Images at Librifly

Lamp, Roman, Cypriot, Terracotta, Overall: 1 1/8 x 4 1/4 in. (2.9 x 10.8 cm), Terracottas

Half-pint decanter, 1850–70, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, diamond thumbprint, H. 7 in. (17.8 cm), Glass, With the development of new formulas and techniques, glass-pressing technology

Ornaments, 14, Greek, Laconian, Lead, Height: 1 3/16 in. (3.1 cm), Miscellaneous-Lead

Segawa Tomisaburō II and Nakamura Manyo as Yadorigi and Her Maid Wakakusa in the Play 'Hana Ayame Bunroku Soga', Edo period (1615–1868), 1794, Japan, Polychrome woodblock print; ink, color, white mica on paper, H. 14 1/2 in. (36.8 cm); W. 9

Kama Aims His Bow at Radha: Page From a Dispersed Gita Govinda (Loves of Krishna), ca. 1695, India (Rajasthan, Mewar), Ink and opaque watercolor on paper, H. 7 1/4 x W. 11 3/8 in. (18.4 x 28.9 cm), Paintings, Vegetation and architecture divide

Section of the Grizzly Giant with Galen Clark, Mariposa Grove, Yosemite, 1865–66, printed ca. 1876, Albumen silver print from glass negative, 52.2 x 40.6 cm. (20 9/16 x 16 in.), Photographs, Carleton E. Watkins (American, 1829–1916),

東都名所　芝赤羽根之雪, Shiba, Akabane no Yuki, Edo period (1615–1868), ca. 1837, Japan, Polychrome woodblock print; ink and color on paper, 10 1/8 x 14 15/16 in. (25.7 x 37.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo

Statuette of a warrior, Greek, Bronze, H.: 7 5/8 x 1 1/2 x 1 1/2 in. (19.4 x 3.8 x 3.8 cm), Bronzes

Design for Plasterwork Cartouche, ca. 1700, Pen and brown ink with brown wash, 11 7/16 x 11 3/4 in. (29 x 29.8 cm), Drawings, Anonymous, Italian, 18th century

Bowl with Arabic Inscription, 'Blessing, prosperity, well-being, happiness', late 10th–11th century, Made in present-day Uzbekistan, probably Samarqand. Excavated in Iran, Nishapur, Earthenware; white slip with polychrome slip decoration

Terracotta askos (flask with a spout and handle over the top), Late Classical, 4th century B.C., Greek, South Italian, Campanian, Terracotta, H. 3 1/2 in. (8.9 cm), Vases, On the top, a Greek fighting an Amazon

Fountains Abbey. The Church, Cloister and Hospitium, 1850s, Albumen silver print, Image: 28 x 23.4 cm (11 x 9 3/16 in.), Photographs, Joseph Cundall (British, Norwich, Norfolk 1818–1895 Wallington, Surrey), Philip Henry Delamotte

Confederate Roses in Rain, Meiji period (1868–1912), ca. 1891–92, Japan, Album leaf; ink and color on silk, 14 3/4 x 11 1/2 in. (37.5 x 29.2 cm), Paintings, Okada Baison (Japanese, 1864–1913

Terracotta neck-amphora (storage jar), Archaic, ca. 550–540 B.C., Greek, Attic, Terracotta; black-figure, H. 13 11/16 in. (34.7 cm), Vases, Obverse and reverse, Dionysos with satyrs and maenads

The Second Nakamura Sukegoro as an Outlaw, Edo period (1615–1868), ca. 1771, Japan, Polychrome woodblock print; ink and color on paper, 12 1/8 x 5 7/8 in. (30.8 x 14.9 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

The Actor Matsumoto Yonesaburō in a Woman's Role, Edo period (1615–1868), late 1790s, Japan, Polychrome woodblock print; ink and color on paper, 14 1/2 x 9 3/4 in. (36.8 x 24.8 cm), Prints, Utagawa Kunimasa (Japanese, 1773–1810), Both

