Images at Librifly

Two Women, Japan, Polychrome woodblock print; ink and color on paper, 26 3/4 x 4 3/4 in. (67.9 x 12.1 cm), Prints, Attributed to Yumiaki Toriyama (Japanese, active ca. 1800

Glass ribbed bowl, Early Imperial, Augustan or Julio-Claudian, late 1st century B.C.–mid-1st century A.D., Roman, Glass; cast and cut, H.: 15/16 in. (2.4 cm), Glass, Translucent honey brown., Outsplayed rim, with almost pointed edge and

Coffeepot, 1705–35, Possibly made in New York, New York, United States, American, Silver, Overall: 10 5/16 x 7 5/8 in. (26.2 x 19.4 cm); 32 oz. 12 dwt. (1013.8 g), Silver, Marked by H. M

Portrait of a Man, probably a Member of the Van Beresteyn Family, 1632, Oil on canvas, 44 x 35 in. (111.8 x 88.9 cm), Paintings, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), The man is most likely Cornelis van

The Bridge at Shoreham, ca. 1829, Pen and brown ink, brush and black and gray wash and white gouache, over graphite, on gray-brown paper, sheet: 8 11/16 x 10 15/16 in. (22.1 x 27.8 cm), Drawings, Samuel Palmer (British, London 1805–1881

The Eighth Morita Kanya in the Role of Oboshi Yuranosuke, Edo period (1615–1868), 1787, Japan, Polychrome woodblock print; ink and color on paper, 12 x 5 1/2 in. (30.5 x 14.0 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819

Glass cameo plate fragment, Early Imperial, Julio-Claudian or Flavian, 1st century A.D., Roman, Glass; cast and cut, H.: 15.3 x 12.4 cm (6 x 4 7/8 in.), Glass, Translucent deep cobalt blue and opaque white., Thick-walled fragment of large

Pavilion with Figures, Five Dynasties (907–960)–early Song (906–1279) dynasty, China, Handscroll; ink and color on silk, 12 3/4 x 51 3/4 in. (32.4 x 131.4 cm), Paintings, Unidentified Artist Chinese, 10th century (?), Formerly

The Fifth Month, Edo period (1615–1868), ca. 1791, Japan, Polychrome woodblock print; ink and color on paper, H. 10 3/8 in. (26.4 cm); W. 7 1/2 in. (19.1 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

Terracotta statuette of a bear holding an oil lamp, Late Antique or Early Byzantine, 4th–7th century A.D., Roman, Terracotta, H. 6 in. (15.24 cm), Terracottas, Bear holding a lamp, standing on hind legs and tail

Bronze statuette of a youth with phiale, Archaic, Etruscan, Bronze, H.: 4 1/2 in. (11.4 cm), Bronzes, Statuette of a youth with phiale

Sir John McNeill, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

娘日時計　申ノ刻, Seru no Koku, Edo period (1615–1868), ca. 1795, Japan, Polychrome woodblock print; ink and color on paper, H. 14 15/16 in. (37.9 cm); W. 10 1/4 in. (26 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

Harry, 1858, Albumen silver print from glass negative, 13.8 x 9.9 cm. (5 7/16 x 3 7/8 in.), Photographs, Alfred Capel Cure (British, 1826–1896

Shabti, Middle Kingdom–Early New Kingdom, Dynasty 12–18, ca. 1981–1550 B.C., From Egypt, Granodiorite?, H.18 × W. 5.5 × D. 5.5 cm (7 1/16 × 2 3/16 × 2 3/16 in

Handayu, An Actor in a Female Role, Edo period (1615–1868), 1723–1792, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 6 1/8 in. (32.4 x 15.6 cm), Prints, Ippitsusai Bunchō (Japanese, active 1760–1794

Fashionable Seven Autumn Plants (Fūzoku aki nanakusa), Edo period (1615–1868), first half of the 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 15 in. × 10 1/8 in. (38.1 × 25.7 cm), Prints, Toyohara

Head of a Grotesque, ca. 1200–1220, Made in Champagne, France, French, Limestone, Overall: 14 x 11 3/4 x 13 3/4 in. (35.6 x 29.8 x 34.9 cm), Sculpture-Architectural, The comical effect of the muttonchop whiskers, bulbous nose, enormous

Lamp, 1850–67, Made in Sandwich, Massachusetts, United States, American, Blown and cut glass, H. 19 in. (48.3 cm), Glass, Boston & Sandwich Glass Company (American, 1825–1888, Sandwich, Massachusetts

