Images at Librifly

Stove Plate, 1782, Made in Morris County, New Jersey, United States, American, Cast-iron, 12 x 29 3/4 in. (30.5 x 75.6 cm), Metal, Cast by Hibernia Furnace , Morris County, New Jersey, Firebacks and single plates from stoves are about all

[Stables and Ivy Covered Tower], 1850s, Salted paper print from paper negative, Photographs, Unknown (British

Jar, ca. 1773, Made in Bucks County, Pennsylvania, United States, American, Earthenware; Redware with slip decoration, H. 10 in. (25.4 cm), Ceramics, Attributed to Christian Klinker (active 1773–98

Terracotta neck-amphora (jar), Archaic, ca. 510–500 B.C., Greek, Attic, Terracotta; black-figure, H. 15 13/16 in. (40.2 cm); diameter 10 13/16 in. (27.4 cm), Vases, Obverse, youth with sword pursuing woman, Reverse, Dionysos and satyrs.

Plate with concentric circles incised, Bronze, Diam.: 7 3/4 in. (19.7 cm), Bronzes

Glass amphoriskos (perfume bottle), Late Classical or Hellenistic, 4th–3rd century B.C., Greek, Eastern Mediterranean or Italian, Glass; core-formed, Group II, H.: 4 3/8 in. (11.1 cm), Glass, Translucent cobalt blue, with handles and

Rue des Petits Murs, Caen, 1852–54, Salted paper print from glass negative, 33.7 x 25.6 cm (13 1/4 x 10 1/16 in. ), Photographs, Edmond Bacot (French, 1814–1875

Glass bracelet, Hellenistic, late 3rd–2nd century B.C., Celtic, Glass; drawn and tooled, 7/8in. (2.3cm), Glass, Translucent cobalt blue., Seamless broad band with flattened semicircular cross section., On outer surface, two narrow ribs at

Bronze tweezers, 1st–2nd century A.D., Roman, Bronze, Other: 4 7/16 in. (11.3 cm), Bronzes, Tweezers made of bronze

The Building of Westminster Bridge, Oil on canvas, 24 x 44 3/8 in. (61 x 112.7 cm), Paintings, Samuel Scott (British, London ca. 1702–1772 Bath), To the left in this view of London and the Thames River is the still unfinished Westminster

Shaffron (Horse's Head Defense), late 15th–early 17th century, Tibetan or Mongolian, Iron, leather, gold, silver, brass or copper alloy, textile, H. 22 1/2 in. (57.2 cm); W. 24 7/8 in. (63.2 cm); Wt. 8 lb. 6.7 oz. (3818.7 g), Equestrian

Terracotta bowl, Late Minoan IB–IIA, ca. 1500–1450 B.C., Minoan, Terracotta; Monochrome fine dark-slipped ware, H. 2 7/8 in. (7.3 cm); diameter 4 1/16 in. (10.4 cm), Vases, Monochrome fine dark-slipped ware bowl with narrow foot and no

Vase fragment, Early Helladic, ca. 3000–2000 B.C., Aegean, Terracotta, Other: 2 5/16in. (5.9cm), Vases

Box with Butterflies and Ferns, 蝶蒔絵小箱, Meiji period (1868–1912), second half of the 19th century, Japan, Silver, gold hiramaki-e, takamaki-e mother-of-pearl inlay, H. 5 1/4 in. (13.3 cm); W. 5 1/4 in. (13.3 cm); D. 7 3/4 in. (19.7

La Tour St. Jacques La Boucherie à Paris, ca. 1867, Albumen silver print from glass negative, 40.7 x 30.6 cm. (16 x 12 1/16 in.), Photographs, Charles Soulier (French, 1840–1875), The freestanding Tour Saint-Jacques that one sees today in a

The Waterwheel at Onden (Onden no suisha), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　隠田の水車, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on

Window Seat, 1837, Made in New York, New York, United States, American, Mahogany, ash, pine, 16 1/4 x 44 3/4 x 14 in. (41.3 x 113.7 x 35.6 cm), Furniture, Workshop of Duncan Phyfe (1770–1854

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 5/8 in. (34.6 × 24.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

道中膝栗毛, The Practical Jokers Yajirobei and Kitahachi, Edo period (1615–1868), ca. 1840, Japan, Monochrome woodblock print; ink on paper, H. 9 in. (22.9 cm); W. 13 7/8 in. (35.2 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and tooled, Other: 1 3/16 x 1 1/2 in. (3.1 x 3.9 cm), Glass, Body fragment., Translucent honey brown, partially mixed with

