Images at Librifly

Agate scarab, Archaic, ca. 6th century B.C., Greek, Agate, green and white, Length: 3/8 in. (1 cm), Gems, Wild sow

Horse bit cheekpiece in form of a horse and rider, Iron Age, 1st millennium B.C., Iran, Iran, Bronze, 4.62 x 4.62 in. (11.73 x 11.73 cm), Metalwork-Equestrian

Reproduction from the series Famous Beauty compared to Medieval Noble Families, Meiji period (1868–1912), 1895, Japan, Polychrome woodblock print; ink and color on paper, Album: 8 1/2 x 5 5/16 in. (21.6 x 13.5 cm), Prints, After Genki (Komai

Mannequin, 1926–27, printed 1956, Gelatin silver print, Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

[Duchesse de Morny], before 1865, Albumen silver print from glass negative, Image: 6 5/16 × 4 3/4 in. (16 × 12 cm), Photographs, Pierre-Louis Pierson (French, 1822–1913), et al, Painted and retouched by Marck

Terracotta head of a young man, Classical, late 5th century B.C., Greek, South Italian, Tarentine, Terracotta, H. 4 1/8 in. (10.5 cm), Terracottas, Around his head, the figure wears a flat band and above, a thicker band embellished with a

Side Chair, ca. 1815, Made in New York, New York, United States, American, Cherry, 32 3/4 x 17 x 19 5/8 in. (83.2 x 43.2 x 49.8 cm), Furniture, Attributed to the Workshop of Duncan Phyfe (1770–1854

[Campbell Twins in a Shigram, Governor General's Camp], 1858–61, Albumen silver print, Image: 9.7 x 19.6 cm (3 13/16 x 7 11/16 in.), Photographs, Jean Baptiste Oscar Mallitte (French, 1829–1905

Fragement from a jar with a label identifying contents as honey, New Kingdom, Dynasty 18, ca. 1390–1352 B.C., From Egypt, Upper Egypt, Thebes, Malqata, Palace of Amenhotep III, 1916–17, Pottery, ink, H. 8.5 cm (3 3/8 in); w. 15.3 (6

Pilaster of Angels Sounding Trumpets from the Parapet of a Pulpit, 1302–10, Made in Pisa, Tuscany, Italy, Central Italian, Marble (Lunense from Carrara (Italy)), traces of polychromy, Overall: 33 5/8 x 9 1/8 x 7 in. (85.4 x 23.2 x 17.8 cm),

Susanna and the Elders, mid-17th century, British, Canvas worked with silk and metal thread; Gobelin, tent, couching, back, stem, and chain stitches, H. 11 3/4 x W. 15 inches (29.8 x 38.1 cm); Framed: H. 12 3/4 x W. 16 1/4 x D. 1 1/4 inches

Vase fragment, Archaic, ca. 625–600 B.C., Greek, Laconian, Terracotta, 13/16 × 1 3/8 × 3/16 in. (2.1 × 3.5 × 0.5 cm), Vases

Head of a man, Greek, Terracotta, H. 4 1/4 in. (10.8 cm), Terracottas

Portrait of a Gentleman, 1800, Watercolor on ivory, 3 1/4 x 2 11/16 in. (8.3 x 6.8 cm), Paintings, Jeremiah Paul, 1775-1820

Fibula, boat-shaped type, Bronze, Other: 2 7/16 in. (6.2 cm), Bronzes

Act XI (Dai jūichidanme): Actors Kataoka Nizaemon VIII as Ōboshi Yuranosuke and Bandō Kamezō I as Kō no Moronao, from the series The Storehouse of Loyal Retainers, a Primer (Kanadehon chūshingura), Edo period (1615–1868), 1862 (Bunkyū

Blés, 1900, Albumen silver print from glass negative, Image: 22.5 × 17.4 cm (8 7/8 × 6 7/8 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

猪花草木彫根付, Boar and Grasses, Meiji period (1868–1912), second half of the 19th century, Japan, Wood, H. 7/8 in. (2.3 cm); W. 1 9/16 in. (3.9 cm); D. 1 in. (2.5 cm), Netsuke, The boar, the twelfth sign of the zodiac, is thought

Gateway to Government House, Calcutta, 1850s, Albumen silver print, Image: 18.5 x 24.1 cm (7 5/16 x 9 1/2 in.), Photographs, Captain R. B. Hill

Squat lekythos, Late Classical, ca. 350–300 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, Overall: 7 3/8 in. (18.7 cm), Vases, Woman playing ball

