Images at Librifly

Famous Beauty Escorted by Women of Different Rank, Edo period (1615–1868), Japan, Triptych of polychrome woodblock prints; ink and color on paper, A: H. 15 1/16 in. (38.3 cm); W. 9 3/4 in. (24.8 cm), Prints, Utagawa Toyokuni I (Japanese,

南宋 金處士 十王圖 軸, Ten Kings of Hell, Song dynasty (960–1279), before 1195, China, One of five of a set of ten hanging scrolls; ink and color on silk, Image: 51 x 19 1/2 in. (129.5 x 49.5 cm), Paintings, Jin Chushi (Chinese,

[Wilton House with Palladian Bridge by Morris], 1850s, Albumen silver print from paper negative, Photographs, Unknown (British

Meleager and Atalanta, first quarter 17th century, British, Silk and metal thread on canvas, H. 11 3/4 x W. 15 1/2 inches (29.8 x 39.4 cm); Framed: H. 16 3/4 x W. 20 1/2 x D. 1 1/2 (47.0 x 52.1 cm x 3.8 cm), Textiles-Embroidered, After two

Three Women Dining Before a Group of Trees, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 10 x 14 in. (25.4 x 35.6 cm), Prints, Utagawa Toyokuni I (Japanese, 1769–1825

Sallet, ca. 1470–80, Milan, Italian, Milan, Steel, H. 12 1/2 in. (31.8 cm); W. 7 1/2 in. (19.1 cm); D. 10 1/4 in. (26 cm); Wt. 5 lb. 14 oz. (2658 g), Helmets

Chinese Bulbuls on Flowering Cherry-Apple, Song dynasty (?) (960–1279), China, Handscroll; ink on paper, Image: 11 3/4 in. × 25 in. (29.8 × 63.5 cm), Paintings, Unidentified Artist

Design for a tapestry of medieval ladies and lords, late 19th–early 20th century, Made in New York, United States, American, Watercolor and graphite on off-white artist board, 17 x 15 3/8 in. (43.2 x 39 cm), Drawings, Possibly Tiffany Glass

東海道五十三次　御油　古街道本野ヶ原, Goyu, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4 in. (22.2 x 34.9 cm), Prints, Utagawa Hiroshige (Japanese,

Robe de Style, fall/winter 1924–25, French, silk, metallic thread

Terracotta bowl, Late Cypriot I-IIIA, ca. 1600–1150 B.C., Cypriot, Terracotta; White slip ware, H. 7 in. (17.8 cm); Diameter 9 3/4 in. (24.8 cm), Vases, White slip ware with horned handle, lattice and lozenge ornament

Flint arrowhead, Neolithic, 5th–4th millennium B.C., Greek Neolithic, Flint, L. 1 1/4 in. (3.2 cm.), Miscellaneous-Stone, Arrowhead

Hollyhocks and Cats, Ming dynasty (?) (1368–1644), China, Fan mounted as an album leaf; ink and color on silk, 9 1/8 x 7 1/8 in. (23.2 x 18.1 cm), Paintings, Unidentified Artist, In the style of Luo Zonggui (Chinese, active 1228–1234

Gold crescent-shaped earring, Classical-Roman, 5th century B.C.–1st century A.D., Cypriot, Gold, Other: 1 in. (2.5 cm), Gold and Silver, Although this type of earring was made in Cyprus over a long period of time, most examples are probably

Terracotta pelike (jar), Classical, ca. 420–410 B.C., Greek, Attic, Terracotta; red-figure, H.: 14 1/2 x 11 1/16 in. (36.8 x 28.1 cm), Vases, Obverse, Dionysos banqueting Reverse, three youths The scene presents an early form of the

Toriyama Akinari Terutada with Ghost; (The Lavender Chapter), Edo period (1615–1868), 1864, Japan, Polychrome woodblock print; ink and color on paper, 14 1/2 x 10 in. (36.8 x 25.4 cm), Prints, Utagawa Yoshiiku (Japanese, 1833–1904

