salted paper print from paper negative, Image: 32.4 × 23.8 cm (12 3/4 × 9 3/8 in.), Photographs, Auguste Salzmann (French, 1824–1872

Bodhisattva Amoghapasa, Leaf from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript, Pala period, 12th century, India (Bihar or West Bengal), Ink and color on palm leaf, Image: 2 in. × 21 3/8 in. (5.1 × 54.3 cm),

[Soldier and Military Camel], 1866, Albumen silver print from glass negative, Image: 24.2 x 30.7 cm (9 1/2 x 12 1/16 in.), Photographs, Gustave Le Gray (French, 1820–1884), Though he was the most influential and renowned photographer in

Poem on Lanzhou, Ming dynasty (1368–1644), China, Folding fan mounted as an album leaf; ink on gold paper, 6 x 19 in. (15.2 x 48.3 cm), Calligraphy, Xing Tong (Chines, 1551–1612

Statuette of a woman votary, 5 ?, ca. 700–500 B.C., Greek, Laconian, Lead, Height: 1 1/8 in. (2.8 cm), Miscellaneous-Lead

東海道五十三次之内　品川　鮫洲朝之景, Shinagawa Samesu Asa no Kei, Edo period (1615–1868), ca. 1842, Japan, Polychrome woodblock print; ink and color on paper, 8 27/32 x 13 1/2 in. (22.5 x 34.3 cm), Prints, Utagawa

Lady Ruthven, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

'Khusrau Seated on his Throne', Folio 64 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524–25, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper, Page: H. 12 5/8 in. (32.1 cm), Codices, Painting by

魚づくし　鰹に桜, Katsuo Fish with Cherry Buds, from the series Uozukushi (Every Variety of Fish), Edo period (1615–1868), 1830s, Japan, Polychrome woodblock print; ink and color on paper, 10 1/16 x 14 9/16 in. (25.6 x 37 cm),

Bobbin lace border with scallops, 1630–40, Italian, Bobbin lace with needle lace bars, L. 39 x W. 4 inches (99.1 x 10.2 cm), Textiles-Laces

Vue du Village d'Herment, 1849–50, Salted paper print from paper negative, Image: 6 in. × 8 3/8 in. (15.3 × 21.3 cm), Photographs, Maxime Du Camp (French, 1822–1894

Minaret oriental de la Mosquée du Khalif Hakem, au Kaire, December 27, 1849, Salted paper print from paper negative, Image: 8 7/16 × 6 1/8 in. (21.5 × 15.5 cm), Photographs, Maxime Du Camp (French, 1822–1894

Ruines et Village de Begueh, petite île à l'Ouest de Philae, April 11, 1850, Salted paper print from paper negative, Image: 5 7/8 × 8 3/8 in. (14.9 × 21.2 cm), Photographs, Maxime Du Camp (French, 1822–1894

Youth Sleeping in a Chair, ca. 1771–72, Black chalk, heightened with white on brownish paper, 17 3/4 x 13 1/4 in. (45 x 33.6 cm), Drawings, François André Vincent (French, Paris 1746–1816 Paris

Fragment of a terracotta oinochoe (jug), Archaic, 7th century B.C., East Greek, Wild Goat Style, Terracotta, 4 9/16 x 4 7/16in. (11.5 x 11.3cm), Vases, Grazing goat

Alabaster alabastron (perfume vase), Archaic or Classical, 6th–5th century B.C., Cypriot, Calcite (alabaster), H. 4 7/8 in. (12.4 cm), Miscellaneous-Stone Vases, There are two small lugs on the upper part of the body

Cottage Residences; or a Series of Designs for Rural Cottages and Cottage-Villas, and Their Grounds, Adapted to North America, 1842, Illustrations: wood engraving with watercolor tipped in, 9 1/2 x 6 3/16 x 1 in. (24.2 x 15.7 x 2.5 cm

Terracotta situla (bucket), Late Classical, ca. 350–300 B.C., Greek, South Italian, Apulian, Gnathian, Terracotta; applied color, H. 5 11/16 in. (14.5 cm), Vases, In relief, spout in the form of a lion's head; head of Dionysos under

Seal Impression Attatched to a Fiber Tie from Tutankhamun's Embalming Cache, New Kingdom, Dynasty 18, ca. 1336–1327 B.C., From Egypt, Upper Egypt, Thebes, Valley of the Kings, Embalming Cache of Tutankhamun (KV 54), Davis/Ayrton

Terracotta hydria (water jar), Hellenistic, ca. 330–300 B.C., Greek, South Italian, Apulian, Terracotta; black-glaze, H. 28 5/8 in. (72.7 cm), Vases, A wreath—now almost lost—circles the neck