Ugbrooke, Devon, 1809, Pen and gray ink and gray wash and pale yellow, blue and brown washes, sheet: 24 1/2 x 22 in. (62.2 x 55.9 cm), Drawings, John White Abbott (British, Exeter 1764–1851 Exeter), A native of Exeter in Devon, Abbott was

Print, Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, 6 1/2 x 5 in. (16.5 x 12.7 cm), Prints, Nishikawa Sukenobu (Japanese, 1671–1750

Glass mosaic inlay, Hellenistic, 1st century B.C.–1st century A.D., Egyptian, Roman, Glass; cast, Other: 1 1/2 in. (3.8 cm), Glass, Semi-opaque turquoise blue ground; decoration in opaque white and yellow, and translucent deep purple

[Riverside at Chandanagore?], 1858–61, Albumen silver print, Image: 15.1 x 23.2 cm (5 15/16 x 9 1/8 in.), Photographs, Unknown

宋 佚名 倣周文矩 宮中圖 卷, In the Palace, Song dynasty (960–1279), before 1140, China, Handscroll; ink and touches of color on silk, Image: 10 1/4 × 57 3/4 in. (26 × 146.7 cm), Paintings, Unidentified Artist Chinese, active

Glass alabastron (perfume bottle), Hellenistic, 2nd–1st century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group III, H.: 5 in. (12.7 cm), Glass, Translucent blue, with handles in light blue green; trail in opaque greyish

Hunford Mill, Surrey, 1855–57, Albumen silver print from glass negative, Image: 19.4 x 23.8 cm (7 5/8 x 9 3/8 in.), Photographs, Henry White (British, Scotland 1819–1903), Like Roger Fenton, whom he knew through the Photographic Society,

Bronze double axe, Late Bronze Age, ca. 1600–1050 B.C., Minoan, Bronze, L. 6 7/8 in. x H. 2 1/4 in. (17.5 x 5.7 cm), Bronzes, Axehead

Reluctant Leave-taking, Edo period (1615–1868), late 1760s, Japan, Polychrome woodblock print; ink and color on paper, H. 7 11/16 in. (19.5 cm); W. 9 9/16 in. (24.3 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770), The application of

Axehead, Early Bronze Age, ca. 3200–2000 B.C., Cypriot, Bronze, Other: 4 1/16in. (10.3cm), Bronzes

Lane, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Joined Fragments, early 19th century, Attributed to present-day Greece, Janina, Linen, silk, metal wrapped thread; plain weave, embroidered, H. 13 in. (33 cm), Textiles-Embroidered

Calligraphy, Ming dynasty (1368–1644), China, Folding fan mounted as an album leaf; ink on gold-flecked paper, 7 3/16 x 21 1/8 in. (18.3 x 53.7 cm), Calligraphy, Zhou Tianqiu (Chinese, 1514–1595

Bronze chisel, Late Minoan I, ca. 1600–1450 B.C., Minoan, Bronze, L. 10 3/8 in. (26.4 cm), Bronzes, With narrow handle and flat, blunt end

[Pourtalès, Metternich, Grande Duchesse de Mecklemboury, and Unknown Sitter], before 1865, Albumen silver prints from glass negatives, Image: 3 3/8 in. × 2 in. (8.6 × 5.1 cm) (each), Photographs, Pierre-Louis Pierson (French,

Bow Case, Quiver, and Belt (gzhu shubs dang mda' shubs), 15th–17th century, Tibetan or Mongolian, Leather, shellac, wood, iron, gold, pigment, Bow case; L. 25 in. (63.5 cm) W. 16 1/2 in. (41.9 cm); quiver; L. 20 in. (50.8 cm) W. 11 1/2

Awazu no Seiran, 近江八景之内　粟津晴嵐, Clearing Weather at Awazu, Edo period (1615–1868), 1797–1858, Japan, Polychrome woodblock print; ink and color on paper, 9 7/8 x 14 7/8 in. (25.1 x 37.8 cm), Prints, Utagawa Hiroshige

Philip Stanhope Worsley, 1866, Albumen silver print from glass negative, Image: 30.4 x 25 cm (11 15/16 x 9 13/16 in.), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

南宋 金處士 十王圖 軸, Ten Kings of Hell, Song dynasty (960–1279), before 1195, China, One of five of a set of ten hanging scrolls; ink and color on silk, Image: 51 x 19 1/2 in. (129.5 x 49.5 cm), Paintings, Jin Chushi (Chinese,

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 3 x 3in. (7.6 x 7.6cm), Vases

