Images at Librifly

Russian Officer with His Wife, Edo period (1615–1868), 1861, Japan, Polychrome woodblock print; ink and color on paper, Oban 13 3/4 x 9 3/4 in. (34.9 x 24.8 cm), Prints, Utagawa Yoshiiku (Japanese, 1833–1904

Nubie. Philoe, 1850, Salted paper print (Blanquart-Évrard process) from paper negative, Photographs, Maxime Du Camp (French, 1822–1894

Dagger and Sheath, late Eastern Zhou (770–256 B.C.)–Han (206 B.C.–A.D. 220) dynasty, ca. 3rd century B.C., China, Bronze, gold, Dagger and sheath L. 9 in. (22.9 cm); Dagger (hilt only) 3 11/16 in. (9.4 cm), Metalwork

Angel of the Annunciation, 1430–40, Made in the Veneto or Friuli, Northeast Italy, Italian, Istrian Limestone, gesso, gilt, Overall: 37 1/2 x 14 3/4 in., 155lb. (95.3 x 37.5 cm, 70307.5g), Sculpture-Stone, This image of archangel

Glass beaker or lamp, Late Imperial, 4th century A.D., Roman, Glass; blown, blobbed, and cut, H.: 3 5/8 in. (9.2 cm), Glass, Colorless with pale green tinge; translucent cobalt blue blobs. Thick, uneven rim, cracked off and ground,

近代 吳石僊 春江煙雨 扇面, Misty Rain on the River in Spring, Qing dynasty (1644–1911), China, Folding fan mounted as an album leaf; ink on gold-flecked paper, 7 1/8 x 20 1/4 in. (18.1 x 51.4 cm), Paintings, Wu Shixian (Chinese,

Statuette of a youth with duck, Etruscan, Bronze, H.: 4 1/8 in. (10.5 cm), Bronzes, Holding duck in right hand

[Durbar Held at Governor Generals Camp, 1859], 1859, Albumen silver print, Image: 21.7 x 27.1 cm (8 9/16 x 10 11/16 in.), Photographs, Unknown

宋 佚名 倣李成 寒林策驢圖 軸, Travelers in a Wintry Forest, Song dynasty (960–1279), early 12th century, China, Hanging scroll; ink and color on silk, Image: 63 3/4 × 39 1/2 in. (161.9 × 100.3 cm), Paintings, Unidentified

Bandō Mitsugorō II as Ishii Genzō in the Play 'Hana Ayame Bunroku Soga', Edo period (1615–1868), 1794, Japan, Polychrome woodblock print; ink, color, white mica on paper, H. 15 in. (38.1 cm); W. 9 15/16 in. (25.2 cm), Prints, Tōshūsai

Otsu, 東海道五十三次　大津, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

Lead figure of a winged goddess, possibly Artemis Orthia, Archaic, late 7th–6th century B.C., Greek, Laconian, Lead, Height: 1 3/8 in. (3.5 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great

北齊 南響堂山石窟 彩繪石雕佛頭像（石灰岩）, Head of a Buddha, Northern Qi dynasty (550–577), ca. 565–75, China (Southern Xiangtangshan), Limestone with pigment, H. 15 1/2 in. (39.4 cm); W. 10 in. (25.4 cm); D. 12 in.

Mirror, 12th century, Attributed to Iran, Bronze; cast, chased, Diam. 7 5/8 in. (19.4 cm), Metal, The casting technique for this mirror, known as sand casting, was introduced to Iran from China around the mid-eleventh century. The form,

Terracotta neck-amphora (jar), Archaic, ca. 510–500 B.C., Greek, Attic, Terracotta; black-figure, H. 18 3/8 in. (46.7 cm); diameter of mouth 8 5/16 in. (21.1 cm); diameter of foot 6 1/8 in. (15.5 cm), Vases, Obverse, women and man at

Lower Meguro (Shimo Meguro), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　下目黒, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on paper, 10 1/4 x 15

