Images at Librifly

明 佚名 舊傳李唐 四時山水圖 卷, The Four Seasons, Ming dynasty (1368–1644), 15th century, China, Handscroll; ink and color on silk, Image: 13 13/16 in. x 18 ft. 8 3/8 in. (35.1 x 569.9 cm), Paintings, Unidentified Artist

Casket with allegories of the Four Elements, ca. 1650, Czech, Chêb (Bohemian, Eger), Various soft and fruit woods, partly stained and ebonized, carved, ebonized; marbelized paper lined interior; iron mounts, Overall: H. 8 11/16 x W. 16 5/16

Painted limestone funerary slab with a man controlling a rearing horse, Hellenistic, 2nd half of 3rd century B.C., Greek, Limestone, paint, Height: 15 1/2 × 10 1/2 × 2 7/8 in. (39.4 × 26.7 × 7.3 cm), Miscellaneous-Paintings, During the

Le chaos en allant à Gavarnie, St-Sauveur, 1853, Salted paper print from paper negative, Image: 10 7/8 × 14 9/16 in. (27.6 × 37 cm), Photographs, Joseph Vigier (French, 1821–1862

Mrs. Thomas Pechell (Charlotte Clavering, died 1841), 1799, Oil on canvas, 30 x 25 in. (76.2 x 63.5 cm), Paintings, John Hoppner (British, London 1758–1810 London), Charlotte, second daughter of Lieutenant General Sir John Clavering,

Mandolin, 1900, New York, New York, United States, American, Spruce, maple, tortoiseshell, ivory, mother-of-pearl, metal, 24 5/8 × 7 11/16 × 5 13/16 in. (62.5 × 19.6 × 14.7 cm), Chordophone-Lute-plucked-fretted, Angelo Mannello

Marble statue of Tyche-Fortuna restored with the portrait head of a woman, Imperial, Late Flavian or Early Trajanic, 1st or 2nd century A.D., Roman, Marble, Other: 75 x 26 x 23 in. (190.5 x 66 x 58.4 cm), Stone Sculpture, Tyche wearing double

Impasse Briare (de la Cité Coquenard), 1860s, Albumen silver print from glass negative, Image: 62.9 x 45.2 cm (24 3/4 x 17 13/16 in.), Photographs, Charles Marville (French, Paris 1813–1879 Paris), In his capacity as official photographer

Cuff, 7th–8th century, Peru, Huarmey province (?), Marañón River, Moche-Wari, Camelid hair, cotton, H x W: 4 1/4 x 16in. (10.8 x 40.6cm), Textiles-Woven

忠臣蔵　五段目, Sadakuro Threatening to Kill Yoichibei, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, H. 9 1/8 in. (23.2 cm); W. 13 3/4 in. (34.9 cm), Prints, Utagawa Hiroshige

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, 1 3/8 in. × 1 in. (3.5 × 2.5 cm), Glass, Miniature perfume bottle Colorless with pale green tinge. Rim folded out, over, and in; cylindrical neck, with broad,

Wedge-shaped Capital, late 11th century, Made in Apulia, Italy, Italian, Marble, Overall: 11 1/8 x 23 1/2 x 7 5/8 in. (28.3 x 59.7 x 19.4 cm), Sculpture-Architectural

Tuileries Palace, Burned. General View, 1871, Albumen silver print from glass negative, Images approx.: 19 x 25 cm (7 1/2 x 9 13/16 in.), or the reverse, Photographs, Alphonse J. Liébert (French, 1827–1913), On May 23, 1871, as national

Busk, 17th century, French, metal, This busk was made for Anne-Marie-Louise d'Orléans (1627-93), Duchesse de Montpensier, daughter of Gaston d'Orléans. On the front, the arms of the Duchesse d'Orléans with fleur-de-lis and crown are

Terracotta askos (flask with a spout and handle over the top), Hellenistic, 3rd century B.C., Native Italian, Daunian, Canosan, Terracotta, H. 8 9/16 in. (21.7 cm), Vases, This askos represents a different but typical Daunian shape. The

Vase, 1928, Made in Mid-Atlantic United States, Syracuse, New York, United States, Porcelain, H. 9-1/8 inches, Ceramics-Porcelain

A Fulfilled Wish (Der erfüllte Wunsch), 1911, Color lithograph, sheet: 5 1/2 x 3 9/16 in. (14 x 9 cm), Prints, Moriz Jung (Austrian (born Czechoslovakia) Moravia 1885–1915 Manilowa (Carpathians

