Images at Librifly

A State Yacht and Other Craft in Calm Water, ca. 1660, Oil on wood, 27 1/2 x 36 3/8 in. (69.9 x 92.4 cm), Paintings, Jan van de Cappelle (Dutch, Amsterdam 1626–1679 Amsterdam), Van de Cappelle was one of the most celebrated marine painters

Group at a Tea-house on the Bank of the Sumida River, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 15 1/4 x 10 1/4 in. (38.7 x 26 cm), Prints, Chōbunsai Eishi (Japanese, 1756–1829

Silver bracelet with gold calf's head finial, Classical, late 6th–5th century B.C., Greek, Gold, Silver, diameter 1 1/16in. (2.8cm), Gold and Silver, Gold and silver bracelet, capped by gold finials in the shape of a calf-head

The Atlantic Telegraph Cable Fleet Assembled at Berehaven (Southwest Coast of Ireland): Ships, the Great Eastern, H.M.S. Terrible, the Alby, the Medway and the William Cory, 1866, Watercolor over graphite with touches of gouache, Sheet: 12

Horse, 1884, Albumen silver print, Photographs, Ottomar Anschütz (German, Lissa (Leszno, Poland) 1846–1907 Berlin), In the last quarter of the nineteenth century, photographers and scientists became interested in arresting action on film.

諸國瀧廻リ　東海道坂ノ下 清瀧くわんおん, Kiyotaki Kannon Waterfall at Sakanoshita on the Tōkaidō (Tōkaidō Sakanoshita Kiyotaki kannon), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri), Edo

The Sense of Smell, Red chalk (counterproof), Sheet: 15 7/16 × 11 5/8 in. (39.2 × 29.5 cm), Drawings, Edme Bouchardon (French, Chaumont 1698–1762 Paris

Campeche Chair, ca. 1800–1810, Made in New Orleans, Louisiana, United States, American, Mahogany and mahogany veneer, light and dark wood inlay, and leather, 39 x 26 7/8 x 27 1/2 in. (99.1 x 68.3 x 69.9 cm), Furniture

Monkey Dance, Edo period (1615–1868), ca. 1760, Japan, Polychrome woodblock print; ink and color on paper, Image: 8 5/8 × 8 1/4 in. (21.9 × 21 cm), Prints, Isoda Koryūsai (Japanese, 1735–ca. 1790

Bronze bust of a young satyr, Imperial, first half of the 2nd century A.D., Roman, Bronze, silver, copper, H. 14 cm, Bronzes, The young satyr holds grapes, quinces, and pomegranates in a fold of his garment. The whites of the eyes are

Tempozan Man-sen Nu-shin no Zu, Edo period (1615–1868), 1838, Japan, Polychrome woodblock print; ink and color on paper, H. 10 1/16 in. (25.6 cm); W. 14 15/16 in. (37.9 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

Vase fragment, Neolithic, second period, ca. 4000–3000 B.C., Neolithic, Thessaly, Terracotta, length 3 1/4in. (8.2cm), Vases

Jérusalem, Porte de la citadelle, Inscription, 1854, Salted paper print from paper negative, Image: 22.5 x 33 cm (8 7/8 x 13 in.), Photographs, Auguste Salzmann (French, 1824–1872

Detached Flintlock alla Fiorentina, dated 1679, Bargi, Italian, Bargi, Steel, H. 2 3/4 in. (7.0 cm); W. 5 3/4 in. (14.6 cm), Firearms-Pistols-Snaphaunce, This lock is the earliest dated piece by the Acquafresca, father and son, who were

唐 彩繪漆金夾紵阿彌陀佛像, Buddha, Probably Amitabha (Amituofo), Tang dynasty (618–907), early 7th century, China, Hollow dry lacquer with traces of gilt and polychrome pigment and gilding, H. 38 in. (96.5 cm); W. 27 in. (68.6