Plaque fragment, Neo-Assyrian, ca. 8th–7th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 0.67 x 0.24 in. (1.7 x 0.61 cm), Ivory/Bone-Reliefs, Built by the Assyrian king Ashurnasirpal II, the palaces and storerooms of

[George Gordon (?)], 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

The Ninth-Month Kabuki Dance 'Kikujido', Edo period (1615–1868), ca. 1796, Japan, Polychrome woodblock print; ink and color on paper, 8 1/2 x 6 in. (21.6 x 15.2 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo

Terracotta amphora with lid (jar), Late Classical, 4th century B.C., Greek, Attic, Terracotta; black-glaze, H. 19 13/16 in. (50.3 cm), Vases, A gilt laurel wreath circles the neck

Crested Yellow Bird and Hibiscus, Edo period (1615–1868), ca. 1832, Japan, Polychrome woodblock print; ink and color on paper, 14 7/8 x 5 1/8 in. (37.8 x 13 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Miniature Tunic, 12th–13th century, Peru, Ica Valley, Ica, Cotton, feathers, H. 11 1/4 x W. 11 in. (28.6 x 27.9 cm), Textiles-Featherwork

Terracotta inkwell and bronze stylus, Imperial, 1st?2nd century A.D., Roman, Terracotta, H. 2 in. (5.1 cm), Vases, Inkwell stamped on the bottom CN·HE. The inkwell is decorated with three theatrical masks in relief on the upper face. It was

Women at Takanawa Beach, Edo period (1615–1868), ca. 1790s, Japan, Polychrome woodblock print; ink and color on paper, 15 13/16 x 9 3/8 in. (40.2 x 23.8 cm), Prints, Utagawa Toyokuni I (Japanese, 1769–1825), Utagawa Toyokuni,

War Hammer, 16th century, Saxony, German, Saxony, Steel, silver, L. 22 1/2 in. (57.2 cm); L. of head 5 in. (12.7 cm); W. 6 1/8 in. (15.6 cm); Wt. 2 lbs. 8 oz. (1134 g), Shafted Weapons

[View in the Gardens at Netherley], ca. 1856–59, Albumen silver print, 19.5 x 24.6 cm (7 11/16 x 9 11/16 in.), Photographs, Horatio Ross (British, Rossie Castle, near Montrose, Scotland 1801–1886 Scotland

Glass pendant bead in the shape of a plumbline, Archaic or Classical, ca. 7th–5th century B.C., Greek or Etruscan, Glass; rod-formed and trailed, Overall: 2 x 7/8 in. (5.1 x 2.2 cm), Glass, Dark green, appearing opaque black; trail in

Gold diadem, Classical, 4th century B.C., Cypriot, Gold, Other: 6 15/16 in. (17.6 cm), Gold and Silver, The diadem was made for funerary use

Glass amphoriskos (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H.: 2 5/8 in. (6.7 cm), Glass, Translucent cobalt blue, with handles and base-knob in same color; trails

Mantel, ca. 1825–30, Made in Italy, Italian, Marble, 52 1/2 x 68 3/16 x 9 7/8 in. (133.4 x 173.2 x 25.1 cm), Architecture

Set of four three-light sconces (bras de lumière), ca. 1787–88, French, Paris, Gilt bronze, Each: H. 32 x W. 15 x D. 10 1 /4 in. (81.3 x 38.1 x 26.0 cm), Metalwork-Gilt Bronze, Music was one of Marie-Antoinette’s lifelong diversions. She

Terracotta head of a youth, Archaic, early 5th century B.C., Greek, Sicilian or South Italian, Terracotta, H. 3 1/2 in. (9 cm), Terracottas, Head of a youth broken off from a large statuette

Cathédrale de Louviers, vue générale, 1852–54, Salted paper print from glass negative, 32.6 x 25.4 cm (12 13/16 x 10 in. ), Photographs, Edmond Bacot (French, 1814–1875

The Holy Family with Saint Mary Magdalen, ca. 1495–1500, Distemper on canvas, 22 1/2 x 18 in. (57.2 x 45.7 cm), Paintings, Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua), From 1460 Mantegna painted in Mantua for the

