Images at Librifly

Powder Flask, ca. 1730–40, Probably Austrian, Tortoiseshell, brass, gold, steel, L. 9 1/8 in. (23.2 cm); D. 1 in. (2.5 cm); Wt. 8.2 oz. (232.5 g), Firearms Accessories-Flasks & Primers

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1/2 x 1 1/8 in. (1.3 x 2.8 cm); estimated diam. of base 1 15/16 in. (5 cm), Glass, Thin-walled base fragment., Translucent

近江八景之内 三井晩鐘, Vesper Bell at Mii Temple, Lake Biwa, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, 8 23/32 x 13 1/2 in. (22.2 x 34.3 cm), Prints, Utagawa Hiroshige (Japanese,

One of a Pair of Chair Strips with Auspicious Patterns, Qing dynasty (1644–1911), 18th century, China, Tapestry-woven silk (kesi) and metallic thread, Overall: 64 x 19 in. (162.6 x 48.3 cm), Textiles-Tapestries, Unlike upholstered furniture

Porta d'entrata alla ruine de Persepolis, 1858, Salted paper print from paper negative, Photographs, Luigi Pesce (Italian, 1818–1891

Coat (Choga), mid-19th century or earlier, Made in Present-day Turkmenistan, Ground fabric: hand-spun red plain-weave wool (warp and weft); embroidery: silk; facing: ikat silk (warp), cotton (weft); lining: roller-printed Russian cotton, H. from

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 3/8 x 1 7/16 in. (3.5 x 3.7 cm), Glass, Body fragment., Translucent blue, purple layered with white appearing opaque

The Castle of the Mains, Forfarshire, 1856, Albumen silver print, Photographs, John Sturrock (British

Gold leaf frontlet (band for forehead), Archaic, 7th–6th century B.C., Cypriot, Gold, Other: 2 15/16 in. (7.5 cm), Gold and Silver, Palmette ornament

Woman Pursuing Sparrow, Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, H. 11 1/2 in. (29.2 cm); W. 15 3/4 in. (40 cm), Prints, Okumura Masanobu (Japanese, 1686–1764

Portrait de Pitre-Chevalier, ca. 1853, Salted paper print from glass negative, Image: 17.5 x 13.4 cm (6 7/8 x 5 1/4 in.), irregularly trimmed, Photographs, Gustave Le Gray (French, 1820–1884

Hydria, Late Archaic, ca. 490 B.C., Greek, Attic, Terracotta; black-figure, Other (width w/ handles): 8 5/8 in. (21.9 cm), Vases

Armchair, ca. 1766, Made in Philadelphia, Pennsylvania, United States, American, Mahogany, white oak, 40 x 27 3/8 x 25 5/8 in. (101.6 x 69.5 x 65.1 cm), Furniture, Attributed to Thomas Affleck (1740–1795

Terracotta squat lekythos (oil flask), Late Classical, 4th century B.C., Greek, South Italian, Campanian, Terracotta; black-glaze, H. 4 1/16 in. (10.3 cm), Vases, Ribbed

東海道五十三次　四日市, Yokkaichi, from the series The Fifty-three Stations of the Tōkaidō Road, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige

清 倣龔賢 十二月令山水圖 冊, Landscapes of the Twelve Months, Qing dynasty (1644–1911), ca. 1685, China, Album of twelve painting leaves; ink on paper, 11 7/8 x 24 3/4 in. (30.2 x 62.9 cm), Paintings, Gong Xian (Chinese,

Seal Rocks, 1868–69, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

Bromus Maximus, Genoa, 1839, Photogenic drawing, 22.5 x 18.8 cm (8 7/8 x 7 3/8 in.), irregularly trimmed, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Beaker with Imperial Russian Arms, ca. 1735, Austrian, Vienna, Hard-paste porcelain, Height: 2 15/16 in. (7.5 cm), Ceramics-Porcelain, This beaker, from a set that Emperor Charles VI (r. 1711–40) probably gave to Czarina Anna Ivanovna (r.

