Images at Librifly

Asakusa Imado, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, 10 1/2 x 15 1/8 in. (26.7 x 38.4 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861

[Yosemite National Park, California], ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled

Vase, ca. 1901–22, Made in McHenry, Illinois, United States, American, Earthenware, H. 11 5/8 in. (29.5 cm); Diam. 4 1/2 in. (11.4 cm), Ceramics

Terracotta statue of a young woman, late 4th–early 3rd century B.C., Etruscan, Terracotta, H. 29 7/16 in. (74.8 cm), Terracottas, The legendary king Aeneas, father of the Latin race, fled from Troy to Macedonia, then Sicily, and finally

Edinburgh. Greyfriars' Churchyard, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848

Fragmentary limestone relief with a snake and dolphin, Early Hellenistic, late 4th–3rd century B.C., Cypriot, Limestone, H. 13 15/16 in (35.4 cm), Cesnola Inscriptions, An inscription, running from left to right, is preserved in front of

Handle attachment for a bowl, 8th–7th century B.C., Cypriot, Bronze, Other: 4 1/8in. (10.5cm), Bronzes

Terracotta oinochoe: chous (jug), Classical, ca. 420 B.C., Greek, Attic, Terracotta; red-figure, H. 8 11/16 in. (22.1 cm), Vases, Three komasts (revelers). The torch held by the figure at right and the jug brandished by the one in the center

近江八景之内　比良暮雪, Evening Snow on Mount Hira, Edo period (1615–1868), ca. 1832, Japan, Polychrome woodblock print; ink and color on paper, 8 7/8 x 15 15/16 in. (22.5 x 40.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 1/2 in. (34.6 × 24.1 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Plate, 1765–70, Made in China, Chinese for export, Porcelain, Diam. 8 3/8 in. (21.3 cm), Ceramics, Chinese export porcelain was one of the luxuries deemed essential to a well-appointed eighteenth-century house. Until 1784, when direct trade

Small serpentinite axe, Neolithic, 5th–4th millennium B.C., Cretan, Stone, Length 1 7/8 in. (4.7 cm); W. 1 1/16 in. (2.7 cm), Miscellaneous-Stone, Celt

Dr. Sampson of York, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Head from a Figure with a Beaded Headdress, 12th–early 13th century, Attributed to Iran, Fossiliferous limestone; carved, drilled, H. 10 in. (25.4 cm), Stone, Although three-dimensional figurative sculptures were made from the beginnings of

南宋 趙孟堅 行書梅竹詩譜 卷, Poems on Painting Plum Blossoms and Bamboo, Song dynasty (960–1279), dated 1260, China, Handscroll; ink on paper, Image: 13 3/8 in. × 11 ft. 7 in. (34 × 353.1 cm), Calligraphy, Zhao Mengjian

Square with a Grape Harvesting Scene, 4th–5th century, Made in Egypt, Linen, wool; tapestry-woven, H. 5 3/4 in. (14.6 cm), Textiles, This charming vignette depicts two grape harvesters in an arbor. One man kneels, holding a basket of

Bronze statuette of a satyr reclining on a lion's skin, Late Archaic, early 5th century B.C., Etruscan, Bronze, Other: 2 1/8 in. (5.4 cm), Bronzes, The lion's skin, which is usually associated with Herakles, introduces a light touch,

The Actor Nakamura Nakazo I, Edo period (1615–1868), ca. 1775, Japan, Polychrome woodblock print; ink and color on paper, 12 3/8 x 5 5/8 in. (31.4 x 14.3 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Glass ribbed bowl, Early Imperial, late 1st century B.C.–mid 1st century A.D., Roman, Glass; cast, tooled, and cut, H.: 1 5/8 in. (4.1 cm), Glass, Colorless Plain rim with beveled edge; sides curving in downwards to slightly concave

Propylone du Temple de Khons, à Karnac, Thèbes, 1849–50, Salted paper print from paper negative, Image: 7 11/16 × 6 5/16 in. (19.5 × 16 cm), Photographs, Maxime Du Camp (French, 1822–1894

Bronze statuette of a camillus (attendant), Late Republican or Early Imperial, ca. 50 B.C.–A.D. 50, Roman, Bronze, H.: 5 7/8 in. (15 cm), Bronzes, Wearing a short belted tunic with sleeves, a shawl and boots

Standing Virgin and Child, ca. 1380–1400, Made in Umbria, Central Italy, Central Italian, Wood, painted and gilded, Overall: 47 x 16 3/16 x 9 3/8 in. (119.4 x 41.1 x 23.8 cm), Sculpture-Wood