Prof. John Wilson, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Cathedral Rock, 1861, Albumen silver print from glass negative, Image: 42.1 x 50.8 cm (16 9/16 x 20 in.), arch-topped, Photographs, Carleton E. Watkins (American, 1829–1916

Limestone statuette of a beardless male votary with a conical helmet, Archiac, late 7th or first half of the 6th century B.C., Cypriot, Limestone, Overall: 19 x 4 7/8 x 2 1/2 in. (48.3 x 12.4 x 6.4 cm), Stone Sculpture, The feet are missing,

The Holy Family, ca. 1500, Flemish, Southern Netherlands, Wool, silk, and gilt- and silvered-metal-strip-wrapped silk in slit, dovetailed, and interlocking tapestry weave with supplementary brocading wefts (in sewing basket, Joseph's coat,

Glass gold-band mosaic lid fragment, Early Imperial, 1st half of 1st century A.D., Roman, Glass; cast and cut, Overall: 1 1/8 x 1 15/16 in. (2.9 x 4.9 cm), Glass, Translucent cobalt blue, purple, turquoise blue streaked with yellow,

Jérusalem, Église de Sainte-Marie-Madeleine, 1854, Salted paper print from paper negative, Image: 23.4 x 33.2 cm (9 3/16 x 13 1/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Design for Leather and Netsuke, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 1/4 x 7 1/16 in. (13.3 x 17.9 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Oinochoe, Hellenistic, ca. 325–300 B.C., Greek, South Italian, Apulian, Terracotta, H. 11.10 cm.; diameter 7.6 cm., Vases

Terracotta stemmed dish with two handles, Cypro-Geometric I, 1050–950 B.C., Cypriot, Terracotta, H. 2 9/16 in. (6.5 cm); diameter 5 3/16 in. (13.2 cm), Vases, High foot with two handles and rays on underside

Two fragments of a terracotta calyx-krater (bowl for mixing wine and water), Archaic, late 6th century B.C., Greek, Attic, Terracotta; red-figure, 2 7/8 × 4 15/16 in. (7.3 × 12.5 cm), Vases

Terracotta askos (flask with a spout and handle), Late Classical, 4th century B.C., Greek, South Italian, Campanian, Terracotta; black-glaze, H. 3 1/2 in. (8.9 cm), Vases, The guttus and askos are flasks for liquids, often probably oil. In

Limestone naiskos with Egyptianizing decoration, Archaic, 2nd half of the 6th century B.C., Cypriot, Chalk limestone, Overall: 4 1/2 x 3 1/8 x 1 11/16 in. (11.4 x 7.9 x 4.3 cm), Stone Sculpture, Miniature shrine in Egyptian style with a figure

Towel End, early 19th century, Attributed to Turkey, Linen, silk, metal wrapped thread; plain weave, embroidered, H. 20 1/2 in. (52.1 cm), Textiles-Embroidered, Ottoman embroidery before the eighteenth century tended to replicate the

Stradford-on-Avon Church, from the Avon, 1870s, Albumen silver print from glass negative, Photographs, Francis Bedford (British, London 1816–1894 London

Glass striped mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 3/4 x 7/8 in. (2 x 2.2 cm), Glass, Rim fragment., Translucent blue, light blue appearing green, purple appearing

Beaded Wrist Ornament, 12th–14th century, Peru, Chancay, Shell beads, cord, H. 3 1/2 x W. 7 in. (8.9 x 17.8 cm), Beads-Ornaments

Harness Trapping, 5th century B.C., China, Bronze, (with high tin content), H. 5 1/2 in. (14.0 cm); W. 4 3/4 in. (12.1 cm), Metalwork

Young Lady in Summer Attire, Edo period (1615–1868), ca. 1748, Japan, Polychrome woodblock print (hand colored); ink and color on paper, 19 3/4 x 9 in. (50.2 x 22.9 cm), Prints, Ishikawa Toyonobu (Japanese, 1711–1785

An Emaciated Horse Led by His Master, late 16th century, Attributed to Iran, Ink and watercolor on paper, H. 2 1/8 in. (5.4 cm), Codices, A man with a water skin or possibly a saddle slung over his shoulder leads an emaciated horse across a