Vase fragment, Geometric, East Greek/Sardis, Lydian, Terracotta, Overall: 4 13/16 x 3 3/4in. (12.2 x 9.6cm), Vases

Terracotta rim of a cup with fern pattern and bands, Middle Minoan II, ca. 1800–1700 B.C., Minoan, Terracotta; Kamares ware, Overall: 1 1/16 x 2 1/4in. (2.7 x 5.7cm), Vases, From Knossos, Crete. Part of rim, polychrome, fern pattern in

Jérusalem, Escalier arabe de Sainte-Marie-la-Grande, 1854, Salted paper print from paper negative, Image: 32.9 x 23.4 cm (12 15/16 x 9 3/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Statuette of a woman votary, 5 ?, ca. 700–500 B.C., Greek, Laconian, Lead, Height: 1 1/4 in. (3.2 cm), Miscellaneous-Lead

Crowd of People Looking at the Festival Dance at the Front of Futaara Shrine, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 1/4 x 7 1/4 in. (21 x 18.4 cm), Prints, Kubo Shunman (Japanese,

Presentation chalice, 1870–88, Made in Sandwich, Massachusetts, United States, American, Blown glass, H. 14 1/4 in. (36.2 cm); Diam. 4 3/4 in. (12.1 cm), Glass, Boston & Sandwich Glass Company (American, 1825–1888, Sandwich,

Glass cup, Early Imperial, Julio-Claudian, mid-1st century A.D., Roman, Glass; blown and cut, 2 7/8 × 3 11/16 in. (7.4 × 9.3 cm), Glass, Colorless with blue green tinge. Knocked-off, uneven rim; slightly bulging collar below rim; side

東海道五十三次之内　赤阪　旅舎招婦の図, Akasaka, Ryosha Sho-fu, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 15/32 x 14 1/16 in. (24.1 x 35.7 cm), Prints, Utagawa

Monument du Costume. La Vie Mondaine a Paris. 70 aquarelles (...) pour Mr. Henri Béraldi, celebre bibliophile., ca. 1913, Watercolor, Overall: 16 x 12 3/8 in. (40.6 x 31.4 cm), Portfolios, Marie-Louis-Pierre Vidal (French, Tours,

和歌三神図, Honoring the Three Gods of Poetry: Women Composing Poems, Edo period (1615–1868), ca. 1792, Japan, Triptych of polychrome woodblock prints; ink and color on paper, H. 14 1/2 in. (36.8 cm); W. 30 in. (76.2 cm), Prints,

River Landscape, Ming (1368–1644) or Qing (1644–1911) dynasty, China, Handscroll; ink and color on paper, 12 7/8 in. × 24 ft. 7 1/2 in. (32.7 × 750.6 cm), Paintings, Attributed to Chen Chun (Chinese, 1483–1544

[Climbing the Mast], 1928, Gelatin silver print, Image: 35.4 x 28 cm (13 15/16 x 11 in.), Photographs, László Moholy-Nagy (American (born Hungary), Borsod 1895–1946 Chicago, Illinois), This exciting and unexpected view up the rigging of a

Silver ring stone, Imperial, ca. first half of the 4th century A.D., Roman, Silver, Length: 15/16 in. (2.4 cm), Gems, Portrait busts of bearded man and woman facing each other

History of Kamakura: Enoshima Island, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 15/16 x 7 1/4 in. (20.2 x 18.4 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

Fragment of a limestone throne (?) with the head of a horned lion, Roman, ca. 1st–3rd century A.D., Cypriot, Limestone, Overall: 8 x 3 1/2 x 5 1/4 in. (20.3 x 8.9 x 13.3 cm), Stone Sculpture, Throne supported by a horned lion-griffin

Daughters of Jerusalem, 1865, Albumen silver print from glass negative, 18.1 x 27.7 cm (7 1/8 x 10 7/8 in. ), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

Ewer, probably 18th–19th century, Attributed to Iran, Applied glass, H. 5 1/2 in., Glass