Glass beaker, Early Imperial, 1st century A.D., Roman, Glass; blown, H.: 3 5/8 in. (9.2 cm), Glass, Colorless with pale blue green tinge. Knocked-off, uneven rim; slightly bulging collar below rim; narrow, cylindrical body with straight

Prinsep's Ghat, Calcutta, 1850s, Albumen silver print, Image: 18.5 x 24.2 cm (7 5/16 x 9 1/2 in.), Photographs, Captain R. B. Hill

Divina proportione, June 1, 1509, Book with woodcut illustrations, 11 5/8 x 8 1/4 x 1 1/4 in. (29.6 x 21 x 3.1 cm), Books, Fra Luca Pacioli (Italian, Borgo San Sepolcro ca. 1445–ca. 1514 Rome

Design for a frame, ca. 1750, Pen and ink with brown wash, 8 7/16 x 6 3/8 in. (21.4 x 16.2 cm), Drawings, Jean Charles Delafosse (French, Paris 1734–1789 Paris

Hermine, Marie and Marie Antoine., 1850s–60s, Albumen silver print from glass negative, 15.0 x 11.1 cm. (5 15/16 x 4 3/8 in.), Photographs, Franz Antoine (Austrian, 1814–1882

Bronze phiale (libation bowl), Archaic, 7th century B.C., Phrygian, Bronze, H.: 1 3/4 in. (4.5 cm), Bronzes, The phiale came to the Greek world from the ancient Near East

Floral collar from Tutankhamun's Embalming Cache, New Kingdom, Dynasty 18, ca. 1336–1327 B.C., From Egypt, Upper Egypt, Thebes, Valley of the Kings, Embalming cache of Tutankhamun (KV 54), Davis/Ayrton excavations, 1907, Papyrus, olive

名所江戸百景　神田紺屋町, Dye House at Konya-cho, Kanda, Edo period (1615–1868), 1857, Japan, Polychrome woodblock print; ink and color on paper, H. 13 in. (33 cm); W. 8 1/2 in. (21.6 cm), Prints, Utagawa Hiroshige (Japanese,

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Other: 2 5/8in. (6.7cm), Vases

Bronze ring, Late Classical, 4th century B.C., Greek, Bronze, Length: 11/16 in. (1.7 cm), Gems, Young warrior crouching in an attitude of defense

Glass perfume bottle, Mid Imperial, 2nd–3rd century A.D., Roman, possibly Egyptian, Glass; blown, Overall: 7 3/8 x 2 5/8 x 1 1/2 in. (18.7 x 6.7 x 3.8 cm), Glass, Tall candlestick unguentarium. Translucent blue green. Tubular rim folded

Fragment of a limestone statuette of a silen (?), Archaic, first half of the 5th century B.C., Cypriot, Limestone, Overall:H.: 4 5/16 x W.:2 13/16 x D.:2 1/8 in. (11 x 7.1 x 5.4 cm), Stone Sculpture, Preserved is the bust of a nude figure,

Actor Sakakiyama Sangoro II as Michinaga's Daughter Princess Otae, Edo period (1615–1868), 1794–75, Japan, Polychrome woodblock print; ink and color on paper, 12 1/2 x 5 5/8 in. (31.8 x 14.3 cm), Prints, Tōshūsai Sharaku (Japanese,

東海道五十三次　庄野, Shōno, from the series The Fifty-three Stations of the Tōkaidō Road, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige

The Daming Palace, Ming dynasty (1368–1644), early 15th century, China, Handscroll; ink on paper, Image: 12 1/4 x 269 in. (31.1 x 683.3 cm), Paintings, Formerly Attributed to Wang Zhenpeng (Chinese, active ca. 1275–1330

