Images at Librifly


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Nakayama Tomisaburō as Miyagino in the Play 'Katakiuchi Noriyaibanashi', Edo period (1615–1868), 1794, Japan, Polychrome woodblock print; ink, color, white mica on paper, 14 1/8 x 9 7/16 in. (35.9 x 24.0 cm), Prints, Tōshūsai Sharaku
Lamp, Roman, Cypriot, Terracotta, Overall: 3/4 x 3 1/2 in. (1.9 x 8.9 cm), Terracottas
Initial S with Saint Peter Liberated from Prison, first half 14th century, Made in Florence, Italy, Italian, Tempera, gold, and ink on parchment, 5 15/16 x 4 1/2 in. (15.1 x 11.5 cm), Manuscripts and Illuminations
Major Thomas Pechell (1753–1826), 1799, Oil on canvas, 30 x 24 7/8 in. (76.2 x 63.2 cm), Paintings, John Hoppner (British, London 1758–1810 London
1. Foglia di Fico. 2. Foglia di Spino bianco, ossia Crataegus, 1839–40, Photogenic drawing, 21.8 x 18.5 cm (8 9/16 x 7 5/16 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock
The Grand Stand Foochow, ca. 1869, Albumen silver print from glass negative, Image: 9 1/8 × 11 1/8 in. (23.1 × 28.3 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London
Christ and the Canaanite Women, late 16th–mid-17th century, Pen and brown ink, brown wash, heightening with white, over black chalk, on beige paper; traces of framing line in pen and brown ink, 13 1/2 x 18 7/8 in. (34.3 x 47.9 cm),
Council of Heroes: Page from a Dispersed Mahabharata (Great Descendants of Mahabharata), ca. 1800, India (Maharashtra, Paithan), Ink and opaque watercolor on paper, 11 x 16 1/4 in. (27.9 x 41.3 cm), Paintings
Constantin Mitrofanovitch Flórinsky, Officer of His Majesty Tzar Nicholas II (Jaeger Regiment), 1907, Autochrome, 12.3 x 9.1 cm (4 13/16 x 3 9/16 in.), Transparencies, Constantin Mitrofanovitsh Flórinsky (Russian
Terracotta skyphos (deep drinking cup), Geometric, late 8th century B.C., Greek, Attic, Terracotta, H. 2 3/4 in. (6.9 cm), Vases, From the Hymettos deposit
Canal Scene with a Palazzo, mid-18th century, Pen and black and brown ink, brush and gray ink, heighetend with white gouache, on blue paper, incised for transfer; framing line in brush and black ink, by the artist; verso prepared for transfer
Eight Buddhist Paintings, Tang dynasty (618–907) (?), China, Leaf; ink and color on paper, 13 1/8 x 11 1/2in. (33.3 x 29.2cm), Paintings, Unidentified Artist
Glass perfume bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, H.: 7 1/4 in. (18.4 cm), Glass, Colorless with blue green tinge. Tubular rim, folded out, down, round, and in, with top pressed flat around mouth; tall
Beaded Bag, 14th–15th century, Peru, Chimú or Chancay, Cotton, shell beads, H x W: 3 9/16 x 3 3/4in. (9 x 9.5cm), Beads-Ornaments
Various Moths and Butterflies, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 7 13/16 x 7 1/8 in. (19.8 x 18.1 cm), Prints, Kubo Shunman (Japanese, 1757–1820
Fragment of a terracotta plaque, Archaic, 6th century B.C., Greek, Cretan, Terracotta, 5 in. x 3 1/2 in. (12.7 cm x 8.8 cm), Terracottas, Hindquarters of a sphinx or griffin
Cock and Hen, Meiji period (1868–1912), 1887–92, Japan, Album leaf; silk, 13 1/2 x 10 7/8 in. (34.3 x 27.6 cm), Paintings, Kawabata Gyokushō (Japanese, 1842–1913
