Images at Librifly

[A View in Calcutta Including the Buildings of Payne and Co., the Mountain Hotel, and Scott and Co.], 1850s, Albumen silver print, Image: 16.9 x 24.1 cm (6 5/8 x 9 1/2 in.), Photographs, Unknown

Square Plate with Design of Grapes and Squirrel, Edo period (1615–1868), 19th century, Japan, Stoneware with overglaze polychrome enamels (Hizen ware, Kutani type), H. 1 in. (2.5 cm); W. 6 3/4 in. (17.1 cm); L. 6 7/8 in. (17.5 cm), Ceramics

Pointed Morion, ca. 1560–70, Milan, Italian, Milan, Steel, copper alloy (brass), gold, silver, leather, H. 9 3/4 in. (24.8 cm); W. at base 9 5/16 in. (23.7 cm); D. at base 11 1/2 in. (29.2 cm); Wt. 2 lb. 15 oz. (1341 g), Helmets

Terracotta amphora (jug), Mid-Imperial, 2nd–3rd century A.D., Roman, Terracotta; Cnidian relief ware, H. 10 3/8 in. (26.4 cm), Vases, This vessel was made at Cnidus, a trading and manufacturing port in Caria (southwestern Turkey), famed

Chariot fragments, rectangular sockets, Archaic, ca. 500–480 B.C., Etruscan, Bronze, 1: 2 7/8 × 2 7/8 in. (7.3 × 7.3 cm), Bronzes, Large collection of bronze and iron attachments once belonging to a chariot

Gyotoku Kihan, 江戸近郊八景之内　行徳帰帆, Boats Returning to Gyotoku, Edo period (1615–1868), 1797–1858, Japan, Polychrome woodblock print; ink and color on paper, 8 7/8 x 13 1/8 in. (22.5 x 33.3 cm), Prints, Utagawa

Terracotta jug, Cypro-Archaic II, 600–480 B.C., Cypriot, Terracotta, H. 10 5/8 in. (27 cm), Vases, Jug with one handle, moulded neck, bands, concentric circles, and details in white

Marble female herm, Early Imperial, 1st century A.D., Roman, Marble, H. 11 1/2 in. (29.2 cm), Stone Sculpture, Herms are rectangular stone shafts terminating in a head. They originated as markers surmounted with an image of the god Hermes,

Division Viol, ca. 1720, Germany, German, Wood, ivory, tortoise shell, Body length: 64.7 cm., Chordophone-Lute-bowed-fretted, School of Tielke, Slightly smaller than the bass viola da gamba, the division viol is an instrument ideal for

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, Overall: 5 3/4 in. (14.6 cm), Glass, Translucent pale blue green. Rim folded out, over, and in; flaring mouth; tall cylindrical neck with slight indent around base;

Deep terracotta bowl, Archaic, 6th century B.C., Greek, Euboean, Terracotta; black-figure, H. 4 3/4 in. (12 cm), Vases, This bowl represents one of the simplest of vase shapes. Interestingly, it has no real counterpart among Attic decorated

Parade of the Emperor's Troops, Edo period (1615–1868), 1867, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Oban; 14 1/8 x 28 3/4 in. (35.9 x 73 cm), Prints, Utagawa Yoshifuji (Japanese, 1828–1887

Statuette of a sphinx, 5, Greek, Laconian, Lead, Height: 1 in. (2.5 cm), Miscellaneous-Lead

Pitcher, 1820–40, Made in United States, American, Blown-molded glass, H. 4 in. (10.2 cm), Glass

Vase fragment, Early Helladic, ca. 3000–2000 B.C., Aegean, Terracotta, Other: 2 3/4in. (7cm), Vases

Revised Design For Hunt Room Mantel, late 19th–early 20th century, Made in New York, United States, American, Watercolor, pen and brown inks, and graphite on artist board paper, Overall: 16 9/16 x 13 11/16 in. (42 x 34.7 cm), Drawings,

Vase 2179, 1869, (none assigned) New York, New York, United States, American, Ink, wax pencil, and graphite on two-ply off-white wove paper, Overall: 17 3/8 x 10 1/4 in. (44.1 x 26 cm), Drawings, Tiffany & Co. (1837–present

The Second Ichikawa Yaozo as a Samurai Standing in the Snow, Edo period (1615–1868), probably 1774, Japan, Polychrome woodblock print; ink and color on paper, 12 11/32 x 5 17/32 in. (31.4 x 14.1 cm), Prints, Katsukawa Shunshō (Japanese,