Nelson's Column under Construction, Trafalgar Square, first week of April 1844, Salted paper print from paper negative, Image: 17.1 x 21.2 cm (6 3/4 x 8 3/8 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Dish with Drunken Herakles Embracing Two Women, 1st century, Pakistan (ancient region of Gandhara), Schist, Diam. 6 1/8 in. (15.6 cm), Sculpture, This dish from the ancient region of Gandhara dates from the second century B.C. to the first

The Jo-ruri Narrator Tomimoto Buzendaya, Edo period (1615–1868), ca. 1795, Japan, Polychrome woodblock print; ink and color on paper, H. 15 1/2 in. (39.4 cm); W. 10 1/4 in. (26 cm), Prints, Rekisentei Eiri (Japanese, active ca. 1789–1801

Vase fragment, Helladic, Greek, Laconian, Terracotta, 1 3/4 x 1 1/4in. (4.5 x 3.2cm), Vases

The Bijin Kinko, Edo period (1615–1868), ca. 1766, Japan, Polychrome woodblock print; ink and color on paper, H. 8 3/16 in. (20.8 cm); W. 2 3/4 in. (7 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770

Stylobate Lion, early 13th century, Made in Reggio Emilia, Northern Italy, North Italian, Marble (Broccato Rosso di Verona), Overall: 26 x 17 7/8 x 25 1/4 in. (66 x 45.4 x 64.1 cm), Sculpture-Architectural, Alert and looking toward each

Judging a Horse, Ming (1368–1644) or Qing dynasty (1644–1911), China, Handscroll; ink and color on silk, 12 x 40 1/2 in. (30.5 x 102.9 cm), Paintings, Unidentified Artist, In the Style of Zhao Mengfu (Chinese, 1254–1322

Old Gateway, Raglan Castle, Monmouthshire, 1855, Albumen silver print, Photographs, J. Holden (British

The Valley of the Anio, with the Upper and Lower Cascatelle, Mecenas's Villa, and Distant Campagna, by 1858, Albumen silver print from glass negative, Image: 30.6 x 40.1 cm (12 1/16 x 15 13/16 in.), oval, Photographs, Robert Macpherson

Vishnu as Varaha, the Boar Avatar, Slays Banasur, A Demon General: Page from an Unknown Manuscript, ca.1800, India (Punjab Hills, Guler), Ink and opaque watercolor on paper, Overall: 12 1/2 x 9 1/2 in. (31.8 x 24.1 cm), Paintings, Vishnu

Feast in the House of Simon, 1699 or before, Pen and brown ink over red chalk and gray wash, heightened with white gouache, on brown paper; squared in pen and brown ink, sheet: 8 3/8 x 18 11/16 in. (21.2 x 47.5 cm), Drawings, Melchior Steidl

Throw Stick, New Kingdom, Dynasty 18, second half, ca. 1400–1295 B.C., From Egypt; Probably from Upper Egypt, Thebes, Hippopotamus ivory (tinted), l. 8.3 cm (3 1/4 in); w. 1.3 cm (1/2 in); th. 0.7 cm (1/4 in

Glass lentoid aryballos (perfume bottle), Late Classical or Hellenistic, 4th–3rd century B.C., Greek, Glass; core-formed, Group II, H.:1 15/16 in. (5 cm); D.:1 5/8 in. (4.2 cm), Glass, Translucent honey brown, with same color handles and

[Mosque of Nasser-eddin Shah, Teheran, Iran], 1840s–60s, Photographs, Luigi Pesce (Italian, 1818–1891

Fragmentary Band, 2nd century B.C., Peru, Rio Grande de Nasca, Nasca, Camelid hair, cotton, Overall: 2 x 59 1/2 in. (5.08 x 151.13 cm), Textiles-Woven

Trumpet, Pre-Columbian, ca. 400–700, Teotihuacan, Mexico, Teotihuacan, Pottery, polychrome, Height: 11 3/4 in. (29.8 cm), Aerophone-Lip Vibrated-trumpet / trombone

Ensemble, late 16th century, Spanish, silk, linen

Portrait of D.O. Hill, 1867, printed ca. 1900s, Gelatin silver print, 23.0 x 17.5 cm. (9 1/16 x 6 7/8 in.), Photographs, Thomas Annan (British, Dairsie, Fife, Scotland 1829–1887

Craftsman by the Twelve Sign of Zodiac, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 5/8 in. (34.6 × 24.4 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861

京都名所之内　八瀬之里, Village of Yase, Edo period (1615–1868), ca. 1832, Japan, Polychrome woodblock print; ink and color on paper, 8 3/4 x 14 in. (22.2 x 35.6 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