Terracotta rim fragment with bands and dots, Early Minoan III, ca. 2300–2100 B.C., Minoan, Terracotta; White-on-dark ware, Other: 1 9/16 x 1 13/16 in. (4 x 4.6 cm), Vases, From Gournia, Crete. Rim fragment with bands and dots

Vieux Chinoise de Canton, 1870s, Albumen silver print from glass negative, 23.7 x 19.3 cm (9 5/16 x 7 5/8 in.), Photographs, Raimund von Stillfried (Austrian, 1839–1911

Pair of side chairs, ca. 1755–60, British, Mahogany; tent stitch embroidery on canvas, Each: H. 39-1/2 x W. 23 x D. 19-1/2 in. (100.3 x 58.4 x 49.5 cm), Woodwork-Furniture, The design is based on one of several 'ribband back chairs' in the

Le Pé, August 1, 1894, Albumen silver print from glass negative, Image: 14.4 x 10 cm (5 11/16 x 3 15/16 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Cosmetic set of Kohl Tube and Applicator, Razor, Tweezers, Whetstone, and Mirror, New Kingdom, Dynasty 18, early, ca. 1550–1458 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Tomb CC 37, Hall (C), burial 16, Carnarvon/Carter

Le Seur, Professeur de Mathématiques á la Sapience, a Rome, 1750, Etching, sheet: 7 3/16 x 5 1/16 in. (18.2 x 12.9 cm), Prints, After Charles Nicolas Cochin II (French, Paris 1715–1790 Paris

Cup, 9th–10th century, Attributed to Iran or Iraq, Glass, blue-green; blown, cut, H. 3 1/8 in. (7.9 cm), Glass, This cup is simply decorated with a band of alternating horizontal and vertical lozenges created by relief-cutting. The base was

東都名所　真崎雪晴ノ図, Clearing Weather after Snow at Massaki, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 9 7/8 in. (25.1 cm); W. 13 7/16 in. (34.1 cm), Prints, Utagawa Hiroshige

Terracotta statuette of a goddess, Classical, mid-5th century B.C., Greek, Boeotian, Terracotta, H. 10 7/16 in. (26.5 cm), Terracottas, The polos (headdress) identifies the figure as a goddess. She is impressive for her size, rigidity, and

The Love Letter, Edo period (1615–1868), late 18th century, Japan, Polychrome woodblock print; ink and color on paper, H. 26 5/16 in. (66.8 cm); W. 4 3/4 in. (12.1 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815), The ukiyo-e print

Terracotta lamp fragment, East Greek, Lydian, Terracotta, Overall: 1 x 3 in. (2.5 x 7.6 cm), Terracottas

Pitcher, 1850–75, Possibly made in Sandwich, Massachusetts, United States, American, Blown glass with applied decoration, H. 6 1/2 in. (16.5 cm), Glass, Possibly Boston & Sandwich Glass Company (American, 1825–1888, Sandwich,

[Yosemite National Park, California], ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled

Udeno Kisaburo Dries His Neck at Night, Edo period (1615–1868), 1854 (year of the Horse, 7th month), Japan, Polychrome woodblock print; ink and color on paper, 14 1/8 x 9 3/4 in. (35.9 x 24.8 cm), Prints, Utagawa Kunisada (Japanese,

Two bronze handle attachments, Imperial, ca. 2nd century A.D., Roman, Bronze, H. 7/16 in. (8.8 cm), Bronzes, The handles once decorated the side of a situla (wine bucket), and the wreathed mask in high relief may be identified as that of

Krishna Brings the Messenger Akrura Inside Nanda’s House: Page from a Dispersed Bhagavata Purana Manuscript, ca. 1620–30, India (Rajasthan, Mewar), Ink and opaque watercolor on paper, 6 1/2 x 13 1/4 in. (16.5 x 33.7 cm), Paintings, Akrura