Green glass oval engraved on both sides, Hellenistic, 2nd century B.C., Greek, Glass, green, Overall: 1 1/16 x 11/16 in. (2.7 x 1.8 cm), Gems, Muse sitting on a rock holding a lyre; Aphrodite leaning on a column holding a scepter and a dove

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 4 3/8 x 2 1/4in. (11.1 x 5.7cm), Vases

Mace head, Bronze, 3 1/2in. (8.9cm), Bronzes

Double Virginal, 1600, Middelburg, Zeeland, The Netherlands, Flemish, Pine, spruce, paint, gilding, ivory, Width: 75 in. (190.5 cm), Chordophone-Zither-plucked-virginal, Lodewijck Grouwels (Flemish, active Middelburg, Zeeland, The

Woman In Loosened Kimono Coming From the Bath, Edo period (1615–1868), ca. 1755, Japan, Polychrome woodblock print; ink and color on paper, 12 1/8 x 5 1/2 in. (30.8 x 14 cm), Prints, Okumura Masanobu (Japanese, 1686–1764

Cylinder seal and modern impression: battle of the gods, Akkadian, ca. 2350–2150 B.C., Iran, Luristan, Surkh Dum, Akkadian, Shell, H. 1 in. (2.5 cm), Shell-Cylinder Seals, Although engraved stones had been used as early as the seventh

Panel of a Tent Lining, 1700–1740, Attributed to India, Deccan, Burhanpur, Cotton; plain weave, mordant painted and dyed, resist dyed, Textile: H. 77 1/2 in. (196.9 cm), Textiles-Painted and/or Printed, This panel was decorated using a

[Wilton Church, Facade and Bell Tower], 1850s, Albumen silver print from paper negative, Photographs, Unknown (British

Glass finger ring, Hellenistic, 3rd–2nd century B.C., Greek, Glass, H.: 1 in. (2.6 cm), Glass, Uncertain color, possibly colorless., Ring with large oval bezel and hoop carved out of a single piece of glass; bezel with flat upper surface

Lead figure of a woman, Archaic, late 7th–early 6th century B.C., Greek, Laconian, Lead, Height: 1 5/8 in. (4.2 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient sanctuaries

Netsuke of Flying Goose over Flowers, Edo (1615–1868) or Meiji period (1868–1912), 19th century, Japan, Ivory, decorated with bird in shakudo and flowers in mother-of-pearl, H. 5/8 in. (1.6 cm); Diam. 1 11/16 in. (4.3 cm), Netsuke, On the

Recto: Landscape with Trees and Figures (? Remarks on the Winds and the Lay-out of the City; Vitruvius, Book 1, Chapter 6, nos. 2, 3): Verso: Blank., 1530–45, Pen and dark brown ink, sheet: 6 5/16 x 5 1/2 in. (16 x 14 cm), Drawings,

Glass cameo cup fragment, Early Imperial, Augustan or Julio-Claudian, late 1st century B.C.–mid-1st century A.D., Roman, Glass; cast and cut, Overall: 3 7/16 x 3 1/16 in. (8.8 x 7.8 cm), Glass, Translucent cobalt blue with overlay in opaque

Jérusalem, Tombeau des rois de Juda, Couvercle de sarcophage et fragment d'une porte en pierre, 1854, Salted paper print from paper negative, Image: 23.3 x 33.2 cm (9 3/16 x 13 1/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Terracotta statuette of Eros flying, Hellenistic, 3rd century B.C., Greek, South Italian, Tarentine, Terracotta, H. 2 7/8 in. (7.3 cm), Terracottas, Flying, arms and left leg extended

Terracotta shallow bowl, Early Minoan II, ca. 2900–2300 B.C., Minoan, Terracotta; Dark-on-light ware, Diameter 6 5/8 in. (16.8 cm.), Vases, Broad band inside rim, dark-on-light Geometric ware

Design for church interior with Noli Me Tangere window, ca. 1890–1900, Made in New York, United States, American, Watercolor, gouache, photograph, collage, pen and colored inks, graphite, Overall: 20 7/8 x 20 3/4in. (53 x 52.7cm),

Miniature Dress, 12th–13th century, Peru, Ica Valley, Ica, Cotton, feathers, H. 10 1/4 x W. 10 1/2 in. (26 x 26.7 cm), Textiles-Featherwork

Odari Kafu, Style of the Dancer, Edo period (1615–1868), first half of 18th century, Japan, Tan-e print (hand-colored); ink and color on paper, 11 7/8 x 6 in. (30.2 x 15.2 cm), Prints, Nishimura Shigenobu (Japanese, active 1729–39