Vue de la seconde Pyramide, prise au Sud-Est, December 1849, Salted paper print from paper negative, Image: 5 7/8 × 8 9/16 in. (15 × 21.7 cm), Photographs, Maxime Du Camp (French, 1822–1894

Glass striped mosaic bowl, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, probably Italian, Glass; cast, 2 5/8in. (6.7cm), Glass, Translucent purple and blue, opaque white and yellow, and colorless glass. Vertical

[Table Top Still Life with Model Cathedral and Small Sculptures], ca. 1856, Salted paper print from glass negative, 20.0 x 26.1 cm (7 7/8 x 10 1/4 in.), Photographs, Louis-Rémy Robert (French, 1810–1882), Due to the slow speed of early

Hippopotamus Head Amulet, Middle Kingdom, Dynasty 12, ca. 1981–1802 B.C., From Egypt, Beryl, L. 1.6 cm (5/8 in); w. 0.8 cm (5/16 in), Hippos were common inhabitants of the Nile River. The animal's aggressive nature and large size worried the

[Young Japanese Woman], 1870s, Albumen silver print from glass negative, 24.8 x 19.8 cm (9 3/4 x 7 13/16 in.), Photographs, Suzuki Shin'ichi (Japanese, 1835–1919

Flora Rankin, Irene MacDonald, and Mary Josephine MacDonald at Elm Lodge, July 1863, Albumen silver print from glass negative, 22.2 x 18 cm (8 3/4 x 7 1/16 in.), Photographs, Lewis Carroll (British, Daresbury, Cheshire 1832–1898

Ming Gam Pass River Min, ca. 1869, Albumen silver print from glass negative, Image: 9 5/16 × 10 13/16 in. (23.6 × 27.4 cm), Photographs, Attributed to Tung Hing (Chinese, active 1870s

Intérieur de la Porte de Jaffa, ca. 1870, Albumen silver print, Image: 28 x 22.6 cm (11 x 8 7/8 in.), Photographs, Félix Bonfils (French, 1831–1885

[Yosemite National Park, California], ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled

Pendant: siren, Classical, 5th–4th century B.C., Italic, Amber, H.: 1 15/16 in. (5 cm), Miscellaneous-Amber, The siren is a mythical hybrid creature who is part bird and part human female. Here the siren's head is shown in profile and turned

Sir James Young Simpson & Wainhouse (or Muirhouse), 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews,

Vase fragment, Neolithic, second period, ca. 4000–3000 B.C., Neolithic, Gonia, Terracotta, length 1 7/16in. (3.6cm), Vases

Fragment, 17th century, Attributed to Iran or Turkey, Silk; brocaded, H. 13 3/4 in. (34.9 cm), Textiles-Woven

東都名所　浅草金龍山年の市, Asakusa Kinryusan Toshi no Ichi, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 9 7/16 x 14 7/16 in. (24 x 36.6 cm), Prints, Utagawa Hiroshige (Japanese,

Square, 3rd–4th century, Attributed to Egypt, Linen, wool; tapestry weave, H. 3 3/8 in. (8.6 cm), Textiles

Facade of Chartres Cathedral, 1906, Watercolor, pen and green ink over graphite, sheet: 11 5/8 x 8 1/8 in. (29.5 x 20.6 cm), Drawings, Roger Eliot Fry (British, Highgate, Middlesex 1866–1934 London

Enthroned Jina Attended by a Yaksha, a Yakshi, and Chauri-Bearers, Chalukyan period, 9th–10th century, India (Karnataka), Copper alloy, H. 9 3/4 in. (24.8 cm), Sculpture, This Digambara icon from the Deccan shows a jina meditating beneath

Bronze statuette of a Lar, Early Imperial, early 1st century A.D., Roman, Bronze, H.: 4 in. (10.2 cm), Bronzes, The Lar holds a phiale in his right hand, and raises a rhyton in the shape of a dolphin in his left hand

Heart amulets, New Kingdom, Dynasty 18–19, ca. 1550–1186 B.C., From Egypt, Agate, glass, Agate: H. 2.2 cm (7/8 in); w. 1.9 cm (3/4 in), For the ancient Egyptians, the heart (ib) was the source of intelligence, feelings, and actions. A

Glass striped mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Overall: 1 1/2 x 1 3/4 in. (3.8 x 4.4 cm), Glass