Wrestlers, ca. 1914, Linocut, block: 11 x 8 1/2 in. (27.9 x 21.6 cm), Prints, Henri Gaudier-Brzeska (French, Saint-Jean-de-Braye 1891–1915 Neuville-Saint-Vaast
Ichikawa Monosuke II, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 13 x 5 1/2 in. (33 x 14 cm), Prints, Katsukawa Shunjō (Japanese, died 1787
The Fourth Matsumoto Koshiro as a Samurai, Edo period (1615–1868), ca. 1782, Japan, Polychrome woodblock print; ink and color on paper, 12 4/5 x 5 3/4 in. (32.5 x 14.6 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792
Manuscript Leaf with the Martyrdom of Saint Bartholomew, from a Laudario, ca. 1340, Made in Florence, Italy, Italian, Tempera, gold, and ink on parchment, Overall: 18 1/2 x 13 3/4 in. (47 x 35 cm), Manuscripts and Illuminations, Pacino di
Jérusalem, Tombeau des Juges, Détails, 1854, Salted paper print from paper negative, Image: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.), Photographs, Auguste Salzmann (French, 1824–1872), Beyond this evocative void lie sixty-three rock-cut
Inlay: dancing man, Early Dynastic III, ca. 2600–2350 B.C., Mesopotamia, Nippur, Sumerian, Shell, 1.81 x 0.94 x 0.24 in. (4.6 x 2.39 x 0.61 cm), Shell-Ornaments, This curved plaque cut from a piece of shell is decorated with the incised
Blue glass ring stone, Hellenistic, 3rd–2nd century B.C., Italic, Glass, blue paste, Length: 7/8 in. (2.3 cm), Gems, Tower with five soldiers
Autumn foliage at the New Imperial Palace, Meiji period (1868–1912), 1888 (Meiji 21, 11th month), Japan, Triptych of polychrome woodblock prints; ink and color on paper, Oban; 14 1/2 x 28 1/4 in. (36.8 x 71.8 cm), Prints, Unidentified
道中膝栗毛 京都の町, Street in Kyoto, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, H. 9 in. (22.9 cm); W. 13 7/8 in. (35.2 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)
Leaf of the Foxglove, 1839, Photogenic drawing negative, Image: 6 3/4 × 3 9/16 in. (17.2 × 9.1 cm), Negatives, Unknown (British
Matrices for Sword Mounts, 10th–11th century, Iraqi or Iranian, Copper alloy, Sword guard (.1): H. 2 1/4 in. (5.7 cm); W. 2 13/16 in. (7.1 cm); Wt. 6 oz. (162 g); locket (.2): H. 2 15/16 in. (7.44 cm); W. 2 5/8 in. (6.65 cm); Wt. 4 oz. (119 g);
Girls Playing a Game with Shells, Edo period (1615–1868), 1790, Japan, Polychrome woodblock print; ink and color on paper, 9 1/8 x 14 7/8 in. (23.2 x 37.8 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806
Sard ring stone, Imperial, ca. 2nd century A.D., Roman, Sard, L. 1.7 cm, Gems, Bust of an Amazon
Figured bottle, ca. 1853, Possibly made in New Jersey, United States; Possibly made in Philadelphia, Pennsylvania, United States, American, Free-blown molded glass, H. 9 1/2 in. (24.1 cm), Glass
Glass bottle with dolphin handles, Late Imperial, 3rd–early 4th century A.D., Roman, Rhenish, Glass; mold-blown and cut, H.: 4 13/16 in. (12.3 cm), Glass, Colorless with pale greyish blue green tinge; handles in same color., Uneven,
Bronze statuette of a male votary, Late Minoan IIIA, ca. 1400–1300 B.C., Minoan, Bronze, H. 4 in. (10.2 cm.), Bronzes, Statuette of a man
The Two Patriotic Duchesses on Their Canvass, April 3, 1784, Etching, Sheet: 13 3/8 × 9 15/16 in. (33.9 × 25.3 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London