Morita Kanya VIII as Kawachi Kanja, Disguised as Genkaibo, Edo period (1615–1868), 1794–95, Japan, Polychrome woodblock print; ink and color on paper, 14 11/16 x 5 3/4 in. (37.3 x 14.6 cm), Prints, Tōshūsai Sharaku (Japanese, active

Glass bead, Glass; rod-formed and trailed, L. 7/8 in. (2.2 cm), Glass, Uncertain color, probably translucent deep purple, appearing black; trails in opaque red and white. Cylindrical, with rounded edges at both ends; pierced lengthwise; opaque

Flowers and Birds, Qing dynasty (1644–1911), 1750, China, Hanging scroll; ink and color on silk, Image: 45 13/16 x 19 11/16 in. (116.4 x 50 cm), Paintings, Shen Nanpin (Japanese: Shin Nanpin) (Chinese, 1682–after 1762), In 1731 the

Five gold earrings with spherical elements, Late Republic or Early Imperial, 1st century B.C.–1st century A.D., Roman, Gold, Length: 1 1/16 in. (2.7 cm), Gold and Silver, The earrings are associated with the dress ornaments

Wakoku Hyakujo, Leaf from One Hundred Japanese Women, Edo period (1615–1868), ca. 1695, Japan, Monochrome woodblock print; ink on paper, H. 6 1/2 in. (16.5 cm); W. 6 3/4 in. (17.1 cm), Prints, Hishikawa Moronobu (Japanese, died 1694

St. Denis, Ancien Relais de la Poste d'Ecouen, Hôtel du Grand Cerf, ca. 1900, Albumen silver print from glass negative, Image: 17.4 × 21.8 cm (6 7/8 × 8 9/16 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

商 青銅方彜, Ritual Wine Container (Fangyi), Shang dynasty (ca. 1600–1046 B.C.), 12th century B.C., China, Bronze, H. 10 in. (25.4 cm); W. 6 in. (15.2 cm); D. 4 1/2 in. (11.4 cm), Metalwork, The form of this vessel recalls the

Parrot on the Branch of a Flowering Rose Bush, Meiji period (1868–1912), ca. 1900, Japan, Polychrome woodblock print; ink and color on paper, 10 x 13 3/4 in. (25.4 x 34.9 cm), Prints, Itō Jakuchū (Japanese, 1716–1800

Glass hemispherical bowl, Late Hellenistic, 1st century B.C., Greek, Eastern Mediterranean, Glass; cast and cut, Diam.: 4 5/16 in. (11 cm), Glass, Translucent blue. Rounded, slightly inverted rim; hemispherical body with sides curving in to

[Major Jones and Lady Canning], 1858–61, Albumen silver print, Image: 15.1 x 18.4 cm (5 15/16 x 7 1/4 in.), Photographs, Unknown

Openwork furniture plaque with head of a sphinx, Neo-Assyrian, ca. 9th–8th century B.C., Syria, probably from Arslan Tash (ancient Hadatu), Assyrian, Ivory, 4.12 x 4.5 in. (10.46 x 11.43 cm), Ivory/Bone-Reliefs-Inscribed, During the early

Fragment of a terracotta head of a satyr, Classical, 4th century B.C., Greek, South Italian, Tarentine, Terracotta, H. 4 in. (10.16 cm), Terracottas, Bearded, with wrinkled brow and drooping moustache

Bottle, probably 18th–19th century, Attributed to Iran, Glass; dip-molded, H. 8 5/8 in., Glass

Fragment of a Vessel with a Dionysian Scene, 1st century, Pakistan (ancient region of Gandhara), Schist, H. 5 in. (12.7 cm), Sculpture

Glass perfume bottle, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, Overall: 4 3/16in. (10.7cm), Glass, Very slender unguentarium. Translucent blue green. Fine rim folded out, over, and in; flaring mouth; cylindrical

Figured flask, ca. 1840, Probably made in Pittsburgh, Pennsylvania, United States, American, Blown-molded glass, H. 6 3/4 in. (17.1 cm), Glass