Emperor Charles V, 1550, Woodcut, sheet: 20 1/16 x 14 1/2 in. (51 x 36.8 cm) trimmed to outside of borderline, Prints, Designed by Enea Vico (Italian, Parma 1523–1567 Ferrara

Terracotta fragment of a cylindrical pyxis (box with lid) with part of handle and hatched squares, Early Minoan III, ca. 2300–2100 B.C., Minoan, Terracotta; White-on-dark ware, Other: 3 1/2 x 3 1/2 in. (8.9 x 8.9 cm), Vases, From Gournia,

Nobility in the Evening Cool (Koki nōryō no zu), 『高貴納涼ノ図』, Meiji period (1868–1912), 1887, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Image: 13 3/4 x 27 1/2 in. (34.9 x 69.9 cm), Prints,

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 1/16 x 7/16 in. (2.7 x 1.2 cm), Glass, Thin-walled body fragment., Translucent purple, light blue appearing green, opaque

Faience two-sided amulet in the form of the dwarf god Pataikos, Third Intermediate Period, ca. 1090–900 B.C., Egyptian, Clay, glazed, H.: 1 5/16 in. (3.3 cm), Gold and Silver, Amulet, Ptah-seker

Chlorite miniature bathtub, Late Bronze Age, 12th or 11th century B.C., Cypriot, Chlorite, Overall: 1 3/4 x 3 3/4 x 2 1/4 in. (4.4 x 9.5 x 5.7 cm), Miscellaneous-Stone Vases, The bathtub was introduced to Cyprus at the beginning of the twelfth

Bronze handle, Classical, 5th century B.C., Greek, Bronze, Other: 6 9/16 in. (16.7 cm), Bronzes, This would have been one of the horizontal handles of a hydria (water jar

東都名所　両国之宵月, Twilight Moon at Ryōgoku Bridge, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 13 3/4 x 8 1/2 in. (34.9 x 21.6 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

明 佚名 釋教三尊曼陀羅圖 軸, Mandala of Vajradhara, Manjushri and Sadakshari -Lokeshvara, Ming dynasty (1368–1644), dated 1479, China, Tangka; ink, opaque watercolor on gold, Image: 58 x 37 1/2 in. (147.3 x 95.3 cm), Paintings,

Print, 1867 (Meiji 1), Japan, Triptych of polychrome woodblock prints; ink and color on paper, Oban; 14 3/4 x 29 3/4 in. (37.5 x 75.6 cm), Prints, Hasegawa Sadanobu (Japanese, active mid–19th century

Vase fragment, Archaic, East Greek/Sardis, Lydian, Terracotta, Overall: 4 7/16 x 2 5/8in. (11.3 x 6.6cm), Vases

『画本虫撰』「蝸牛」「轡虫」, Land Snail (Katatsumuri); Giant Katydid (Kutsuwamushi), from the Picture Book of Crawling Creatures (Ehon mushi erami), Edo period (1615–1868), 1788, Japan, Page from woodblock-printed book; ink and

[View of House from Garden by Pond with Lily Pads], 1850s, Albumen silver print from paper negative, Photographs, Unknown (British

St. Peters from the Pincian Hill, 1853–56, Albumen silver print, Image: 19.1 × 24.7 cm (7 1/2 × 9 3/4 in.), Photographs, Possibly by Jane Martha St. John (British, 1803–1882

The Clear-day Mountain Wind of the Fan, Edo period (1615–1868), ca. 1766, Japan, Polychrome woodblock print; ink and color on paper, 11 1/4 x 8 in. (28.6 x 8 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770

Snuffer Stand, 1755–65, Made in Philadelphia, Pennsylvania, United States, American, Silver, 2 5/8 x 7 5/16 x 3 7/8 in. (6.7 x 18.6 x 9.8 cm); 10 oz. 10 dwt. (327.3 g), Silver, Philip Syng Jr. (1703–1789

北魏太和十年 青銅鎏金彌勒佛像, Buddha Maitreya (Mile fo), Northern Wei dynasty (386–534), dated 486, China, Gilt bronze with traces of pigment; piece-mold cast, H. 55 1/4 in. (140.3 cm); W. 24 1/2 in. (62.2 cm); D. 19 1/4 in.