Head of a king as Khepri, possibly Ptolemy VI Philometor, Ptolemaic or Roman Period, 180–145 B.C., From Egypt, Limestone, paint traces, H. 11.5 cm (4 1/2 in.); W. 11.5 cm (4 1/2 in.); D. 8.4 cm (3 5/16 in.), Ptolemy VI Philometor ascended
Box, Cypriot, Bronze, 2 x 2 5/8in. (5.1 x 6.7cm), Bronzes
Inscribed limestone votive plaque, Hellenistic, late 3rd century B.C., Greek, Ptolemaic, Limestone, Egyptian, Overall: 5 3/4 x 7 7/8 x 1 3/8 in. (14.6 x 20 x 3.5 cm), Cesnola Inscriptions, Dedication to Ptolemy IV Philopator (r. 221–204
Bronze strigil (scraper), Classical, 5th–4th century B.C., Greek, Bronze, length 6 5/8 in. (16.8 cm), Bronzes, In the Greek world, olive oil was basic for skin care. After oil was applied to the body, a strigil was used to scrape the
Sea Pool with Shells and Seaweeds, 1853–56, Salted paper print, Image: 15.2 × 20.5 cm (6 in. × 8 1/16 in.), oval, Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales
Samme Aeroplan svarende., 1905–19, Gelatin silver prints from glass negatives, Image: 3 7/16 × 4 3/8 in. (8.7 × 11.1 cm), Photographs, Jacob Christian Hansen Ellehammer (Danish, 1871–1946), Vilhelm Ellehammer (Danish), Unaware of the
Glass stemmed cup, Late Imperial or Early Byzantine, 4th–5th century A.D. or later, Roman, Palestinian, Glass; blown and trailed, H.: 3 3/4 in. (9.5 cm), Glass, Translucent pale blue green; trails in translucent cobalt blue., Thickened,
Hatshepsut statue base, New Kingdom, Dynasty 18, ca. 1479–1458 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, 'Hatshepsut Hole' (depression east of temple of Thutmose III), 1922–23, Limestone, a) 21 x 18 cm
[Stag Trophy Head Killed by Ned Ross], ca. 1857, Albumen silver print, 19.6 x 15.5 cm (7 11/16 x 6 1/8 in.), Photographs, Horatio Ross (British, Rossie Castle, near Montrose, Scotland 1801–1886 Scotland
Three Rabbits, Qing dynasty (1644–1911), China, Hanging scroll; ink and color on silk, 26 1/2 x 16 in. (67.3 x 40.6 cm), Paintings, Unidentified Artist, Formerly attributed to Gong Ji (Chinese, Northern Song dynasty
Vase fragment, Early Minoan II, Minoan, Terracotta, 1 15/16 × 1 9/16 × 3/16 in. (4.9 × 3.9 × 0.5 cm), Vases
Lead wreath, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Diameter: 5/8 in. (1.7 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient sanctuaries of Laconia; over one
Study for a Marionette, 1918, Graphite on paper, mounted to paperboard, Primary support: 11 7/8 x 7 1/8 in. (30.2 x 18.1 cm), Drawings, Sophie Taeuber-Arp (Swiss, 1889–1943
Cup plate, 1835–45, Made in New England, United States, American, Pressed glass, Diam. 3 1/2in. (8.9cm), Glass
Anna van der Aar (born 1576/77, died after 1626), 1626, Oil on wood, 8 3/4 x 6 1/2 in. (22.2 x 16.5 cm), Paintings, Frans Hals (Dutch, Antwerp 1582/83–1666 Haarlem), Scriverius was a distinguished historian, poet, and scholar of classical
The Third Otani Hiroemon as an Outlaw Standing Near a Willow Tree, 三代目大谷廣右衛門, Edo period (1615–1868), 3rd month, 1777, Japan, Polychrome woodblock print; ink and color on paper, 11 15/16 x 5 5/8 in. (30.3 x 14.3 cm),