View on Rak-Chui opposite Swatow, ca. 1869, Albumen silver print from glass negative, Image: 6 1/4 × 10 9/16 in. (15.8 × 26.9 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

Nine of Hearts, from a Set of Piquet Cards, late 18th–19th century, Hand-colored woodcut, sheet: 3 3/8 x 2 1/4 in. (8.6 x 5.7 cm), Prints, Claude Fayolle (French, Vaise (Rhône) ca. 1752–1826 Lyon

Samurai Admiring Pine-Tree and Plum Blossoms, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 5/8 x 3 7/8 in. (14.3 x 9.8 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

[Lady Campbell], 1858–61, Albumen silver print, Image: 9.7 x 7.5 cm (3 13/16 x 2 15/16 in.), Photographs, Unknown

Carnelian oval set in a 17th–18th century gold ring, Early Imperial, Augustan, ca. 27 B.C.–A.D. 14, Roman, Carnelian, 3/4 × 5/8 in. (1.9 × 1.6 cm), Gems, The scepter behind her head indicates a royal portrait, perhaps a Ptolemaic

Jérusalem, Chapelle de l'Ascension, 1854, Salted paper print from paper negative, Image: 23.2 x 33.3 cm (9 1/8 x 13 1/8 in.), Photographs, Auguste Salzmann (French, 1824–1872

Print, Edo period (1615–1868), ca. 1789, Japan, Diptych of polychrome woodblock prints; ink and color on paper, Image (each): 14 7/8 × 10 in. (37.8 × 25.4 cm), Prints, Katsukawa Shunchō (Japanese, active ca. 1783–95

Morning Glories and Bird, Edo period (1615–1868), 1840–50, Japan, Polychrome woodblock print; ink and color on paper, H. 12 7/8 in. (32.7 cm); W. 4 13/16 in. (12.2 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo

Bronze ladle with handle ending in a duck's head, Classical, 5th century B.C., Etruscan, Bronze, H.: 11 1/4 in. (28.6 cm), Bronzes

Three Mirrors, 13th century, Attributed to Iran or Central Asia, Bronze; cast, H. 5 15/16 in. (15.08 cm), Metal, Cast bronze mirrors were often used for divination or magical medicine. The polished metallic front provided a reflective surface.

[Royal Children in Tableau of the Seasons], 1854, Albumen silver print from glass negative, 15.5 x 16 cm (6 1/8 x 6 5/16 in.), Photographs, Roger Fenton (British, 1819–1869

Lamp, Roman, Cypriot, Terracotta, Overall: 7/8 x 3 1/4 in. (2.2 x 8.3 cm), Terracottas

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 5/8 in. (34.6 × 24.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Lance Point, 15th century, Spanish, L. 4 5/16 in. (11 cm); W. 2 1/2 in. (6.3 cm); Wt. 4 oz. (113.4 g), Shafted Weapons

Women Landing from a Pleasure Boat Drawn Up to the Shore at Mukojima on Sumida RIver, Edo, Edo period (1615–1868), ca. 1785, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Each sheet: 15 x 10 in. (38.1 x 25.4 cm),

St. Nazaire, 1859 or after, Albumen silver print from paper negative, Image: 32 x 43 cm (12 5/8 x 16 15/16 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Spring Rain Collection (Harusame shū), vol. 2: Cut Flowers: Clematis, Bush Clover, Iris, Camellia, and Azalea, 『春雨集』　摺物帖, Edo period (1615–1868), 1815 (Year of the Ox), Japan, Privately published woodblock prints

Embroidered band sampler, Mary Pots, 1648, British, Silk embroidery on linen; double running, satin, detached buttonhole, Montenegrin cross, herringbone, and chain stitches, L. 34 1/2 x W. 8 1/4 inches (87.6 x 21 cm), Textiles-Embroidered,

Design for window of Angel Gabriel, 'Annunciation Angel [?]', late 19th–early 20th century, Made in New York, United States, American, Watercolor, gouache, graphite, and ruled white ink on off-white wove paper - shaped and mounted on warm