Penllergare Garden From the Morning Room, 1853–56, Albumen silver print, Image: 15.2 × 20.2 cm (6 in. × 7 15/16 in.), Photographs, James Knight (British

A Farmer Entrusting the Plow to His Son, n.d., Brush and gray wash, over graphite. Framing lines in pen and brown ink. Squared in graphite. Verso of mount: figure in brush and gray wash., 15 7/16 x 19 1/2 in. (39.2 x 49.5 cm), Drawings,

A Young Man Seated between Two Women, Edo period (1615–1868), ca. 1749, Japan, Polychrome woodblock print; ink and color on paper, 4 1/4 x 6 7/8 in. (10.8 x 17.5 cm), Prints, Okumura Masanobu (Japanese, 1686–1764

Fibula, semi-circular type, Bronze, Other: 1 3/4 in. (4.4 cm), Bronzes

Stand (Tray with Handle), Edo period (1615–1868), 19th century, Japan, Sprinkled gold on lacquer (maki-e), H. 4 3/4 in. (12.1 cm); W. 10 1/4 in. (26 cm); D. 7 3/4 in. (19.7 cm), Lacquer, This tray, part of a wedding trousseau, comprised of

Soldier Playing the Theorbo, 1865, Oil on wood, 11 1/2 x 8 5/8 in. (29.2 x 21.9 cm), Paintings, Ernest Meissonier (French, Lyons 1815–1891 Paris

Colosse oriental du Spéos de Phré, à Abousembil (Portrait de Rhamsès-le-grand), March 1850, Salted paper print from paper negative, Image: 8 7/16 × 6 9/16 in. (21.5 × 16.6 cm), Photographs, Maxime Du Camp (French, 1822–1894

Volute-krater fragment, Archaic, late 6th century B.C., Greek, Attic, Terracotta; red-figure, Overall: 1 15/16 x 1in. (5 x 2.5cm), Vases

Studies of a Stag, n.d., Pen and brown ink, sheet: 2 11/16 x 4 3/16 in. (6.8 x 10.7 cm), Drawings, Attributed to Stefano da Verona (Stefano di Giovanni) (Italian, Verona (?) 1374/75–?ca. 1438 Castel Bragher

Otters Swimming, Meiji period (1868–1912), ca. 1890–92, Japan, Album leaf; silk, 13 1/2 x 10 7/8 in. (34.3 x 27.6 cm), Paintings, Seki Shūkō (Japanese, 1858–1915

Salt, 1740–45, Made in New York, New York, United States, American, Silver, 1 13/16 x 3 5/16 in. (4.6 x 8.4 cm); 4 oz. 15 dwt. (147.6 g), Silver, Charles Le Roux (baptized 1689–1745

Terracotta conical lekythos-oinochoe (combination oil flask and jug), Geometric, late 8th century B.C.–early 7th century B.C., Greek, Attic, Terracotta, H. 8 1/8 in. (20.7 cm), Vases

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 9/16 x 1 3/8 in. (1.4 x 3.5 cm), Glass, Base ring fragment., Translucent turquoise blue and yellow, partially mixed and

Lacquer Box and Gourd, Edo period (1615–1868), Japan, Album leaf; lacquer on gold paper, 4 3/4 x 3 1/2 in. (12.1 x 8.9 cm), Paintings, Shibata Zeshin (Japanese, 1807–1891

Girl Fishers and Bathers, Edo period (1615–1868), 1791, Japan, Triptych of polychrome woodblock prints; ink and color on paper, 7 7/16 x 14 3/5 in. (18.9 x 37.1 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

南宋 佚名 “三元得祿”圖扇頁, Gibbons Raiding an Egret's Nest, Southern Song dynasty (1127–1279), late 12th century, China, Fan mounted as an album leaf; ink and color on silk, Image: 9 1/2 in. × 9 in. (24.1 × 22.9 cm),

Terracotta bowl, Early Imperial, 1st century A.D., Roman, Terracotta; red-glaze, 2 5/8in. (6.7cm), Vases, Bowls of this form are represented at Pompeii, the Roman city in Italy that was destroyed by the eruption of Vesuvius in A.D. 79

Ladle, 1770–1800, Made in Providence, Rhode Island, United States, American, Silver, L. 6 1/4 in. (15.9 cm), Silver, Saunders Pitman (1732–1804

Furniture plaque carved in relief with two addorsed, ram-headed sphinxes, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 1 7/8 x 6 x 1/4 in. (4.7 x 15.2 x 0.7 cm), Ivory/Bone-Reliefs, Two

Glass network mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 7/16 in. × 5 1/8 in. × 1 11/16 in. × 1/16 in. (3.6 × 13 × 4.3 × 0.2 cm), Glass, Rim fragment., Translucent