Head of a Buddha or Bodhisattva, 5th–6th century, Afghanistan (probably Hadda), Clay with inset garnet eyes, H. 12 1/4 in. (31.1 cm); W. 8 7/8 in. (22.5 cm); D. 7 1/4 in. (18.4 cm), Sculpture, This head gives a sense of the refinement of

北宋 米芾 草書吳江舟中詩 卷, Poem Written in a Boat on the Wu River, Northern Song dynasty (960–1127), ca. 1095, China, Handscroll; ink on paper, 12 1/4 in. × 18 ft. 3 1/4 in. (31.1 × 556.9 cm), Calligraphy, Mi Fu (Chinese,

Ru-Shan Monastery, ca. 1869, Albumen silver print from glass negative, Image: 8 15/16 × 11 1/8 in. (22.7 × 28.2 cm), Photographs, Possibly by Lai Fong (Chinese, 1839–1890

Marble head of Herakles, Early Imperial, 1st century A.D., Roman, Marble, H. 6 3/4 in. (17.1 cm), Stone Sculpture, Small-scale copy of a Greek statue of the early 3rd century B.C.. The Greek hero, Herakles, is shown as a beardless young man

Young Herdsmen with Cows, ca. 1655–60, Oil on canvas, 44 1/8 x 52 1/8 in. (112.1 x 132.4 cm), Paintings, Aelbert Cuyp (Dutch, Dordrecht 1620–1691 Dordrecht), Cuyp was the most talented member of a family of painters from Dordrecht,

Lekythos, Archaic, late 6th century B.C., Greek, Attic, Terracotta; black-figure, 11 3/4in. (29.8cm), Vases

A Woman Playing with a Monkey which Has Climbed a Tree, Edo period (1615–1868), ca. 1770, Japan, Polychrome woodblock print; ink and color on paper, H. 27 1/2 in. (69.9 cm); W. 4 3/4 in. (12.1 cm), Prints, Suzuki Harunobu (Japanese,

'Alexander Executes Janusiyar and Mahiyar, the Slayers of Darius', Folio from a Shahnama (Book of Kings) of Firdausi, dated A.H. 887/A.D. 1482, Made in Iran, Shiraz, Ink, opaque watercolor, and gold on paper, 8 3/4 x 5 3/8in. (22.2 x

St. Andrews. North Street, Fishergate, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland

南宋 傳劉松年 倣高克明溪山雪意圖 卷, Streams and Mountains Under Fresh Snow, Southern Song dynasty (1127–1279), ca. late 12th century, China, Handscroll; ink and color on silk, Image: 16 3/8 in. × 95 in. (41.6 × 241.3 cm),

Honor Making a Chaplet of Roses, ca. 1410–20, South Netherlandish, Wool warp, wool wefts, 93 x 108 in. (236.2 x 274.3 cm), Textiles-Tapestries, The French inscription below Honor may be translated: 'I am Honor who makes chaplets for my

Man on a Raft, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 13 1/16 in. (33.2 cm); W. 9 3/8 in. (23.8 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo

Limestone statuette of Herakles as an archer, Archaic, middle or 3rd quarter of the 6th century B.C., Cypriot, Limestone, Overall: 8 3/4 x 4 1/4 x 2 3/4 in. (22.2 x 10.8 x 7 cm), Stone Sculpture, With bundle of arrows in each hand

Pottery Whistle, Pre-Columbian, ca. 800–1525, Diquis Region, Costa Rica, Costa Rican, Clay, H. 39 cm (15-3/8 in.); W. 28 cm (11-1/8 in.); D. 44 cm (17-3/8 in.); Wt. 22 g, Aerophone-Whistle Flute-whistle

