Images at Librifly

Bronze batillum (incense shovel), Mid-Imperial, late 1st–early 2nd century A.D., Roman, Bronze, L. 10 in. (25.4 cm), Bronzes, With four knobs on the under side of the blade

Top-Shell and Various Shells, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/8 x 7 1/16 in. (20.6 x 17.9 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

北宋 傳屈鼎 夏山圖 卷, Summer Mountains, Northern Song dynasty (960–1127), ca. 1050, China, Handscroll; ink and color on silk, Image: 17 7/8 × 45 3/8 in. (45.4 × 115.3 cm), Paintings, Attributed to Qu Ding (Chinese, active ca.

Plate with youths and winged horses, Sasanian, ca. 5th–6th century A.D., Iran, Sasanian, Silver, mercury gilding, H. 5.2 x Diam. 21 cm, 572g (2 1/16 x 8 1/4 in.), Metalwork-Vessels, This gilded silver Sasanian plate features an unusual

Glass indented flask, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown and tooled, 3 7/16 x 1 11/16in. (8.7 x 4.2cm), Glass, Translucent pale blue green. Partly tubular, rounded rim; flaring mouth; neck expanding downward; broad,

Vase fragment, Early Helladic, ca. 3000–2200 B.C., Terracotta, 1 7/8 x 15/16in. (4.7 x 2.4cm), Vases

Pair of firedogs (chenets), ca. 1750, French, Gilt bronze, .1) H. 20 3/4 x W. 19 x D. 10 1/2 in. (52.7 x 48.3 x 26.7 cm), Metalwork-Gilt Bronze, Multiple examples of this model of firedogs, incorporating the figures of two mythological deities

Sugar of Tete a Tete Set No 8473, 1887, (none assigned) New York, New York, United States, American, Ink, graphite, and blue wax pencil on off-white wove paper, lined, 13 1/2 x 13 1/2 in. (34.3 x 34.3 cm), Drawings, Tiffany & Co.

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 5/8 in. (34.6 × 24.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Bracelet, Bronze, diameter 7.01 cm., Bronzes

Bowl with Handle and Foot Ring, Goryeo dynasty (918–1392), Korea, Bronze, H. 3 in. (7.6 cm); Diam. 5 7/8 in. (14.9 cm), Metalwork

Two Geisha Preceded by a Maid Carrying a Lantern, Edo period (1615–1868), ca. 1778, Japan, Polychrome woodblock print; ink and color on paper, 10 1/4 x 7 3/8 in. (26 x 18.7 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

Erotic Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 10 in. × 15 1/8 in. (25.4 × 38.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

Ferry Boat Crossing the Sumida River, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 3/8 x 7 1/4 in. (21.3 x 18.4 cm), Prints, Keisai Eisen (Japanese, 1790–1848

Tapestry Room, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney

Livre de Toutes Sortes De Fleurs D'apres Nature, ca. 1670–80, Engraving, Overall: 21 7/8 x 16 7/16 x 1/4 in. (55.5 x 41.7 x 0.6 cm), Books

Glass bowl, Early to Mid Imperial, mid-1st–2nd century A.D., Roman, Glass; blown and cut, H.: 1 5/8 in. (4.1 cm), Glass, Colorless with blue green tinge Knocked-off, uneven rim with bulging collar below; vertical sides, rounded at base;

Jug, 1810–35, Made in Dorset, Vermont, United States, American, Stoneware, H. 18 in. (45.7 cm), Ceramics, Jonathan Fenton (1766–1835

Terracotta phiale (libation bowl), Hellenistic, late 3rd–early 2nd century B.C., Greek, South Italian, Campanian, Calenian, Terracotta; black-glaze, Other: 8in. (20.3cm), Vases, Frieze of chariots with divinities

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 5/8 in. (34.6 × 24.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

魚づくし　こちに茄子, Kochi Fish with Eggplant, from the series Uozukushi (Every Variety of Fish), Edo period (1615–1868), 1830s, Japan, Polychrome woodblock print; ink and color on paper, 11 1/4 x 14 9/16 in. (28.6 x 37 cm),

In Dove Dale, 'Habet!', 1888, Photogravure, 14.7 x 20.1 cm. (5 13/16 x 7 15/16 in.), George Bankart (British

Etang, Ville-d'Avray, 1923–25, Matte albumen silver print from glass negative, Image: 17.4 x 22.5 cm (6 7/8 x 8 7/8 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

View of Mt. Asama from the Usui Pass, Edo period (1615–1868), ca. 1850, Japan, Polychrome woodblock print; ink and color on paper, H. 10 1/8 in. (25.7 cm); W. 14 in. (35.6 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861