Kneeling Female Figure, 2nd century, Mexico, Mesoamerica, Jalisco, San Sabastìan, Ceramic, H. 5 1/2 x W. 4 in. (14 x 10.2 cm), Ceramics-Sculpture

Terracotta sessile kantharos (deep cylindrical drinking cup with two handles), Classical, ca. 450 B.C., Greek, Attic, Terracotta; red-figure, H. 6 in. (15.3 cm); diameter mouth 5 7/8 in. (14.9 cm); diameter foot 3 1/16 in. (7.7 cm), Vases,

[Empress Eugénie and the Prince Imperial], 1862, Albumen silver print from glass negative, 21.6 x 16 cm (8 1/2 x 6 5/16 in.), Photographs, Attributed to François-Benjamin-Maria Delessert (French, 1817–1868), Possibly by Louise Deglane

The Actor Bandō Hikosaburo I in a Female Role, Edo period (1615–1868), 1711–1785, Japan, Polychrome woodblock print; ink and color on paper, 15 5/8 x 6 7/8 in. (39.7 x 17.5 cm), Prints, Ishikawa Toyonobu (Japanese, 1711–1785

染付蝶文牡丹形皿, Peony-Shaped Dish with Butterflies, Edo period (1615–1868), ca. 1840–60, Japan, Porcelain with underglaze blue (Nabeshima ware), H. 1 3/4 in. (4.4 cm); Diam. 7 1/2 in. (19.1 cm), Ceramics

Gok'koku jimbutsu gyo...no zu, Picture of a Parade of the Five Nations, Edo period (1615–1868), 3rd month, 1861, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Image (a): 14 1/4 x 9 3/4 in. (36.2 x 24.8 cm), Prints,

Fragment of a terracotta oinochoe: olpe (jug), Archaic, ca. 580 B.C., Greek, Attic, Terracotta; black-figure, greatest diameter 2 5/8in. (6.6cm), Vases, Lion. The Gorgon Painter is associated with a type of jug often decorated with a lion

Rod Finial Clip with Deity Surrounded By Sekti Motif, late Central Javanese period, Second half of the 9th–first quarter of the 10th century, Indonesia (Java), Gold, 7/8 in. (2.2 cm), Metalwork

Montacute House near Yeovil, 1857–60, Albumen silver print from paper negatives, Image: 21 x 27.1 cm (8 1/4 x 10 11/16 in.) (clippped corners), Photographs, Alfred Capel Cure (British, 1826–1896

[Two Women, One Kneeling and One Standing, Looking into Basket Filled with Vegetables], 1853–56, Albumen silver print, Image: 19.2 × 14.9 cm (7 9/16 × 5 7/8 in.), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882

Terracotta pilgrim flask, Hellenistic, 3rd–2nd century B.C., Greek, South Italian, Campanian, Terracotta; black-glaze, H. 5 5/8 in. (14.3 cm), Vases, Flask stands on two feet, with two small lug handles near mouth. One broad and one

Glass bowl, Early Imperial, Augustan, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and cut, 1 15/16 × 6 1/4 in. (4.9 × 15.9 cm), Glass, Colorless with pale yellow green tinge. Rounded vertical rim; sides curving in to

Two Figures, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/8 in. (30.8 cm); W. 17 in. (43.2 cm), Prints, Okumura Masanobu (Japanese, 1686–1764), The invention of color block printing by the

Vanitas Still Life, 1662, Oil on wood, 37 x 44 1/8 in. (94 x 112.1 cm), Paintings, Edwaert Collier (Dutch, Breda ca. 1640?–after 1707 London or Leiden