Woman in oriental dress selling lemons, 1903, Watercolor, gouache, sheet: 3 9/16 x 5 7/16 in. (9.1 x 13.8 cm), Drawings, Wilhelm Geissler (German, 1848–1928

Side Chair, 1730–90, Made in New England, United States, American, Walnut, cherry, 42 x 20 1/4 x 16 1/2 in. (106.7 x 51.4 x 41.9 cm), Furniture

Itabana, Edo period (1615–1868), 1790–1848, Japan, Polychrome woodblock print; ink and color on paper, 8 5/8 x 13 1/2 in. (21.9 x 34.3 cm), Prints, Keisai Eisen (Japanese, 1790–1848

Village de Montaubant pris de Luchon, 1853, Salted paper print from paper negative, Image: 9 3/4 × 13 3/8 in. (24.8 × 34 cm), Photographs, Joseph Vigier (French, 1821–1862

Marble head of a woman wearing a diadem, Imperial, 1st or 2nd century A.D., Roman, Marble, Island, H. 5 7/8 in. (14.9 cm), Stone Sculpture, This head probably comes from a small statue of a goddess or a female personification. Although the

近代 吳觀岱 山水人物 扇面, Landscape and Figure, early 20th century, China, Folding fan mounted as an album leaf; ink and color on alum paper, 7 5/16 x 20 3/4 in. (18.6 x 52.7 cm), Paintings, Wu Guandai (Chinese, 1862–1929), Wu

The Trembling Army of Russia, Meiji period (1868–1912), September 1904, Japan, Polychrome woodblock print; ink and color on paper, Oban 14 1/4 x 9 7/8 in. (36.2 x 25.1 cm), Prints, Kobayashi Kiyochika (Japanese, 1847–1915

Bowl, Cypriot, Bronze, 2 1/4in. (5.7cm), Bronzes

[Yosemite National Park, California], ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled

Le noeud de dentelle. 'Ritrosetta', 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Bronze bracelet with four rings, Geometric, 9th–8th century B.C., Italic, Bronze, Diam.: 7 1/8 in. (18.1 cm), Bronzes, The bracelet is a flat undecorated spiral band that terminates in sharp points. The four rings are in graduated sizes

'Kai Khusrau Crosses the Sea', Folio from a Shahnama (Book of Kings) of Firdausi, ca. 1610, Attributed to India, Deccan, Bijapur, Ink, opaque watercolor, and gold on paper, Page: 8 x 4 7/8 in. (20.3 x 12.4 cm), Codices, These leaves come

Valance, last quarter 16th century, British, Wool and silk on canvas, H. 21 x W. 68 inches (53.3 x 172.7 cm), Textiles-Embroidered

Terracotta askos (flask with a spout and handle over the top) in the form of a bird, Cypro-Archaic I, 750–600 B.C., Cypriot, Terracotta, 3 3/8in. (8.6cm), Vases, Three feet with geometric ornament

Genji roku no hana, 1854, Japan, One sheet of a triptych of polychrome woodblock prints; ink and color on paper, 14 5/8 x 10 in. (37.1 x 25.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Glass cup, Imperial, 1st–2nd century A.D., Roman, Glass; blown and cut, 3 7/16 in. (8.7 cm), Glass, Colorless with faint greenish tinge. Knocked-off rim; slightly bulging collar below rim; carinated sides tapering downward; concave bottom.