[Countess de Castiglione, from Série des Roses], 1895, Albumen silver print from glass negative, Approximately 14.3 x 9.9 cm (5 5/8 x 3 7/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Helmet, dated A.H. 1196/A.D. 1781–82, Turkish, Steel, silver, niello, H. including mail 24 in. (61 cm); H. excluding mail 9 in. (22.9 cm); Diam. 8 1/8 in. (20.6 cm); Wt. 3 lb. 13.8 oz. (1752 g), Helmets, The tulip decoration on the bowl

The Eighth Month, Edo period (1615–1868), ca. 1767, Japan, Polychrome woodblock print; ink and color on paper, H. 10 in. (25.4 cm); W. 7 3/8 in. (18.7 cm), Prints, Ishikawa Toyomasa (Japanese, active 1770–1790

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, H.: 15/16 x 1 1/8 in. (2.3 x 2.8 cm), Glass, Thin-walled body fragment of bowl., Translucent purple, light blue partly mixed with

百人一首　うばがゑとき　三条院, Poem by Sanjō-in, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper,

Sashiye (name of a place in Edo), Edo period (1615–1868), ca. 1782, Japan, Right-hand sheet of a diptych of polychrome woodblock prints; ink and color on paper, 14 15/32 x 9 3/4 in. (36.8 x 24.8 cm), Prints, Torii Kiyonaga (Japanese,

Marble stele (grave marker) of a youth and little girl with capital and finial in the form of a sphinx, Archaic, ca. 530 B.C., Greek, Attic, Marble, total H. 13 ft. 10 11/16 in. (423.4 cm), Stone Sculpture, Inscribed on the base: to dear

Silver cuff or bracelet, Archaic, 7th–6th century B.C., Cypriot, Silver, Diam.: 3 3/16 in. (8.1 cm), Gold and Silver, Richly engraved

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 3/4 × 1 3/4 × 3/16 in. (4.4 × 4.5 × 0.5 cm), Vases

Chiyoda Castle (Album of Women), Meiji period (1868–1912), 1895, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm), Prints, Yōshū (Hashimoto) Chikanobu

Section of the Grizzly Giant, 101 feet circumference, 1865–66, printed ca. 1876, Albumen silver print from glass negative, Image: 33.5 x 26.6 cm (13 3/16 x 10 1/2 in.), Photographs, Carleton E. Watkins (American, 1829–1916

Jōkisen zenzu, Complete Picture of a Steamship off Kanazawa, Edo period (1615–1868), 19th century, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Image (a): 14 1/8 x 9 3/8 in. (35.9 x 23.8 cm), Prints, Utagawa

Lady About to Smoke a Hookah, ca.1790, India (Punjab Hills, Kangra), Ink on paper, 7 x 5 in. (17.8 x 12.7 cm), Paintings, Painting from the Punjab Hills in the second half of the eighteenth century was deeply indebted to earlier Mughal

Quail Under Autumn Flowers, 秋の花に鶉図, Edo period (1615–1868), Japan, Hanging scroll; ink and color on silk, 38 1/2 x 16 3/8 in. (97.8 x 41.6 cm), Paintings, Tosa Mitsuoki (Japanese, 1617–1691), Elegant in their own right,

Glass mosaic inlay fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Overall: 1 1/16 x 1 9/16 in. (2.7 x 4 cm), Glass, Translucent deep purple, appearing black, and opaque white., Flat, irregular

Glass bottle shaped like a date, Mid Imperial, mid-1st–early 2nd century A.D., Roman, Glass; blown in a two-part mold, H.: 2 7/8 in. (7.3 cm), Glass, Translucent yellowish brown. Thick, everted rim folded round and in; flaring mouth; short

[Standing at the Prie-Dieu], 1861–64, Albumen silver print from glass negative, Image: 10.5 x 8.5 cm (4 1/8 x 3 3/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Pitcher, 1813–30, Made in Boston, Massachusetts, United States, American, Blown glass with applied decoration, H. 6 in. (15.2 cm), Glass, The chainlike decoration on this pitcher and sugar bowl (69a, b) was achieved by applying two

[New Tank in Camac Street, Chowringhee, Calcutta], 1858–61, Albumen silver print, Image: 18.8 x 70.9 cm (7 3/8 x 27 15/16 in.), Photographs, Unknown