Broadway and City Hall in New York (Brodway-Gatan Och Rådhuset i New York), 1824, Etching and aquatint, image: 8 1/16 x 15 1/4 in. (20.5 x 38.7 cm), Prints, After Axel Klinckowström (Swedish, 1775–1837), Duncan Phyfe's furniture workshop

Two Bands, 16th century, British, Leather, a) H. 26 3/4 in. (67.9 cm); b) H. 24 in. (60.9 cm), Miscellaneous

Statuette of a beardless male votary wearing a long garment and a conical helmet, Archaic, late 7th–early 6th century B.C., Cypriot, Limestone, H.: 23 3/4 x 8 x 4 in. (60.3 x 20.3 x 10.2 cm), Stone Sculpture, The body is very flat, the wide

Detailed Estimate on House of R. Dabney, Powhatan, Virginia, East Wing, June 18, 1858, Ink and wash, sheet: 8 1/4 x 13 15/16 in. (21 x 35.4 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey

Glass perfume bottle, Imperial, 1st–2nd century A.D., Roman, Glass; blown, H.: 4 1/2 in. (11.4 cm), Glass, Translucent light blue green. Everted rim, folded up and in, with beveled upper surface; tall, cylindrical neck, expanding

Terracotta lekanis (dish) with lid, Classical, 5th century B.C., Greek, Attic, Terracotta, width 7 1/4in. (18.5cm), Vases, This lekanis is unusual for being unglazed, though it is precisely potted. The piece belonged to Raymond Duncan,

Carpet, 18th century, Made in Turkey, Wool (warp, weft and pile); symmetrically knotted pile, Rug: H. 63 1/2 in. (161.3 cm), Textiles-Rugs, Sometimes called 'Transylvanian' carpets because many examples were found in central European churches

Limestone saucer lamp, Classical ?, 5th century B.C. ?, Cypriot, Limestone, Overall: 1 1/2 × 3 3/16 × 4 in. (3.8 × 8.1 × 10.2 cm), Miscellaneous-Stone

Trianon, 1923–25, Matte albumen silver print from glass negative, Image: 17 x 22.6 cm (6 11/16 x 8 7/8 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Terracotta medallion fragment, Mid Imperial, mid-2nd century A.D., Roman, Gallic, Terracotta; red slip ware, 2 3/4 × 1 5/8 × 1/4 in. (7 × 4.2 × 0.6 cm), Vases, Prometheus tied up with arms outstretched and eagle pecking at his chest;

Glass striped mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 9/16 x 7/8 in. (1.4 x 2.2 cm), Glass, Translucent cobalt blue, opaque white, yellow, and brick red. , Convex curving

Porringer, 1725–45, Made in Boston, Massachusetts, United States, American, Silver, Overall: 2 1/8 x 8 1/16 in. (5.4 x 20.5 cm); 9 oz. 2 dwt. (283.6 g), Silver, John Edwards (ca. 1671–1746

Pillar Print, Edo period (1615–1868), 18th–19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 5 9/16 x 2 15/16 in. (14.1 x 7.5 cm), Prints, Unidentified Artist

Jūmantsubo Plain at Fukagawa Susaki, from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei, Fukagawa Susaki Jūmantsubo), 「名所江戸百景　深川洲崎十万坪」, Edo period (1615–1868), 1856, Japan, Polychrome

The Actor Ichikawa Danjuro II as a Samuri., Edo period (1615–1868), ca. 1735, Japan, Polychrome woodblock print; ink and color on paper (Urushi-e), Overall: 12 1/4 x 5 7/8in. (31.1 x 14.9cm), Prints, Torii Kiyomasu I (Japanese, active

Bassoon in C, 1750–70, Butzbach, Germany, German, Wood, brass, Length (bell to butt) 1265 mm, L. of tube with crook +/- 2400 mm, L. of tube without crook +/- 2185, Diameter of bell 57 mm., Aerophone-Reed Vibrated-double reed, Johannes

A Panoramic Landscape with a Country Estate, ca. 1649, Oil on canvas, 56 3/8 x 68 1/4 in. (143.2 x 173.4 cm), Paintings, Philips Koninck (Dutch, Amsterdam 1619–1688 Amsterdam), This ambitious work is one of the artist’s first compositions

Louksor (Thèbes), Construction Antérieure - Pylône Colosses et Obélisque, 1851–52, Salted paper print from paper negative, Image: 24.3 x 30.4 cm (9 9/16 x 11 15/16 in.), Photographs, Félix Teynard (French, 1817–1892