Group at Headquarters of the Army of the Potomac, Antietam, October 1862, 1862, Albumen silver print from glass negative, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, Height: 2 in. (5.1 cm), Glass, Translucent cobalt blue. Plain rounded rim; flaring mouth folded out, over, and in; cylindrical but slightly convex neck; globular

Bone disk or button, Late Cypriot II–III, ca. 1450–ca. 1050 B.C., Cypriot, Bone ?, Diam.: 1 5/16 in. (3.3 cm), No decoration

[Man Holding Patent Office Book], ca. 1857, Salted paper print from glass negative, 21.6 x 16.5 cm (8 1/2 x 6 1/2 in. ), Photographs, Attributed to Oliver H. Willard (American, active 1850s–70s, died 1875), O. H. Willard was active in

Sideboard Table, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 8 3/16 x 12 7/16 in. (20.8 x 31.6 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Glass Bottle with Faceted Decoration, 9th–10th century, Attributed to Iran, Glass, colorless; blown, cut, H. 5 5/8 in. (14.3 cm), Glass, The shape of this bottle seems to have been popular in glass as well as metal and glazed pottery.

Salver, 1735–45, Made in New York, New York, United States, American, Silver, H. 1 5/8 in. (4.1 cm); Diam. 10 15/16 in. (27.8 cm); 28 oz. 5 dwt. (878.7 g), Silver, Simeon Soumaine (baptized 1685–ca. 1750

Trade Card of Isaac Puller, Furniture Maker, 1714, Black printed type and annotated in pen and brown ink, sheet: 8 1/8 x 4 15/16 in. (20.7 x 12.5 cm), Prints

Birds, Insects and Flowers, Qing dynasty (1644–1911), 19th century, China, Album of seven leaves; ink and color on paper, H. 11 13/16 in. (30 cm), Paintings, Yi Zhai

Compass or divider, fragment, Bronze, Other: 6 5/8 in. (16.8 cm), Bronzes

Glass alabastron (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H.: 2 1/2 in. (6.4 cm), Glass, Translucent cobalt blue, with handles in same color; trails in opaque

Statuette of a warrior-7, Greek, Laconian, Lead, Height: 1 1/8 in. (2.9 cm), Miscellaneous-Lead

Kusonoki Tatewaki Masatsura (Warrior From the Book: Taiheiki), Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 1/4 in. (21 x 18.4 cm), Prints, Yashima Gakutei (Japanese,

End of the Year, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 13 x 8 3/4 in. (33 x 22.2 cm), Prints, Eishōsai Chōki (Japanese, active late 18th–early 19th century

Statuette of a man, 8th century B.C., Greek, Bronze, H. 2 3/4 in. (7 cm), Bronzes

Sandstone whetstone or polisher, Cypriot, Sandstone, H. 2 7/16 x 5/8 in. (6.3 x 1.5 cm), Miscellaneous-Stone, Grinder

Bronze statuette of a boy in the pose of an orator, Hellenistic, 3rd–2nd century B.C., Greek, Bronze, H.: 4 1/2 in. (11.4 cm), Bronzes, Wearing a himation

Aquamanile in the Form of a Human Head, last quarter 19th century, German or French, Paris (in fourteenth-century Hildesheim style), Bronze; Ternary copper alloy with a very high percentage of zinc (approx. 68% copper, H. 22.1 cm, w. 18.6 cm,

José Costa y Bonells (died l870), Called Pepito, ca. 1810, Oil on canvas, 41 3/8 x 33 1/4 in. (105.1 x 84.5 cm), Paintings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux), Pepito's father, Rafael Costa de

Young Monk Performing a Buddhist Rite (Shin Urashima); Illustration from Bungei Kurabu (Literary Club), Meiji period (1868–1912), Japan, Frontispiece; polychrome woodblock print; ink and color on paper, Album: 8 1/2 x 5 5/16 in. (21.6 x 13.5

Three Girls Drinking Sake, Edo period (1615–1868), ca. 1770, Japan, Polychrome woodblock print; ink and color on paper, 27 15/32 x 4 3/8 in. (69.8 x 11.1 cm), Prints, Isoda Koryūsai (Japanese, 1735–ca. 1790

月二拾八景之内　弓張月, Bow Moon, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 14 7/8 x 6 1/4 in. (37.8 x 15.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Dog, Edo period (1615–1868), late 17th century, Japan, Porcelain with overglaze enamels (Hizen ware, Kakiemon type), H. 6 1/4 in. (15.9 cm); W. 6 1/4 in. (15.9 cm); L. 8 7/8 in. (22.5 cm), Ceramics