Wall painting on black ground: cornice fragment, from the imperial villa at Boscotrecase, Early Imperial, last decade of the 1st century B.C., Roman, Pompeian, Fresco, Overall: 13 x 29 15/16 in. (33 x 76 cm), Miscellaneous-Paintings, Many

Facsimile of an Old Printed Page, before August 1839, Salted paper print from paper negative, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Fragment, 15th century, Attributed to Spain, Silk; lampas, Textile: H. 15 7/8 in. (40.3 cm), Textiles-Woven, This rectangular silk textile fragment displays a repetitive pattern of small flowers and plants in green, yellow, white, and blue

[Two Stags, One Shot by Mr. Ross and the Other by Mrs. Ross], ca. 1858, Salted paper print, 14.3 x 17.8 cm (5 5/8 x 7 in.), oval, Photographs, Horatio Ross (British, Rossie Castle, near Montrose, Scotland 1801–1886 Scotland

Plasma ring stone, Late Republican or Imperial, ca. 1st century B.C.–3rd century A.D., Roman, Plasma, Other: 3/8 x 1/8 x 1/2 in. (0.9 x 0.4 x 1.3 cm), Gems, Bonus Eventus as youth, holding dish of fruit and branch Bonus Eventus, the Roman

Sampan, 1870s, Albumen silver print from glass negative, 23.6 x 19.3 cm (9 5/16 x 7 5/8 in.), Photographs, Unknown

Figured bottle, ca. 1854, Made in New Brooklyn, New Jersey, United States, American, Blown-molded glass, H. 10 1/2 in. (26.7 cm), Glass

南宋/元 顏庚 鍾馗嫁妹圖 卷, The Demon Queller Zhong Kui Giving His Sister Away in Marriage, Yuan dynasty (1271–1368), China, Handscroll; ink on silk, Image: 9 5/8 x 99 3/4 in. (24.4 x 253.4 cm), Paintings, Yan Geng (active late

[The Grounds Looking Towards Penge], 1854, Albumen silver print from glass negative, Photographs, Philip Henry Delamotte (British, 1821–1889

Turban Helmet, late 15th century, Iranian, Steel, gold, silver, H. 11 11/16 in. (29.7 cm); Diam. 9 1/4 in. (23.5 cm); Wt. 3 lb. 0.7 oz. (1380.6 g), Helmets, Helmets of this type are usually called turban helmets becuase of their large bulbous

Shi Gatsu, The Fourth Month, Edo period (1615–1868), ca. 1767, Japan, Polychrome woodblock print; ink and color on paper, H. 10 in. (25.4 cm); W. 7 3/8 in. (18.7 cm), Prints, Ishikawa Toyomasa (Japanese, active 1770–1790

Flowerpot, 1827–38, Made in Philadelphia, Pennsylvania, United States, American, Porcelain, 7 3/16 x 6 3/8 in. (18.3 x 16.2 cm), Ceramics

The Flagellation, mid-14th century, Made in Florence, Italy, Italian, Silk and metallic threads on linen, Overall: 10 1/2 x 16in. (26.7 x 40.6cm), Textiles-Embroidered, This embroidered panel representing the Flagellation is a remarkable

Woman after a Bath, Edo period (1615–1868), ca. 1795, Japan, Polychrome woodblock print; ink and color on paper, H. 15 in. (38.1 cm); W. 9 1/2 in. (24.1 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

Pair of three-light sconces (bras de lumière), ca. 1775, French, Paris, Gilt bronze, H. 11 1/2 x W. 19 1/2 x D. 12 1/2 in. (29.2 x 49.5 x 31.8 cm), Metalwork-Gilt Bronze, These wall lights are shaped with great naturalism to resemble lily

Terracotta vase in the form of a rooster, Archaic, late 6th century B.C., East Greek, Rhodian, Terracotta, H. 3 3/8 in. (8.5 cm), Vases, Aryballos in the form of a rooster

Gold earring with clustered spheres and pyramidal granulation, 2nd–3rd century A.D., Roman, Gold, Other: 15/16 in. (2.4 cm), Gold and Silver, Gold earrings with mulberry ornament

Throne Leg in the Shape of a Griffin, late 7th–early 8th century, Attributed to probably Western Iran, Bronze; cast around a ceramic core and chased, Gr. H. (base on top of iron rod) = 22 7/16 in. (57.0 cm), Metal, This throne leg in the

Gorges d'Ollioules, ca. 1860, Albumen silver print from paper negative?, Image: 32.5 x 42 cm (12 13/16 x 16 9/16 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Terracotta loutrophoros (ceremonial vase for water), Archaic, late 6th century B.C., Greek, Attic, Terracotta; black-figure, H. 18 13/16 in. (47.8 cm), Vases, On the body, obverse, six women at a bier; reverse, five men, On the neck,