Sparrows, Edo period (1615–1868), ca. 1825, Japan, Sketch for a woodblock print; ink and color on paper, Image: 7 1/16 x 11 7/8 in. (17.9 x 30.2 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo

Print of a Kabuki Dancer from the Maiden of the Dōjōji Temple (Musume Dōjōji), 娘道成寺図の錦絵, Edo period (1615–1868), ca. 1810s, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 3/8 x 7 1/8 in. (13.7 x

Lady Beating a Hand-Drum (Tzusumi) By the Side of The Incense Burner, probably 1815, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 7 15/16 x 7 1/8 in. (20.2 x 18.1 cm), Prints, Kubo Shunman (Japanese,

魚づくし　車海老　鯵にたで, Aji Fish and Kuruma-ebi, from the series Uozukushi (Every Variety of Fish), Edo period (1615–1868), 1830s, Japan, Polychrome woodblock print; ink and color on paper, 10 1/8 x 14 1/2 in. (25.7 x 36.9

Enjoying the Cool Evening Breeze on and under the Bridge, Edo period (1615–1868), ca. 1800, Japan, Three sheets of a hexaptych of polychrome woodblock prints; ink and color on paper, 15 x 29 3/4in. (38.1 x 75.6cm), Prints, Kitagawa Utamaro

Lamp, Greek or Roman, Terracotta, Overall: 1 1/2 x 3 1/4 in. (3.8 x 8.3 cm), Terracottas

木に鴉図, Crow on a Branch, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 1/4 x 10 3/4 in. (36.2 x 27.3 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889

Landscape; Showing Water Festival with Lanterns, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 8 3/4 in. (22.2 cm); W. 14 13/16 in. (37.6 cm), Prints, Kitao Shigemasa (Japanese, 1739–1820

[Sir James Outram Bart., G.C.B.], 1858–61, Albumen silver print, Image: 19.3 x 14.9 cm (7 5/8 x 5 7/8 in.), Photographs, Unknown

Chinese doctor, 1738–45, Etching, Sheet (trimmed): 8 1/8 × 5 1/4 in. (20.6 × 13.3 cm), Prints, François Boucher (French, Paris 1703–1770 Paris

Cow amulet, Early Dynastic, ca. 2900–2350 B.C., Mesopotamia, Nippur, Sumerian, Lapis lazuli, 0.18 x 0.89 x 0.79 in. (0.46 x 2.26 x 2.01 cm), Stone-Ornaments

[Hungerford Suspension Bridge], ca. 1845, Salted paper print from paper negative, 16.9 x 21.3 cm (6 5/8 x 8 3/8 in. ), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock), The newly completed Hungerford suspension bridge

Faience statuette of a woman, Archaic, late 7th–6th century B.C., East Greek, Faience, H.: 2 1/4 in. (5.7 cm), Miscellaneous-Faience, Nude female figure with pillar at back

Fragment, 7th–8th century, Attributed to Egypt, Wool, linen; tapestry weave, 19.75 in. high 4.00 in. wide (50.16 cm high 10.16 cm wide), Textiles

Razor Belonging to Hatnefer, New Kingdom, Dynasty 18, early, ca. 1492–1473 B.C., From Egypt, Upper Egypt, Thebes, Sheikh Abd el-Qurna, Tomb of Hatnefer and Ramose (below TT 71), inside Basket 'L', 1935–36, Bronze or copper alloy,

[Japanese Man Preparing a Fish], 1870s, Albumen silver print from glass negative, 25.2 x 19.9 cm (9 15/16 x 7 13/16 in.), Photographs, Suzuki Shin'ichi (Japanese, 1835–1919

Comprador, 1870s, Albumen silver print from glass negative, 19.2 x 23.7 cm (7 9/16 x 9 5/16 in.), Photographs, Unknown

[Portal, Church of Saint-Trophime, Arles], ca. 1864, Albumen silver print from glass negative, 7.0 x 14.2 cm. (2 3/4 x 5 9/16 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Jérusalem, Chapelle anglaise, 1854, Salted paper print from paper negative, Image: 23.5 x 32.6 cm (9 1/4 x 12 13/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Glass mosaic dish fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 11/16 x 2 1/8 in. (1.7 x 5.5 cm), Glass, Rim fragment., Translucent cobalt blue, opaque white, and deep purple appearing

Tutte l'opere d'architettura, 1584, Printed book with woodcut illustrations, Book: 9 3/4 × 7 3/16 × 2 9/16 in. (24.8 × 18.2 × 6.5 cm), As the first practical and fully illustrated 'handbook' of architecture including plans and elevations,