Glass pendant bead in the shape of a plumbline, Archaic or Classical, ca. 7th–5th century B.C., Greek or Etruscan, Glass; rod-formed and trailed, 2 7/8 × 13/16 in. (7.4 × 2.1 cm), Glass, Uncertain color, appearing opaque black; trail in

Coin Noir de la Colonne, September 1, 1893, Albumen silver print from glass negative, Image: 9.8 x 14.2 cm (3 7/8 x 5 9/16 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Coffeepot, ca. 1830, Made in Philadelphia, Pennsylvania, United States, American, silver, 9 1/8 x 13 5/8 x 5 1/2 in. (23.2 x 34.6 x 14 cm) 37 oz. 19 dwt (1181 g), Silver, Robert and William Wilson (active ca. 1825–ca6

Sugar bowl, 1815–35, Probably made in New England, Boston, Massachusetts, United States; Made in Massachusetts, United States; Probably made in New England, Cambridge, Massachusetts, United States, American, Free-blown glass with applied

Glass network mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 13/16 x 1 3/16 in. (2.1 x 3 cm), Glass, Rim fragment., Translucent turquoise blue, opaque yellow, and colorless.,

Glass miniature jar, Late Imperial, 4th–5th century A.D., Roman, Syrian, Glass; rod-formed and trailed, H.: 4 5/8 in. (11.8 cm), Glass, Semi-translucent green, appearing opaque black; handles in same color; trail in opaque white. Irregular

Ro-Chi-Shin Uprooting a Tree, Edo period (1615–1868), ca. 1820, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 3/8 x 7 1/8 in. (21.3 x 18.1 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

Plate, 1814, Made in Northampton County, Pennsylvania, United States, American, Earthenware; Redware with sgraffito decoration, Diam. 11 1/2 in. (29.2 cm), Ceramics, Attributed to Heinrich Stofflet (active 1812–30

Lamp, saucer-shaped, Imperial, ca. A.D. 1–300, Roman, Terracotta, 1 3/8 × 3 1/8 × 3 1/4 in. (3.5 × 8 × 8.2 cm), Vases

Glass portrait head, Late Imperial, Constantinian, 1st half of 4th century A.D., Roman, Glass; cast and carved, Height: 1 15/16 in. (5 cm), Glass, Opaque deep red., Solid block., Carved in the round: male head with short wavy hair and

Cirque de Gavarnie, St Sauveur, 1853, Salted paper print from paper negative, Image: 9 9/16 × 14 9/16 in. (24.3 × 37 cm), Photographs, Joseph Vigier (French, 1821–1862

Perspectival Drawing with Three Cubes, 1528, Pen and black ink, brush and grey wash, sheet: 2 9/16 x 4 in. (6.5 x 10.2 cm), Drawings, Peter Flötner (German, Thurgau 1485–1546 Nuremberg), For Renaissance artists, the representation of

Bone stand with relief of a centaur, Archaic, ca. 550–500 B.C., Greek, Bone, H. 5 1/4 in. (13.3 cm), Small stand on three legs; surface decorated with a centaur and other decorative elements

The Fountain of Jerico and Probable Site of the City, ca. 1857, Albumen silver print from glass negative, Photographs, Francis Frith (British, Chesterfield, Derbyshire 1822–1898 Cannes, France

Terracotta drinking cup with two handles, Archaic, ca. 550 B.C., Etruscan, Terracotta; bucchero pesante, H.: 4 1/8 in. (10.5 cm), Vases, Two-handled, on each side the upper part of a winged figure

Urn, ca. 1835, Made in Pittsburgh, Pennsylvania, United States, American, Blown, cut, and engraved glass, H. 11 1/16 in. (28.1 cm); Diam. 8 in. (20.3 cm), Glass

Equivalent, Set C2 No. 1, 1929, Gelatin silver print, 11.6 x 9.4 cm. (4 9/16 x 3 11/16 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 1 5/8 x 1 1/8in. (4.1 x 2.8cm), Vases

Lady Murasaki Sets a Bird Free from a Cage, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 5/16 in. (21 x 18.6 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

Young Purple, Edo period (1615–1868), probably 1770, Japan, Polychrome woodblock print; ink and color on paper, Hashire: 27 1/2 x 5 in. (69.9 x 12.7 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770

Hilt of a Dagger, late 17th–early 18th century, Indian, Mughal, Nephrite, L. 4 7/8 in. (12.4 cm); W. 2 3/4 in. (7 cm); Wt. 6 oz. (170.1 g), Daggers, Horse-head dagger hilts are first depicted in paintings of the Padshahnama (Chronicle of the

諸國名橋奇覧　摂洲天満橋, Tenman Bridge at Settsu Province (Sesshū, Tenmanbashi), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran), Edo period (1615–1868), 1760–1849, Japan, Polychrome

Pin, Bronze, Other: 5 3/16 in. (13.2 cm), Bronzes

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Overall: 1 x 1 1/2 in. (2.5 x 3.8 cm), Glass, Body fragment., Translucent cobalt blue, purple appearing brown, and opaque

Screen of Calligraphy and New Year Decoration, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 1/8 x 7 in. (13 x 17.8 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca.