Dutch Girl in White, 1907, Oil on canvas, 24 x 20 in. (61 x 50.8 cm), Paintings, Robert Henri (American, Cincinnati, Ohio 1865–1929 New York), Henri championed truth and vitality in life and art. He echoed in his paintings the dark palette

Vishnu and Lakshmi Supported by Garuda, 11th century, India (Jammu & Kashmir, ancient kingdom of Kashmir), Stone, H. 17 1/4 in. (43.8 cm); W. 12 1/2in. (31.8 cm); D. 5 1/2 in. (14 cm), Sculpture

Bassorilievo dell'arco di Tito, 1848–52, Albumen print from glass negative, Image: 11 5/16 × 8 5/8 in. (28.8 × 21.9 cm), Photographs, Eugène Constant (French, active Italy, 1848–55

Glass unguentarium (perfume bottle), Hellenistic, 3rd century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group II, Overall: 3 3/8 x 1 3/8in. (8.6 x 3.5cm), Glass, Translucent cobalt blue, with opaque yellow and white trails.

Fibula, semi-circular type, Bronze, Other: 2 11/16 in. (6.8 cm), Bronzes

Limestone statuette of a temple boy, 4th century B.C. ?, Cypriot, Limestone, Overall: 4 1/2 x 4 x 2 1/8 in. (11.4 x 10.2 x 5.4 cm), Cesnola Inscriptions, Crouching Temple Boy with dedication to Apollo

Square, 4th–5th century, Attributed to Egypt, Linen, wool; tapestry weave, H. 5 1/4 in. (13.3 cm), Textiles

Fishes, Meiji period (1868–1912), ca. 1890–92, Japan, Album leaf; silk, 13 5/8 x 10 7/8 in. (34.6 x 27.6 cm), Paintings, Seki Shūkō (Japanese, 1858–1915

[Two Stags and Roe Buck], ca. 1858, Salted paper print, 15.9 x 20.6 cm (6 1/4 x 8 1/8 in.), Photographs, Horatio Ross (British, Rossie Castle, near Montrose, Scotland 1801–1886 Scotland

A Pair of Lovers, Edo period (1615–1868), 1795, Japan, Polychrome woodblock print; ink and color on paper, H. 14 3/4 in. (37.5 cm); W. 10 in. (25.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

Netsuke in the Shape of Crab on a Lotus Leaf, 19th century, Japan, Ivory with metal disc, Diam. 1 3/4 in. (1.5 cm); D. 9/16 in. (1.5 cm), Netsuke, A crab of copper alloy sidles across this decaying lotus leaf. The upturned edges of the leaf and

Terracotta stirrup jar, Late Helladic III, ca. 1400–1050 B.C., Mycenaean, Terracotta, H. 4 11/16 in. (11.9 cm.), Vases, The stirrup jar is one of the most common Mycenaean shapes used to contain liquids such as oil or wine

Glass mosaic inlay fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Overall: 3/4 x 1 5/8 in. (1.9 x 4.1 cm), Glass, Translucent purple, opaque white and yellow, and colorless., Flat plaque.,

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 11/16 x 1 in. (1.7 x 2.5 cm), Glass, Thin-walled body fragment., Translucent purple, cobalt blue, honey brown appearing

Glass jar with lid, Imperial, mid-1st–late 2nd century A.D., Roman, Glass; mold-blown, H. without cover 6 15/16 in. (17.6 cm), Glass, Translucent blue green, with lid in same color. Thick, tubular rim, partially folded up as well as out,

東海道五十三次　宮　七里の渡し　熱田鳥居　寝覚の里, Miya, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa

Wine Pot with Figures in a Landscape, Qing dynasty (1644–1911), 18th century, China, Gold lacquer over pewter, inlaid with mother-of-pearl, H. (incl. handle) 7 1/2 in. (19.1 cm); W. 2 3/8 in. (6 cm), Lacquer, While lacquer on metal is an

An Actor with a Sword Ready to Strike, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 12 5/8 in. (32.1 cm); W. 5 5/8 in. (14.3 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812

Bronze dagger, Late Minoan I, ca. 1600–1450 B.C., Minoan, Bronze, copper, silver, L. 6 in. (15.2 cm), Bronzes, Engraved scenes (possibly added ca. 1000 B.C.) of a man spearing a bull and, on the other side, bulls fighting