名所江戸百景　王子装束ゑの木大晦日の狐火, New Year's Eve Foxfires at the Changing Tree, Ōji, Edo period (1615–1868), ca. 1857, Japan, Polychrome woodblock print; ink and color on paper, Image: 12 13/16 × 8 5/8 in. (32.5

The Lake at Hakone in Sagami Province (Sōshū Hakone kosui), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　相州箱根湖水, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock

Kazusa Yazashi-ga-ura tsumei, 六十余州名所図会　上総　矢さしか浦　通名九十九里, Yasashi Beach, known as Kujūkuri, Kazusa Province, from the series Views of Famous Places in the Sixty-Odd Provinces, Edo period

Glass perfume bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown and tooled, 1 3/4 in. (4.4 cm), Glass, Small perfume bottle Colorless, but with purple streaks. Plian, rounded rim; flaring mouth; slightly funnel-shaped neck;

Gold ring, Classical, ca. 450 B.C., Greek, Gold, Length: 13/16 in. (2.1 cm), Gems, Athena in combat with a giant

[Peel Ross Fishing], ca. 1856–59, Albumen silver print, 16.6 x 20.5 cm (6 9/16 x 8 1/16 in.), oval, Photographs, Horatio Ross (British, Rossie Castle, near Montrose, Scotland 1801–1886 Scotland

明 謝時臣 隱居圖 扇面, Landscape with Figure, Ming dynasty (1368–1644), China, Folding fan mounted as an album leaf; ink on gold paper, 7 x 19 3/4 in. (17.8 x 50.2 cm), Paintings, Xie Shichen (Chinese, 1487–ca. 1567

Decorative boss, Neo-Assyrian, ca. 8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Shell, silver, bitumen (?), 1 15/16 in. (4.9 cm), Shell-Ornaments, This curved object, carved from a thick piece of shell and decorated

Yosemite Valley from Glacier Point, ca. 1872, printed ca. 1876, Albumen silver print from glass negative, Photographs, Attributed to Carleton E. Watkins (American, 1829–1916

Carpet (tapis), third quarter 17th century, French, Paris, Knotted and cut wool pile, woven with about 90 knots per square inch, Overall: H. 251-15/16 x W. 143-11/16 in. (647.7 x 365 cm), Textiles-Rugs, The initial goal of the Savonnerie

Terracotta stirrup jar, Late Helladic III, ca. 1400–1050 B.C., Mycenaean, Terracotta, 3 11/16 in. (9.4 cm.), Vases, Parallel circles, chevrons

Queen Victoria Presiding at the Reopening of the Reconstructed Crystal Palace at Sydenham, 1854, Albumen silver print from glass negative, Photographs, Attributed to T. R. Williams (British, born 1825

South Sea Islanders, 1826–61, Cut paper with wash, Sheet: 10 1/2 x 13 7/16 in. (26.7 x 34.2 cm), Cut Paper, Auguste Edouart (French, 1789–1861

Fragment of a limestone head of the “Triple Geryon” (?), Archaic or Classical, 6th or 5th century B.C., Cypriot, Limestone, Overall: H.:6 1/2 x W.:3 x D.:2 1/4 in. (16.5 x 7.6 x 5.7 cm), Stone Sculpture, The helmeted head is slanted toward

Jug, 1790–1830, Possibly made in New York, United States, American, Stoneware, H. 9 in. (22.9 cm), Ceramics, The Great Seal of the United States, featuring an eagle grasping an olive branch and a bundle of arrows, was endorsed by Congress

Glass hemispherical bowl, Late Hellenistic, 2nd–mid-1st century B.C., Greek, Glass; cast and cut, H.: 2 5/8 in. (6.7 cm), Glass, Translucent golden brown., Vertical rim with rounded edge; convex curving side; convex bottom., On interior,

Bronze ring key, 3rd–4th century A.D., Roman, Bronze, Other: 1 3/4 in. (4.5 cm), Bronzes, With ten teeth and a short shaft