Canton City, ca. 1869, Albumen silver print from glass negative, Image: 8 1/4 × 11 7/16 in. (20.9 × 29 cm), Photographs, Milton M. Miller (American, active China, 1830–1899

Jérusalem, Sainte-Marie-la-Latine, 1854, Salted paper print from paper negative, Image: 23.4 x 32.7 cm (9 3/16 x 12 7/8 in.), Photographs, Auguste Salzmann (French, 1824–1872

Intérieur du Temple de Khons, à Karnac, Thèbes, 1849–50, Salted paper print from paper negative, Image: 8 1/4 × 6 1/2 in. (21 × 16.5 cm), Photographs, Maxime Du Camp (French, 1822–1894

明 佚名 瑤臺獻壽圖 團扇, Paying Homage to the Queen Mother of the West, Ming dynasty (1368–1644), 15th century, China, Fan mounted as an album leaf; ink and color on silk, Image: 11 3/8 × 11 3/8 in. (28.9 × 28.9 cm), Paintings,

Limestone statuette of a temple boy, Classical, 5th century B.C., Cypriot, Limestone, Overall: 5 7/16 x 4 1/2 x 2 3/8 in. (13.8 x 11.4 x 6 cm), Stone Sculpture, Seated figure with earrings and bracelets, right-hand resting on a wreath

Bone needle, 2nd–5th century A.D., Roman, Ivory or bone, H.: 5 in. (12.7 cm), The exact purpose for which needles with triple perforations were used has not been determined, but they have been found most commonly at Roman sites of the

Vue de la Ville Chinoise (Cholen) Feuille No. 6, Saïgon, Cochinchine, 1866, Albumen silver print from glass negative, 23.8 x 31.2 cm (9 3/8 x 12 5/16 in.), Photographs, Emile Gsell (French, Sainte-Marie-aux-Mines 1838–1879 Vietnam

Go to Takaoyama to see Maple Leaves having Twelve Points, Edo period (1615–1868), ca. 1690, Japan, Polychrome woodblock print; ink and color on paper, 10 x 13 27/32 in. (25.4 x 35.2 cm), Prints, Hishikawa Moronobu (Japanese, died 1694

Sard ring stone, Late Republican or Imperial, ca. 1st century B.C.–3rd century A.D., Roman, Sard, Length: 5/8 in. (1.6 cm), Gems, Comic actor with mask

Inrō Partly in a Green Bag with Pattern of White Foxes, Edo period (1615–1868), 1862 (Dog Year), Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 7/8 x 10 3/4 in. (20 x 27.3 cm), Prints, Shibata Zeshin (Japanese,

Terracotta kylix (drinking cup) with whorl shells, Late Helladic IIIB, ca. 1300–1190 B.C., Mycenaean, Terracotta; Fine painted ware, H. 7 5/16 in. (18.5 cm.), Vases, The use of vertical whorl-shells is characteristic of decoration of the

Woman in the Garden of Monsieur Forest, 1889–91, Oil on canvas, 21 7/8 x 18 1/4 in. (55.6 x 46.4 cm), Paintings, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois), From 1889 to 1891, Lautrec experimented with the

Seven Birds in Bamboo Tree Nest, Ming dynasty (?) (1368–1644), China, Miniature from album of eleven paintings; ink and color on silk, 5 x 6 3/4 in. (12.7 x 17.1 cm), Paintings, Unidentified Artist

Glass alabastron (perfume bottle), Hellenistic, late 4th–early 3rd century B.C., Eastern Mediterranean or Italian, Glass; core-formed, Group II, H. 7 3/8 in. (18.7 cm), Glass, Translucent cobalt blue, with handles in same color; trails in

Night Rain at Ōyama, from the series 'Eight Famous Views of Kanagawa', Edo period (1615–1868), ca. 1830, Japan, Polychrome woodblock print; ink and color on paper, H. 9 1/2 in. (24.1 cm); W. 14 5/16 in. (36.4 cm), Prints, Utagawa Toyokuni

Bravo toro [Picador Caught by a Bull], n.d., Lithographic crayon and scraper, sheet: 16 1/4 x 21 in. (41.3 x 53.3 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux

Terracotta vessel fragment with reticulated pattern enclosing conventional flowers, Late Minoan II, ca. 1450–1400 B.C., Minoan, Terracotta; Dark-on-light ware, Overall: 3 3/4 x 6 1/2in. (9.5 x 16.5cm), Vases, From Knossos, Crete. Large

冨嶽三十六景　相州箱根湖水, The Lake at Hakone in Sagami Province (Sōshū Hakone kosui), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock

Group at Headquarters of the Army of the Potomac, Antietam, October 1862, 1862, Albumen silver print from glass negative, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Pincian Garden, Rome, 1853–56, Albumen silver print, 19.5 24.8, Photographs, Possibly by Jane Martha St. John (British, 1803–1882), St. John was likely drawn to photography through her friendship with the Llewelyn family, relatives of

名所江戸百景　浅草金龍山, Kinryūsan Temple at Asakusa, from the series 'One Hundred Famous Views of Edo', Edo period (1615–1868), 1856, Japan, Polychrome woodblock print; ink and color on paper, H. 14 1/16 in. (35.7 cm); W. 9

Onoe Matsusuke I as Matsushita Mikinojō in the Play 'Katakiuchi Noriyaibanashi', Edo period (1615–1868), 1794, Japan, Polychrome woodblock print; ink, color, white mica on paper, UMPN BV, Prints, Tōshūsai Sharaku (Japanese, active

Gold aurei of the Twelve Caesars, Early Imperial, Augustan and Julio-Claudian, ca. 46 B.C.–A.D. 68, Roman, Gold, amethyst, 7 3/4 × 15/16 in. (19.7 × 2.4 cm), Coins, The coins are mounted in a matching pair of nineteenth-century gold

Terracotta head of a woman, Archaic, 6th century B.C., Greek, Cretan, Terracotta, 5 1/2 in. x 2 5/8 in. (13.9 cm x 6.7 cm), Terracottas, The head, wearing a polos ornamented with spirals, was probably part of a statuette

Equivalent, Set C2 No. 2, 1929, Gelatin silver print, 11.7 x 9.3 cm (4 5/8 x 3 11/16 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

Portraits of Emperors of Successive Dynasties, early 20th century (?), China, Album of twenty leaves; ink and color on silk, 11 1/8 x 8 3/4 in. (28.3 x 22.2 cm), Paintings, Unidentified Artist Chinese, early 20th century (?), Formerly

Glass ring stone, Hellenistic, 2nd–1st century B.C., Greek, Glass, blue paste, Overall: 7/8 x 11/16 in. (2.3 x 1.7 cm), Gems, Bust of the nereid Galene

Portrait of Sanjō Kantarō in the Female Role of Yaoya Oshichi in the Play 'Fuji no Takane' ('The High Peak of Mount Fuji'), Edo period (1615–1868), ca. 1730–40, Japan, Tan-e (hand-colored print); ink and color on paper, H. 11 3/8 in. (28.9

Busk, 17th century, French, ivory, The weeping eye reads, 'until I see you again.' The sun shining on a heart declares, 'my love is pure.' The vignette of two hearts over a house is inscribed, 'love joins them

Façade de l'Eglise du St. Sépulcre, à Jérusalem (No. 1), August 19, 1850, Salted paper print from paper negative, Image: 6 11/16 × 9 3/8 in. (17 × 23.8 cm), Photographs, Maxime Du Camp (French, 1822–1894

Fragment of a limestone naiskos (?), Classical, ca. 5th century B.C., Cypriot, Limestone, Overall: 5 3/8 x 7 3/4 x 2 7/8 in. (13.7 x 19.7 x 7.3 cm), Cesnola Inscriptions, The syllabic inscription is in three lines with deeply inscribed signs:

Mammoth Three Grove Hotel Calaveras Co Cal., ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare

元/明 佚名 舊傳趙雍 倣盛懋 蘇軾後赤壁賦圖 扇, Illustration of Su Shi's 'Second Ode on the Red Cliff', Ming dynasty (1368–1644), late 14th–early 15th century, China, Fan mounted as an album leaf; ink and color on silk,

Diana and Acteon, 1778, Black chalk heightened with white, over stumped charcoal, on beige paper, 13 1/16 x 17 15/16 in. (33.2 x 45.5 cm), Drawings, François André Vincent (French, Paris 1746–1816 Paris

Bird on a Lychee Branch, Ming dynasty (?) (1368–1644), China, Fan mounted as an album leaf; ink and color on silk, 9 1/4 x 9 5/8 in. (23.5 x 24.4 cm), Paintings, Unidentified Artist, After Emperor Huizong (Chinese, 1082–1135; r.