The Devonshire, or Most Approved Method of Securing Votes, April 12, 1784, Hand-colored etching, Sheet: 10 3/8 × 15 1/8 in. (26.3 × 38.4 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 3/4 × 9 5/8 in. (34.9 × 24.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Glass network mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1/2 x 1 5/16 in. (1.2 x 3.3 cm), Glass, Rim fragment., Translucent blue, opaque yellow, and colorless., Applied

Kabuki Actor Nakayama Kojūrō VI, 六代目中山小十郎, Edo period (1615–1868), 1786, Japan, Polychrome woodblock print; ink and color on paper, 12 5/8 x 5 3/4 in. (32.1 x 14.6 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812

'Gustaham Kills Lahhak and Farshidvard', Folio from a Shahnama (Book of Kings), ca. 1300–30, Attributed to Northwestern Iran or Baghdad, Ink, opaque watercolor, silver, and gold on paper, Text block: 6 3/16 x 5 in. (15.7 x 12.7 cm),

Print, Edo period (1615–1868), ca. 1820, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 1/2 x 7 1/2 in. (14 x 19.1 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

Ice cream cooler, 1804–13, French, Sèvres, Hard-paste porcelain, Height: 9 3/16 in. (23.3 cm), Ceramics-Porcelain, Porcelain decorated with a black ground in imitation of Asian lacquer was produced at Sèvres for about a fifteen-year period

The Standard Bearer (Floris Soop, 1604–1657), 1654, Oil on canvas, 55 1/4 x 45 1/4in. (140.3 x 114.9cm), Paintings, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), The flag, the plume in the hat, and the tooled

Glass aryballos (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H. 2 3/4 in. (7 cm), Glass, Translucent cobalt blue, with same color handles; trails in opaque yellow and

Dish with Apollo and Daphne, ca. 1st century B.C., Pakistan (ancient region of Gandhara), Schist, H. 3/16 in. (0.4 cm); Diam. 4 3/16 in. (10.6 cm), Sculpture, This dish from the ancient region of Gandhara dates from the second century B.C. to

One of the Seven Komachi: Amagoi (Praying for Rain), Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 10 1/4 in. (26 cm); W. 7 11/16 in. (19.5 cm), Prints, Isoda Koryūsai (Japanese, 1735–ca. 1790

商 青銅簋, Food Serving Vessel (Gui), Shang dynasty (ca. 1600–1046 B.C.), 12th century B.C., China, Bronze, H. 4 5/8 in. (11.7 cm); W. (betw. handles) 9 1/4 in. (23.5 cm); Diam. of rim 6 1/4 in. (15.9 cm); Diam. of foot 4 3/4 in. (12.1

Lead wreath of lotos buds, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 11/16 in. (1.7 cm), Miscellaneous-Lead

Terracotta statuette of a dancing girl, Late Classical, 4th century B.C., Greek, Corinthian, Terracotta, H. 4 15/16 in. (12.5 cm), Terracottas, Female dancer, toes touching base, propped up by support in back. Right foot advanced, right

Fragment of a terracotta plaque, Archaic, 7th century B.C., Greek, Cretan, Terracotta, 3 1/2 in x 4 in. (8.8 cm x 10.1 cm), Terracottas, Upper body of a warrior carrying a shield (device, ram's head); arm and part of a spear

Bronze box mirror, Late Classical or Hellenistic, late 4th century B.C., Greek, Bronze, diameter 6 3/4 in. (17.1 cm), Bronzes, In relief, head of Pan. The goat-god Pan is always portrayed with the shaggy legs, ears, and horns of a goat. His

Bronze grotesque, Hellenistic, 2nd century B.C.–1st century A.D., Greek, Bronze, Overall: 4 x 1 1/4 x 7/8 in. (10.2 x 3.2 x 2.2 cm), Bronzes, Since its discovery in 1727, this figure's identity has been debated. His disproportionately large

Terracotta body and neck fragment of a jug, Middle Minoan I, ca. 2100–1800 B.C., Minoan, Terracotta; Wave Barbotine ware, Dark-on-light style, Overall: 3 3/16 x 4 1/8in. (8.1 x 10.5cm), Vases, From Knossos, Crete. Fragment with molded

[Women Stacking Carrots], 1854–56, Salted paper print from paper negative, Image: 7 1/4 × 9 1/8 in. (18.4 × 23.2 cm), Photographs, Louis-Pierre-Théophile Dubois de Nehaut (French, active Belgium, 1799–1872

Newhaven Boys, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

The Adams Vase, 1893–95, Made in New York, New York, United States, American, Gold, amethysts, spessartites, tourmalines, fresh water pearls, quartzes, rock crystal, and enamel, Overall: 19 7/16 x 13 x 9 1/4 in. (49.4 x 33 x 23.5 cm);