Veil, late 18th century, Attributed to Turkey, Gauze; printed, end borders embroidered in gold thread, H. 27 in. (68.8 cm), Textiles-Costumes

Rejected Geisha from Passions Cooled by Springtime Snow, Edo period (1615–1868), 1824, Japan, Polychrome woodblock print; ink and color on paper, H. 7in. (17.8 cm); W. 5 in. (12.7 cm), Prints, Keisai Eisen (Japanese, 1790–1848), One of

Piece, second half 15th century, Italian, Silk, H. 23 3/4 x W. 10 1/8 inches (60.3 x 25.7 cm), Textiles-Velvets

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 1/2 in. (34.6 × 24.1 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

The Oiran Utagawa of Matsubaya attended by Her Kamuro Yoshino and Tatsuta, Edo period (1615–1868), ca. 1788, Japan, Polychrome woodblock print; ink and color on paper, 9 11/16 × 7 3/4 in. (24.6 × 19.7 cm), Prints, Katsukawa Shunchō

The Misses McCandlish, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

近江八景之内 粟津晴嵐, Clearing Weather at Awazu, Lake Biwa, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, 8 23/32 x 13 3/8 in. (22.2 x 34.0 cm), Prints, Utagawa Hiroshige (Japanese,

Limestone head of a beardless male wearing a conical helmet, Archaic, 6th century B.C., Cypriot, Limestone, Overall: 10 × 75 3/8 × 7 3/4 in. (25.4 × 191.5 × 19.7 cm), Stone Sculpture, Votary with Egyptian features, wearing Assyrian cap

Dish, Qing dynasty (1644–1911), China, Glass, H. 2 5/8 in. (6.7 cm); Diam. 9 5/8 in. (24.4 cm), Glass

Bronze eyelet-type pin, Late Helladic IIIA, ca. 14th century B.C., Mycenaean, Bronze, Other: 2 7/8in. (7.3cm), Bronzes, Eyelet' type with distaff head

Sash with Flowering Plants, 17th century, Attributed to Iran, probably Kashan, Silk, silver- and gilt-metal wrapped thread (metal strip, silk core); taqueté, brocaded, Textile: H. 164 in. (416.5 cm), Textiles-Costumes, Sashes like this one

Ritual Ladle, Shang dynasty, mid-Anyang period (ca. 1300–ca. 1050 B.C.), 12th century B.C., China, Bronze, Bowl: H. 2 7/8 in. (7.3 cm); Diam. 2 1/8 in. (5.4 cm), Metalwork

Banded agate scarab, Classical, 500–450 B.C., Etruscan, Agate, banded, Overall: 5/8 in. (1.6 cm), Gems, Kapaneus struck by Zeus' thunderbolt

Terracotta deep bowl with vertical handles, Archaic, 6th century B.C., Lydian, Terracotta, H. 5 3/4 in. (14.6 cm), Vases, Two-handled bowl with low foot, dark glaze, and horizontal bands in red

Samurai, Yokohama, 1864–65, Albumen silver print from glass negative, Image: 17.9 x 14.6 cm (7 1/16 x 5 3/4 in.), Photographs, Felice Beato (British (born Italy), Venice 1832–1909 Luxor, Egypt), Beato was one of the finest professional

Chariot fragments, S-shaped braces, Archaic, ca. 500–480 B.C., Etruscan, Bronze, Iron, K1, K3, K4: 6 9/16 × 3 5/8 in. (16.7 × 9.2 cm), Bronzes, Large collection of bronze and iron attachments once belonging to a chariot

Bronze strainer, Classical, 5th century B.C., Etruscan, Bronze, H.: 9 3/4 x 4 5/16 x 1 1/2 in. (24.8 x 11 x 3.8 cm), Bronzes, Strainers, like ladles, were standard equipment for symposia (drinking parties). The handles of both usually end in