Head of a gazelle, Sasanian, ca. 3rd–7th century A.D., Iran, Qasr-i Abu Nasr, Sasanian, Bronze, 2.25 x 2.5 in. (5.72 x 6.35 cm), Metalwork-Sculpture

Crow Resting on Wood Trunk, Japan, Polychrome woodblock print; ink and color on paper, 9 7/8 x 14 1/8 in. (25.1 x 35.9 cm), Prints, Kawanabe Kyōsai (Japanese, 1831–1889

Teapot, 1690–1700, Made in New York, New York, United States, American, Silver, Overall: 6 7/16 x 10 3/8 x 5 3/16 in. (16.4 x 26.4 x 13.2 cm); 22 oz. 18 dwt. (713.3 g), Silver, Jacob Boelen (ca. 1657–1729), The globular body, straight

Rev. Henshaw Jones, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Standard Motor 80HK. Afbremsnings Prore'paa Orlogsvarftets Flyve Station 1916., 1905–19, Gelatin silver prints from glass negatives, Image: 3 5/16 × 4 3/8 in. (8.4 × 11.1 cm), Photographs, Jacob Christian Hansen Ellehammer (Danish,

Claret, 1818, American, Glass, 4 5/16 in. (11 cm), Glass, Pellatt & Green, William Bayard (1761–1826) commissioned this table service in 1818 for his daughter Harriet (1799–1875) and her husband Stephen Van Rensselaer IV (1789–1868) from

Jérusalem, Porte Saint-Étienne, Vue extérieure, 1854, Salted paper print from paper negative, Image: 32.4 x 23.7 cm (12 3/4 x 9 5/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Awl, Cypriot, Bronze, Other: 4 7/8in. (12.4cm), Bronzes

Terracotta kylix (drinking cup), Classical, ca. 480 B.C., Greek, Attic, Terracotta; red-figure, H.: 3 x 9 7/16 in. (7.6 x 24 cm), Vases, Interior, youth and boy The connection between the two figures is not clear. The context is athletic,

Honganji at Asakusa in Edo (Tōto Asakusa Honganji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　東都浅草本願寺, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print;

The Actor Ichikawa Yaozō III as Fuwa Banzaemon in a Thunder Robe, Playing with a Fan, Edo period (1615–1868), 1794, Japan, Polychrome woodblock print; ink and color on paper, 12 13/16 x 5 13/16 in. (32.5 x 14.8 cm), Prints, Katsukawa

Crane Among Reeds, Meiji period (1868–1912), 1887–92, Japan, Album leaf; silk, 13 1/2 x 10 7/8 in. (34.3 x 27.6 cm), Paintings, Kawabata Gyokushō (Japanese, 1842–1913

Place de la Bastille, Burned, 1871, Albumen silver print from glass negative, Images approx.: 19 x 25 cm (7 1/2 x 9 13/16 in.), or the reverse, Photographs, Alphonse J. Liébert (French, 1827–1913

The Actor Azuma Tōzō I as a Woman Carrying Two Bird Cages, Edo period (1615–1868), 1768, Japan, Polychrome woodblock print; ink and color on paper, 12 1/4 x 5 1/2 in. (31.1 x 14 cm), Prints, Torii Kiyomitsu (Japanese, 1735–1785

A Young Man with a Miniature Flower Cart, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 14 1/4 in. (36.2 cm); W. 6 in. (15.2 cm), Prints, Ishikawa Toyonobu (Japanese, 1711–1785

Creamer, 1810–20, Made in New York, New York, United States, American, Silver, Overall: 6 3/8 x 6 1/4 in. (16.2 x 15.9 cm); 10 oz. 5 dwt. (318.4 g), Silver, John W. Forbes (1781–1864

[Attock on the Indus River- From a Drawing], 1858–61, Albumen silver print, Image: 7.3 x 12.5 cm (2 7/8 x 4 15/16 in.), Photographs, Unknown

Lead figure of a woman, Archaic, late 7th–early 6th century B.C., Greek, Laconian, Lead, Height: 1 3/4 in. (4.4 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient sanctuaries

柳に鴉図, Crow and Willow Tree, Meiji period (1868–1912), November 1887, Japan, Album leaf; ink and color on silk, 14 1/4 x 10 1/2 in. (36.2 x 26.7 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889

[Boy in Uniform], ca. 1855, Paper negative, 24.5 x 17.9 cm (9 5/8 x 7 1/16 in. ), Negatives, Jean-Baptiste Frénet (French, 1814–1889

Fragment, early 19th century, Attributed to present-day Greece, Thessaloniki, Linen, silk; plain weave, embroidered, H. 9 3/4 in. (24.8 cm), Textiles-Embroidered

Bronze hemispherical bowl, Early Iron Age, 11th–10th century B.C., Cretan, Bronze, H. 2 in. (5.1 cm.), Bronzes, Undecorated and much incrusted

Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist, ca. 1301, with later additions, Made in Pistoia, Tuscany, Italy, Italian, Carrera marble with addition of Pentelic marble, Overall: 27 3/4 x 24 3/16 x 16in.