Lead wreath, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 7/8 in. (2.2 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient sanctuaries of Laconia; over one

Life and Landscape on the Norfolk Broads, 1885–86, Platinum prints from glass negatives, Images: 12 x 18 cm (4 3/4 x 7 1/16 in.) to 23 x 30 cm (9 1/16 x 11 13/16 in.), Books, Peter Henry Emerson (British, born Cuba, 1856–1936

Bronze shaft-hole ax, Middle Cypriot II, ca. 1800–1725 B.C., Cypriot, Bronze, length 8in. (20.3cm), Bronzes, Tools of this type are not common on Cyprus. This example was probably imported from Syria–Palestine

旭に群鴉図, Flock of Crows at Dawn, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 3/8 x 10 1/4 in. (36.5 x 26.0 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889

Terracotta dish, Hellenistic, ca. 330–300 B.C., Greek, South Italian, Campanian, Teano, Terracotta; applied color, H. 3 1/4 in. (8.3 cm), Vases, Deep dish with ring base, decorated with ivy vine stamped pattern

明 夏昶 清風高節圖 軸, Bamboo in Wind, Ming dynasty (1368–1644), ca. 1460, China, Hanging scroll; ink on paper, Image: 80 1/16 x 23 1/2 in. (203.4 x 59.7 cm), Paintings, Xia Chang (Chinese, 1388–1470), Bamboo, which bends

Sawamura Sojuro III as Nagoya Sanza, Edo period (1615–1868), 1794–95, Japan, Polychrome woodblock print; ink and color on paper, 12 11/32 x 5 5/8 in. (31.4 x 14.3 cm), Prints, Tōshūsai Sharaku (Japanese, active 1794–95

Cloisonné furniture plaque with two sphinxes flanking a cartouche, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 2.05 x 6.18 x 0.28 in. (5.21 x 15.7 x 0.71 cm), Ivory/Bone-Reliefs-Inscribed,

Terracotta Nolan neck-amphora (jar), Classical, ca. 450–440 B.C., Greek, Attic, Terracotta; red-figure, H. 13 3/16 in. (33.5 cm); diameter 6 1/2 in. (16.5 cm), Vases, Obverse, woman pouring libation for warrior, Reverse, man with staff.

Lamp, Roman, Cypriot, Terracotta, Overall: 7/8 x 3 1/2 in. (2.2 x 8.9 cm), Terracottas

Basket, New Kingdom, Dynasty 18, ca. 1525–1504 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Meritamun (TT 358, ), corridor, 1928–29, Palm leaf, H. 45 cm (17 11/16 in); w. 55 cm (21 5/8 in

Pocket bottle, 1815–40, Possibly made in Pennsylvania, United States; Probably made in Ohio, United States, American, Blown, pattern-molded glass, H. 5 5/16 in. (13.5 cm), Glass

Portrait of a Man with a Breastplate and Plumed Hat, Oil on canvas, 47 3/4 x 38 3/4 in. (121.3 x 98.4 cm), Paintings, Style of Rembrandt (Dutch, mid- to late 1640s

The Third Otani Hiroji as a Wrestler, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 11 3/5 x 5 5/8 in. (29.5 x 14.3 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812

Cosmetic Dish in the Shape of a Bolti Fish, New Kingdom, Dynasty 18, ca. 1479–1425 B.C., From Egypt, Glazed steatite, h. 8.6 cm (3 3/8 in); w. 18.1 cm (7 1/8 in) d. 2.5 cm (1 in), The bolti fish, or tilapia, common in the Nile valley since

Salt, ca. 1785–95, Possibly made in Boston, Massachusetts, United States, American, Silver, 1 3/16 x 2 11/16 in. (3 x 6.8 cm); 1 oz. 12 dwt. (49.5 g), Silver, Possibly David Tyler (1760–1804

Perseus and Andromeda, Oil on wood, 21 x 15 1/2 in. (53.3 x 39.4 cm), Paintings, Attributed to Bernardino Cesari (Italian, Rome, died 1614