Marble relief fragment with the head of a youth, Late Archaic, 1st quarter of 5th century B.C., East Greek or Lydian, Marble, H. 8 3/4 in. (22.2 cm.), Stone Sculpture, Excavated at Sardis, the piece probably comes from a funerary stele (grave

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass, Overall: 1 1/4 x 1 5/8 in. (3.2 x 4.1 cm), Glass, Bottom fragment., Translucent purple, cobalt blue, and opaque white., Thick convex

The Golden Age, 1605, Oil on copper, 8 7/8 x 12 in. (22.5 x 30.5 cm), Paintings, Joachim Wtewael (Netherlandish, Utrecht 1566–1638 Utrecht), The Utrecht painter Joachim Wtewael was among the most sophisticated of Netherlandish Mannerists,

View on the Battlefield of Antietam, September 1862, 1862, Albumen silver print from glass negative, Image: 7.1 x 10 cm (2 13/16 x 3 15/16 in.), Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Eye idol, Middle Uruk, ca. 3700–3500 B.C., Syria, Tell Brak, Gypsum alabaster, 2 1/8 in. (5.4 cm), Stone-Sculpture

Large-flowered Flat Bill and Sparrow, Edo period (1615–1868), ca. 1833, Japan, Polychrome woodblock print; ink and color on paper, 8 15/16 x 6 11/16 in. (22.7 x 17.0 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo

'Temple des Souvenirs', first quarter 19th century, French, Cotton, Overall: 74 1/2 x 64 1/2 in. (189.2 x 163.8 cm), Textiles-Printed

Glass bracelet, Imperial, ca. 2nd–4th century A.D., Roman, Glass; drawn and tooled, W. 5/8 in. (1.6 cm), diam. 3 1/8 in. (7.9 cm), Glass, Translucent dark blue, appearing black. Slightly oval band with uneven sides; semicircular in section

[Yosemite National Park, California], ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled

Man with a Steel Gorget, Oil on canvas, 37 1/8 x 30 5/8 in. (94.3 x 77.8 cm), Paintings, Style of Rembrandt (Dutch, second or third quarter 17th century), Rembrandt's authorship was doubted as early as the 1920s. In subject and style the

六十余州名所図会 対馬　海岸　夕晴, Evening Glow, Tsushima Province, Edo period (1615–1868), ca. 1853, Japan, Polychrome woodblock print; ink and color on paper, 13 3/8 x 9 in. (34 x 22.9 cm), Prints, Utagawa Hiroshige

Patch Box, 1700–1740, American, Silver, Overall: 1/2 x 1 11/16 x 1 1/4 in. (1.3 x 4.3 x 3.2 cm); 12 dwt. (18.6 g), Silver

Glass bowl, Early Imperial, Flavian, 2nd half of 1st century A.D., Roman, Glass; blown, H.: 1 5/8 x 3 1/2 x 3 3/8 x 1 9/16 in. (4.1 x 8.9 x 8.6 x 4 cm), Glass, Translucent cobalt blue., Inverted tubular rim, folded over, out, and down;

Bowl Emulating Chinese Stoneware, 9th century, Attributed to Iraq, probably Basra, Earthenware; painted in blue on opaque white glaze, H. 2 3/8 in. (6 cm), Ceramics, Ceramics such as this bowl are among the first examples to incorporate

Allegory of Louis XV as Patron of the Arts with Paintings and Sculpture from the Salon of 1769, ca. 1769, Oil paint over black chalk underdrawing, areas of paper reserve, on off-white laid paper, mounted on pasteboard, varnished, Sheet: 8 3/8

Glass jar, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, H.: 3 7/16 x 3 5/8 x 2 1/2 in. (8.7 x 9.2 x 6.4 cm), Glass, Translucent pale green. Partially tubular rim, folded out, down, round, and in; broad, flaring mouth;

東海道五十三次　荒井, Arai, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858