Glass compound eye bead, Classical, ca. 4th century B.C., Greek, Eastern Mediterranean, Glass; rod-formed, 13/16 × 1 1/16 in. (2.1 × 2.6 cm), Glass, Semi-opaque turquoise blue ground; additions in opaque white and translucent cobalt blue.,

Painted limestone funerary stele with a seated man and two standing figures, Early Hellenistic, late 4th–early 3rd century B.C., Greek, Limestone, paint, H.: 29 1/8 x 5 1/4 in. (74 x 13.3 cm), Miscellaneous-Paintings, A man with ochre flesh

Imaginary portrait, Shuihuzhuan of Stage:, Tōryūdai (Mitate Suikoden Tōrōdai) - Actor Onoe Kikugorō plays as Kumon no Ryūkichi, Meiji period (1868–1912), 1875, Japan, Polychrome woodblock print; ink and color on paper, 14 1/8 x 9 1/2

Aedes Barberinae, 1642, Printed book with engraved illustrations., 14 x 9 1/4 in. (35.6 x 23.5 cm), Books

Evening, 1854, Albumen silver print from glass negative, Image: 21.3 x 16.4 cm (8 3/8 x 6 7/16 in.), Photographs, Philip Henry Delamotte (British, 1821–1889

The Mammoth Grove Hotel from the Grove - Calaveras, ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare

[Main Gate of Imam Riza, Mashhad, Iran], 1850s, Albumen silver print from paper negative, Image: 16.8 x 21.1 cm (6 5/8 x 8 5/16 in.), Photographs, Possibly by Luigi Pesce (Italian, 1818–1891

Entrance, On Right, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin

Knife Coin, Han dynasty (206 B.C.–A.D. 220), China, Bronze, L. 7 1/4 in. (18.4 cm), Metalwork

Limestone statuette of a male votary with Cypriot shorts and a diadem, Archaic, first half of the 6th century B.C., Cypriot, Limestone, Overall: 7 1/4 x 3 1/4 x 2 3/8 in. (18.4 x 8.3 x 6 cm), Stone Sculpture, Male figure wearing Cypriot

[Man on a Ladder], 1880s, Glass positive , Transparencies, Thomas Eakins (American, Philadelphia, Pennsylvania 1844–1916 Philadelphia, Pennsylvania

[Countess de Castiglione, from Série des Roses], 1895, Albumen silver print from glass negative, Approximately 14.3 x 9.9 cm (5 5/8 x 3 7/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

清 顧澐 冊頁, Clouds and Spring Trees at Dusk, Qing dynasty (1644–1911), dated 1888, China, Album leaf; ink on paper, 9 3/4 x 13 1/2 in. (24.8 x 34.3 cm), Paintings, Gu Yun (1835–1896

Obélisques du Palais de Karnac (Thèbes), 1849–50, Salted paper print from paper negative, Image: 7 11/16 × 6 5/8 in. (19.5 × 16.8 cm), Photographs, Maxime Du Camp (French, 1822–1894

Electrotype copy of a gold bracelet, Archaic or Classical, 6th–5th century B.C., Cypriot, Gold, Diam. of the shank: 9.82 mm , Gold and Silver

Tray, 1836, French, Sèvres, Hard-paste porcelain, Overall (confirmed): 3/4 x 17 3/4 x 13 11/16 in. (1.9 x 45.1 x 34.8 cm), Ceramics-Porcelain, The best of the Sèvres porcelain produced in the mid-nineteenth century displays an originality of

Gold ring engraved with a warrior and a lion, Archaic, late 6th century B.C., Greek, Gold, Diam.: 3/8 in. (0.9 cm), Gems, Group of warriors (Herakles?) and a lion

東海道五十三次之内　岡部　宇津の山, Utsu Hill at Okabe, Edo period (1615–1868), 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 x 14 in. (22.9 x 35.6 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Dr. Jabez Bunting, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Lamp, Roman, Cypriot, Terracotta, Overall: 1 7/8 x 4 1/8 in. (4.8 x 10.5 cm), Terracottas

Glass alabastron (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H.: 3 7/8 in. (9.9 cm), Glass, Opaque white, with handles in same color; trails in translucent purple.,

Woman Washing Clothes, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 25 9/16 in. (64.9 cm); W. 4 1/16 in. (10.3 cm), Prints, Ishikawa Toyonobu (Japanese, 1711–1785

Façade et plan de l'Amirauté dans le jardin à Tsárskoye Selò..., n.d., Engraving printed on blue paper, sheet: 21 9/16 x 29 1/8 in. (54.8 x 74 cm), Prints, Ivan Kuvakin (Russian, born 1751