Kabuki Actors Ichikawa Yaozō II, Nakajima Mihoemon II, Ichikawa Ebizō III, and Ichimura Uzaemon IX in the Play Sugawara’s Secrets of Calligraphy (Sugawara denju tenarai kagami),

Figure Whistle, 3rd–7th century, Peru, Moche, Gold, H. 2 in. (5.1 cm), Metal-Musical Instruments, This small hollow figure whistle is made of hammered gold sheet joined along the sides. It is similar to the numerous ceramic whistles found in

Skyphos, Early Hellenistic, ca. 325–300 B.C., Greek, South Italian, Apulian, Terracotta, H. 14.76 cm. Diameter w/ handles 23.5 cm., Vases

Wall painting from Room H of the Villa of P. Fannius Synistor at Boscoreale, Late Republican, ca. 50–40 B.C., Roman, Fresco, Overall: 70 x 40 1/4in. (177.8 x 102.2cm), Miscellaneous-Paintings, Standing woman holding a shield: from the grand

Poodle, 19th century, British, Lustreware, Height: 3 in. (7.6 cm), Ceramics-Pottery, Mary Atwood

Glass striped mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 13/16 x 1 in. (2.1 x 2.5 cm), Glass, Body fragment., Translucent purple, turquoise blue and opaque yellow

Figures in a Colonnade, n.d., Pen and black ink, brush and gray and blue wash, heightened with white, over black chalk, 23 1/16 (including added strip at bottom) x 17 9/16 in. (58.6 x 44 .7 cm), Drawings, Hubert Robert (French, Paris

Vase fragment, Archaic, East Greek/Sardis, Lydian, Terracotta, Overall: 3 1/8 x 3in. (7.9 x 7.6cm), Vases

Panel of Saint John the Baptist with Scenes from His Life, 1464–1507, Made in Aragon, Spain, Spanish, Tempera on wood, gold ground, 59 1/2 x 28 5/8 in. (151.1 x 72.7 cm), Paintings-Panels, Domingo Ram (Spanish, Aragon, active

Scene of the Drama 'Oakinai Hiru-ga-Koshima', Edo period (1615–1868), 1784–85, Japan, Polychrome woodblock print; ink and color on paper, 15 1/8 x 10 1/4 in. (38.4 x 26 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

Fontana di Trevi, 1848–52, Albumen print from glass negative, Image: 11 1/4 × 8 9/16 in. (28.6 × 21.7 cm), Photographs, Eugène Constant (French, active Italy, 1848–55

Guidobaldo II della Rovere, Duke of Urbino (1514–1574), Wearing an Armor by Filippo Negroli, ca. 1580–85, Italian, Oil on copper, 5 1/2 x 4 in. (14 x 10.2 cm); frame: 7 1/8 x 4 7/8 in. (18.1 x 12.5 cm), Paintings, Guidobaldo II della

[Man Whittling a Stick], 1850–55, Daguerreotype, 8.3 x 7.0 cm (3 1/4 x 2 3/4 in.), Photographs, Unknown (American), The 'wily Yankee' was a popular mid-nineteenth-century stage character from American regional theater. With tricks of cunning

Caryatid, 1912, cast 1913, Bronze, 18 3/4 x 6 1/2 x 5 1/2 in. (47.6 x 16.5 x 14 cm), Sculpture, Gertrude Vanderbilt Whitney (American, New York 1875–1942 New York), This figure was a study for one of three standing male nudes that support

Banded agate amphoriskos (perfume bottle), Early Imperial, Augustan or early Julio-Claudian, late 1st century B.C.–early 1st century A.D., Roman, Banded agate, H. 2 3/8 in. (6.0 cm), Miscellaneous-Stone Vases, In Hellenistic and Roman

Amethyst intaglio portrait of a man, Late Republican, ca. 50–40 B.C., Roman, Amethyst, H. 1 1/16 in. (2.7 cm), Gems, Portrait bust of Julius Caesar