Sumidagawa, hazakura no kei, 東都名所　隅田川葉桜之景, A View of Cherry Trees in Leaf along the Sumida River, Edo period (1615–1868), 1831, Japan, Polychrome woodblock print; ink and color on paper, 13 3/4 x 8 1/2 in. (34.9 x

Chêne dans les rochers à Fontainebleau, 1849–52, Salted paper print from waxed-paper negative, Image: 25.4 x 36.2 cm (10 x 14 1/4 in.), Photographs, Gustave Le Gray (French, 1820–1884), A locus of artistic activity in the second quarter

Limestone statuette of a male votary with Cypriot shorts and a diadem, Archiac, 2nd quarter or middle of the 6th century B.C., Cypriot, Limestone, Overall: 5 x 5 x 3 in. (12.7 x 12.7 x 7.6 cm), Stone Sculpture, Votary with Cypriot loin-cloth

Treasure Boat (Takara-bune) with Three Rats, Edo period (1615–1868), 1816, year of the rat, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 5 1/2 x 8 1/4 in. (14 x 21 cm), Prints, Kubo Shunman (Japanese,

Plaque fragment: kneeling lion-headed figure, Middle Bronze Age–Old Assyrian Trading Colony, ca. 18th century B.C., Anatolia, probably from Acemhöyük, Old Assyrian Trading Colony, Ivory (hippopotamus), gold foil, 2.5 x 2 in. (6.35 x 5.08

Eagle's Wing - Calaveras Grove, ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled album

Terracotta oinochoe (jug), Late Classical, 4th–3rd century B.C., Etruscan, Terracotta; black-glaze, H. of body 5 11/16 in. (14.5 cm); H. with handle 7 1/16 in. (18 cm), Vases, Mask at base of handle

Wheellock Gun, ca. 1730–40, Dingolfing, Bavaria, German, Dingolfing, Bavaria, Steel, wood, L. 41 3/4 in (106 cm); Wt. 8 lb. 14 oz. (4026 g), Firearms-Guns-Wheellock

東海道五十三次　小田原, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Decanter with stopper, 1890–1900, Made in New York, New York, United States, American, Glass, wheel cut, 8 7/8 x 3 3/8 x 3 3/8 in. (22.5 x 8.6 x 8.6 cm), Glass, Possibly Baccarat (French, founded 1764

Terracotta bell-krater (bowl for mixing wine and water), Classical, late 5th century B.C.–early 4th century B.C., Greek, Attic, Terracotta; red-figure, Height: 13 3/4in. (34.9cm), Diam.: 14 3/8 in. (36.5 cm), Vases, Obverse, Ariadne and

清 居巢 蠶蛾 扇面, Silkworm, Qing dynasty (1644–1911), dated 1859, China, Folding fan mounted as an album leaf; ink and color on alum paper, 7 1/4 x 21 in. (18.4 x 53.3 cm), Paintings, Zhü Chao (Chinese, ca. 1823–1889), Zhü

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 1/4 x 1 1/8in. (0.7 x 2.8cm), Vases

Chestnut Burr, Edo period (1615–1868), mid-19th century, Japan, Porcelain (Hirado ware), H. 1 7/16 in. (3.6 cm); Diam. 1 7/8 in. (4.7 cm), Netsuke, The cord opening is located at the junction where the leaves reveal the outermost protective

The New Testament, The Book of Common Prayer, ca. 1636, British, Silk, bullion, silver, and silver-gilt thread on canvas and satin, 7 1/8 x 4 3/4in. (18.1 x 12.1cm), Textiles-Embroidered

Kairaishi, The Actor Ichimura Takenojo VIII in the Role of a Puppeteer, showing Puppets to a Courtesan, Edo period (1615–1868), ca. 1715, Japan, Monochrome woodblock print; ink on paper, 11 x 16 in. (27.9 x 40.6 cm), Prints, Torii Kiyomasu

The Fourth Iwai Hanshiro as a Woman, Edo period (1615–1868), 1773 or 1774, Japan, Polychrome woodblock print; ink and color on paper, 11 3/8 x 5 1/5 in. (28.9 x 13.2 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Bronze spearhead, Late Minoan III, ca. 1400–1050 B.C., Minoan, Bronze, L. 10 in. (25.4 cm), Bronzes, Spearhead

Bowl with Black Shells and Udo Plant, Edo period (1615–1868), 18th–19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 5/16 x 5 1/2 in. (21.1 x 14 cm), Prints, Unidentified Artist

Glass short-strip mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 9/16 x 7/8 in. (1.5 x 2.2 cm), Glass, Body fragment., Translucent cobalt blue, opaque white and red., Shallow