Mosque Lamp, second half 14th century, Attributed to Syria, Glass; enameled, H. 10 11/16 in. (27.1 cm), Glass

Room from the Powel House, Philadelphia, 1765–66, remodeled 1769–71, Made in Philadelphia, Pennsylvania, United States, American, Wood and plaster, Architecture, The house at 244 South Third Street in Philadelphia from which this room

Gournah (Thèbes), Colosses (Celui de Droite, Dit de Memnon), 1851–52, printed 1853–54, Salted paper print from paper negative, 23.9 x 30.5 cm. (9 7/16 x 12 in.), Photographs, Félix Teynard (French, 1817–1892

Pair of Weighted Fasteners, Central Javanese period, 8th–early 10th century, Indonesia (Java), Gold, Overall (each): H. 1 9/16 in. (4 cm); Diam. 1 5/8 in. (4.1 cm), Jewelry

Sugar Bowl, 1735–55, American, Silver, Overall: H. 3 1/2 in. (8.9 cm); 8 oz. 8 dwt. (261.2 g), Silver

Terracotta juglet, Cypro-Archaic II, 750–480 B.C., Cypriot, Terracotta, H. 5 5/16 in. (13.5 cm), Vases, The tubular spout at the front may have served for pouring or for use of the vase as a feeding bottle

The Second Ichikawa Komazo as a Boatman Standing on the Deck of a Barge, Edo period (1615–1868), ca. 1793?, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 5 5/8 in. (32.4 x 14.3 cm), Prints, Katsukawa Shun'ei (Japanese,

Dagger with Sheath, late 18th–early 19th century, Iranian, Steel, copper alloy, enamel, gold, glass, L. 17 1/16 in. (43.3 cm); Wt. 23.4 oz. (664.0 g); Dagger: L. 15 1/8 in. (38.4 cm); L. of blade 9 1/8 in. (23.2 cm); W. 2 in. (5.1 cm); Wt.

五箇国人物呑託之図, People of the Five Nations, Edo period (1615–1868), 1861, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Image: 14 1/4 x 29 1/2 in. (36.2 x 74.9 cm), Prints, Utagawa Yoshitora (Japanese,

Pin, eyelet type, Cypriot, Bronze, Other: 3 3/4in. (9.5cm), Bronzes

Terracotta oinochoe (jug), Hellenistic, ca. 325–300 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, H. with handle 16 3/4 in. (42.6 cm), Vases, Nike driving a chariot preceded by Eros with a situla (bucket). The oinochoai are

Vajrasattva, 8th century, India (Jammu and Kashmir, ancient kingdom of Kashmir), Brass with silver inlay, H. 6 5/8 in. (16.9 cm); W. 3 7/8 in. (9.8 cm); D. 2 3/4 in. (7 cm), Sculpture, The Esoteric Buddhist deity Vajrasattva holds a stylized

Lachrymae, ca. 1894–95, Oil on canvas, 62 x 24 3/4 in. (157.5 x 62.9 cm), Paintings, Frederic, Lord Leighton (British, Scarborough 1830–1896 London), Leighton titled this work Lachrymae, the Latin word for “tears.” Advance press for

Pitcher, ca. 1843–67, Made in Sandwich, Massachusetts, United States, American, Blown and cut glass, H. 9 in. (22.9 cm); Diam. 5 1/2 in. (14 cm), Glass

Kneeling statuette of King Amasis, Late Period, Saite, Dynasty 26, 570–526 B.C., From Egypt, Bronze, precious metal inlay and leaf, h. 11 cm (4 5/16 in); w. 4.8 cm (1 7/8 in); d. 6 cm (2 3/8 in), The childlike appearance of this kneeling

Hunting Trophies, ca. 1870, Albumen silver print, Image: 32.4 x 25.4 cm (12 3/4 x 10 in.), Photographs, Unknown (British), Shikar, or big game hunting, was an immensely popular pastime for the ruling class in India prior to British rule. When

Silver swivel ring with ivory scarab in gold setting, Archaic, 7th–early 5th century B.C., Cypriot or Phoenician, Silver, ivory, 3/8 × 9/16 × 3/4 in. (1 × 1.4 × 1.9 cm), Gems, Swivel ring with Egyptian ivory scarab; cartouche of

元 倪瓚 虞山林壑圖 軸, Woods and Valleys of Mount Yu, Yuan dynasty (1271–1368), dated 1372, China, Hanging scroll; ink on paper, Image: 37 1/4 x 14 1/8 in. (94.6 x 35.9 cm), Paintings, Ni Zan (Chinese, 1306–1374), In 1366, Ni

Terracotta basin with four handles, Late Helladic IIIA-B, ca. 1400–1190 B.C., Mycenaean, Terracotta; Coarse ware, H. 6 3/4 in. (17 cm.), Vases, Course ware basin with four handles

Pochette, 17th century, Augsburg, Germany, German, Wood, tortoise shell, silver, gut, 16 9/16 × 1 9/16 × 1 3/4 in. (42 × 4 × 4.5 cm), Chordophone-Lute-bowed-unfretted

Limestone pinecone from a funerary cippus, Imperial, ca. 30 B.C.–A.D, Roman, Cypriot, Limestone, Overall: 9 x 5 1/2 in. (22.9 x 14 cm), Stone Sculpture, The large pinecone is circular at its base, for insertion into a funerary cippus.