The 5th Ichikawa Danjuro in the Role of Yamauba, Edo period (1615–1868), 12th month, 1775, Japan, Polychrome woodblock print; ink and color on paper, 12 5/16 x 5 1/2 in. (31.3 x 14.0 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Ile de Fîleh (Philæ), Premier Pylône, Inscription Française Gravée Sur L'Ébrasement Oriental, En M, 1851–52, Salted paper print from paper negative, Image: 23.7 x 30.6 cm (9 5/16 x 12 1/16 in.), Photographs, Félix Teynard (French,

Landscape, Qing dynasty (1644–1911), China, Folding fan mounted as an album leaf; ink on gold paper, 6 5/8 x 20 1/4 in. (16.8 x 51.4 cm), Paintings, Shen Hao (Chinese, active late 17th century

Onoe Matsusuke as a Kannen-Butsu or Mendicant Buddhist Monk, Edo period (1615–1868), ca. 1790?, Japan, Polychrome woodblock print; ink and color on paper, 12 7/32 x 5 5/8 in. (31.1 x 14.3 cm), Prints, Katsukawa Shunkō (Japanese,

浅草観音境内ニ於イテ興行仕候 佛蘭西曲馬, French Equestrian Circus on the grounds of Asakusa Kannon temple, (Asakusa kannon keidai ni oite kōgyō tsukawashi sōrō-Furansu kyokuba), 1871, Japan, Polychrome woodblock print; ink

Print, Edo period (1615–1868), ca. 1820, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 1/4 in. (21 x 18.4 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

Continental Porcelain Plate, Ohio, ca. 1878–89, American, Porcelain, Body diameter: 8 3/8 in. (21.3 cm), Ceramics, Joseph S. Potter (1822–1904

Lead figure of a warrior with spears and shield, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 1 5/8 in. (4.2 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the

Bird-Head Finial, Eastern Zhou dynasty (770–256 B.C.), 5th–3rd century B.C., China, Bronze, H. 2 1/8 in. (5.4 cm); L. 3 7/16 in. (8.6 cm), Metalwork

Vase, 1902–3, Made in New York, New York, United States, American, Favrile glass, 8 1/8 x 8 1/8 in. (20.6 cm), Glass, Tiffany Studios (1902–32

Mandarin Ducks in a Spring Landscape: Program for a Jururui Performance, Edo period (1615–1868), ca. 1807, Japan, Polychrome woodblock print (surimono); ink and color on paper, 15 3/4 x 21 5/8 in. (40 x 54.9 cm) (unfolded), Prints, Utamaro

Terracotta pelike (jar), Classical, ca. 480–470 B.C., Greek, Attic, Terracotta; red-figure, H. 10 7/8 in. (27.6 cm), Vases, Obverse, woman with mirror and wool basket Reverse, youth A major task of Athenian women was to weave. The wool

Terracotta pithoid jar, Late Helladic IIIA1-IIIA2early, ca. 1400–1325 B.C., Mycenaean, Terracotta, 5 11/16 × 4 5/8 in. (14.5 × 11.8 cm), Vases, On shoulder, spirals

Fuji Seen from Kanaya on the Tōkaidō (Tōkaidō Kanaya no Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei, 冨嶽三十六景　東海道金谷の不二, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome

米国グラント氏御通行之繁栄, Splendor of the Procession of General Grant from America (Beikoku Guranto-shi go tsūkō no han'ei), Meiji period (1868–1912), 1879, Japan, Triptych of polychrome woodblock prints; ink and color on

A Girl Reading (with a Sketch of Seated Woman), n.d., Charcoal, some stumping, 24 11/16 x 19 1/8 in. (62.7 x 48.5 cm), Drawings, Auguste Renoir (French, Limoges 1841–1919 Cagnes-sur-Mer