Bar de Cabaret, 1900–1911, printed 1956, Gelatin silver print, Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Study of a Woman and Child, 1745–92, Black chalk, sheet: 10 1/2 x 7 1/4 in. (26.7 x 18.4 cm), Drawings, Sir Joshua Reynolds (British, Plympton 1723–1792 London), The woman's seated pose is remarkably dynamic: as she turns to gaze over her

Loincloth, 12th–15th century, Peru, Chimú, Cotton, camelid hair, L. (without tie) 158 x W. 45 in. (401.3 x 114.3 cm), Textiles-Woven

Bronze oinochoe: olpe (jug), Archaic, 6th century B.C., Etruscan, Bronze, H. 6 9/16 in. (16.7 cm), Bronzes, The olpe is a common shape due, certainly, to its simplicity and convenient size. The Greek world, especially Attica, furnishes

[Government House, Calcutta], 1858–61, Albumen silver print, Image: 15.8 x 25.7 cm (6 1/4 x 10 1/8 in.), Photographs, Unknown

Fisherwoman with a Basket and Two Boys, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 5/16 x 7 1/4 in. (21.1 x 18.4 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Dressing Room for Musicians at a Theater (Shitakubeya), Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 7 7/8 in. (20 cm); W. 21 7/8 in. (55.6 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo)

Bowl with Double Fish, Dancers, and Animals, 5th–6th century, China (Xinjiang Autonomous Region, Central Asia), Bronze, Diam. 5 1/2 in. (14 cm), Metalwork, Paired fish are an auspicious emblem (mangala) that first appeared in conjunction

Slop bowl, ca. 1730, Austrian, Vienna, Hard-paste porcelain, H. 2-7/8 in. (7.3 cm.); Diam. 6-7/8 in. (17.5 cm.), Ceramics-Porcelain, The floral decoration on this bowl is particularly beautiful and must have been executed by one of Du

Bell-krater, Late Classical, ca. 360–330 B.C., Greek, South Italian, Campanian, Terracotta; red-figure, Overall: 7 1/2 in. (19.1 cm), Vases, Obverse, head of a woman to left; reverse, head of a young satyr to left

Fireman, Edo period (1615–1868), ca. 1858, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 1/2 × 9 1/4 in. (34.3 × 23.5 cm), Prints, Utagawa Yoshitora (Japanese, active ca. 1850–80

Propylées du Thoutmoséum, à Médinet-habou (Thèbes), 1849–50, Salted paper print from paper negative, Image: 8 7/16 × 6 7/16 in. (21.4 × 16.4 cm), Photographs, Maxime Du Camp (French, 1822–1894

The Flagellation, early 16th century, Italian (Veneto), Metalpoint, brush and gray wash, touches of white, on gray prepared paper, 11 x 6 15/16 in. (27.9 x 17.6 cm), Drawings, Italian, Veneto (early 16th century

Silver spoon and fork, Imperial, ca. 3rd century A.D., Roman, silver, Length 6 3/8 in. (16.2 cm), Gold and Silver, This elegant and unusual eating implement doubles as both a spoon and a fork, the latter intended more for picking up food from

Glass beaker, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, Height: 2 3/4in. (7cm), Glass, Colorless with pale blue green tinge. Thickened, rounded, vertical rim; slightly convex vertical sides, then turned in to flattish

Iyo Province, Saijō, from the series Views of Famous Places in the Sixty-odd Provinces (Rokujū yoshū meisho zu-e, Iyo, Saijō), 「六十余州名所図絵　伊予　西条」, Edo period (1615–1868), ca. 1853, Japan, Polychrome

Jérusalem, Vallée de Hinnom, Ensemble du flanc droit, 1854, Salted paper print from paper negative, Image: 23.4 x 33.3 cm (9 3/16 x 13 1/8 in.), Photographs, Auguste Salzmann (French, 1824–1872