The Eleventh Month, Edo period (1615–1868), ca. 1767, Japan, Polychrome woodblock print; ink and color on paper, H. 10 in. (25.4 cm); W. 7 3/8 in. (18.7 cm), Prints, Ishikawa Toyomasa (Japanese, active 1770–1790

Pendant Brooch with Cameo of Enthroned Virgin and Child and Christ Pantokrator, late 1000s–1100s (cameo); 1100s–1300s (mount), Byzantine, Chalcedony cameo; gold mount with pearls, emeralds, garnets, sapphires, and a sardonyx intaglio,

Anne Elizabeth Cholmley (1769–1788), Later Lady Mulgrave, Oil on wood, Overall 7 1/8 x 5 3/4 in. (18.1 x 14.6 cm); painted surface 6 x 4 3/4 in. (15.2 x 12.1 cm), Paintings, Gainsborough Dupont (British, Sudbury, Suffolk 1754–1797 London

Pectoral with Face, 1st–7th century, Colombia, Calima (Yotoco), Gold (hammered), H. 8 3/4 x W. 11 x D. 1 3/8 in. (22.2 x 27.9 x 3.5 cm), Metal-Ornaments, A large H-shaped nose pendant almost entirely obscures the face at the center of this

Shirt, 1300–1470, Peru, Chimú, Camelid fiber, cotton, H. 19 1/2 x W. 44 1/2 in. (49.5 x 113 cm), Textiles-Woven, Male attire in the Chimú period consisted of a relatively wide shirt worn over an elaborate loincloth. The finest examples

Title plate: Le Medaglie del Doni Fiorentino, ca. 1548, Engraving, Prints, Engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara

Terracotta two-handled bowl with spout, Late Cypriot I-IIIA, ca. 1600–1150 B.C., Cypriot, Terracotta; White slip ware, H. 8 in. (20.3 cm); diameter 11 in. (28 cm), Vases, Lateral handles and tubular spout, lattice ornament

Jérusalem, Saint-Sépulcre, Entrée principale, 1854, Salted paper print from paper negative, Image: 23.4 x 32.4 cm (9 3/16 x 12 3/4 in.), Photographs, Auguste Salzmann (French, 1824–1872), Unlike later tourist views produced by the

Clothes Chest and Clothes Press, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 7 3/4 x 13 3/4 in. (19.8 x 35 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Terracotta bowl with wishbone handle, Late Cypriot I, ca. 1600–1450 B.C., Cypriot, Terracotta; Base-Ring Ware, H. 3 5/8 in. (9.2 cm); diameter 6 7/8 in. (17.5 cm), Vases, Deep bowl with upright rim and horned handle, without decoration

Equestrian Portrait of Cornelis (1639–1680) and Michiel Pompe van Meerdervoort (1638–1653) with Their Tutor and Coachman ('Starting for the Hunt'), ca. 1652–53, Oil on canvas, 43 1/4 x 61 1/2in. (109.9 x 156.2cm), Paintings, Aelbert Cuyp

Plaque fragment with battle scene, Neo-Assyrian, ca. 9th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 1.14 x 3.03 in. (2.9 x 7.7 cm), Ivory/Bone-Reliefs

Boutique Fleurs, 1925, Matte albumen silver print from glass negative, Image: 22.5 × 17.7 cm (8 13/16 × 6 15/16 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Head of Medusa, cameo 1840–50, mount ca. 1860, Italian, executed in England (London), Red jasper mounted in gold with white enamel, Overall (isible cameo): 2 1/8 in. (5.3 cm), 53.2 mm, Lapidary Work-Gems, Cameo by Benedetto Pistrucci

Terracotta statuette of a deer, Archaic, late 6th century B.C., Greek, Terracotta, H. 4 7/16 in. (11.3 cm), Terracottas, Traces of paint can be seen on this statuette: yellow on the plinth and on the deer; red on all four feet, on the nose,

History of Kamakura, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 1/4 in. (21 x 18.4 cm), Prints, Kubo Shunman (Japanese, 1757–1820