Bronze spatulate knife, Late Minoan I, ca. 1600–1450 B.C., Minoan, Bronze, L. 5 3/8 in. (13.7 cm.), Bronzes, Knife blade, much incrusted with a rivet remaining

Flowers: Roses, late 19th–early 20th century, Watercolor on brown paper, 20 15/16 x 14 5/16 in. (53.2 x 36.3 cm), Drawings, Paul de Longpré (French, Lyon 1855–1911 Hollywood

Terracotta oinochoe (jug), Archaic, ca. 550 B.C., Greek, Attic, Terracotta; black-figure, 7 1/2in. (19.1cm), Vases, Warrior departing

Terracotta applique fragment of ivy leaves and berries, Hellenistic, 200–100 B.C., Greek, Pergamene, Terracotta; mold made, h. 2 1/8 in. (5.5 cm), Vases, Pergamene Applique Ware is a type of pottery in which mold made decorations are

Terracotta globular jug, Late Minoan IIIB, ca. 1300–1200 B.C., Minoan, Terracotta; Dark-on-light ware, H. 5 3/4 in. (14.6 cm.), Vases, One-handled, on shoulder delicate curvilinear design, dark-on-light ware

Emblema with Aphrodite and Eros, ca. 1st–2nd century, Mediterranean, Plaster, Diam. (widest) 4 3/16 in. (10.6 cm), Sculpture, Similar plaster emblema from the Mediterranean were found at the Afghan site of Begram. Such trade goods were

Glass stirring rod, Early Imperial, 1st century A.D., Roman, Glass; drawn and tooled, H. 6 7/8 in. (17.5 cm); diameter 1 1/8 in. (2.9 cm), Glass, Stirring rod: translucent cobalt blue with opaque white trails. Cylindrical rod, slightly bent

『北国五色墨』「おいらん」, “High-Ranking Courtesan” (Oiran), from the series Five Shades of Ink in the Northern Quarter (Hokkoku goshiki-zumi), Edo period (1615–1868), 1794–95, Japan, Polychrome woodblock print; ink and

Lead wreath, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 1 1/8 in. (2.9 cm), Miscellaneous-Lead, Archaic bronze statuettes from Sparta include representations of youths wearing similar wreaths or headdresses

An Interior View of the New York Crystal Palace, 1853, Color lithograph, image: 13 1/2 x 20 3/8 in. (34.3 x 51.8 cm), Prints, Drawn and lithographed by Charles Parsons (American (born England), Hampshire 1821–1910 New York

Comb with a horse, New Kingdom, Ramesside, Dynasty 19, ca. 1295–1186 B.C., From Egypt, Ivory, H. 3.5 cm (1 3/8 in), W. 3.3 cm (1 5/16 in

Fragment from the neck of a terracotta amphora, Cypro-Geometric III, ca. 850–750 B.C., Cypriot, Terracotta, 4 5/8 x 11 in. (11.8 x 28 cm), Vases, Panel with two figures and the arms of a third; panel with one figure The representation(s)

Fragment, 14th–15th century, Attributed to Spain, Silk, metal-wrapped thread; lampas, Textile: L. 9 in. (22.9 cm)H 12 ¾ in x W 11 1/8 in x T 1 ¼ in, Textiles-Woven, This textile fragment and is ornamented with circular medallions

Limestone head of a wreathed youth, Classical, 5th century B.C., Cypriot, Limestone, Overall: 5 1/4 x 3 3/8 x 4 1/2 in. (13.3 x 8.6 x 11.4 cm), Stone Sculpture, The head was part of a full-length figure, probably a votary. In addition to the

Jérusalem, Porte de David, Intérieur, 1854, Salted paper print from paper negative, Image: 33.1 x 23.7 cm (13 1/16 x 9 5/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Plaque with sphinx trampling enemy, Neo-Assyrian, ca. 8th–7th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 2.13 x 2.6 x 0.3 in. (5.41 x 6.6 x 0.76 cm), Ivory/Bone-Reliefs