Turtle Island and Fujiyama, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 1/2 x 7 1/8 in. (14 x 18.1 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Tea–house; Scene entitled: 'Viewing the Moon in mid–autumn', Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 9 3/16 in. (23.3 cm); W. 14 7/8 in. (37.8 cm), Prints, Utagawa Toyoharu (Japanese,

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 3/8 x 1/2in. (0.9 x 1.3cm), Vases

Terracotta skyphos (deep drinking cup), Hellenistic, ca. 325–300 B.C., Etruscan, Terracotta; red-figure, H. 3 1/2 in. (8.9 cm); diameter 3 1/8 in. (8 cm), Vases, floral ornaments with maenad heads; floral tendrils with duck. Rogers Fund. The

Carrière aux Sables de Macherin, 1863, Salted paper print from paper negative, 19.8 x 25.9 cm (7 13/16 x 10 3/16 in. ), Photographs, Eugène Cuvelier (French, 1837–1900), The granite quarries at the edge of Fontainebleau Forest, on the

La Simple, 1860s, Albumen silver print from glass negative, 5.1 x 8.9 cm. (2 x 3 1/2 in.), Photographs, Duroni et Murer (Italian, 1807–1870

Glass bowl, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and cut, Overall: 2 5/16 x 4 9/16in. (5.8 x 11.6cm), Glass, Translucent blue. Rounded, thickened, and slightly inverted rim; sides curving in to

Terracotta vase in the shape of a cockerel, Archaic, ca. 650–600 B.C., Etruscan, Terracotta; bucchero, H. 4 1/16 in. (10.31 cm), Vases, This small vase, inscribed with the twenty-six letters of the Etruscan alphabet, may have been a

A Fruit Piece, before June 1845, Salted paper print from paper negative, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

[Man], 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

The Ramaka Casket; Inscribed Reliquary, Donated by Ramaka, 1st century A.D., Pakistan (ancient region of Gandhara, Bajaur), Schist, H. 2 15/16 in. (7.5 cm); Diam. 2 1/8 in. (5.4 cm), Sculpture, Inscribed: 'Donation of Ramaka, son of

Porringer, ca. 1710, Made in Boston, Massachusetts, United States, American, Silver, Overall: 1 5/8 x 6 9/16 in. (4.1 x 16.7 cm); 6 oz. 17 dwt. (212.4 g), Silver, John Noyes (1674–1749

Vase fragment, Geometric, East Greek/Sardis, Lydian, Terracotta, Overall: 2 3/4 x 2 3/16in. (7 x 5.6cm), Vases

Landscape with Figure, Ming dynasty (1368–1644), 1635, China, Folding fan mounted as an album leaf; ink and color on gold paper, 7 11/32 x 21 23/32 in. (18.7 x 55.2 cm), Paintings, Chen Jichun (Chinese, active mid-17th century

Trencher Salt, 1690–1710, Made in New York, New York, American, Silver, 1 1/4 x 2 3/4 in. (3.2 x 7 cm); 2 oz. 11 dwt. (80.3 g), Silver, Bartholomew Le Roux (ca. 1665–1713), By about 1700, as mores changed and salt became more easily

MiniatureTunic, 12th–13th century, Peru, Ica Valley, Ica, Cotton, feathers, H. 15 x W. 13 1/2 in. (38.1 x 34.3 cm), Textiles-Featherwork

Fringed Bag, 7th century, Peru, Rio Grande de Nasca, Nasca, Camelid hair, W. 5 3/4 x L. 14 3/8 in. (14.61 x 36.51 cm), Textiles-Woven

Gold fillet with a Herakles knot, Hellenistic, late 4th–3rd century B.C., Greek, Gold, length 17in. (43.2cm), Gold and Silver, The central ornament of the fillet is a Herakles knot. Two palmettes with a rosette in the middle fill the center

Terracotta head of a woman, Hellenistic, 3rd–2nd century B.C., Greek, South Italian, Tarentine, Terracotta, H. 2 1/2 in. (6.35 cm), Terracottas, Wearing a wreath

'Muhammad Revives the Sick Boy', Folio from a Falnama (Book of Omens) of Ja'far al-Sadiq, 1550s, Attributed to Iran, Qazvin, Ink, opaque watercolor, and gold on paper, Painting: H. 23 1/16 in. (58.6 cm), Codices, This illustration belonged

Upper part of a limestone statuette of a female aulos player, Archaic, 1st quarter of the 6th century B.C., Cypriot, Limestone, Overall: H.:6 1/2 x W.:5 1/8 x D.:3 1/8 in. (16.5 x 13 x 7.9 cm), Stone Sculpture, The lower half of the body is