Vase fragment, Late Helladic IIIA, ca. 1400–1300 B.C., Mycenaean, Terracotta, 2 3/16 × 2 1/4 × 3/16 in. (5.5 × 5.7 × 0.4 cm), Vases

Fragment, 14th–15th century, Attributed to Spain, Silk, Textile: L. 6 3/8 in. (16.2 cm), Textiles-Woven

The First Ichikawa Komazo (who in 1772 became the fourth Matsumoto Koshiro) in the Role of Yoemon, Edo period (1615–1868), 1770, Japan, Polychrome woodblock print; ink and color on paper, 12 7/32 x 5 5/8 in. (31.1 x 14.3 cm), Prints,

[Man and Boys Fishing], ca. 1856–59, Salted paper print, 19.3 x 23.1 cm (7 5/8 x 9 1/8 in.), Photographs, Horatio Ross (British, Rossie Castle, near Montrose, Scotland 1801–1886 Scotland

A Classical Landscape, probably 1660s, Oil on canvas, 27 1/2 x 36 1/4 in. (69.9 x 92.1 cm), Paintings, Sébastien Bourdon (French, Montpellier 1616–1671 Paris), Bourdon’s rigorously structured classical landscapes, such as this one, were

[Stag Trophy Head, Killed by Ned Ross], ca. 1858, Albumen silver print, 17.9 x 14.9 cm (7 1/16 x 5 7/8 in.), corners trimmed diagonally, Photographs, Horatio Ross (British, Rossie Castle, near Montrose, Scotland 1801–1886 Scotland

Piazza del Popolo, 1848–52, Albumen print from glass negative, Image: 8 11/16 × 11 5/16 in. (22 × 28.7 cm), Photographs, Eugène Constant (French, active Italy, 1848–55

The Actor Bando Mitsugorō I as one of the Conen Otoko or Five Kyokaku, Edo period (1615–1868), ca. 1778, Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/2 in. (31.8 cm); W. 5 3/4 in. (14.6 cm), Prints, Katsukawa Shunshō

Panoramic Landscape, Edo period (1615–1868), 19th century, Japan, Hexaptych of polychrome woodblock prints; ink and color on paper, Image (a): 14 1/4 x 9 3/4 in. (36.2 x 24.8 cm), Prints, Utagawa (Gountei) Sadahide (Japanese,

Lead votive plaque, Imperial, probably 3rd century A.D., Roman, Lead, H.: 3 3/4 x 3 1/16 in. (9.5 x 7.8 cm), Miscellaneous-Lead, The plaque contains a complex iconography of divine figures and symbols, probably to be associated with Thracian

Two Courtesans, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 5/16 in. (21 x 18.6 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Terracotta rim of a cup with polychrome motifs, Middle Minoan II, ca. 1800–1700 B.C., Minoan, Terracotta; Kamares ware, Overall: 1 1/4 x 1 3/8in. (3.2 x 3.5cm), Vases, From Knossos, Crete. Part of rim, polychrome, decorated in white and

Two Women Leading a Child toward a Teapot on a Table near a Pond, ca. 1742, Etching and engraving, Sheet (trimmed): 11 13/16 × 9 5/16 in. (30 × 23.7 cm), Prints, Gabriel Huquier (French, Orléans 1695–1772 Paris), After François Boucher

Limestone lamp in the shape of a bull’s head, Imperial, 30 B.C.–A.D. 330, Roman, Cypriot, Limestone, Overall: 1 5/8 × 2 3/4 × 3 5/8 in. (4.1 × 7 × 9.2 cm), Miscellaneous-Stone, The lamp is in the shape of a bull’s head with small

Naser al-Din Shah, ca. 1855–58, Salted paper print from paper negative, Image: 19.5 x 13.5 cm (7 11/16 x 5 5/16 in.), Photographs, Possibly by Luigi Pesce (Italian, 1818–1891), This photograph demonstrates what the medium brought to the

Terracotta vase in the form of a bird, Protocorinthian, mid-7th century B.C., Greek, Corinthian, Terracotta, H. 6 1/4 in. (15.9 cm), Vases, Compact form, with wings and legs kept close to the body. The feathers are indicated by incisions on

Gabbro mortar or plate, Late Bronze Age, ca. 1600–1050 B.C., Cypriot, Gabbro, H. 1 9/16 in. (4 cm); Diameter 4 1/2 in. (11.4 cm), Miscellaneous-Stone Vases, The shallow bowl has a short stemmed foot