The Three Graces, Oil on millboard, 22 1/2 x 18 3/4 in. (57.2 x 47.6 cm), Paintings, William Etty (British, York 1787–1849 York
Vase fragment, Neolithic, second period, ca. 4000–3000 B.C., Neolithic, Thessaly, Terracotta, length 2 5/16in. (5.9cm), Vases
東海道五十三次 蒲原, Kambara, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo
'Rustam's First Encounter with Afrasiyab', Folio from a Shahnama (Book of Kings), dated A.H. 1077/ A.D. 1666–67, Attributed to Iran, Isfahan, Ink, opaque watercolor, silver, and gold on paper, Codices, Attributed to Mu'in Musavvir (active
To-no Sawa (Name of one of the hot springs at Hakone), Edo period (1615–1868), ca. 1779, Japan, Polychrome woodblock print; ink and color on paper, 10 x 7 11/32 in. (25.4 x 18.7 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815
[The Citadel and the Mosque of Mohammed Ali, Cairo], 1870s, Albumen silver print from glass negative, 20.2 x 26.8 cm (7 15/16 x 10 9/16 in.), Photographs, Unknown, This mosque represents just one of the many projects commenced by Muhammad
西周 青銅觥, Spouted Wine Vessel (Gong), early Western Zhou dynasty (1046–771 B.C.), mid-10th century B.C., China, Bronze, H. 8 1/4 in. (21 cm); W. 3 1/2 in. (8.9 cm); D. 8 3/4 in. (22.2 cm), Metalwork, A composite character is cast on
Bronze hook from a belt, Late Classical, late 5th–early 4th century B.C., Italic, Samnite, Bronze, length 4 1/2in. (11.4cm), Bronzes, Wide bronze belts with several clasps, often in the shape of palmettes, are well known from finds,
Cuneiform tablet case impressed with four cylinder seals in Anatolian and Old Assyrian style, for cuneiform tablet 66.16a: quittance for a loan in silver, Middle Bronze Age–Old Assyrian Trading Colony, ca. 20th–19th century B.C., Anatolia,
Seated Male Figure with the Head of an Onlooker (recto); Standing Male Figure in a Monk's Habit (verso), 1548–1612, Charcoal with traces of white chalk highlights, sheet: 15 1/2 x 9 3/8 in. (39.4 x 23.8 cm), Drawings, Bernardino Poccetti
Terracotta mug, Classical, mid-5th century B.C., Greek, Attic, Terracotta; black-glaze, H. 2 13/16 in. (7.2 cm), Vases, The mug was a versatile shape that could be used as a drinking cup, as a ladle, or as a measure. Rare examples are
Jérusalem, Chemin de Naplouse, 1854, Salted paper print from paper negative, Image: 23.1 x 33 cm (9 1/8 x 13 in.), Photographs, Auguste Salzmann (French, 1824–1872), Centrally placed olive trees stretch toward a vacated sky, while rocky
Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 1 3/4 x 1 15/16in. (4.4 x 5cm), Vases
'The Fire Ordeal of Siyavush', Folio from a Shahnama (Book of Kings) of Firdausi, 1482, Attributed to Iran, probably Shiraz, Ink, watercolor, and gold on paper, 12 3/16 x 7 15/16in. (31 x 20.2cm), Codices, After Prince Siyavush rejected the
The Second Segawa Kikunojō in the Role of Reizei in 'Ima-o-sakari Suehiro Genji', Edo period (1615–1868), 12th month, 1768, Japan, Polychrome woodblock print; ink and color on paper, 12 5/8 x 5 7/8 in. (32.1 x 14.9 cm), Prints, Ippitsusai
Border Tile with Split-Palmette Design, ca. 1578, Made in Turkey, Iznik, Stonepaste; polychrome painted under transparent glaze, H. 5 in. (12.7 cm), Ceramics-Tiles, Within the tilework decoration of the Ottoman capital, tomato red tiles such