Oinochoe, Hellenistic, 3rd century B.C., Greek, South Italian, Apulian, Terracotta, H. 15.06 cm. Diameter 8.91 cm., Vases, Ribbed body and arched handle; incised leaf-pattern down back; glazed

Villaggio, 1839, Photogenic drawing from hand-drawn glass negative (cliché verre), 15.2 x 10.1 cm (6 x 4 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 2 1/4 x 1 1/2in. (5.7 x 3.8cm), Vases

Plaque fragment, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Ivory, 0.98 x 0.87 x 0.28 in. (2.49 x 2.21 x 0.71 cm), Ivory/Bone-Reliefs

The First Nakamura Nakazo as an Unarmed Man Standing Near the Engawa, Edo period (1615–1868), ca. 1775, Japan, One sheet of a triptych of polychrome woodblock prints; ink and color on paper, 11 7/8 x 5 5/8 in. (30.2 x 14.3 cm), Prints,

[Houses on Village Street], 1850s, Salted paper print from paper negative, Photographs, Unknown (British

An Evening beside Lake Arresø, ca. 1837, Oil on canvas, 9 x 11 3/4 in. (22.9 x 29.8 cm), Paintings, Johan Thomas Lundbye (Danish, Kalundborg 1818–1848 Bedsted), In 1836, Lundbye’s parents moved to Frederiksvaerk, which lies between

[Fath-Ali Shah, Painting that Once Belonged to Hmah [?] Saula, Uncle of the King.], 1840s–60s, Albumen silver print, Photographs, Possibly by Luigi Pesce (Italian, 1818–1891

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 5/8 in. (34.6 × 24.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Terracotta flaring bowl on stand, Hellenistic, 2nd–1st century B.C., Greek, Asia Minor, Terracotta; white-ground, h. with stand 9 in. (22.9 cm); h. without stand 7 1/4 in. (18.4 cm), Vases, The unusual shape of this bowl, with flaring foot

Yellow glass ring stone, Late Republican or Imperial, ca. 1st century B.C.–3rd century A.D., Roman, Glass, yellow paste, Length: 1 1/8 in. (2.8 cm), Gems, Europa and the bull

Brocaded Sea of Peach Blossom Waves, Ming dynasty (1368–1644), China, Folding fan mounted as an album leaf; ink and color on gold paper, 6 1/2 x 18 3/8 in. (16.5 x 46.7 cm), Paintings, Attributed to Lu Zhi (Chinese, 1495–1576

Limestone votive statuette of a cow and calf, Archaic or Classical, 6th–4th century B.C., Cypriot, Limestone, H.: 7 3/4 x 9 1/4 x 3 in. (19.7 x 23.5 x 7.6 cm), Stone Sculpture, The cow is of a piece with the base, from which the suckling

Rev. Dr. John Purves, Jedburgh, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

Glass pendant shaped like a jar, Late Imperial, 3rd–4th century A.D., Roman, Glass; rod-formed and trailed, H.: 3/4 in. (1.9 cm), Glass, Uncertain color, appearing opaque black; loop and base in same color; trail in opaque pale yellow.,

東京名所 上野公園内国勧業第二博覧会美術館図, Illustration of the Museum at the Second National Industrial Exhibition in Ueno, from the series Famous Places in Tokyo (Tokyo meisho-Ueno kōen naikoku kangyō daini hakurankai

Broadway on a Rainy Day, 1859, Albumen silver print, 8.3 x 15.7 cm (3 1/4 x 6 3/16 in.), Photographs, Edward Anthony (American, 1818–1888

東海道五十三次　懸川　秋葉山別道, Kakegawa, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese, Tokyo

Fragment, ca. 1470, Attributed to Spain, Silk; lampas, Textile: H. 9 1/4 in. (23.5 cm), Textiles-Woven, Geometric designs such as the ones in this fragment are found ornamenting a wide variety of media produced in Nasrid period (1232–1492)