The Lonely Glen, 1853–56, Salted paper print, Image: 16 × 21 cm (6 5/16 × 8 1/4 in.), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales

Lamp, Roman, Cypriot, Terracotta, Overall: 1 x 3 3/4 in. (2.5 x 9.5 cm), Terracottas

Grand oboe, ca. 1650, Boxwood, brass, Total L.: 74.3 cm (28.74 in.), Aerophone-Reed Vibrated-double reed, This instrument is a unique example of a transitional stage in the development of the oboe. It is probably identical with the grand hoboy

西周 青銅盉, Spouted Wine Vessel (He), Western Zhou dynasty (1046–771 B.C.), late 11th–early 10th century B.C., China, Bronze, H. 12 1/2 in. (31.8 cm); W. 8 1/2 in. (21.6 cm); D. 12 1/2 in. (31.8 cm), Metalwork, The animal motifs on

Vase, 1898–1902, Made in New York, New York, United States, American, Enamel on copper, H. 2 5/16 in. (5.9 cm), Metal, Tiffany Glass and Decorating Company (American, 1892–1902

The Cabinet-Maker and Upholsterer's Guide: being a Complete Drawing Book; in which will be comprised Treatises on Geometry and Perspective, as applicable to the above branches of mechanics, 1828, Illustrations: engraving, etching, aquatint,

Seascape, Ming dynasty (1368–1644), China, Fan mounted as an album leaf; ink and color on silk, 9 3/8 x 10 1/4 in. (23.8 x 26.0 cm), Paintings, Unidentified Artist

The Mieidō Fan Shop, 御影堂扇屋図, Edo period (1615–1868), ca. 1785–93, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Each H. 15 1/8 in. (38.4 cm); W. 10 1/8 in. (25.7 cm), Prints, Utagawa Toyokuni I

Pax, ca. 1581, Engraving, sheet: 11 1/8 x 8 3/16 in. (28.3 x 20.8 cm), Prints, after Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp

[View from Photographer's Studio], 1851–54, Salted paper print from paper negative, 26.1 x 35.1 cm (10 1/4 x 13 13/16 in.), Photographs, Gustave Le Gray (French, 1820–1884

Tarascon, Viaduc, ca. 1861, Albumen silver print from glass negative, Image: 27 x 44.2 cm (10 5/8 x 17 3/8 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Young Woman Looking over Shoulder of Another who is Writing a Letter, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 27 1/8 in. (68.9 cm); W. 4 13/16 in. (12.1 cm), Prints, Torii Kiyonaga (Japanese,

Yokohama torai Amerika shonin ryoko no zu, 横浜渡來亜墨利加商人旅行之図, American Merchant Strolling in Yokohama, Edo period (1615–1868), 1861 (1st month), Japan, Polychrome woodblock print; ink and color on paper, 14 x 10 in.

The Waterloo Medal, model begun 1819, electrotype produced 1849–52, British, Bronze electrotype, Diameter: 5 1/4 in. (13.3 cm), Medals and Plaquettes, The profiles are those of the monarchs whose allied forces defeated Napoleon: Frederick

Terracotta oinochoe (jug), Late Classical, ca. 350–330 B.C., Greek, South Italian, Apulian, Canosan, Terracotta; applied color, H. 7 5/8 in. (19.3 cm), Vases, Decorated with ivy vine

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 11/16 × 1 1/2 × 3/16 in. (4.2 × 3.7 × 0.5 cm), Vases

Glass beaker, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, Height: 3 3/16in. (8.1cm), Glass, Colorless with deep blue green tinge. Rounded, outsplayed rim; cylindrical body with sides expanding slightly downwards, then sloping

Oinochoe, Late Classical, 4th century B.C., Greek, South Italian, Apulian, Terracotta, H. 16.79 cm., Vases

青紫縮緬地菊模様着物　（襲付）, Kimono Ensemble with Chrysanthemums, Taishō period (1912–26), Japan, Silk, metallic thread, (a): H (shoulder to hem) 62 in. (157.5 cm); W (wrist opening to wrist opening) 49 in. (124.5 cm),

Cista, foot, Bronze, H. 5.11 cm., Bronzes

Terracotta patera (shallow bowl with handle), Hellenistic, late 4th–early 3rd century B.C., Greek, South Italian, Apulian, Terracotta, Overall: 2 1/2 x 10 3/4in. (6.4 x 27.3cm), Vases, Yellow-slipped pottery is unusual in Apulia but

Long cushion cover, ca. 1600, British, Linen worked with silk and metal thread; chain, stem, plaited braid, couching, and detached buttonhole stitches, H. 20 7/8 x W. 34 1/2 inches (53 x 87.6 cm) Framed: H. 24 1/4 x W. 37; D. 1 1/2 inches