Pitcher, 1887–93, Made in Trenton, New Jersey, United States, American, Porcelain, H. 9 1/8 in. (23.2 cm), Ceramics, Modeled by William Bromley, In 1884, Walter Scott Lenox left Ott and Brewer to work for Willets, a rival firm; the

Marble statue of Aphrodite, Imperial, 1st or 2nd century A.D., Roman, Marble, H. 16 5/8 in. (42.2 cm), Stone Sculpture, Small-scale adaptation of a Greek statue type of the 3rd or 2nd century B.C.. Aphrodite brought her hands forward to

Mizuki Kikusaburo as a Woman Standing near a Small Stream and Looking at a Wandering Puppet-showman Impersonated by Ichimura Takenojo (Later Known as the 8th Ichimura Uzaemon), Edo period (1615–1868), probably 1709, Japan, Polychrome woodblock

Göetz von Berlichingen Being Dressed in Armor by His Page George, 1826–27, Watercolor and bodycolor with stopping out and gum arabic on wove paper, 8 3/8 x 5 5/8 in. (21.3 x 14.3 cm), Drawings, Eugène Delacroix (French,

鶏図衝立を見る鶏, Cock Eyeing a Free-standing Screen Painted with Cock, Hen, and Chicks, from Spring Rain Surimono Album (Harusame surimono-jō), vol. 1, Edo period (1615–1868), probably 1813, Japan, Privately published polychrome

Glass cup, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown and trailed, 2 3/4 in. (7 cm), Glass, Translucent pale green, with trail in same color. Rounded and thickened rim; short, vertical neck; carinated body with conical sides,

東海道五十三次　興津, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Tea Party at the Prince de Conti's, mid-19th century, Pen and black ink, brush and gray wash, watercolor, over graphite, 11 x 24 9/16 in. (28 x 62.4 cm), Drawings, Henry-Bonaventure Monnier (French, Paris 1799–1877 Paris

Comb, ca. 1905, Made in Chicago, Illinois, United States, American, Gold, pearls, enamel, probably horn, W. 4 3/4 in. (12.1 cm), Jewelry, Florence Koehler (1861–1944), Embodying the ideals of the Aesthetic and Arts and Crafts

Two Actors in a Yari-odori, i.e. Spear Dance, Edo period (1615–1868), 1710–13, Japan, Polychrome woodblock print; ink and color on paper, 10 3/8 x 14 3/4 in. (26.4 x 37.5 cm), Prints, Okumura Masanobu (Japanese, 1686–1764

東海道五十三次之内　草津　名物立場, Kusatsu: Famous Post House (Kusatsu, Meibutsu tateba), from the series Fifty-three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi no uchi), Edo period (1615–1868), ca. 1833–34,

Glass amphoriskos (perfume bottle), Late Hellenistic, 1st century B.C., Greek, Cypriot, Glass; core-formed, Group III, 6 3/4 in. (17.1 cm), Glass, Translucent green, appearing black; one handle and base-knob in yellow brown, the other

Cabbage and Insects, Qing dynasty (?) (1644–1911), China, Album leaf; black and grey wash on paper, 7 x 11 5/8 in. (17.8 x 29.5 cm), Paintings, Attributed to Xü Daoguang (Chinese, 13th century

Glass double cosmetic flask (kohl tube), Late Imperial, 4th century A.D., Roman, Syrian, Glass; blown and trailed, Overall: 6in. (15.2cm), Glass, Translucent yellow green; handles in translucent blue green, and trail in translucent turquoise

近代, 陳衡恪, 梨花, 軸, Pear-blossoms, early 20th century, China, Album leaf; ink and color on paper, 11 x 17 1/4 in. (27.9 x 43.8 cm), Paintings, Chen Hengke (Chinese, 1876–1923), The strong interplay of color and ink,

Terracotta Hadra hydria (water jar), Hellenistic, 3rd century B.C., Greek, Ptolemaic, Egyptian, Terracotta, H. 15 15/16 in. (40.5 cm), Vases, On the body of the vase is a representation of a shield decorated with the head of the gorgon

Scotch Kirk, Calcutta, 1850s, Albumen silver print, Image: 19.1 x 24.2 cm (7 1/2 x 9 1/2 in.), Photographs, Captain R. B. Hill

富士三十六景　武蔵越かや在, Musashi, Koshigaya Zai, Edo period (1615–1868), 4th month horse year 1858, Japan, Polychrome woodblock print; ink and color on paper, 14 1/16 x 9 1/3 in. (35.7 x 23.7 cm), Prints, Utagawa Hiroshige