Bronze shovel with a handle terminating in a ram's head, Imperial, 1st–2nd century A.D., Roman, Bronze, 4 x 10 5/16 x 16 3/4 in. (10.2 x 26.2 x 42.6 cm), Bronzes, Shovel ending in ram's head

Limestone finial of a funerary stele with a seated lion, Archaic, late 7th century or early 6th century B.C., Cypriot, Limestone, Overall: 17 1/2 × 7 3/8 × 15 in. (44.5 × 18.7 × 38.1 cm), Stone Sculpture, The head is turned toward the

Bird, late Eastern Zhou dynasty (770–256 B.C.), China, Bronze, H. 3 1/4 in. (8.3 cm), Metalwork

Derelitta, 1860s, Albumen silver print from glass negative, 7.3 x 10.8 cm. (2 7/8 x 4 1/4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Terracotta vessel fragment with floral motif, Late Minoan I, ca. 1600–1450 B.C., Minoan, Terracotta; Dark-on-light ware, Other: 2 x 1 1/2 in. (5.1 x 3.8 cm), Vases, From Gournia, Crete. Floral design

Chlorite pestle, Late Bronze Age, ca. 1600–1050 B.C., Cypriot, Chlorite, H. 3 1/16 in. (7.8 cm), Miscellaneous-Stone, Grinder

Planispheric Astrolabe, dated A.H. 1065/ A.D. 1654–55, Attributed to Iran, Mashhad, Brass and steel; cast and hammered, pierced and engraved, H. 8 1/2 in. (21.6 cm), Metal, Muhammad Zaman al-Munajjim al-Asturlabi (active 1643–89),

1. Aglio. 2. Cestro. 3. Poa., 1839, Photogenic drawing, 20.9 x 16.8 cm (8 1/4 x 6 5/8 in.), irregularly trimmed, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Cypress, Pebble Beach, California, 1910s, Gum bichromate print, Photographs, Henry Ravell (American, 1860–1930

Limestone funerary stele of a boy, Early Roman (?), Cypriot, Limestone, 34 x 18 x 6 1/2 in. (86.4 x 45.7 x 16.5 cm), Stone Sculpture, Within the niche a young boy is shown frontally; his feet are spread but on the same level. His chiton falls

Terracotta head of a youth, Classical, late 5th–4th century B.C., Greek, South Italian, Tarentine, Terracotta, H. 3 3/4 in. (9.53 cm), Terracottas, The youth's elaborate headdress indicates that he was depicted as a banqueter

Jérusalem, Saint Sépulcre, coupole, 1854, Salted paper print from paper negative, Image: 33.2 x 23.5 cm (13 1/16 x 9 1/4 in.), Photographs, Auguste Salzmann (French, 1824–1872

Figured flask, 1847–55, Made in Kensington, Pennsylvania, United States, American, Blown-molded glass, H. 7 7/8 in. (20 cm), Glass

Tea Caddy, 1725–40, Made in New York, New York, United States, American, Silver, Overall: 4 3/4 in. (12.1 cm); 9 oz. 4 dwt. (285.4 g), Silver, Peter Van Dyck (1684–1750

Terracotta sherd from a vessel with horizontal bands and cross-hatched diamond pattern, Geometric, ca. 900–700 B.C., Greek, Laconian, Terracotta, 3 1/4 × 2 5/16 × 1/4 in. (8.3 × 5.8 × 0.7 cm), Vases

Silhouette Image of Kabuki Actor, Meiji period (1868–1912), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Approx. 14 1/2 x 9 1/2 in. (36.8 x 24.1 cm), Prints, Utagawa Yoshiiku (Japanese, 1833–1904