Chiyoda Castle (Album of Women), Meiji period (1868–1912), 1895, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm), Prints, Yōshū (Hashimoto) Chikanobu

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 3/4 × 9 1/2 in. (34.9 × 24.1 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

百人一首　乳かゑとき　中納言敦忠, Poem by Chūnagon Atsutada (Fujiwara no Asatada), from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Taishō period (1912–26), 1921, Japan, Polychrome

Thomas Duncan, R.S.A., 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

View in the Stables of the Villa of Maecenas, Tivoli, ca. 1805–10, Oil on paper, laid down on canvas, 10 1/2 x 8 3/4 in. (26.7 x 22.2 cm), Paintings, François Marius Granet (French, Aix-en-Provence 1775–1849 Aix-en-Provence

Glass revetment plaque fragment, Early Imperial, 1st century B.C.–1st century A.D., Roman, Glass; cast, 2 1/16 × 2 3/8 × 1/8 in. (5.2 × 6 × 0.4 cm), Glass, Translucent turquoise greenish blue with opaque yellow, making glass look green

Outer Prakarum on the North Side of the Temple of the God Sundareshwara, January–March 1858, Albumen silver print from dry collodion on glass negative, Image: 26.1 x 34 cm (10 1/4 x 13 3/8 in.), Photographs, Linnaeus Tripe (British, Devonport

Steatite scaraboid seal, Orientalizing, early 7th century B.C., Greek, Steatite, L. 2.5 cm, Gems, Lion attacking man. The man's head is inside the jaws of the animal

Terracotta white-shaved juglet, Late Cypriot, 1600–1050 B.C., Cypriot, Terracotta, H. 6 1/2 in. (16.5 cm), Vases, Jug with pointed body, handle and pinched lip

Concordia, ca. 1581, Engraving, sheet: 11 1/4 x 8 5/16 in. (28.6 x 21.1 cm), Prints, after Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp

Unidentified Actor as a Kyokaku Standing at the Foot of a Cliff in a Snow Storm, Edo period (1615–1868), ca. 1793, Japan, Polychrome woodblock print; ink and color on paper, H. 12 7/8 in. (32.7 cm); W. 5 3/4 in. (14.6 cm), Prints, Katsukawa

Glass cup, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown and cut, Height: 2 3/8in. (6.1cm), Glass, Uncertain, probably colorless with pale blue green tinge. Knocked-off, uneven rim; slightly bulging collar below rim; sides

Walkowitz at Lake George, 1916, Autochrome, 12.7 x 17.8 cm (5 x 7 in.), Transparencies, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

The Sackville Children, 1796, Oil on canvas, 60 x 49 in. (152.4 x 124.5 cm), Paintings, John Hoppner (British, London 1758–1810 London), The children of the third Duke of Dorset were painted in the summer of 1796 at Knole, the Sackville

Marianne Dorothy Harland (1759–1785), Later Mrs. William Dalrymple, Oil on canvas, 28 x 36 1/8 in. (71.1 x 91.8 cm), Paintings, Richard Cosway (British, Oakford, Devon 1742–1821 London), Cosway was a successful miniaturist. His few oil

清 弘曆(乾隆皇帝) 鹿角雙幅 卷, Two Paintings of Deer Antlers, Qing dynasty (1644–1911), dated 1762 and 1767, China, Two handscrolls; ink and color on paper, a: 9 3/4 × 81 1/4 in. (24.8 × 206.4 cm), Paintings, Qianlong Emperor

[View Through Rocks' Of Tower On Hill], 1870s, Albumen silver print, Photographs, Francis Bedford (British, London 1816–1894 London

Mirror with Dioskouroi, Etruscan, Bronze, Other: 4 1/8 x 8 1/8 in. (10.5 x 20.6 cm), Bronzes, The engraved design represents the two Dioskouroi, who stand facing each other with crossed legs and one hand placed on hip. They wear short girt

Folio from a Buddhist Manuscript of Pancavimsatisahasrika Prajnaparamita, Pala period, ca. 1090, India (Bengal) or Bangladesh, Opaque watercolor on palm leaf, 2 1/4 x 22 1/2 in. (5.7 x 57 cm), Paintings

Bone pin, ca. 1st–2nd century A.D., Roman, Bone, H.: 1 5/8 in. (4.1 cm), Representing a female bust

Creamer, ca. 1810, American, Silver, Overall: 6 5/16 x 5 11/16 in. (16 x 14.4 cm); 6 oz. 5 dwt. (194.9 g), Silver, Marked by W. H