Lamp, 5th–6th century, Attributed to Egypt, Earthenware, H. 4 1/4 in. (10.8 cm), Ceramics

Steatite scaraboid seal set in a gold swivel ring, Archaic, ca. late 6th–early 5th century B.C., Greek, Steatite, gold, Length: 7/16 in. (1.1 cm), Gems, Nude girl washing her hair

Glass bracelet, Late Imperial, 4th century A.D., Roman, Glass; drawn and tooled, Overall: 5/16 x 2 3/16in. (0.8 x 5.5cm), Glass, Translucent dark blue, appearing opaque black. Slightly oval band, broad and narrow in section on one side,

Steatite quadrangular seal, Late Geometric or Orientalizing, late 8th–early 7th century B.C., Greek, Steatite, L. 3.3 cm, Gems, Four-sided. dark brown steatite, with tapering edges and a vertical perforation. Area divided into four squares,

Fragment of a terracotta relief, Archaic, 7th century B.C., Greek, Cretan, Terracotta, 3 in x 2 1/4 in. (7.6 cm x 5.7 cm), Terracottas, Head of a young woman or a youth

Grand Trianon, 1903, Matte albumen silver print from glass negative, Image: 17.2 x 23.15, Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

[Japanese Women in Traditional Dress], 1870s, Albumen silver print from glass negative, 25.2 x 20 cm (9 15/16 x 7 7/8 in.), Photographs, Suzuki Shin'ichi (Japanese, 1835–1919

Lamp, Late Antique, 4th–5th century A.D., Roman, Terracotta, Overall: 1 1/8 x 2 7/8 in. (2.9 x 7.3 cm), Terracottas

The Investiture of Bishop Harold as Duke of Franconia, ca. 1751–52, Oil on canvas, 28 1/4 x 20 1/4 in. (71.8 x 51.4 cm), Paintings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid), The picture depicts Emperor Frederick I

Terracotta bowl, Early Helladic II, ca. 2650–2150 B.C., Helladic, Terracotta, H. 1 3/4 in. (4.4 cm.), Vases, Shallow bowl without decoration

Limestone horse with a rider hunting a lion, Classical, 2nd half of the 5th or 4th century B.C., Cypriot, Limestone, Other: H.:7 x W.:2 3/4 x L.:8 3/4 in. (17.8 x 7 x 22.2 cm), Stone Sculpture, Horse's fore-feet resting on crouching lion

東海道五十三次之内　沼津　黄昏図, Numazu Ki Kure, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 15/32 x 14 in. (24.1 x 35.6 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo

Pelike, Late Classical, ca. 350–325 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, Height: 8 1/4 in. (21 cm), Vases

Gold pendant in the form of a bull's head, Late Bronze Age, ca. 1400–1050 B.C., Cypriot, Gold, L. 1 3/16 in. (3.1 cm), Gold and Silver, Most of the raw materials for Cypriot jewelry came from the East. Gold became plentiful in the Late

Vase, 1888, Dutch, Lead-glazed earthenware, Height: 16 5/8; Width at rim: 6 1/16; Width at shoulder: 5 7/8 in. (42.2 x 15.4 x 14.9 cm), Ceramics-Pottery, A.C. Colenbrander, the first artistic director of the Rozenburg factory, designed both

Glass striped mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 15/16 x 1 5/16 in. (2.3 x 3.3 cm), Glass, Rim fragment., Translucent blue, turquoise blue largely layered with

Glass jug, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, H.: 3 3/4 in. (9.5 cm), Glass, Translucent blue green; handle in same color. Irregular rim, folded out, round, and in, with a partial beveled outer lip;

Vase fragment, Neolithic, first period, ca. 4000 B.C., Neolithic, Nemea, Terracotta, 2 7/8 × 3 1/4 × 5/16 in. (7.3 × 8.2 × 0.7 cm), Vases

Terracotta conical lekythos-oinochoe (combination oil flask and jug), Geometric, late 8th–early 7th century B.C., Greek, Attic, Terracotta, H. 8 9/16 in. (21.7 cm), Vases

Angle d'Une Cour Intérieure de la Grande Pagode, 1866, Albumen silver print from glass negative, 22.7 x 17.7cm (8 15/16 x 6 15/16in.), Photographs, Emile Gsell (French, Sainte-Marie-aux-Mines 1838–1879 Vietnam), The conquest of Saigon in

Glass cup in the form of the head of an African, Early Imperial, Flavian, 2nd half of 1st century A.D., Roman, Glass; blown in a three-part mold, H. 4 1/8in. (10.5cm), Glass, Translucent blue green. Lopsided, everted, thick, knocked-off