Surimono in shape of small twofold screen, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 3/8 x 7 1/16 in. (21.3 x 17.9 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Robert Stevenson, 1865, Albumen silver print from glass negative, Photographs, Reed Brockway Bontecou (American, 1824–1907

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, 1 5/8 x 1 1/8in. (4.1 x 2.8cm), Glass, Small perfume bottle Translucent turquoise greenish blue. Unworked, plain rim; flaring mouth; slightly funnel-shaped neck,

Drawing of a figure of Christ, late 19th–early 20th century, Made in New York, United States, American, Gouache and graphite on artist board in original window matt with gold metallic finish., Overall: 20 7/8 x 12 13/16 in. (53 x 32.6 cm),

Igirisujin, 英吉利人, Englishmen, ca. 1862, Japan, Polychrome woodblock print; ink and color on paper, 14 x 9 3/4 in. (35.6 x 24.8 cm), Prints, Utagawa Yoshikazu (Japanese, active ca. 1850–1870

Head of a Man Wearing a Cap or Helmet, possibly 2nd–3rd century, Made in probably British Isles, Celtic, Fossiliferous limestone, H. 9 in. (24.1 cm), Sculpture-Stone, The facial features are like those on numerous Celtic heads found in

Petronella Elias (1648–1667) with a Basket of Fruit, 1657, Oil on canvas, 31 5/8 x 26 in. (80.3 x 66 cm), Paintings, Ferdinand Bol (Dutch, Dordrecht 1616–1680 Amsterdam), Bol was a pupil of Rembrandt in the late 1630s, and followed his

Presentation in the Temple, 14th century, Made in Florence, Italy, Italian, Silk on canvas, 11 3/8 x 16 1/2 in. (28.9 x 41.9 cm), Textiles-Embroidered

Glass pendant in the form of a leaf, Imperial, ca. 1st century A.D., Roman, Glass; molded or stamped, 3/16 × 5/8 × 7/8 in. (0.5 × 1.5 × 2.2 cm), Glass, Translucent deep blue green., Solid elliptic block, flat on underside, convex on

[H.M.S. Shannon off Calcutta], 1858–61, Albumen silver print, Image: 16 x 21.8 cm (6 5/16 x 8 9/16 in.), Photographs, Unknown

Archibald Butler of Faskally, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

Horse mask, mid-Western Zhou dynasty (1046–771 B.C.), China, Bronze, H. 8 1/4 in. (21 cm); W. 3 1/2 in. (8.9 cm), Metalwork

Toilet box (one of a pair) (part of a set), 1766, British, London, Silver gilt, Overall (confirmed): 2 x 5 1/16 x 3 5/8 in. (5.1 x 12.9 x 9.2 cm), Metalwork-Silver, John Parker (British, active 1759–77), Edward Wakelin (British, active

Cream pitcher, 1815–35, Made in Massachusetts, United States, American, Free-blown glass with applied decoration, 6 1/16 x 5 9/16 in. (15.4 x 14.1 cm), Glass, Attributed to New England Glass Company (American, East Cambridge,

The Actors Sawamura Sōjūrō III holding Sword Aloft, and Arashi Shichigorō III as Fighting Heroes, Edo period (1615–1868), ca. 1798, Japan, Polychrome woodblock print; ink and color on paper, H. 15 1/4 in. (38.7 cm); W. 10 1/4 in. (26 cm),

南宋 佚名 竹梅小禽圖 團扇, Sparrows, plum blossoms, and bamboo, Southern Song dynasty (1127–1279), late 12th century, China, Fan mounted as an album leaf; ink and color on silk, Image: 10 1/8 x 10 1/2 in. (25.7 x 26.7 cm),

姿見七人化粧, Naniwa Okita Admiring Herself in a Mirror, Edo period (1615–1868), ca. 1790–95, Japan, Polychrome woodblock print; ink and color on paper, mica ground, 14 1/2 x 9 7/8 in. (36.8 x 25.1 cm), Prints, Kitagawa Utamaro

The Approach; In the Wood; By the Lake, 1853–56, Salted paper print, Image: 5.5 × 5.4 cm (2 3/16 × 2 1/8 in.) (a), circular, Photographs, James Knight (British

東海道五十三次　舞阪, Maizaka Station, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

[N.E. Gate of Government House, Calcutta], 1858–61, Albumen silver print, Image: 14.1 x 20.7 cm (5 9/16 x 8 1/8 in.), Photographs, John Constantine Stanley (British, 1837–1878