Glass striped mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 13/16 x 1 1/4 in. (2 x 3.2 cm), Glass, Rim fragment., Translucent blue layered with white, turquoise blue layered

Karatsuchi of the Echizenya, Edo period (1615–1868), ca. 1795, Japan, Polychrome woodblock print; ink and color on paper, H. 14 3/4 in. (37.5 cm); W. 9 1/2 in. (24.1 cm), Prints, Rekisentei Eiri (Japanese, active ca. 1789–1801

Tray Stand, 14th century, Attributed to Egypt, Brass; inlaid with silver, H. 9 9/16 in. (24.3 cm), Metal, This tray stand exemplifies the work produced for highranking Mamluk patrons. The inscription’s honorifics indicate that its owner was a

Glass beaker, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, Height: 4 3/8 in. (11.2 cm), Glass, Colorless with blue green tinge Flaring rim with rounded, vertical lip; upper part of body with plain cylindrical sides, then

Ladies Surrounding a Cart, Edo period (1615–1868), Japan, Triptych of polychrome woodblock prints; ink and color on paper, 15 x 30 in. (38.1 x 76.2 cm), Prints, Utamaro II (Japanese (died 1831

English Horn in G, ca. 1840, Dresden, Germany, German, Wood, leather, ivory, silver, L. 74.5 cm (29 5/16 in.), Aerophone-Reed Vibrated-double reed, Carl Theodor Golde (German, Marienburg 1803–1873 Dresden

太閤五妻洛東遊観之図, A View of the Pleasures of the Taiko and His Five Wives at Rakutō, Edo period (1615–1868), 1804, Japan, Triptych of polychrome woodblock prints; ink and color on paper, 15 x 30 in. (38.1 x 76.2 cm), Prints,

Fibula, boat-shaped type, Bronze, Other: 3 5/16 in. (8.4 cm), Bronzes

雪月花　吉野, Cherry Blossoms at Yoshino (Yoshino), from the series Snow, Moon, and Flowers (Setsugekka), Edo period (1615–1868), ca. 1833, Japan, Polychrome woodblock print; ink and color on paper, H. 10 1/4 in. (26 cm); W. 14 15/16

井手の玉川, Jewel River at Ide (Ide no Tamagawa), Edo period (1615–1868), ca. 1768, Japan, Polychrome woodblock print; ink and color on paper, 10 3/4 x 7 7/16 in. (27.3 x 18.9 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770),

Oinochoe, Archaic, 6th century B.C., Greek, Attic, Terracotta; black-figure, 5 1/16in. (12.9cm), Vases

View from the Citadel Ramparts in Copenhagen by Moonlight, 1839, Oil on canvas, 11 3/8 x 9 5/8 in. (28.9 x 24.4 cm), Paintings, Martinus Rørbye (Danish, Drammen 1803–1848 Copenhagen), This cabinet picture depicts a soldier and two sailors

An Unidentified Actor in the Role of a Samurai, Edo period (1615–1868), 1700–1787, Japan, Polychrome woodblock print; ink and color on paper, 12 1/8 x 5 1/2 in. (30.8 x 14 cm), Prints, Katsukawa Shunjō (Japanese, died 1787

[Young Man], late 1840s, Paper negative, 20.9 x 15.8 cm (8 1/4 x 6 1/4 in.), Negatives, Calvert Richard Jones (British, Swansea, Wales 1802–1877 Bath, England), Calvert Jones applied his considerable experience as a watercolorist and

Vase, 1896, Glass, H. 6-7/8 in. (17.5 cm.), Glass

Bowling Alley and Raquet Court, Foochow, ca. 1869, Albumen silver print from glass negative, Image: 8 15/16 × 11 5/16 in. (22.7 × 28.7 cm), Photographs, Possibly by Lai Fong (Chinese, 1839–1890