Furniture plaque carved in relief with a male figure slaying a griffin, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, H. 4 1/8 x W. 4 11/16 x D. 7/16 in. (10.5 x 11.9 x 1.1 cm),
西周 青銅提梁卣, Wine Vessel (You), Western Zhou dynasty (1046–771 B.C.), 10th century B.C., China, Bronze, H. (to handle) 8 3/4 in. (22.2 cm); W. (betw. knobs) 9 in. (22.9 cm); W. of foot 6 in. (15.2 cm), Metalwork
Vase fragment, Classical, ca. 425–350 B.C., Greek, Laconian, Terracotta, 1 5/8 × 2 1/8 × 1/4 in. (4.1 × 5.5 × 0.7 cm), Vases
Pair of foot stools, 1825–30, Made in New York, New York, United States, American, Mahogany with white pine seat rails, 30 3/8 x 35 1/2 in. (77.2 x 90.2 cm), Furniture
Terracotta skyphos (deep drinking cup), Archaic, late 7th–early 6th century B.C., East Greek, Terracotta; black-figure, Overall: 5 9/16 x 11 1/2in. (14.2 x 29.2cm); diameter 8 7/8in. (22.5cm), Vases, Alternating black bands and geometric
Pendant: head and neck of a horse, Classical, 5th–4th century B.C., Italic, Amber, H.: 1 1/2 in. (3.8 cm), Miscellaneous-Amber, Pendant in the shape of a horse's head
Agate scarab, Early Classical, ca. 460 B.C., Etruscan, Agate, H.: 9/16 x 7/16 in. (1.5 x 1.1 cm), Gems, Diskos thrower (Tydeus
Man in a Black Haori (Coat) and Two Women Approaching a Temple, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 14 13/16 in. (37.6 cm); W. 10 1/16 in. (25.6 cm), Prints, Torii Kiyonaga (Japanese,
Vase fragment, Late Helladic IIIA, ca. 1400–1300 B.C., Mycenaean, Terracotta, 1 1/8 × 1 7/8 × 3/16 in. (2.8 × 4.8 × 0.4 cm), Vases
The Actor Nakamura Nakazō in the Role of Kan Shōjō, Edo period (1615–1868), ca. 1780, Japan, Polychrome woodblock print; ink and color on paper, 12 13/16 x 5 3/4 in. (32.5 x 14.6 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792),
Terracotta alabastron (perfume vase), Archaic, early 6th century B.C., Etruscan, Terracotta, H.: 4 5/8 in. (11.7 cm), Vases, This is an Etruscan adaptation of a Corinthian prototype. The shape has become rather stiff and elongated, and a
Terracotta aryballos (oil flask), Archaic, 7th century or later, East Greek ?, Terracotta, H.: 2 1/4 in. (5.7 cm), Vases, Globular with decoration in low relief; on flat mouth, four pointed and ribbed leaves; on body, pointed and ribbed
Group of eight glass astragali (knucklebones), Hellenistic, 3rd–2nd century B.C., Greek, Glass; cast in a two-part mold, H.: 9/16 in. (1.5 cm), Glass, .3: Translucent deep purple., Shaped like the knucklebone of a sheep or goat. Solid with
Lead ornament in the form of a branch, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 7/16 in. (1.1 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient
Terracotta plemochoe (vase for perfume), Archaic, late 6th century B.C., Greek, Attic, Terracotta, H. 6 3/16 in. (15.7 cm), Vases, There were several types of vase in ancient Athens for perfumed oils. The aryballos and alabastra were small,
Bodhisattva and Attendants, 2nd–3rd century, India (Uttar Pradesh, Mathura), Red stone, H. 7 in. (17.8 cm); W. 7 1/2 in. (19.1 cm); D. 1 5/8 in. (4.1 cm), Sculpture