Terracotta covered bowl with one handle, Classical, ca. 450–400 B.C., Greek, Attic, Terracotta; black-glaze, total H. x diameter 2 1/8 x 5 in. (5.4 x 12.7 cm); H. without cover 3 1/2 in. (8.9 cm), Vases, Although it is covered, as in a

Buckle, Bronze, Other: 1 13/16 in. (4.6 cm), Bronzes

A Pair of Geese with Camellias, 1857, Japan, Polychrome woodblock print; ink and color on paper, 14 x 9 5/8 in. (35.6 x 24.4 cm), Prints, Unidentified Artist Japanese

[Teheran, Iran], 1840s–60s, Photographs, Unknown

西漢（滇文化）青銅矛, Spearhead, Western Han dynasty (206 B.C.–A.D. 9), Dian culture, 2nd century B.C., China, Bronze, L. 13 in. (33 cm); W. 1 1/4 in. (3.2 cm), Metalwork

Limestone statuette of Pan, Hellenistic, 310–30 B.C., Cypriot, Limestone, Overall: 9 × 3 × 1 1/2 in. (22.9 × 7.6 × 3.8 cm), Stone Sculpture, The nebris, knotted on the chest, covers the shoulders. There are goat ears and small horns on

Pair of bronze handles, Classical, 5th century B.C., Etruscan, Bronze, H.: 3 3/8 x 4 3/8 in. (8.6 x 11.1 cm), Bronzes, Frontal feline heads decorate the handle roots. Three palmettes connected by volutes form the portion that was originally

View of Canton from the River, ca. 1869, Albumen silver print from glass negative, Image: 8 1/8 × 9 13/16 in. (20.6 × 24.9 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

[Shipping Lying in the Hoogly River, Calcutta], 1858–61, Albumen silver print, Image: 18.4 x 23.6 cm (7 1/4 x 9 5/16 in.), Photographs, Unknown

Des nouvelles occupations en Styrie, 1854–56, Salted paper print from paper negative, Image: 20.8 x 15.9 cm (8 3/16 x 6 1/4 in.), Photographs, Louis-Pierre-Théophile Dubois de Nehaut (French, active Belgium, 1799–1872

Design for a mosaic or a window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, gouache, and graphite on textured white wove paper mounted to warm grey matt board, Overall: 15 3/4 x 6 15/16 in. (40 x

[Tomb, Barrackpore], 1861, Albumen silver print, Image: 23.7 x 29 cm (9 5/16 x 11 7/16 in.), Photographs, Unknown

Antefix, head of Medusa, Archaic, 6th century B.C., West Greek, Terracotta, Overall: 7 1/8 x 8 15/16in. (18.1 x 22.7cm), Terracottas

Table snuffbox, ca. 1750, German, Meissen, Hard-paste porcelain, copper gilt, H. 4 in. (10.2 cm.); W. 6 3/4 in. (17.1 cm.); D. 4 7/8 in. (12.4 cm.), Ceramics-Porcelain, A snuffbox of this size was placed on a table for use by a party of

Plum Blossoms, Qing dynasty (1644–1911), dated 1670, China, Folding fan mounted as an album leaf; ink and color on gold paper, 6 1/2 x 19 3/4 in. (16.5 x 50.2 cm), Paintings, Wen Zhi (Chinese, active mid-17th century

Matching Shells (Kaiawase), from the series Six Immortal Poets in Modern Guise (Yatsushi Rokkasen), 「畧六花撰」, Edo period (1615–1868), ca. 1796–98, Japan, Polychrome woodblock print; ink and color on paper, 14 15/16 x 9 3/4 in.

Armor of Mail and Plate, late 18th–first half of the 19th century, Sindh, Indian, Sindh (now Pakistan), Steel, iron, copper alloy, textile, H. 70 1/4 in. (178.5 cm), Armor for Man, This distinctive armor, constructed of mail and steel

Plaque fragment, Middle Bronze Age–Old Assyrian Trading Colony, ca. 18th century B.C., Anatolia, probably from Acemhöyük, Old Assyrian Trading Colony, Ivory, 0.87 x 1.02 in. (2.21 x 2.59 cm), Ivory/Bone-Reliefs

Carnelian scarab, Late Classical, 4th century B.C., Etruscan, Carnelian, H.: 7/8 x 5/8 in. (2.2 x 1.6 cm), Gems, Winged goddess emptying a vessel

Ribbed mosaic glass bowl, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, probably Italian, Glass; cast and tooled, 4 1/16in. (10.3cm), Glass, Translucent cobalt blue and purple, and opaque white., Outsplayed