Saint James the Lesser, ca. 1500, Made in Castile, Spain, Spanish, Alabaster, Overall: 29 x 9 11/16 x 7 1/4 in. (73.6 x 24.6 x 18.4 cm), Sculpture-Stone, Workshop of Gil de Siloe (Spanish, active 1475–1505), The apostle Saint James was

Terracotta neck-amphora (jar), Classical, late 5th century B.C., Greek, South Italian, Campanian, Terracotta; black-glaze, H. 12 1/4 in. (31.1 cm), Vases, The Owl-Pillar Group represents one of the first workshops active in Campania,

Two Men, One Cutting a Silhouette, 1830–1900, Cut paper and ink wash, sheet: 15 13/16 x 13 1/16 in. (40.2 x 33.2 cm), Cut Paper, Anonymous, American, 19th century

[Seated Lady in Striped Dress with Four Little Girls], 1850s–60s, Coated salted paper print from glass negative, 15.5 x 19.4 cm. (6 1/8 x 7 5/8 in.), Photographs, Franz Antoine (Austrian, 1814–1882), During his tenure as director of the

Terracotta alabastron (perfume vase), Archaic, ca. 510–500 B.C., Greek, Attic, Terracotta; white-ground, H. 7 1/8 in. (18.1 cm), Vases, Two archers with dog hunting a feline. The archers in their oriental garb are connected with the Amazons

Blocs dans le chaos, St-Sauveur, 1853, Salted paper print from paper negative, Image: 10 1/16 × 13 9/16 in. (25.5 × 34.4 cm), Photographs, Joseph Vigier (French, 1821–1862

Album, Qing dynasty (?) (1644–1911), late 19th century, China, Album of twelve leaves; ink and color on pith paper, bound in red damask, 8 3/4 x 13 1/8 in. (22.2 x 33.3 cm), Paintings, Unidentified Artist Chinese

The Dream of Aeneas, 1660–65, Oil on canvas, 77 1/2 x 47 1/2 in. (196.9 x 120.7 cm), Paintings, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome), Rosa was much sought after for his landscapes, but his ambition was to succeed as a

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 1/4 × 1 1/2 × 3/16 in. (3.2 × 3.8 × 0.4 cm), Vases

東海道五十三次　岡部, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Terracotta pyxis (box), Protocorinthian, 7th century B.C., Greek, Corinthian, Terracotta, H. with lid 3 1/8 in. (7.9 cm); H. without lid 1 3/4 in. (4.4 cm), Vases, In Corinth, the earlier form of pyxis that began with Protogeometric examples

Fragment of a shell with a sculpted female head, Iron Age II, ca. 7th century B.C., Levant or Mesopotamia, Shell (Tridacna squamosa), 2 x 3 1/8 in. (5.1 x 7.9 cm), Shell-Vessels, The shell of a species of large clam (Tridacna squamosa),

Pier Table, 1820–25, Made in New York, New York, United States, American, Mahogany, marble, 37 x 17 x 42 1/2 in. (94 x 43.2 x 108 cm), Furniture, Holmes and Haines

Terracotta bowl fragment depicting a boar hunt, 1st half of 1st century A.D., Roman, Terracotta; Arretine ware, Other: 3 1/4 x 3 1/8 in. (8.3 x 7.9 cm), Vases, Rim fragment of Arretine bowl depicting a boar-hunt

Furniture element carved in the round, Neo-Assyrian, ca. 9th–8th century B.C., Syria, probably from Arslan Tash (ancient Hadatu), Assyrian, Ivory, 4.5 in. (11.43 cm), Ivory/Bone-Sculpture-Inscribed, During the early first millennium B.C.,

Bude, 1910s–20s, Platinum print, Photographs, Frederick H. Evans (British, London 1853–1943 London

La robe bouffante, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Calm Sea, after 1640, Oil on wood, 14 3/4 x 17 1/2 in. (37.5 x 44.5 cm), Paintings, Simon de Vlieger (Dutch, Rotterdam (?) ca. 1600/1601–1653 Weesp), The influential marine painter Simon de Vlieger lived in Rotterdam and Delft before