Tile from a Squinch, second half 14th century, Attributed to present-day Uzbekistan, Samarqand, Stonepaste; carved and glazed, H. 11 5/8 in. (29.5 cm), Ceramics-Tiles, This intricately carved tile exhibits a distinctive curving arched shape
Ladle, 1775–1796, Made in New York, New York, United States, American, Silver, L. 9 1/8 in. (23.2 cm), Silver, Samuel Tingley (active ca. 1762–96
Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 1 5/8 x 7/16in. (4.1 x 1.1cm), Vases
Plaque fragment, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 3.86 x 7.01 x 0.28 in. (9.8 x 17.81 x 0.71 cm), Ivory/Bone-Reliefs
Brooch, 8th century B.C., European Bronze Age, Copper alloy, Overall: 2 x 2 3/16 x 7/16 in. (5.1 x 5.5 x 1.1 cm), Metalwork-Copper alloy
Phra-Kéo-Pha, Frère du Roi, 1866, Albumen silver prints from glass negatives, 24.8 x 20.8 cm (9 3/4 x 8 3/16 in.), Photographs, Emile Gsell (French, Sainte-Marie-aux-Mines 1838–1879 Vietnam
Terracotta lekane (dish), Geometric, late 8th century B.C., Greek, Attic, Terracotta, H. 1 3/8 in. (3.5 cm), Vases, From the Hymettos deposit
Flintlock Blunderbuss, dated Mauludi-era 1225/A.D. 1796–97, Srirangapatna, Karnataka, Indian, Mysore, Srirangapatna, Steel, wood, silver, gold, copper alloy, L. 40 3/8 in. (102.5 cm); L. of barrel 23 3/4 in. (60.2 cm); Cal. 1.75 (44.0
Bronze cuirass (breastplate), Classical, 5th or 4th century B.C., Etruscan, Bronze, H. 22 3/4 in. (57.8 cm), Bronzes, Body armor, and specifically the cuirass that covered the front and back of the torso, provides a contemporary indication
[View of a Church and Grounds], 1850s, Albumen silver print, Image: 10.1 x 17.2 cm (4 x 6 3/4 in.), Photographs, Unknown
Chlorite amphoriskos (small jar), Late Cypriot IIIA, ca. 1200–1100 B.C., Cypriot, Chlorite, Overall: 2 5/8 x 2 1/2 in. (6.7 x 6.4 cm), Miscellaneous-Stone Vases, The circle and knobs in relief at the base of each handle imitate a metallic
Vase fragment, Greek, Lydian, Terracotta, Overall: 2 1/4 x 1 1/2in. (5.7 x 3.8cm), Vases
[Lord Clyde, Lord Canning and Lady Canning], 1858–61, Albumen silver print, Image: 13.9 x 18.2 cm (5 1/2 x 7 3/16 in.), Photographs, Unknown
雪中鴉図, Crow Flying in the Snow, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 1/4 x 10 3/4 in. (36.2 x 27.3 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889
西国諸将鎮静天杯賜ル之図, Illustration of the Commanders who Pacified Western Japan, Receiving the Emperor's Gift Cups (Saigoku chinsei shoshō tenpai o tamawaru no zu), Meiji period (1868–1912), September, 1887, Japan, Triptych
Chiyoda Castle (Album of Women), Meiji period (1868–1912), 1895, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm), Prints, Yōshū (Hashimoto) Chikanobu
Terracotta plaque with King Oinomaos and his charioteer, Augustan or Julio-Claudian, 27 B.C.–A.D. 68, Roman, Terracotta, H. 14 1/2 in. (36.8 cm.), Terracottas, Relief with King Oinomaos and his charioteer Myrtilos
Terracotta hydria: kalpis (water jar), Classical, early 4th century B.C., Greek, Attic, Terracotta; red-figure, H. 17 3/16 in. (43.6 cm); diameter of mouth 6 9/16 in. (16.7 cm); diameter of foot 6 1/16 in. (15.4 cm), Vases, Poseidon and

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