The Unicorn Defends Itself (from the Unicorn Tapestries), 1495–1505, South Netherlandish, Wool warp with wool, silk, silver, and gilt wefts, Overall: 145 x 158 in. (368.3 x 401.3cm), Textiles-Tapestries, Here the injured unicorn is being

Red jasper ring stone, Late Republican or Imperial, ca. 1st century B.C.–3rd century A.D., Roman, Jasper, Length: 13/16 in. (2.1 cm), Gems, Helmet decorated with Bellerophon on Pegasos; chimaera and dog

Shaffron (Horse's Head Defense), ca. 1560–70, probably Brescia, Italian, probably Brescia, Steel, brass, leather, H. 24 7/8 in. (63.2 cm); W. 12 1/4 in. (31.1 cm); D. 9 in. (22.9 cm); Wt. 4 lb. 11 oz. (2132 g), Equestrian

Terracotta dish, Hellenistic, ca. 330–300 B.C., Greek, South Italian, Campanian, Teano, Terracotta; applied color, Other: 2 3/4 x 10 1/8 in. (7 x 25.7 cm), Vases, Shallow dish with ring base decorated with ivy vine and stamped pattern;

Furniture plaque carved in relief with a winged female figure and a “sacred tree”, Neo-Assyrian, ca. 9th–8th century B.C., Syria, probably from Arslan Tash (ancient Hadatu), Assyrian, Ivory, gold, 3.13 x 1.83 in. (7.95 x 4.65 cm),

Terracotta alabastron (perfume vase), Archaic, ca. 510–500 B.C., Greek, Attic, Terracotta; white-ground, H. 6 1/8 in. (15.6 cm), Vases, Amazon and youth leaning on a staff. Alabastra decorated with an Amazon enjoyed a brief period of

Eight Horses, Ming (1368–1644) or Qing dynasty (1644–1911), China, Handscroll; ink and color on silk, 11 x 54 5/8 in. (27.9 x 138.7 cm), Paintings, Unidentified Artist

Corsage Piece, 1880–95, Made in New York, New York, United States, American, Silver, gold, diamonds, 1 3/16 x 6 1/4 in. (3 x 15.9 cm), Jewelry, Tiffany & Co. (1837–present), Diamonds had become so fashionable by the last quarter of

Setting Moon on Waves, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/16 x 7 3/16 in. (20.5 x 18.3 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Shield boss, Bronze, Diam.: 1 5/8 in. (4.1 cm), Bronzes

Floral Tent Panel, ca. 1635, Attributed to India, Silk, gold; cut velvet, painted, Textile: L. 105 3/4 in. (268.6 cm), Textiles, In the lavish encampments used by Indian rulers when traveling, tents were lined with beautiful textiles. This

Feline Bottle, 600–400 B.C., Peru, Tembladera, Tembladera, Ceramic, H. 9 1/8 x W. 5 3/4 x D. 8 1/4 in. (23.2 x 14.6 x 21 cm), Ceramics-Containers

東海道五十三次　江尻, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

An Actor of the Nakamura Line, Edo period (1615–1868), ca. 1778, Japan, Polychrome woodblock print; ink and color on paper, 11 1/2 x 5 1/2 in. (29.2 x 14.0 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Wisteria and White-headed Bird, Edo period (1615–1868), ca. 1842, Japan, Polychrome woodblock print; ink and color on paper, 8 23/32 x 6 9/16 in. (22.2 x 16.7 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Fishing for Shells, 1853–56, Salted paper print, Image: 15.6 × 20.5 cm (6 1/8 × 8 1/16 in.), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales

Miniature Dress, 12th–13th century, Peru, Ica Valley, Ica, Cotton, feathers, H. 8 3/8 x W. 9 3/8 in. (21.3 x 23.8 cm), Textiles-Featherwork

Washington Crossing the Delaware, 18th–19th century, Embossed print, Sheet: 5 13/16 x 8 1/16 in. (14.8 x 20.5 cm), Cut Paper, Anonymous, American, 18th to 19th century