Mirror, Greek, Cypriot, Bronze, Other: 2 11/16in. (6.8cm), Bronzes

Glass one-handled bottle, Imperial, 1st–2nd century A.D., Roman, Glass; blown and cut, H.: 5 1/8 in. (13 cm), Glass, Translucent very pale green; handle in same color., Collared rim, folded out, down, round up, and out, forming

Study of a Girl in Red, 1717, Pastel and chalk on blue laid paper, laid down on paste paper, 16 1/2 x 13 3/8 in. (41.9 x 34 cm), Pastels & Oil Sketches on Paper, Benedetto Luti (Italian, Florence 1666–1724 Rome), The sultry young model

Bird and Frog, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 1/4 x 10 1/2 in. (36.2 x 26.7 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889

Bushu Yokohama gaikokujin yūkyō no zu, A View of the Amusements of the Foreigners in Yokohama, Bushu, Edo period (1615–1868), 1st month, 1861, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Image (a): 14 1/2 x 9

Maharana Sangram Singh Hunting Wild Boar, ca. 1725, Western India, Rajasthan, Udaipur, Ink and opaque watercolor on paper, 12 1/4 x 17 13/16 in. (31.1 x 45.2 cm), Paintings, Riding a light gray stallion, the maharana of Mewar, Sangram

Opaque black glass ring stone with a white band, Imperial, ca. 1st century A.D.–3rd century A.D., Roman, Glass, black paste, Length: 1/2 in. (1.2 cm), Gems, Eagle on the head of a boar

Landscape with Autumn Foliage, Ming (1368–1644) or Qing (1644–1911) dynasty, China, Album leaf; ink and color on paper, 9 5/8 x 14 7/8 in. (24.4 x 37.8 cm), Paintings, Attributed to Shen Zhou (Chinese, 1427–1509

Nakamura Rikō, Edo period (1615–1868), 1774, Japan, Polychrome woodblock print; ink and color on paper, 12 5/8 x 5 5/8 in. (32.1 x 14.3 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Glass flask, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, 3 7/8 in. (9.9 cm), Glass, Small indented flask. Colorless with blue green tinge. Plain, rounded rim; flaring mouth; cylindrical neck;sloping, convex shoulder; sides

Yatagan with Scabbard, dated 1802–3, Anatolian or Balkan, Steel, silver, gold, coral, L. with scabbard 31 1/8 in. (79 cm); L. without scabbard 29 in. (73.7 cm); L. of blade 23 1/8 in. (58.7 cm); W. 2 1/4 in. (5.7 cm); Wt. 1 lb. 14 oz. (850

諸國名橋奇覧　東海道岡崎矢はぎのはし, Yahagi Bridge at Okazaki on the Tōkaidō (Tōkaidō Okazaki Yahagi no hashi), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran), Edo period

Sculptures extérieures du Sanctuaire de granit du Palais de Karnac (Ammon assurant la couronne sur la tête de Philippe-Aridée), 1849–50, Salted paper print from paper negative, Image: 6 1/8 in. × 8 in. (15.5 × 20.3 cm), Photographs,

Basalt mortar or plate, Late Bronze Age, ca. 1600–1050 B.C., Cypriot, Basalt, H. 1 3/8; Diam. 8 1/4 in. (3.5 x 21 cm), Miscellaneous-Stone Vases, The plate has a ring foot and a low, in-curving rim

Glass portrait head of a woman, Mid Imperial, 1st half of 2nd century A.D., Roman, Glass; mold-pressed and carved, H.: 7 1/2 in. (19.1 cm), Glass, Semi-opaque streaky blue., Hollow block pressed into an open mold with irregular tooling marks

Limestone head of a beardless male votary with a wreath of leaves, 2nd quarter of the 5th century B.C., Cypriot, Limestone, Overall: 6 1/2 x 4 5/8 x 5 1/2 in. (16.5 x 11.7 x 14 cm), Stone Sculpture

東海道五十三次　日本橋, Nihon Bashi, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, H. 9 1/8 in. (23.2 cm); W. 6 5/8 in. (16.8 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Statuette of Artemis Orthia-8, winged, Greek, Laconian, Lead, Height: 1 3/8 in. (3.5 cm), Miscellaneous-Lead

Superb Pinks and Chinese Agrimony, Edo period (1615–1868), ca. 1836, Japan, Polychrome woodblock print; ink and color on paper, Overall: 14 7/8 x 5 1/16 in. (37.8 x 12.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

東海道五十三次　大磯, Ōiso, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo

[Ruins, Dizfoul], 1840s–60s, Albumen silver print, Photographs, Possibly by Luigi Pesce (Italian, 1818–1891