Teapot, 1838–50, Made in Jersey City, New Jersey, United States, American, Earthenware, 3 5/8 x 6 7/8 x 4 5/8 in. (9.2 x 17.5 x 11.7 cm), Ceramics

[Broadway, New York City, in the rain], ca. 1860s, Albumen silver print, Photographs, Edward Anthony (American, 1818–1888), Henry T. Anthony (American, 1814–1884), Edward Anthony and his brother Henry were the founders of New York's

Glass inlay fragment, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Glass; cast, Other: 11/16 x 1 1/2 in. (1.8 x 3.9 cm), Glass, Translucent cobalt blue and opaque white., Fragment of thin, flat strip with beveled

Terracotta lydion (perfume jar), Archaic, 6th century B.C., Lydian, Terracotta, H.: 4 3/8 in. (11.1 cm), Vases, Because large numbers of such perfume jars have been found in Lydia, modern scholars have called the shape a lydion. It was

Purse, first quarter 17th century, British, Canvas embroidered with silk, silver, and silver-gilt thread, H. 4 1/2 to 5 1/4 x W. 4 1/2 to 5 3/4 inches (11.4 to 13.3 x 11.4 to 14.6 cm), Textiles-Embroidered

Terracotta oinochoe (jug), Geometric, ca. 750–740 B.C., Greek, Euboean, Terracotta, H. 14 1/16 in. (35.7 cm), Vases, On the neck, in metopes, tethered horses and birds The oinochoe comes from the same workshop as the large pedestaled

Frontispiece, 1727–60, Etching and engraving, Sheet (trimmed): 10 7/8 × 8 5/16 in. (27.6 × 21.1 cm), Prints, Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), After François Boucher (French, Paris 1703–1770 Paris

Fragments of a terracotta kylix (drinking cup), Archaic, ca. 520–510 B.C., Greek, Attic, Terracotta; red-figure, .a: 2 1/4 × 4 3/4 in. (5.6 × 12 cm), Vases, Interior, lyre-player and youth with kylix, Exterior, horse, youth, and

Glass striped mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 7/8 x 1 5/16 in. (2.1 x 3.4 cm), Glass, Body fragment., Translucent purple, turquoise blue and opaque yellow appearing

Glass bottle shaped like a bunch of grapes, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown in a two-part mold, H.: 3 3/8 in. (8.6 cm), Glass, Translucent blue green, with same color handle. Rim folded out, down, round, and in;

Zerghiandeh. Russian Minister's Country House, Teheran, 1858, Salted paper print from paper negative, Photographs, Luigi Pesce (Italian, 1818–1891

Jérusalem, Palais de rois de Jérusalem, Vue générale, 1854, Salted paper print from paper negative, Image: 23.3 x 33.3 cm (9 3/16 x 13 1/8 in.), Photographs, Auguste Salzmann (French, 1824–1872

The Second Nakamura Sukegoro as an Old Man, Edo period (1615–1868), ca. 1788?, Japan, Polychrome woodblock print; ink and color on paper, 11 13/16 x 5 5/8 in. (30.0 x 14.3 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812

Terracotta aryballos (oil flask), Protocorinthian, late 8th–early 7th century B.C., Greek, Corinthian, Terracotta, H. 2 in. (5.1 cm), Vases, Stripes around body

Route de Pierrefitte à Luz St Sauveur, 1853, Salted paper print from paper negative, Sheet: 12 in. × 18 9/16 in. (30.5 × 47.2 cm), Photographs, Joseph Vigier (French, 1821–1862

Terracotta amphora (jar), Archaic, ca. 540–530 B.C., Greek, Attic, Terracotta; black-figure, H. 11 5/8 in. (29.5 cm), Vases, Obverse, Theseus slaying the Minotaur, Reverse, men weighing merchandise. Discovered at Agrigento in Sicily

'Bahram Gur Entertained by the Daughters of Barzin', Folio from a Shahnama (Book of Kings), 1300–1330, Attributed to Northwestern Iran or Baghdad, Ink, opaque watercolor, silver, and gold on paper, Text block: 6 3/16 x 4 13/16 in. (15.7 x

Gold ring with glass paste ring stone, Archaic, 6th–5th century B.C., Greek or Cypriot, Gold, glass paste, Other: 7/8 in. (2.2 cm), Gold and Silver, Blue green paste, decayed