Stair Riser with Marine Deities or Boatmen, ca. 1st century, Pakistan (ancient region Gandhara (Swat Valley?), Serpentinite, H. 6 5/8 in. (16.8 cm); W. 17 in. (43.2 cm), Sculpture, This sculpture and the triangular side relief are part of a set

La Dogaresse, 1861–67, Albumen silver print from glass negative, Image: 8.9 x 5.4 cm (3 1/2 x 2 1/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Crescent-Shaped Pendant with Confronted Birds, 11th century, Made in Egypt, Gold, cloisonné enamel, turquoise; filigree, H. 1 3/4 in. (4.5 cm), Jewelry, Few works with enamels have survived from the early Islamic period. The fabrication of

The Third Otani Hiroji as a Daimyo Standing on the Engawa, Edo period (1615–1868), ca. 1771, Japan, Polychrome woodblock print; ink and color on paper, 12 11/32 x 5 17/32 in. (31.4 x 14.1 cm), Prints, Katsukawa Shunshō (Japanese,

Jérusalem, Église Sainte-Anne, Façade, 1854, Salted paper print from paper negative, Image: 32.5 x 23.4 cm (12 13/16 x 9 3/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Terracotta loom weight, Late Corinthian, ca. 575–525 B.C., Greek, Corinthian, Terracotta, H.: 1 11/16 x 2 1/16 in. (4.3 x 5.2 cm), Terracottas, The geometric decoration shows a rather even balance between glazed and reserved areas. It

God Horus Protecting King Nectanebo II, Late Period, Dynasty 30, 360–343 B.C., From Egypt; Said to be from Memphite Region, Heliopolis (Iunu; On), Tomb of a Mnevis bull, Meta-Greywacke, H. 72 cm (28 3/8 in.); W. 20 cm (7 7/8 in.); D. 46.5

Ladies in Waiting of the Chiyoda Castle: Sword Practice and Puppet Kyōgen, Meiji period (1868–1912), 1895, Japan, Triptych from an album of polychrome woodblock prints; ink and color on paper, 13 7/8 x 9 1/4 in. (35.2 x 23.5 cm), Prints,

The Poet Ariwara no Narihira (825–880) and Ono no Komachi, from the series Five Colors of Love for the Six Poetic Immortals (Goshiki-zome rokkasen), 『五色染六歌仙』 在原業平と小野小町, Edo period (1615–1868), ca. 1798,

Large Lobster, Edo period (1615–1868), 1800–1815, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 5/16 x 19 7/8 in. (18.6 x 50.5 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo

The Actor Segawa Kikunojo 3rd in a Female Role, Edo period (1615–1868), ca. 1785, Japan, Polychrome woodblock print; ink and color on paper, H. 13 in. (33 cm); W. 5 3/4 in. (14.6 cm), Prints, Katsukawa Shunjō (Japanese, died 1787

Carnelian ring stone, Late Republican or Imperial, 1st century B.C.–3rd century A.D., Roman, Carnelian, Length: 1/2 in. (1.3 cm), Gems, Aphrodite Kallipygos with helmet and spear

Stele with Buddha Maitreya, Northern Wei dynasty (386–534), dated 533, China, Limestone, H. 45 in. (114.3 cm); W. 14 3/4 in. (37.5 cm); D. 11 1/8 in. (28.3 cm), Sculpture

Teapot, ca. 1830, Made in Philadelphia, Pennsylvania, United States, American, Silver, 6 3/4 x 12 x 4 1/2 in. (17.1 x 30.5 x 11.4 cm) 22 oz. 6 dwt. (693.2 g), Silver, Robert and William Wilson (active ca. 1825–ca6

Loom Weight or Vessel, 10th–11th century, Attributed to Iran, Glass; free blown, H. 3 5/8 in. (9.2 cm), Glass

Terracotta sherd with linear decoration, Middle Neolithic, ca. 4000 B.C., Greek Neolithic, Terracotta; Red-brown on buff ware, length 3 1/4in. (8.3cm), Vases, From Nemea in the Peloponnese. Dark lines on light ground

Plaque fragment, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Ivory, H. 13/16 x W. 1 3/16 x D. 3/16 in. (2.1 x 3 x 0.5 cm), Ivory/Bone-Reliefs, This ivory plaque with a winged, snarling lion is one of several similarly decorated

Jug, ca. 1810, British, Sunderland, Lustreware, Height: 5 1/8 in. (13 cm), Ceramics-Pottery