Mechanical casket, 1800–1810, Russian, St. Petersburg, Burr-maple, ebony and ebonized fruitwood, mahogany, birch, gold-colored silk and green baize, Overall: 7 1/4 x 16 x 9 1/2 in. (18.4 x 40.6 x 24.1 cm), Woodwork-Furniture, The design

Drop-leaf Table, 1817, Made in New York, New York, United States, American, Mahogany, white pine, ash, 28 11/16 x 37 7/8 x 45 3/4 in. (72.9 x 96.2 x 116.2 cm), Furniture, Michael Allison (1773–1855

Saint John the Baptist in the Wilderness, ca. 1510–15, Pen and brown ink with traces of black chalk and brush and grey ink, Diameter: 10 13/16 in. (27.4 cm), Drawings, Hans Süss von Kulmbach (German, Kulmbach ca. 1480–1522 Nuremberg

A Merry Evening Party, Edo period (1615–1868), ca. 1805, Japan, Triptych of polychrome woodblock prints; ink and color on paper, 14 3/8 x 29 in. (36.5 x 73.7 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

Pottery Sellers by the Church Door, 1910s, Gum bichromate print, Photographs, Henry Ravell (American, 1860–1930

Bottle in the Shape of a Pomegranate, New Kingdom, Ramesside, Dynasty 19–20, ca. 1295–1070 B.C., From Egypt, Glass, H. 6.5 cm (2 9/16 in), Pomegranate juice was prized as a drink, but it can also be used as an astringent to shrink

東海道五十三次　藤澤, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Buddha, Tang dynasty (618–907), mid-8th century, China, Marble, H. 21 1/2 in. (54.6 cm); W. 8 3/4 in. (22.2 cm); D. 8 1/2 in. (21.6 cm), Sculpture, The heaviness of this Buddha's face and body are typical of art dating from the second half

Needle-Holder with Spools and a Knife for Cutting Cloth, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 7/8 x 6 15/16 in. (14.9 x 17.6 cm), Prints, Shūchōdō Monoyana (Japanese, 1761–ca.

Jar, 1797–1819, Made in New York, New York, United States, American, Stoneware, H. 9 1/2 in. (24.1 cm); Diam. 6 3/4 in. (17.1 cm), Ceramics, Thomas Commeraw (active 1797–1819) or, David Morgan (active 1797–1802

Terracotta rim fragment from a shallow bowl, Early Minoan II, ca. 2900–2300 B.C., Minoan, Terracotta; Vasiliki ware, 2 15/16 × 3 3/16 × 7/16 in. (7.5 × 8.1 × 1.1 cm), Vases, Mottled colored surface

Three Poems, Ming dynasty (1368–1644), China, Folding fan mounted as an album leaf; ink on gold-flecked paper, 6 3/8 x 20 1/4 in. (16.2 x 51.4 cm), Calligraphy, Wen Zhengming (Chinese, 1470–1559), Wang Shou (Chinese, active early 16th

Glass two-handled bottle (amphoriskos), Early Imperial, 1st century A.D., Roman, Glass; blown, H.: 4 3/16 in. (10.6 cm), Glass, Translucent streaky cobalt blue; handles in translucent pale blue green. Flaring rim, with beveled outer lip;

Pen Box with a Europeanizing Landscape, late 17th–early 18th century, Made in Iran, Papier-maché; painted and lacquered, LengtH. 11 in. (27.9 cm), Lacquer, Hajji Muhammad, This pen box is signed by the later Safavid artist Haji Muhammad.

Pommel Plate, possibly 17th–18th century, Eastern Tibetan or Chinese, Iron, gold, silver, H. 10 1/4 in. (26 cm); W. 10 in. (25.4 cm), Equestrian Equipment-Saddles

Terracotta stemmed dish, Archaic, 6th century B.C., Etruscan, Terracotta; bucchero pesante, 4in. (10.2cm), Vases, The stemmed dish is a recurrent shape in Etruria as well as in various Archaic fabrics of Eastern Greece and Lydia. While the